Review of The Metamorphosis by Franz Kafka

SFFaudio Review

Podcast Audio Book - The Metamorphosis by Franz KafkaThe Metamorphosis
By Franz Kafka; Read by Alex Wilson
3 Zipped MP3, OGG or AAC files – 2 Hours 15 Minutes [UNABRIDGED]
Publisher: The Spoken Alexandria Project
Published: 2006
Themes: / Fantasy / Surreal / 1910s / Insects /

At first read, The Metamorphosis by Franz Kafka is a bizarre, almost nonsensical story. Gregor Samsa, a traveling salesman, wakes up to find himself transformed into a giant bug of some sort. No explanation is given for how or why this metamorphosis occurred. Gregor himself seems more concerned with being late to a work assignment than the circumstances of his change.

As the novella progresses, The Metamorphosis becomes more about the unspoken negotiations inside a family as in who does what chores, who makes money for others, and who just gets in the way. When Gregor can no longer provide for the family’s needs, Gregor’s father changes from an invalid to a dedicated worker. Along the way, Greta converts from a loving sister to a young woman looking for suitors. The bizarre transformation of Gregor is not the most important transformation in the family, as evidenced by the final lines.

Alex Wilson, the founder of Spoken Alexandria, provides a understated, but compelling reading. The sound quality is top-notch, even when listening over headphones. The tone of voice is like someone waked in the middle of dream, lending an appropriate otherworldliness to the story of alienation.

Posted by Listener of the Free Listens blog

Review of Seeker: Book One of the Noble Warriors by William Nicholson

SFFaudio Review

Fantasy Audiobook - Seeker by William NicholsonSeeker: Book One of the Noble Warriors
By William Nicholson; Read by Michael Page
9 CDs – 10 Hours [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2007
ISBN: 9781423318354
Themes: / Fantasy / Epic Fantasy / Young Adult / Religion / Magic / Science /

“Three Very Different Heroes, Brought Together By A Shared Dream”

An elite band of fighter monks called the Nomana (AKA the “Noble Warriors”) guard a garden on the island of Anacrea within which dwells “the god who made all things.” Seeker (AKA “Seeker After Truth”) is an extremely intelligent boy of sixteen. He lives on the island, and wishes to follow his brother, the improbably named “Blaze Of Justice”, into the ranks of the Nomana. His father disapproves and he is forced to apply in secret. Morning Star, a girl of sixteen, can read a person’s aura to determine their character and emotions. She has the same goal, namely to become a Noble Warrior. With her father’s blessing and a hired guard, Morning Star sets out on a long journey to Anacrea. The two applicants are joined in the application line by a unschooled but charismatic seventeen year old brigand known only as “Wildman.” Wildman too is determined to become a “hoodie” (his word for the Nomana) after he found himself and his gang defeated by just two of the Noble Warriors. Far away in the imperial city of Radiance, a plot is hatching which will eventually involve all three youths.

When I first started listening to Seeker I couldn’t place just what kind of fantasy novel I’d taken on. It opens in a classroom, with a student named “Seeker After Truth” taking an important exam and deliberately writing down all the wrong answers. Intriguing, huh? Seeker wants to fail – that way, he hopes his father, who is also the class’ teacher, will free him of his planned destiny.

Author William Nicholson is unusually sparse with description. The setting is a school, but what are the desks made of? I don’t know. Do they have electric lighting? No data available. It takes a while for the listener to settle on what sort of technological capacity these people have and it takes even longer to understand what kind of tale this will be. Is this deliberate? After finishing the novel I’m still not sure. This is Nicholson’s second fantasy trilogy, and he’s crafted a recognizably fantasy epic in an unusual form. Is the lack of visual detail deliberate? It may be. Nicholson had a hand in writing plays and film scripts before finding further success with novels. He wrote the film scripts of First Knight (the Arthurian legend starring Richard Gere), Shadowlands (a biographical film about C.S. Lewis), the Ridley Scott-directed film Gladiator, and most recently Elizabeth: The Golden Age!

What I am sure about is this novel, the first of a trilogy, is about the nature of religious experience. Looking at Nicholson’s upbringing and his career, his writing is never far from either fantasy or religion. And perhaps most interestingly, when the novel first came out, he offered a “personal challenge to the reader” – if you could figure out what the nature of the Anacrean god was, before book two or three came out, he’d send you free copies of the books. He said the Anacrean god “is something you can’t possibly imagine.” Intriguing stuff.

The religions of Anacrea (an island fortress) and the city of Radiance, capital of a vast mainland empire, are both monotheistic. Anacrea’s mysterious god is called the “all and only.” It grants its monkish priests special powers which I can liken only to those of Star Wars‘s Jedi Knights. The Radiance god is the sun in their sky, and the citizens there have practiced ritual human sacrifice at twilight for centuries to keep the sun returning. But there are no magical powers for religious practitioners of Radiance. Instead, the upwardly mobile middle class of Radiance concerns itself with commerce or competes for prestige by buying human sacrificial offerings from slavers. And the Radiance elite, who employ something they call “scientists” are developing a weapon to rid themselves of the meddlesome monks on Anacrea.

The novel is good, but it doesn’t stand well enough on its own for an unreserved recommendation. One of the aspects I quite enjoyed was a kind of a con-game played on some willing believers about four-fifths of the way into the novel. The ending, which provides some resolution, wasn’t particularly surprising or revelatory. Nicholson is a successful playwright and an Oscar nominated screenwriter. It remains to be seen whether the mystery at the center of this trilogy will be as big a payoff as Nicholson is claiming – he calls the Noble Warriors trilogy the “most important thing I’ve ever done.” I’m intrigued enough to listen to the second book, entitled Jango (also available from Brilliance).

Reader Michael Page, a ten audiobook veteran for Brilliance Audio, is a British actor who narrates well. His males are distinguishable, his female voices are too, at typically a pitch lower. At one point though, when we meet a roadside oracle, in what proves to be a funny scene, Page presents a character with a Monty Python-style falsetto. His rendition of the “Wildman,” a major figure in the book, is always filled with a fun bluff gusto. The packaging itself features the handsome paperbook art. Each disc does too, and each opens and closes with a musical cue which is handy for people swapping discs. Each disc has 99 files, the idea being it makes for more accurate bookmarking. But if you’re planning on ripping a disc to put on your MP3 player be aware that not all programs make ripping a disc with this many files easy.

Lastly, a quibble. They’ve spelled “Noble” (of an exalted character) as “Nobel” (like the Swedish chemist). This was fixed for the sequel’s cover.

Posted by Jesse Willis

Review of A Connecticut Yankee In King Arthur’s Court by Mark Twain

SFFaudio Review

LibriVoxA Connecticut Yankee In King Arthur’s Court
By Mark Twain; Read by Steve Anderson
45 Zipped MP3 files or Podcast – 13 Hours 43 Minutes [UNABRIDGED]
Publisher: Librivox.org
Publshed: 2006
Themes: / Fantasy / Time Travel / Satire /

“This is the first book I recorded for LibriVox. As is the first recording, it is a bit rough in places, but I am happy with it, it is certainly enjoyable listening, if you are not me; and you are not. The Yankee is a long time favorite of mine, though some might be surprised to know that. I encourage you to download and listen, it’s free. Give copies to your friends.” – Narrator, Steve Anderson

In the opening chapters of A Connecticut Yankee In King Arthur’s Court, Mark Twain magically transports the titular Yankee, Hank Morgan, into the mythical world of King Arthur and sets him up to be burned at the stake, then lets Hank weasel his way out with his modern knowledge. The plot is nothing more than a constant rehash of this same type of set-up and escape, but the character is what is most memorable about the book. Twain has a talent for making his characters simultaneously over-the-top and real, creating a person both exasperating and fascinating. Hank, as “The Boss”, is constantly making grand plans and trying to convince his medieval compatriots to adopt a late 19th century lifestyle.

Apart from the unforgettable characters, the other hallmark of Twain’s works is his misanthropy. Toward the end, the sarcasm becomes a bit too harsh to be enjoyable as Twain’s love for persons individually begins to be outweighed by his distaste for people in general. Before this vitriol starts to take effect, though, Twain gently but effectively ridicules organized religion, politics, advertising, personal hygiene, war, and, of course, the Arthurian legend. It helps if you have tried to read (and, perhaps, failed to finish) Mallory’s Le Morte D’Arthur, but anyone familiar with chivalrous tales of knights in shining armor is bound to get the joke.

Librivox volunteer Steve Anderson’s reading is full of enthusiasm. He lends just the right amount of sarcasm to his telling and makes Hank’s story come alive with wit. Anderson doesn’t “do voices” for other characters very often, which since the story is told as a 1st person narrative, is just fine. There’s a bit of background hum and the louder tones are cut off, giving the voice a tinny character at times. The sound quality, however, should not distract most people from Twain’s excellent story or the reader’s infectious love of the book.

Here is the podcast feed for the audiobook:

http://librivox.org/bookfeeds/a-connecticut-yankee-in-king-arthurs-court-by-mark-twain.xml

Posted by Listener of the Free Listens blog

Review of I Am Legend and Other Stories by Richard Matheson

SFFaudio Review

Science Fiction Audiobook - I Am Legend by Richard MathesonI Am Legend
By Richard Matheson; Read by Robertson Dean and Yuri Rasovsky
10 CDs – Approx. 11 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2007
ISBN: 9781433203299
Themes: / Science Fiction / Horror / Vampires / Noir / Science /

“Come out Neville!”

Would it be fair to say that I Am Legend is one of the greatest novels of the 20th century? No, I personally wouldn’t argue that. I’d argue that instead it is one of the greatest novels of all time. The very first review on SFFaudio was an out of print audiobook from Books On Tape. I bought it on eBay in 2003, I haven’t seen it for sale since. It was a “double novel” audiobook entitled I Am Legend / The Shrinking Man two of Richard Matheson most famous works. As I said in that review, “I Am Legend is one of the best audiobooks I’ve ever listened to.” That same recommendation goes for this edition. The novel alone is worth killing for. If you’re a fan of Matheson, the included short story collection is a bonus.

I Am Legend is a classic vampire story with the standard man against nature, man against himself themes. It is the psychological journey, of Robert Neville, is the very last man on Earth. Every night male vampires pelt his suburban Los Angeles home with rocks and the female vampires expose their nakedness to him – these, his former neighbors – lust for his blood. During daylight hours, Neville repairs the damage to his home, restocks his larder, and his bar, with canned foods, and whiskey. He needs the whiskey, for his other tasks are to suppress the lustful desires he has. He has a deadly lonliness within him. He’s found the only way to keep himself from going mad is to keep busy, drink heavily and try not to think about what’s happening outside his home at night. Since the plague hit, and his wife died, Neville has had to learn the lathe, for turning stakes, and become a microbiologist – he’s used all sorts of techniques to keep the vampires at bay – and he’s curious as to why some work and some don’t. Garlic works, but mirrors don’t. Holy water doesn’t, but crosses do, at least sometimes. It’s enough of a puzzle to turn an everyman into an experimental scientist – and that journey of science, and the lessons of about the world Neville learns along the way are rewarded in what I can only describe as the best ending to a novel ever.

Some will argue that I Am Legend is one of the greatest novels of the 20th century. I’d argue that it is one of the greatest novels of all time. But that said, I’d still argue that Richard Matheson is a very limited writer. He can’t seem to tell more than one kind of story. As I learned from the ten short stories that round out the later discs of this audiobook, (and my previous experience reading The Shrinking Man), breadth of storytelling is not Matheson’s strength. His strength in I Am Legend is the perfect storm of the “psychology,” “science fiction”, and “noir.” In his other works Matheson doesn’t hold all three, (or any other two) in such a perfect molecular bond. The elements that make up I Am Legend play-out absolutely perfectly. But in the later horror stories of this collection, written between the early 1950s and the late 1980s the psychological element is always present, but that’s about all. Stories included are:

Buried Talents,” “The Near Departed,” “Prey,” “Witch War,” “Dance of the Dead,” “Dress of White Silk,” “Mad House,” “The Funeral,” “From Shadowed Places,” “Person to Person.”

The premises in these tales are all drowned out by the continuing theme of ‘solitary psychology’, repetitions of ‘solitude and isolation’ in everymen, becomes wearisome and frankly boring. I found my mind wandering off in nearly every short story. None held my attention very well. There was one story about a house haunted by an angry writer “Mad House“, and that was an interesting premise, but it didn’t pay off. Another, about an everyman’s visit to a witch-doctor sounded interesting, but then it made me sleepy. The final story in the collection, “Person To Person,” started off very promisingly. An everyman is woken up by a telephone ringing late at night. But the ringing doesn’t stop when he picks up the phone. He consults doctors about this ringing, found only in his head, but there is no medical reason why it should happen. Soon thereafter, a psychiatrist suggest he try to stop the ringing by visualizing the act of answering a phone in his head. Lo and behold this works, and on the other end of the line is a man claiming to be from a top secret government agency! They are conducting telepathy trials – or at least that’s what the voice says. Unfortunately, the premise then is completely overwhelmed by that same recurrent theme: Psychology, psychology, psychology. Is the man crazy? Is it a mad scientist? Sadly you won’t care. These stories all disappoint. As a booster of short fiction I find myself surprised to be writing this – just forget about these short stories, the novel alone will provide more than enough value. But on the other hand, fans of Matheson’s short work should take note that the short stories are not included in the audible.com and iTunes versions. All ten short stories are exclusive to the CD and MP3-CD hard copies available through Blackstone Audiobooks.

Narrators Robertson Dean and Yuri Rasovsky split duty on this collection. Dean reads the novel and Rasovsky the short stories. Dean has a deep voice, and paints effective emotion in what is essentially a straight reading. I think I still prefer Walter Lawrence’s version (out of print) but this is a good reading. Rasovsky, on the other hand, injects a ferocity into the emotions of Matheson’s characters, his voice is raspy, almost scarred. Unfortunately the stories were not engaging, this despite Rasovsky’s best efforts. Blackstone has outfitted the audiobook with a dark out of focus cover that depicts a silhouette of a man walking a lonely street in the big city. Meh. Finally, I saw the latest movie version recently, I had low expectations so I was happy to see it was pretty good. I bring this up because, I think it important to note that the “Legend” of Robert Neville is a legend for an entirely different group in the book than in this film version. That is to say, if you only watched the movie, listen to the novel – it has a big surprise in store.

Posted by Jesse Willis

Review of Master Of Space And Time by Rudy Rucker

SFFaudio Review

Science Fiction Audiobook - Master of Space and Time by Rudy RuckerMaster of Space and Time
By Rudy V. B. Rucker; Read by Scott Grunden
5 CDs – Approx. 6 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2007
ISBN: 9781433207709
Themes: / Science Fiction / Humor / Physics / Quantum Mechanics / Alternate Universe / Time Travel / Robots /
play.jpg

“Madcap inventor Harry Gerber is hopeless when it comes to surviving in the real world. So he uses his genius to twist the laws of science and create his own tailor-made universe.”

Joe Fletcher has a 9-to-precisely-5 job at Softtech, a crappy software company in New Jersey. He hates his job, so much so he’s programmed a piece of software to alert him to the precise nano-second of the completion of his requisite 40 hours a week. On one particular Friday in the futuristic 1990s Joe hoofs it out to the company parking lot for the commute home only to find his former partner, Harry Gerber, an “out-of-it” genius inventor waiting for him. Joe hadn’t seen Gerber, his former partner in their bankrupt engineering firm, in more than a year so he’s rather surprised to see a two-inch tall Harry sitting on the steering wheel of his 1956 Buick. In fact, after closer inspection there are a whole swarm of tiny Harrys in the Buick. Some are standing on the gearshift, others are running around on the dashboard, each is smaller than the next. The Harrys tell Joe about the machine that they will assemble on Saturday that will make them both masters of space and time by Sunday afternoon. Most important for Joe, Harry and his girlfriend, the improbably named Sondra Tupperware, they’ll need to get some red gluons – a kind of subatomic particle found only below the “Planck threshold.” The “blunzer” – the device in question, will grant them the ability to do absolutely anything by just mentally manipulating the very nature of reality – and they know it will work since it already has!

Rudy Rucker is playing with old Heinleinian tropes to good comic effect in Master Of Space And Time. On offer is an homage to The Puppet Masters and I Will Fear No Evil, the former being an alien invasion by brain slugs, the latter being about a man who gets the ultimate in transgendered wishes. There’s lots of original material here too, the writing is Hard SF-lite with lots of physics for undergraduates. It comes off as a comic version of the ultimate power fantasy, or as an SF take on the old “three wishes” tales. One other bit of fun, the chapter names are all either self-referential or jokey. On the net there seems to be quite a bit of controversy about the religious and sexual aspects of the book. I found it hard to understand why that would be – the accusations of ‘homophobia’ and a ‘high-handed, anti-christian’ attitude seem pretty insubstantial, at least based on the content of the novel I was listening to. The whole caper is fun, unpredictable and fast moving. It makes for a breezy listen – it won’t blow your mind, but it will entertain.

In Master Of Space And Time narrator Scott Grunden has some of the funniest lines ever read in an audiobook. At one point early in the novel he’s performing the sounds of a ginormous iguana-cum-Godzilla, (WHEEEENK-WHEEEENK- WHEEEENK! GUH-ROOOOOOO OOOOOOOOOOOOO!) the scene goes on an on. Another treat, at the point at which Joe is switched bodily into his idea of the most sexy woman in the world Grunden changes his voice even when his cadence doesn’t. It pleases the heck out of me that Blackstone is venturing a little farther back in time for many of its new Science Fiction additions. Master Of Space And Time was first published in the 1984, I had no clue it even existed until this audiobook edition came out. Look for a film version of Master Of Space And Time sometime in 2009 with a screenplay by Daniel Clowes of Ghost World fame.

Posted by Jesse Willis

External review of Dune by Frank Herbert

OnlineAudio

SFSite.comJust posted to SFSite.com, an audio review |MP3| of the latest audiobook version of Frank Herbert’s Dune. The review is by an unnamed reviewer Brian Price from AudioFile Magazine (the premier print publication about audiobooks).

“Listening to Dune offers the opportunity to experience this classic work in a way that manages to feel comfortably familiar and surprisingly new at the same time. The story of Paul Atreides and the fulfillment of his destiny on the desert planet Arrakis is brought vividly to life in this outstanding production.”

The audiofile “audioopolis” podcast feed is here:

http://feeds.feedburner.com/Audiopolis

The SFSite Podcast feed is here:

http://www.sfsite.com/depts/podcast.xml

Posted by Jesse Willis