Reviews – Page 103

Review of The Naked Sun by Isaac Asimov

SFFaudio Review

The Naked Sun
By Isaac Asimov; Read by William Dufris
7 CDs or 1 MP3-CD – 8 Hours 30 Minutes [UNABRIDGED]
Publisher: Tantor Media
Published: 2007
ISBN: 140010422X (CDs), 1400154227 (MP3-CD)
Themes: / Science Fiction / Mystery / Robots / Artificial Intelligence / Sociology / Alien World

On the beautiful Outer World planet of Solaria, a handful of human colonists lead a hermit-like existence, their every need attended to by their faithful robot servants. To this strange and provocative planet comes Detective Elijah Baley, sent from the streets of New York with his positronic partner, the robot R. Daneel Olivaw, to solve an incredible murder that has rocked Solaria to its foundations.

[disclaimer- As an audiobook publisher (www.wonderaudio.com), I have a working relationship with the narrator, William Dufris. I have no other professional associations with this title. Although I’ve kept the paragraph about the narration on this title brief, reader’s may question the objectiveness of the review in such cases. On the other hand, just because I have an association with an author or narrator doesn’t negate my reason or enthusiasm for that artist.]

The Naked Sun is a sequel to The Caves of Steel. It can be read or listened to without first acquainting yourself the first title, but it’s recommended that they be read in order…(The Caves of Steel was also designated an SFFaudio Essential by a different reviewer).

Like the first book, the main character is Earthman detective Elijah Baley. And he is reunited with robot and assistant Daneel Olivaw. He is sent to Solaria, which is hostile to Earth, to investigate a murder. Asimov takes the setting of The Caves of Steel and flips is on it’s head. In that first book the setting was of a vastly overpopulated Earth living in the confines of gigantic city/buildings. The mere thought of being outside is frightening to Earth’s inhabitants.

In The Naked Sun, Elijah Bailey, is sent to the planet Solaria to investigate a murder. Solaria’s inhabitants live on vast estates alone or with their spouses. They communicate with one another via holographic telepresence. They call this “viewing” versus “seeing.” “Seeing” is when they are in one another’s physical presence. They have a natural aversion to “seeing” and consider it a social taboo. This has additional relevance to our own society, or should I say to our social media networked world. Socially, we have moved closer to the virtual aspects of a world like Solaria than the world of 1956 when the novel was first published in Astounding Stories.

Asimov’s writing style is very clean, sparse and not very stylistic in a literary way. He’s fond of moving the story along with one-on-one dialogue. This is not untypical of the mystery genre and serves the Robot Novels very well. One of William Dufris’ strengths is handling dialogue. And he’s perfect for these novels. His voice characterization are distinctive, and he’s got a gift for pacing a conversation.

The murder mystery is very satisfying and there’s a much larger implication between the future of Earth and the Spacers giving the novel a larger feel than just a murder mystery with a SF setting. I find The Caves of Steel and The Naked Sun to be the best of Asimov’s novels and should be on every SF enthusiast’s list of must listens.

There is another sequel with Elijah Baley and Daneel Olivaw called The Robots of Dawn. This title was written much later in Asimov’s career and is also published by Tantor with William Dufris as narrator.

Posted by The Time Traveler of the Time Traveler Show

FREE LISTENS Review: War Of The Worlds by H.G. Wells

SFFaudio Review

War of the Worlds
By H.G. Wells

Source:Librivox| Zipped MP3s
Length: 6 hr, 35 min, unabridged
Reader: Rebecca

The book: The basic plot of War of the Worlds was already familiar to me before I read it, though muddled by my hearing a rebroadcast of Orson Welles adaptation. In the book, a giant projectile from Mars lands in south England. Other projectiles follow the first, and soon, Martians in their tripod fighting machines are conquering the human populace. Wells thrusts the reader into the terror and confusion of war by narrating an eyewitness account of battles and the civilian panic. With the hindsight of history, we can recognize that Wells accurately predicted the horror of World War I gas attacks, the ruined landscape of the Blitz, and the dazed fear of 9/11.

The key to understanding War of the Worlds is not in Wells predicting the future, but in his description of his present. In 1898, the British Empire was at the height of its power, with colonies spanning the globe. The Victorians placed great hope in ideals like progress, science, and eugenics to make their lives better. Wells introduces into this world aliens who are more scientifically advanced and more highly evolved for using technology. He then flips the table on the complacent British by having these aliens conquer them, just as they had conquered others. I wonder: If Wells were alive today, what would he make his aliens look like and what would they do to our world?

Rating: 7 / 10

The reader: Although the name listed is Rebecca, the voice sounds rather masculine. Whatever the case may be, the refined English accent is well-suited to the character of the book’s narrator-protagonist. The other character’s voices are equally enjoyable, with my favorite being the artilleryman. The reader makes a few stumbles and there are some faint background sounds, but not anywhere near enough to interfere with this altogether wonderful reading.

Note: This book is still under copyright in the UK and EU, so the version offered here should not be downloaded by users in those countries.

Posted by Seth

Review of The Dark Worlds of H.P. Lovecraft, Volume 5 by H.P. Lovecraft

SFFaudio Review

The Dark Worlds of H.P. Lovecraft Volume 5: Haunter Of The Dark, The Thing On The Doorstep, The Lurking Fear
By H.P. Lovecraft; Read by Wayne June
3 CDs – 3 Hours 20 Minutes [UNABRIDGED]
Publisher: Audio Realms
Published: April 2006
ISBN: 9781897304259
Themes: / Horror / Science Fiction / Collection / Heredity / Supernatural /

I have seen the dark universe yawning
Where the dark planets roll without aim–
Where they roll in their horror unheeded,
Without knowledge or luster or name.
–HP Lovecraft, “The Haunter of the Dark”

Seminal horror author H.P. Lovecraft may have a loyal following, but he also gets a lot of flak for his style–which some describe as overly archaic and distractingly adjective-laced–or by those who approach his short stories looking for a scare, but leave disappointed that he’s not frightening enough.

I think both points have some validity though largely I don’t agree with them. I love Lovecraft’s style, mainly because it’s so darn unique: All it takes is one or two sentences and you know exactly who you’re reading. It also perfectly fits the atmospheric, slow-to-build horror for which he’s known. As for the second criticism, Lovecraft really doesn’t scare me, either. You’re not going to get nasty shocks out of his stories, though I would describe them as occasionally unsettling: He can deliver a good chill and at times evoke strong feelings of dread.

But people who pick up Lovecraft for simple scares are missing the boat. Think of him instead as a dark spinner of stories set in a detailed and grotesque universe of his own creation, a world of dark cults, evil tomes, ancient curses, and formless, tentacled monsters from space. His subject material is just plain cool. Also, Lovecraft has the ability to draw you effortlessly back in time. Born in 1890, Lovecraft set his stories in the 1920s and 30s, when America was a bit wilder and stranger than the place we know today, a country of deeper woods and darker mountains and strange phenomena that science had not explained away.

With that in mind, it’s no surprise that I enjoyed the heck out of The Dark Worlds of H.P. Lovecraft, Volume 5, an audiobook read by Wayne June. The 3 CD set contains three Lovecraft short stories: “The Lurking Fear,” “Haunter of the Dark,” and “The Thing on the Doorstep.” I’ve read quite a bit of Lovecraft, but this was the first time I’ve ever had his tales read to me, and it was a very enjoyable, immersive experience.

All three stories are excellent. “Haunter of the Dark” tells the story of Robert Blake, a horror writer/artist who becomes obsessed over a far off, decrepit church spire spied from his rented studio window. Blake’s investigation reveals the place to be an abandoned, ruined church once used by a dark cult, and now inhabited by something far, far worse.

The best of the three tales is probably “The Thing on the Doorstep,” which features full-blown Lovecraftian goodness. The tale is set in the famous, fictional town of Arkham, and involves Arkham University, the Necronomicon and other assorted monstrous tomes, a strange intermingled race of men and fish-like deep ones, mind control, a descent into an unholy pit “where the black realm begins and the watcher guards the gate,” and much, much more. Although I’ve never read a Lovecraft biography (a fact I hope to rectify soon), I couldn’t help but draw parallels between the author and Edward Derby, the protagonist and victim of the tale. I would imagine that essayists looking to peer inside Lovecraft’s mind have veritable a goldmine to draw from in “The Thing on the Doorstep.”

“The Lurking Fear” is the most straightforward horror tale of the three and explores one of Lovecraft’s recurrent themes, that of cursed blood and hereditary corruption. Here an investigator of the supernatural looks into a strange massacre in the mountainous Catskills region of New York, where a deserted mansion holds the key to an unspoken horror living beneath the earth. The terrors he uncovers leave him a gibbering wreck at stories’ end, a common fate for Lovecraft’s narrators.

Reader Wayne June deserves a lot of praise for delivering the stories with a smoky, menacing, baritone voice perfectly suited to the tales. My only criticism is that I wanted to hear him scream the line, Kamog! Kamog! — The pit of the shoggoths–Ia! Shub-Niggurath! The Goat with a Thousand Young! in “The Thing on the Doorstep,” but he chose to deliver it with a half-whispered shout. But it’s probably for the best, I guess, as hearing such unutterable phrases spoken aloud may have fractured my sanity, or worse, stirred Something That Should Not Be from its uneasy sleep.

Posted by Brian Murphy

Review of Beyond The Aquila Rift by Alastair Reynolds

SFFaudio Review

Beyond the Aquila Rift
By Alastair Reynolds; Read by Tom Dheere
1 CD – 72 min [UNABRIDGED]
Publisher: Infinivox
Published: Feb 22, 2008
ISBN: 9781884612770
Themes: / Science Fiction / Space Travel / Suspended Animation /

Beyond the Aquila Rift. It’s shorthand for the trip no one ever hopes to make by accident. The one that will screw up the rest of your life, the one that creates the ghosts you see haunting the shadows of company bars across the whole Bubble. Men and women ripped out of time, cut adrift from families and lovers by an accident of an alien technology we use but rarely comprehend.

Fiction editors. I don’t know much about how they work and I don’t much care to. More than anything in an editor, I want a gatekeeper who consistently picks stories that I like. Thinking about who that might be, I always bring one name to mind: Isaac Asimov. If Asimov liked the story then I usually did too. But Asimov is dead. If it’s new stuff today, it has to be one guy very few readers have heard of. His name is Allan Kaster. Kaster edits an ongoing anthology (released one tale at a time) entitled Great Science Fiction stories. Nowhere on the package of any Infinivox title does it say “Allan Kaster, Editor”, but he’s definitely the guy making this series live up to it’s title. I can’t remember a single Infinivox production that left me cold. They often leave me confused, frightened, hurt, awed, satisfied, or unsatisfied (but not in the wrong way). Mostly though they leave me thinking: “Please, sir, can I have another?”

Beyond The Aquila Rift is another little known novelette deserving the title “Great Science Fiction.” I say this because this story got me thinking thoughts about the nature of reality that not even Philip K. Dick couldn’t conjure. Most tales that deal with “what is reality?” type scenarios come up with a weak endorsement of something I’ll call “real reality.” Sometimes they end in another way, one more noir than mainstream. This one has it both ways and I like that. The ambivalence is itself novel, and makes the story work. This isn’t the best of Infinivox’s Great Science Fiction Stories, but it is a worthy listen. Thanks Allan!

Narrator Tom Dheere, another in Infinivox’s stable of previously unknown narrators, delivers this reading straight. It is a good reading. This is 72 minutes of thought provoking modern SF. Have a listen to a sample |MP3|.

Posted by Jesse Willis

FREE LISTENS Review: King Solomon’s Mines by H. Rider Haggard

Review

King Solomon’s Mines
By H. Rider Haggard

Source: Librivox | Zipped MP3
Length: 9 hr, 52 min
Reader: John Nicholson

The book: Set in British colonial South Africa, King Solomon’s Mines tells of the extraordinary adventures of big game hunter Allan Quatermain. Sir Henry Curtis hires Quatermain as a guide for an expedition to find Curtis’s brother, who disappeared while searching for the biblical King Solomon’s fabled diamond mines. Joining them in the expedition are Curtis’s friend Captain Good and Umbopa, a porter with mysterious purposes.

The action is told in an unadorned style that, along with the descriptions of Africa and its inhabitants, makes this Lost Civilization fantasy seem real. A major part of this realism is the character of Quatermain, who narrates the adventure in the first person with a sense of dry humor and a matter-of-fact tone. Quatermain is not a hero in the traditional sense – he admits to being a coward. Instead of a hero, he is someone that the reader can positively identify with: fair, practical, smart, and opposed to injustice, racism and greed. This enlightened protagonist, the fresh writing style and exciting plot make King Solomon’s Mines a great read.

Rating: 9/10

The reader: Nicholson has a deep plain voice that is a perfect match for Allan Quatermain. The book is filled with difficult-to-pronounce names and words in Afrikaans and Zulu, but Nicholson says them with confidence. Whether or not he’s right, I have no idea. The pace is sometimes too slow for my taste, but he does vary both the pace and volume. The recording has some background whine and a hiss on the esses.

Posted by Seth

Review of Fleet Of Worlds by Larry Niven and Edward M. Lerner

SFFaudio Review

Fleet Of Worlds
By Larry Niven and Edward M. Lerner; Read by Tom Weiner
8 CDs – Approx 9.5 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2008
ISBN: 1433229420
Themes: / Science Fiction / Hard SF / Aliens / Physics / Space Travel / Sociology /

Larry Niven teams up with fellow science-fiction writer Edward M. Lerner to take a closer look at the events leading up to Niven’s first Ringworld novel. Kirsten Quinn-Kovacs is among the best and brightest of her people. She gratefully serves the gentle race that rescued her ancestors from a dying starship and nurtures them still. But, if only the Citizens knew where Kirsten’s people came from! A chain reaction of supernovae at the galaxy’s core has unleashed a wave of lethal radiation that will sterilize the galaxy. The Citizens flee, taking with them their planets, the Fleet of Worlds. Someone must scout ahead, and Kirsten and her crew eagerly volunteer. But as they set out to explore for any possible dangers in the Fleet’s path, they uncover long-hidden truths that will shake the foundations of worlds.

Not knowing much about Edward M. Lerner or his style, it’s hard to know precisely what parts of this novel he wrote. On the whole it definitely feels like a Larry Niven book. And of course that’s a very good thing. Surprisingly nice, this “known space” novel doesn’t feel like it’s just embellishing the dark corners we’d little explored before. There is material to be mined, and mine it they do. We learn more about the General Products corporation, early Puppeteer influence on Terra, and the back story to Niven’s classic The Borderland Of Sol. The heart of the novel though is Nessus’ interaction with a crew of Humans. As well, Niven and Lerner, introduce an entirely new and compelling alien species, though we really don’t get to interact with them. Its hard to get into much more without giving out a lot of spoilers. Suffice it to say, this is a fine, though definitely lesser entry into the “known space” canon. When recommending a novel universe, I would always start with the strongest book in that universe, and expand out from there. If you haven’t read any Niven novels before this one, go listen to Protector and Ringworld first. Then, if you are as enchanted as I was with it, come back to Fleet Of Worlds for more.

Tom Weiner, who is one of Blackstone Audio’s new narrators, previously heard in A Galaxy Trilogy, brings authority to the narrative of Fleet Of Worlds. He has to work pretty hard to do both the puppeteer contralto that is supposed to sound like “Cleopatra, Helen of Troy, Marilyn Monroe, and Lorelei Huntz all rolled into one.” But both it and the human females Weiner performs come off well enough – giving more of an impression of a voice change than any actual transformation.

Update: Edward M. Lerner tells me that that the follow up to Fleet Of Worlds, titled Juggler Of Worlds, is also slated for a Blackstone Audio release!

Posted by Jesse Willis