Reviews – Page 101

Review of Black Jack Justice – Season One

Aural Noir: Review

Black Jack Justice – Season One
By Gregg Taylor; Performed by a full cast
12 MP3s or podcast – Approx. 5 Hours [AUDIO DRAMA]
Publisher: Podiobooks.com / Decoder Ring Theatre
Published: September 2006
Themes: / Mystery / Crime / Private Detective / Toronto /

“There was no time to explain the extra sensory properties of a truly eye-popping hangover.”
– from “Justice Incorporated”)

Black Jack Justice is a free podcast audio drama available through Podiobooks.com and Decoder Ring Theatre. Set in post WWII Toronto, it follows the cases of a pair of private detectives who right wrongs and investigate the investigateable. This review of the first season started life as a brief mention in an upcoming Five Free Favourites post. But, as I was re-living the show in my mind, and then, fannishly re-listening to the first season, I realized that it was totally unjust to leave Black Jack Justice – Season One without a full and glowing review. Let me put it simply. This is the greatest mystery audio drama since the Nero Wolfe series that aired on CBC Radio in the 1980s. Just like The Red Panda Adventures, also produced by Decoder Ring Theatre, Black Jack Justice is also written by Gregg Taylor. Like Panda, this show is absolutely top shelf entertainment. Not a single episode will leave you cold – every single one is fast, witty and clever. Black Jack Justice – Season 1 is like a good old fashioned cup of java and a slice of cherry pie and the heroes, Trixie Dixon and Jack Justice, are the greatest detective team since Nick and Nora.

The production of any given episode of Black Jack Justice is both an echo of those old time radio dramas like Richard Diamond, Private Detective and tribute to the superior techniques of modern storytelling. Actors Christopher Mott and Andrea Lyons, playing Jack and Trixie, are letter perfect, firing an endless rat-atat-tat of peppy dialogue that delivers exposition and character with equal enthusiasm. Mott’s Jack is hard and canny, but with a soft center shown only to dames in trouble and lost kittens. Lyons’ Trixie is whip smart sexy, she knows what she wants and she takes it – no ifs ands or gun butts. Guest actors, many familiar from their roles on The Red Panda Adventures, are also uniformly excellent – they typically play characters like cops, heiresses, and mob bosses. Audio production is minimal, with music being the main addition to the mix. Both Jack and Trixie have their own musical themes that play as they narrate their cases. The stories are lean and snappy, quick paced adventures. The show even has extremely subtle breaking of the fourth wall (of the style found in The Pirates of Penzance) – I absolutely love it. If Martin Backnell, the creator of Black Jack Justice weren’t totally fictional, he’d be smiling so wide at this series.

Posted by Jesse Willis

Review of Assam and Darjeeling by T.M. Camp

SFFaudio Review

Assam & Darjeeling
By T.M. Camp; Read by T.M. Camp
Podcast Download (iTunes and RSS Feeds can be found |Here| – Approx 23 hours – [UNABRIDGED]
Publisher: T.M. Camp
Published: 2008
Themes: / Fantasy / Religion / Legend / Children / Underworld /

A masterful and nuanced book, Assam & Darjeeling is the story of a quest straight into legendary, mythological landscape. Two children’s’ efforts to save their mother serves as a lens through which we see pure love, redemption, and sacrifice.

It all begins with a car accident on a snow-covered road; two kids and their mother end up in intensive care. The kids are banged up . . . but their mom is in a coma, hovering on the edge of death. Drifting in a pale, ghostly world of their own, the kids resolve to find her and bring her back.

So begins their journey into the Underworld, where the remnants of Dante, shreds of folklore, and echoes of mythology struggle to keep pace with the world above.

Demons with cell phones, ancient deities tooling around in vintage convertibles… Gods and goddesses whose pantheons have fallen out of favor, waiting tables in an all-night diner to make ends meet… A lonely queen wandering through her winter palace, waiting for spring… A little boy named Edgar who set off on his own after the Black Plague to wander other worlds above and below, looking for something he lost long ago… A congregation of souls fooled into believing they’ve reached the fields of Heaven, while the demon who ensnared them feeds on their faith and their fear…

This story will appeal to anyone who knows and loves classic Western mythology. Camp has tweaked the old legends just enough to make us puzzle about each new situation and character’s origin. When it falls into place we feel a sense of triumph for getting it right … or the need to dash to the reference books to see what unknown myth he is referring to.

One of the truest pleasures of Assam & Darjeeling is the relationship between the forceful younger sister, Darjeeling, and the thoughtful, sensitive older brother, Assam. The way that they work together to save their mother, yet often clash in the details of how they must proceed is what carries the story and makes us believe in their relationship. It rings true to anyone who has siblings whom they love but who also have the capacity to irritate beyond belief in daily life.

Camp reads his own story and his understated delivery adds to pull the listener into the story. His accents are flawless and add definition to each character. His playful side shows in the touches he adds to the very end of each podcast where his contact information changes frequently and always has a humorously mystic tone.

This is hands-down one of my favorite books of the year. I absolutely loved it and anxiously awaited each weekly upload until the entire book was finished. I only wish that it were available in printed form so that I could give it to people who don’t listen to audio books.

Posted by Julie D.

Aural Noir Review of Somebody Owes Me Money by Donald E. Westlake

Aural Noir: Review

Somebody Owes Me Money is book number 044 in the Hard Case Crime library.

Audible.com and BBC Audiobooks America audiobook - Somebody Owes Me Money by Donald E. Westlake SFFaudio Essential Hard Case Crime Somebody Owes Me Money
By Donald E. Westlake; Read by Stephen Thorne
Audible Download (or 6 CDs) – 6 Hours 37 Minutes [UNABRIDGED]
Publisher: BBC Audiobooks America / Audible.com
Published: 2008
ISBN: 9780792754534
Themes: / Mystery / Crime / Murder / Humor / Gambling / The Mob / New York /
SAMPLE: |MP3|
Cab driver Chet Conway was hoping for a good tip from his latest fare, the sort he could spend. But what he got was a tip on a horse race; which might have turned out okay, except that when he went to collect his winnings, Chet found his bookie lying dead on the living room floor. Chet knows he had nothing to do with it – but just try explaining that to the cops, to the two rival criminal gangs who each think Chet’s working for the other, and to the dead man’s beautiful sister, who has flown in from Las Vegas to avenge her brother’s murder.

If I’m looking for a fun read, something that entertains on every single page, I can always rely on Donald Westlake. The folks at Hard Case Crime know it too. The only author they’ve published more of than Westlake is Lawrence Block. Like Block, Westlake is a Mystery Writers of America Grand Master – and, they’ve both been writing steadily since the 1950s. This particular novel was first published in 1969, and was released in June 2008 by Hard Case Crime, with it’s awesome new cover art. BBC Audiobooks America, as they’ve are doing with far too few of the Hard Case lineup, has released it as an audiobook.

Westlake says he’s “always had a soft spot” for Somebody Owes Me Money, the novel came to him out of the common introductory phrase, “I bet…” – Westlake figured if a guy was going to say that as the opening lines of a novel, he’d be a gambler, and being a gambler, he’d have a tale of woe. Somebody Owes Me Money is the result. And what a result! This is another classic Westlake “nephew” story.

The hero, Chet, is a poker playing New York cab driver who lives with his retired father. Chet’s a little short of cash right now, so when he’s fairly pissed when an uptown fare stiffs him on the tip. The customer instead only drops him a ‘line on a horse.’ Frustrated, but thinking about it on his way home, Chet decides to give his bookie a call and the horse a shot. The next day, to Chet’s surprise, he ends up winning a bundle on the longshot horse! But, when he goes to collect from his bookie, he finds the guy dead, himself without the cash he’d won, and inches away from being charged with the murder. To clear his good name, collect his winnings and recover his money he’ll not only have to find the murderer, but also keep the cops from knowing he’d been illegally gambling. As the mystery progresses Chet finds himself mixed up with a gun toting moll named Abbie, getting shot in the head by persons unknown and playing a few more hands of poker. This is a fast paced, cleverly plotted mystery with an old time New York ambiance. I loved it.

Narrator Stephen Thorne has a voice and range like that of audiobook hero William Dufris. They share an amiable, lighthearted, voice that makes perfect the narration of first-person light comedy mysteries. In other words, this book. This is a letter prefect reading, bright, shiny, fun, solid. SFFaudio Essential listening.

Somebody Owes Me Money by Donald E. Westlake
Somebody Owes Me Money - Doug Johnson illustration from Playboy, July and August 1969

Posted by Jesse Willis

Review of Pellucidar by Edgar Rice Burroughs

SFFaudio Review

Pellucidar (2nd in the Pellucidar series)
By Edgar Rice Burroughs; Read by Ralph Snelson
16 Zipped MP3s or Podcast – Approx. 6 Hours [UNABRIDGED]
Publisher: LibriVox.org
Published: August 2008
Themes: / Science Fiction / Hollow Earth / Adventure / Prehistoric Beasts / Exploration / Nautical /

Pellucidar is a difficult audiobook to review because it is quite dependent on the listener being reasonably familiar with its predecessor, At the Earth’s Core. Unfortunately, the LibriVox version of At the Earth’s Core is still in its very early stages, though there is a nice looking commercial version by Tantor available.

Taking the above into account, the LibriVox Pellucidar is an enjoyable listen with plenty of adventure, a grand odyssey, new characters, and one of the coolest “dogs” (hyenadons) ever imagined. Its only flaw, a rather minor one, is its rather abrupt/summarized ending.

Pellucidar continues the adventures of David Innes, and too a lesser extent Abner Perry, in the Hollow Earth land of Pellucidar, after the surprise, cliffhanger ending of its precursor. David treks across much of Pellucidar in search of his lost love, Dian the Beautiful (It must be such a burden going through life with that epithet). Overall a fun adventure story with a few clever twists.

Ralph Snelson does a very straight, non-interpretive, reading of the story with little excess of emotion or dramatization. It is a simple, pleasant reading without bells and whistles. This is another good reading that proves the value of LibriVox’s free audiobooks.

An enjoyable audiobook, but only for those who have heard or read its predecessor (The movie would help a little, but not as much)

Posted by David Tackett

Review of The Greatest Science Fiction Stories Of The 20th Century

SFFaudio Review

The Greatest Science Fiction Stories Of The 20th Century
By various; Read by various
4 Cassettes – 6 Hours [Unabridged]
Publisher: Dove Audio
Published: 1998
ISBN: 0787116807
Themes: / Science Fiction / Magical Realism / Aliens / Time Travel / Parallel Worlds / Space Travel / Mutation / Nuclear Winter /

What would a long time SF fan consider a collection called The Greatest Science Fiction Stories Of The 20th Century when none of the stories would make his top ten list, and some aren’t even SF? In this case, I consider it a very good collection of stories. If anything, this seems a collection of well-read and written, but randomly chosen, speculative fiction stories.

Clearly intended to present a wide variety of “Science Fiction,” this audio-anthology has neither theme nor consistency but it doesn’t need them. The stories, with only two exceptions, are quite entertaining. They are all extremely well read, my quibble with a poor attempt at an accent notwithstanding, ranging from Harlan Ellison’s wonderfully passionate reading of his story to Nana Visitor’s aesthetically perfect interpretation of “The Ones Who Walk Away from Omelas.”

Each story is briefly commented on below.

“Jeffty Is Five”
By Harlan Ellison; Read by Harlan Ellison
Reality is distorted around a boy who doesn’t age. This is Magical Realism, not SF, but an amazing story nonetheless. Ellison’s response to the bitter cynicism of modernity will tear at the core of your soul unless A) you’re very young or B) you don’t have a soul. The best story in the collection.

“Twilight”
By John W. Campbell; Read by Richard McGonagle
A good early SF story but not quite great. It feels a bit to much like Wells’ The Time Machine, but it entertaining enough. A retelling of a time traveler’s visit to the twilight of humanity.

“The Ones Who Walk Away Fom Omelas”
By Ursula K. Le Guin; Read by Nana Visitor
Virtually everyone knows this Fantasy, again not SF, story. It has all the strengths and weakness of Le Guin’s writing, amazing authorial voice and great storytelling, but a strong tendency to be overly didactic to the point of sanctimoniousness. Still as with most of her stories, the strengths far outweigh the weaknesses.

“Bears Discover Fire”
By Terry Bisson; Read by Arte Johnson
Bears start using fire in an otherwise normal Kentucky. This Magical Realism, not an SF. This story was the only one that bored me. It also had my only, relatively minor, reading complaint. The reader’s Kentucky accent is a bit off and sounds a bit condescending.

“The Crystal Spheres”
By David Brin; Read by Alexander Siddig
A very interesting, though highly implausible, story about a universe in which all stars are encircled by invisible, impenetrable, crystal spheres.

“That Only a Mother”
By Judith Merril; Read by Terry Farrell
Due to radiation poisoning, a baby is born mentally gifted but physically impaired. A disturbing, unpleasant story that is only marginally SF.

“Allamagoosa”
By Eric Frank Russell; Read by James A. Watson
Wonderful over-the-top humor. This story of a spaceship facing an inspection while missing an offog, an item no one knows what is, is a gem.

“Tangents”
By Greg Bear; Read by Melissa Manchester.
A boy can see into the the fourth physical dimension and a scientist helps him play music for the beings there. Interesting enough, but forgettable.

“The Nine Billion Names of God”
By Arthur C. Clarke; Read by Alexander Siddig
Tibetan monks have a computer print out all the names possible names of God with the intent of fulfilling the purpose of creation. Good enough but not even Clarke’s best short story.

“Huddling Place”
By Clifford D. Simak; Read by David Ackroyd
In a future with robots and space travel agoraphobia has become a serious threat. This story would have been just acceptable filler except for the fact that in this story from 1944, Simak predicts the internet, though he describes it in terms of a television with knobs.

“Why I Left Harry’s All-Night Diner”
By Lawrence Watt Evans; Read by Wil Wheaton
A fun, interesting take on the the idea of parallel universes. Certainly an enjoyable story.

“Fermi And Frost”
By Frederik Pohl; Read by Denise Crosby
Icelanders face the prospects of nuclear winter in the post-apocalyptic tale. A good downbeat story to balance some of the lighthearted stories.

Conclusion: This is a very good anthology. It definitely isn’t a collection of the best stories, but it may be the best collection of stories available. Highly recommended.

I started reviewing this collection on the expectation that it was out of print and I would have to recommend Amazon or eBay as a source of a used cassette copy. So imagine my surprise when a mere day after finishing it, I hear an Audible.com ad for it on Pseudopod. So, it is easily available for those interested.

Posted by David Tackett

Review of Dr. Bloodmoney by Philip K. Dick

SFFaudio Review

Dr. Bloodmoney, or How We Got Along After the Bomb
By Philip K. Dick; Read by Tom Weiner
7 CD – 8.5 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2008
ISBN: 9781433245503
Themes: / Science Fiction / Telepathy / Post Apocalypse / Nuclear War / Satellites / Psychokinesis / California /

Philip Dick’s post-nuclear-holocaust masterpiece presents a mesmerizing vision of a world transformed, where technology has reverted back to the nineteenth century, animals have developed speech and language, and humans must deal with both physical mutations and the psychological repercussions of the disaster they have caused. The book is filled with a host of Dick’s most memorable characters: Hoppy Harrington, a deformed mutant with telekinetic powers; Walt Dangerfield, a selfless disc jockey stranded in a satellite circling the globe; Dr. Bluthgeld, the megalomaniac physicist largely responsible for the decimated state of the world; and Stuart McConchie and Bonnie Keller, two unremarkable people bent the survival of goodness in a world devastated by evil. Epic and alluring, Dr. Bloodmoney brilliantly depicts Dick’s undying hope in humanity.

The subtitle, of Dr. Bloodmoney is or How We Got Along After the Bomb, the idea for it came from the original publisher (ACE Books) who wanted to capitalize on the subtitle of the movie Dr. Strangelove. I can almost see it too. For me, this wasn’t Philip K. dick’s best novel. But, if you liked his best novel, you’ll like this one. I did. The thing is, no matter which one of Dick’s novels is your favourite, Doctor Bloodmoney will remind you of it – if only for the author’s voice. Dick, more than with any other emotion, writes with sympathy. You feel for his characters, their petty goals, their yearnings, their little prejudices. The plot on this one is almost unimportant, it’s also hard to sum up in a sentence, but I’ll try: A radio repairman with no limbs (due to phocomelia) has superpowers, which he uses to predict/cause WWIII, then becomes ultra-powerful as a big fish in a small pond.

The rule about writing what you know is more difficult in Science Fiction. Nobody’s been to Mars yet. Nobody has met an alien. But you can clearly see what Dick knows showing up on the pages of his SF novels. When he wrote Dr. Bloodmoney he was really into Jungian and Freudian analysis, he was reading Of Human Bondage and was probably an avid mushroom picker. The plot doesn’t really matter as this is a situation with a set of Dickian characters. What stands out, what will remain in my memory are the scenes, characters interacting with each other and themselves. Thinking their thoughts, acting their acts. When we meet the title character, Bruno Bluthgeld, for the second time later in the book, (he’s not the star), he’s showing off his talking sheep dog to a little girl. She asks to hear the dog speak. It does, and the tears came to my eyes. When Stuart McConchie goes into San Fransisco he parks his horse only to come back and find it eaten by the city’s underclass. It really is all there: The salesmen, the repairmen, the cheating wives, the murderous children and the sympathetic animals. Everything we expect from a Dick tale.

Blackstone Audio narrator Tom Weiner is fast becoming a new favourite. His natural timbre is basso but he can do a lot with it. Performance is the key, everybody gets a voice of their own. In this novel that’s especially necessary as there are more than a dozen characters sharing the plot and dialogue. Blackstone has more Dick headed to audiobook too. The Man In The High Castle has already been released. Ubik is winging it’s way to us right now and Flow My Tears, The Policeman Said, Valis, The Three Stigmata of Palmer Eldritch should be released over the next few months. We are living in very Dickian times my friends.

Posted by Jesse Willis