1936, a Sunday in June. The tides of woe are sweeping in. Today is Robert E. Howard’s funeral.
Gloomy Sunday (1936) by Paul Whiteman with Johnny Hauser |MP3|
That must mean…
there’s a new Jake Sampson serial starting up.
Episode 1 of Jake Sampson: Monster Hunter: The Gods Of War |MP3| is out now!
Jake Sampson: Monster Hunter is my favourite original serial from BrokenSea. The show is set in 1930s and features a cast of characters that’s half Indiana Jones half Tales of the Gold Monkey. Throw in plots about Howard Carter, cursed Egyptian mummies, evil South American cults, vampires and the source of Robert E. Howard’s stories and you’ve got the fixins for one heck of a fun show.
ca·lyp·so – /kəˈlɪpsoʊ/ – a musical style of West Indian origin, influenced by jazz, usually having topical, often improvised, lyrics.
I’ve only been the Caribbean once. But I still greatly feel its tropical magnetism. Ian Fleming did too. The first James Bond film, Doctor No was set in Jamaica. It’s where Ian Fleming lived and where he wrote Doctor No. I think he really brought the flavour of the Caribbean to the story. Throw in a mysterious Chinese, a yellow peril type, complete with fire-breathing dragon – and that’s entertainment folks!
When you think about it, Doctor No has just about everything a James Bond movie would later come to epitomize. First, there’s the exotic locale, Jamaica! Then there’s the titular villain with a body quirk, Doctor No has functional metal hands. And finally there’s the beautiful and headstrong woman, Honey Rider. Her first appearance, on screen, is perhaps the best known scene in any James Bond movie. As we first meet this enterprising shell collector she’s singing a song to herself on the beach. It’s a calypso tune that goes … “Underneath the mango tree me honey and me…” |MP3|
Now while that’s a great scene, the original novel ain’t no slouch either. Check out the unabridged reading by Simon Vance…
Dr. No
By Ian Fleming; Read by Simon Vance
7 CDs or 1 MP3-CD – Approx. 7 Hours 13 Minutes [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2001
ISBN: 9781433258572 (cd), 9780786190720 (mp3-cd)
Sample |MP3| M called this case a soft option. Bond can’t quite agree. The tropical island is luxurious, the seductive Honey Rider is beautiful and willing. But they are both part of the empire of Dr. No. The doctor is a worthy adversary, with a mind as hard and cold as his solid steel hands. Dr. No’s obsession is power. His only gifts are strictly pain-shaped.
In the novel, “Honeychile Rider” is described as “Botticelli’s Venus as seen from behind.” The movie has her in a bikini, in the novel she’s nude, except for a belt. In the movie she’s singing “Underneath The Mango Tree,” in the novel she’s whistling “Marianne.” Fleming describes “Marianne” as “a plaintive little Calypso that has now been cleaned up and made famous outside Jamaica.”
And it’s “Marianne” that’s used in the most recent incarnation of the Doctor No story, the BBC audio dramatization! And, in case you were wondering, it returns Honeychile to the nude.
I really like the movie, and the novel is definitely up there, but for me, now that I’ve heard it, the 2008 BBC audio dramatization of Doctor No is now my preferred version. It has that, sense of place, that a film gives, it plays up the mystery element, (which the movie downplays) and compresses the narrative with a “show, don’t tell” way that good audio drama really excels at.
I got a copy from RadioArchive.cc. The uploader there describes the audio dramatization like this:
Ian Fleming was never satisfied by the movie world’s take on James Bond. This dramatisation by Hugh Whitemore would meet with his approval as it is so faithful to the original novel. Bond, played here by Toby Stephens, is a wistful, vulnerable man as much as he is a fabulously fit and sexy hero. We hear him throwing up with fear after being crawled upon by a giant killer centipede, for example, which would never have done for Sean Connery. But both script and performances are true to Fleming’s vision of Bond.
And of course once you start looking into the actors biographies you start seeing all sorts of fascinating connections. Lucy Fleming, Ian Fleming’s neice plays a role. Toby Stephens has been in a Bond film and John Standing, who plays “M”, came from the family that owned Bletchley Park (the ultimate in espionage HQs if there ever was one)!
Now read a couple more of the listener reviews:
“Were this a movie, David Suchet [playing Dr. No] could have seriously expected an Oscar nomination, best Bond villain in any medium ever. Fantastic production all in all.”
“A splendid, sharp, slick adaptation, very faithful to Fleming’s writing. Makes you wonder why BBC hasn’t tackled more of these. And Toby Stephens is terrific as Bond.”
Dr. No
Based on the novel by Ian Fleming; Adapted by Hugh Whitemore; Performed by a full cast
Broadcast – Approx. 90 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4 – The Saturday Play
Broadcast: May 24, 2008
Provider: RadioArchive.cc Bond is sent to investigate a strange disappearance on the island of Jamaica, and discovers that the heart of the mystery lies with a sinister recluse known as ‘Dr No’.
Cast:
‘M’ …… John Standing
Moneypenny …… Janie Dee
James Bond ……Toby Stephens
The Armourer …… Peter Capaldi
Chief of Staff …… Nicky Henson
Airport Announcer/Receptionist/Inika …… Leigh Wright
Airport Official/Pus-Feller/Henchman …… Kobna Holdbrook-Smith
Quarrel …… Clarke Peters
Miss Chung/ Sister Lily …… Kosha Engler
Pleydell Smith …… Samuel West
Miss Taro/Telephonist/ Sister May/Tennis girl …… Jordanna Tin
Librarian …… Lucy Fleming
Honey Rider …… Lisa Dillon
Guard/Henchman/Crane Driver …… Jon David Yu
Dr No …… David Suchet
Acting Governor of Jamaica …… Simon Williams
Voice of Ian Fleming …… Martin Jarvis
Crew:
Music by Mark Holden and Samuel Barbour
Producer Rosalind Ayres
Director Martin Jarvis
The SFFaudio Podcast #066 – Scott talks to Harlan Ellison, in the vintage 2006 interview, about audiobooks and audio drama.
Talked about on today’s show: SFWA, Harlan Ellison’s Grand Master of Science Fiction award, Ray Bradbury, Isaac Asimov, Alfred Bester, Repent Harlequin Said The Tick-Tock Man, A Boy And His Dog, Shatterday, Alternate World Recordings, Shelly Levinson, Roy Torgeson, The Prowler In The City A The Edge of the World, Yours Truly Jack The Ripper by Robert Bloch, Dangerous Visions, The Bloody Times Of Jack The Ripper, radio drama, Orson Welles, reading your own work aloud, Joseph Patrich, in the tradition of Geoffrey Chaucer, Ovid, Plato, auctorial performance, teaching English at universities, autodidact-ism, the Harlan Ellison Recording Collection, Caedmon, Harper Audio, The Ellison Audio Archipelago, Stefan Rudnicki, Dove Audio, A Sinner In The Hands Of An Angry God by Jonathan Edwards, Guglielmo Marconi, Voices From The Edge: I Have No Mouth But I Must Scream by Harlan Ellison |READ OUR REVIEW|, Audio Literature, Blackstone Audio, Deep Shag Recordings, On The Road With Harlan Ellison series, Jack Williamson, Robert A. Heinlein, performing an audiobook, reading for the blind, Scott Brick, the wonderful voice of Stefan Rudnicki, City Of Darkness by Ben Bova, A Wizard Of Earthsea by Ursula K. Le Guin |READ OUR REVIEW|, Ben Bova’s writing style, Mars by Ben Bova (read by Harlan Ellison), cryonics vs. cryogenics, fixing mistakes in other people’s books, the popularity of Science Fiction in radio’s heyday, Mysterious Traveler, Suspense, Lights Out, X-Minus One, Dimension X, I Love A Mystery, War Of The Worlds, 1950s “giant ant movies”, Galaxy Magazine, Radio Yesterday, Sea Legs by Frank Quattrocchi, the radio serials: Space Cadet, Superman, Flash Gordon, Buck Rogers, 2000X, the man Harlan Ellison won’t mention the name of (Yuri Rasovsky), Robin Williams, By His Bootstraps by Robert A. Heinlein, Richard Dreyfuss, NPR, the sense of belonging, The Green Hornet, The Hitchhiker’s Guide To The Galaxy (Tertiary Phase), Douglas Adams.
WARNING: This review is a bit of an aberration, it’s a bit more gonzo. It was written this way out of necessity and it is thus perhaps only suitable for those who… ‘heard he was dead.’
Escape From New York
Based on the screenplay by John Carpenter and Nick Castle; Adapted by Bill Hollweg; Performed by a full cast
5 MP3 Files or Podcast – Approx. 2 Hours 15 Minutes [AUDIO DRAMA]
Podcaster: BrokenSea Audio Productions
Podcast: April 2009 – March 2010
Themes: / Crime / Dystopia / Science Fiction / Alternate History / WWIII / Prison / Horror / New York /
Part 1 |MP3| Part 2 |MP3| Part 3 |MP3| Part 4 |MP3| Part 5 |MP3|
In the year 1988 the crime rate in the United States rises 400%. The once great city of New York becomes the one maximum security prison for the entire country. A fifty foot containment wall is erected along the New Jersey shoreline, across the Harlem river, and down along the Brooklyn shoreline. It completely surrounds Manhattan Island. All bridges and waterways are mined. The United States Police Force, like an army, is encamped around the island. The prison’s name: New York Maximum Security Penitentiary, Manhattan Island. There are no guards inside the prison, only prisoners, and the worlds they have made. The year now… 1997.
In the opening crawl (detailed above) we are given a world rife with Science Fiction glory. Escape From New York has a premise full of promise. It is a story pregnant with possibilities – nearly all of which are fulfilled. Escape From New York, my friends, is both a powerful satire of our times and a powerful cinematic experience movie. Now, thanks to the creative love and attention by fans at BrokenSea Audio Productions it is a wondrous audio drama made by fans for fans.
Now hang with me on this. I hope I don’t end up seeming like a crazed french film critic, arguing for the superiority of the second Star Wars trilogy (The Phantom Menace et. al) over the original Star Wars and Empire. Take that first statistic: “the crime rate in the United States rises 400%” – how would that be possible? It certainly wouldn’t match any conventional trend or shift in population growth. Might it then be categorized under some sort of Freakonomics-style explanation? Maybe. But, I think we could argue, quite convincingly, that the only way to increase the crime rate 400% overnight would be to make a whole lot more human behaviors crimes. Disrespecting authority, sharing files with friends, or as the trailer for Escape From L.A. puts it “No talking, no smoking, no littering, no red meat, no freedom of religion. And remember all marriages must be approved by the Department of Health.” So, the world of Escape From New York is really fun. But a world is not enough. You need a plot and a set of characters. As to the latter…
The anti-hero takes many forms but I have a special fondness for Snake Plisken. As in an IMDB grendelkhan says:
“Snake Plissken is the classic anti-hero, ala Clint Eastwood’s Man-with-no-name. Plissken is an ex-soldier turned criminal, recruited/blackmailed into rescuing a hostage president from the prison of New York City. Plissken is a walking ball of anger and a survival machine.”
Indeed, a survival machine who’s been betrayed, lied to shat on by his own government – and he’s got a cool eye-patch, a reverse tramp stamp of a cobra, and a gravelly voice. He is a great character.
“But what of his motivation?” You ask.
Read on…
Plisken, call him Snake, lives in a parallel universe – a USA run like a fun-house-lensed double craptoberfest of moral hypocrisy. If you’ve seen the movie Escape From New York, you’re seeing the 1980 zeitgeist of Manhattan as the epitome of ghettoic urban decay. This fear, that your neighbors are out to get you, the horror that politicians so often rely upon, works great in movies (and in the opening credits to The Equalizer). But this isn’t only a horror story. The prison genre is one of my favorites (check out Animal Factory). Like westerns, these genre stories have a certain set of conventions or constraints that make a story told within those constraints far more satisfying. But neither is Escape From New York just a prison story. For it
is also a quest story, a revenge story, an all out action adventure. There are MacGuffins galore for Plisken to chase after: First up is a world peace conference that is about to end in disaster lest a certain audio cassette is retrieved, then there’s a kidnapped President Of The United States to be rescued, and of course there’s a jet glider (don’t think too hard about that one) as their only escape, but to top it all off there’s a pair of ticking time-bombs in Snake’s body! That’s not just motivation, that’s entertainment folks!
Snake, now motivated, has enough-knock-down-drag-out adventures in the course of just less than 24 hours, so as to numb any thoughy you had about suspending any disbelief. Or as Samuel Taylor Coleridge argued: “[if a writer could infuse a] human interest and a semblance of truth [into a fantastic tale, the reader would suspend judgment concerning the implausibility of the narrative].” If you look at it another way this is the original 24, but with a hard-assed biker veteran saving the USA instead of a Kiefer Sutherland. In the course of just over 2 hours Bill Hollweg and the folks at BSAP have created a faithful and loving tribute to one of 1981’s best movies.
Speaking of 1981, I look forward to hearing BSAP adapt Clash Of The Titans (1981), Excalibur (1981) and Body Heat (1981). They’re already working on a Mad Max II (1981)-inspired series.
Finalrune’s new show! I’ll be releasing it as a free podcast in 5-7 min installments, with a paid download of $2.99 available which includes all episodes as a director’s cut and 2 bonus music tracks.
Fred will be posting a new episodes on Fridays throughout July. But if you’re into it, consider downloading the paid version |HERE|.
The program is genuinely funny, featuring a Philip J. Fry-like goober who hits a troll while driving home from a party he was found too uncool for. The troll, by the way, is more of the “grind your bones to make my bread”-type, rather than the cutesy, pink-haired desktop variety.
Later episodes straddle the line between humor and horror. Audiobook narrator William Dufris, playing the troll, is nearly unrecognizable. It sounds as if he’s been gargling battery acid! And the sound, as with all of the field recorded Final Rune shows, is absolutely wonderful.
The first free episode is available now, check it out…
The Troll Of Stony Brook
By Frederick Greenhalgh; Performed by a full cast
Podcast or MP3 Download – Approx. 36 Minutes [AUDIO DRAMA]
Podcaster: Final Rune Productions
Podcast: July 2010 An awkward teenager, Jamie, is driving home one night from a party when he hits something – something big. His pushy co-worker, Rick, talks him into going back to the scene of the accident… and what they find will change them both forever.
