Prometheus Radio Theatre wishes everyone happy holidays with a three-part Christmas story, airing Christmas Eve, New Year’s Eve and Three Kings’ Day.
It’s Christmas Eve aboard the Titan, and Metcalfe is reflecting on Christmases past with his little sister Lydia, now deceased but recreated as the animate personality of Titan’s computer. The Arbiters’ latest mission precludes holiday cheer, however. Taking its name from a Pagan legend, the Wild Hunt is a terrorist faction that’s destroying hospitals on a utopian colony world. But this is the Arbiters, so nothing is going to be as it seems! The full Arbiters cast returns as Prometheus kicks off a new series of hour-long SF dramas in its award-winning flagship series.
In The Gloaming, an anthology podcast “in the vein of Tales of The Unexpected and Hammer House of Horror” has a very useful post up entitled: How NOT to make an award-winning podcast. Writes Nathaniel Tapley:
There were lots of reasons that we hadn’t been able to do as many episodes as we’d hoped. People’s schedules clashed, they got work or didn’t get work at the wrong times, we weren’t getting as many downloads as we might have hoped (the episodes had been listened to about 6,500 times at that point). However, most of the reasons we weren’t able to churn them out on a monthly basis were self-inflicted, and could have been avoided with a little thought early on in the process.
In the full post Tapley talks about the errors In The Gloaming made with regard to promos (audio trailers), format, monetizing methods, software and scheduling. It reads like the best advice column for would be podcasters ever. It comes from someone who knows exactly what he’s talking about – because he NOW knows exactly what he’d do differently next time. I wish more bloggers and podcasters would write posts like it. Check it out HERE.
JP Frantz, of the wonderful SFSignal blog, recently asked me to participate in their annual year end “Mind Meld.”
Here’s the topic:
Q: What were the best genre-related books, movies and/or shows you consumed in 2010?
Here was my answer:
Audiobooks in 2010:
The year isn’t over yet, and I’m really enjoying the new Brilliance Audio (Audible Frontiers) reading of The Speed Of Dark by Elizabeth Moon. Of the audiobooks I’ve reviewed this year I’m pleased to report the first audiobook released in the Gabriel Hunt series, Hunt: Through The Cradle Of Fear |READ OUR REVIEW|, and it’s bonus short story “Nor Idolatry Blind the Eye” have really scratched the Fantasy Adventure itch that I occasionally get. Another pair of novels released by Blackstone Audio, written by the recently deceased John Steakley, were designated SFFaudio Essentials. As read by the powerful Tom Weiner Armor |READ OUR REVIEW| and Vampire$ |READ OUR REVIEW| make for a very interesting pair of novels – they have multiple character names in common and yet one is Science Fiction (in the tradition of Starship Troopers) and the other is Fantasy (with vampires). Similarly, Full Cast Audio’s unabridged reading of Robert A. Heinlein’s Red Planet is, in my mind, now the definitive telling of the novel. It features a full cast of actors performing the entirety of the novel’s text (minus attributions). This brings the story to life in a way no TV or movie adaptation ever could – it doesn’t change a single golden word. Finally, George R. Stewart’s Earth Abides, available through Audible.com and Brilliance Audio, was perhaps the highlight of my audiobook year. Earth Abides had me reconsidering much of my outlook on life – that’s a powerful piece of SF.
Audio Drama in 2010:
In the audio drama department BrokenSea‘s expansive adaptation of Escape From New York |READ OUR REVIEW| blew my socks off! It’s a hardcore retelling of the movie of the same name with enhancements and inspiration from the novelization of the script. And, as always, the ever dependable Red Panda Adventures |READ OUR REVIEW|, now in it’s fifth season, is ramping up to a wonderful World War II arc – turning Toronto superheroes against the baddest baddies of them all – those evil Nazi scum. 2010 was a very good year for audiobooks and audio drama.
In the 2010 comics department:
I’ve been swept up in Eric Shanower’s epic quest to retell the entirety of the Trojan War in his Age Of Bronze series of graphic novels. I am also currently reading The Walking Dead and enjoying it very much. But I am not yet ready to admit that either The Walking Dead comics or on the TV show are even half as great as the zombie freaky awesomeness in the Garth Ennis and Jacen Burrows series Crossed (which I read in the spring). Crossed is one scary good comic. I also thoroughly enjoyed Logicomix: An Epic Search For Truth by Apostolos Doxiadis and Christos Papadimitriou. It’s kind of about Bertrand Russell and kind of about the only part of philosophy that I am really bad at, natural deductive logic.
Movies and TV in 2010:
The only movies that I’ve seen, worthy of the designation Science Fiction, in 2010, were Moon and Inception. If you made me pick which was superior I’d take Moon over Inception and not just because I root for the underdog. In TV, Spartacus: Blood and Sand turned out to be well worth wading through – it’s 300-style green screen visual effects nearly drowned me, but I stuck with it, and the story and acting paid-off supremely.
You can read it |HERE| along with a bunch of other folk’s own lists.
Offered here, with small commentary, is a complete listing of the audio editions and adaptations of Margaret Atwood’s novel The Handmaid’s Tale. A note from the Wikipedia entry:
“The [paperbook version of the] novel concludes with a metafictional epilogue that explains that the events of the novel occurred shortly after the beginning of what is called ‘the Gilead Period.’ The epilogue itself is a ‘transcription of a Symposium on Gileadean Studies written some time in the distant future (2195),’ and according to the symposium’s ‘keynote speaker’ Professor Pieixoto, he and ‘a colleague’, Professor Knotly Wade, discovered Offred’s narrative recorded onto thirty cassette tapes. They created a ‘probable order’ for these tapes and transcribed them, calling them collectively ‘the handmaid’s tale’.”
Enotes.com offers a critical analysis of Offred’s experiences in the Republic of Gilead; There, you’ll find an assertion that the novel’s title title – arguing that it’s – a “sexist pun on the word tale/tail” playing off the association with Geoffrey Chaucer’s The Canterbury Tales and the role that handmaids are forced to play in Gileadean society.
BBC Radio:
The Handmaid’s Tale
3 Broadcasts (2 Cassettes) – Approx. 3 Hours [RADIO DRAMA]
Broadcaster: BBC Radio 4
Broadcast: 2000
ISBN: 0563553561
Recorded on location in and around New York.
Off The Shelf – The Handmaid’s Tale
By Margaret Atwood; Read by Jocelyn Cunningham
fifiteen 15 Minute Episodes – Approx. 3 Hours 45 Minutes [ABRIDGED]
Broadcaster: BBC World Service / Off The Shelf
Broadcast: May-June 1993
Book At Bedtime? – The Handmaid’s Tale
By Margaret Atwood; Read by Buffy Davis
10x 30mins or 10x 15mins [ABRIDGED?]
Broadcaster: BBC Radio 4 / BBC Radio 7?
Broadcast: 1995 / December 2007?
English National Opera – The Handmaid’s Tale*
Based on the novel by Margaret Atwood;
1 Broadcast – Approx. 2 Hours 45 Minutes [OPERA]
Broadcaster: BBC Radio 3
Broadcast: 2003
*Performed for the first time in Copenhagen in 2000.
CBC Radio:
The Handmaid’s Tale
Based on the novel by Margaret Atwood; Adpated by Michael O’Brien; Performed by a full cast
2 Broadcasts, 2 CDs – Approx. 1 Hour 43 Minutes [RADIO DRAMA]
Broadcaster: CBC Radio / Sunday Showcase
Broadcast: August 11 and 18, 2002
Publisher: BTC Audiobooks
Published: 2004
ISBN: 0864923414 Cast:
Janey Amos … Cora
Greg Bryk … Guardian
Alex Bulmer … Ofglen #2, Woman being chased Emma Campbell … Offred Kim Campbell … Aunt Elizabeth
Richard Clarkin … Nick
John Cleland … Guardian, TV announcer William B. Davis … The Commander
Shirley Douglas … Aunt Lydia
Michelle Fisk … Rita
Catherine Fitch … Oflgen #1
Donna Goodhand … Serena Joy
Juliana Hayden-Nygren … Daughter
William Johnston … Guide, Guardian, TV announcer
Kim Kuhteubl … Ofjohn, Woman
Richard Lee … Cashier, Tourist, Man who dies, Guardian
Hardee T. Lineham … Doctor
Juno Mills-Cockell … Ofwarren
Rahnuma Pathaky … Woman in gym, Woman, Woman in washroom
Andrew Tarbet … Luke, Guardian
Kristen Thomson … Moira
Diana Tso … Tourist, Woman, Woman greeting
Terry Tweed … Mother
Dramatized by Michael O’Brien
Directed and produced by Ann Jansen
Recording Engineer Joe Mahoney
sound Effects by Wayne Richards and Matthew Wilcott
Mastered by Lloyd Hanson
Introduction by Robbie O’Neill
Original music by Michael White
Audiobooks:
The Handmaid’s Tale
By Margaret Atwood; Read by Joanna David
8 Cassettes – Approx. 10 Hours 15 Minutes Hours [UNABRIDGED]
Publisher: Chivers Audio
Published: 1985
ISBN: 0745168086 Near the end of the 20th century, birth control and the effects of nuclear fallout have caused fewer births, so the Biblical story of Rachel is invoked to handle the declining birth rate.
The Handmaids Tale
By Margaret Atwood; Read by Julie Christie
2 Cassettes – Approx. 3 Hours [ABRIDGED]
Publisher: Listen For Pleasure / Durkin Hayes Audio / dhAudio
Published: 1987 / 1988
ISBN: 0886462142 “A dystopian novel of a world ruled by militaristic fundamentalism in which sexual pleasure is forbidden.”
The Handmaid’s Tale
By Margaret Atwood; Read by Betty Harris
8 Cassetes or 10 CDs – Approx. 11 Hours [UNABRIDGED]
Publisher: Recorded Books
Published: 9781556902161 (cassette), 9781436179850 (cd)
ISBN: 2002 This novel has been described as “a women’s 1984.” As with Orwell’s futuristic thriller, The Handmaid’s Tale is well-written, politically astute, and contains enough reality mixed in with the fantastic to compel and horrify. Although the novel has a feminist perspective, it addresses the universal issues of individual autonomy and freedom.
The SFFaudio Podcast #086 – Jesse talks to Ben Aaronovitch. Aaronovitch is an SFF author, a former Doctor Who scriptwriter, and the lead writer of the Blake’s 7 audio drama series.
Talked about on today’s show:
the original Doctor Who, how to break into TV (in the mid 1980s), Andrew Cartmel, the price of VCRs in 1985, Caroline Aulton, Remembrance Of The Daleks, big budget BBC, Geoffrey Palmer, do it again with 40% more fear, Ben Aaronovitch’s blog Temporarily Significant entitled: I shall eviscerate you, Daleks and An Unearthly Child, racism, The Hand Of Omega, two sets of Daleks, proto-U.N.I.T., Battlefield, what killed the original Doctor Who?, the BBC!, the fetishization of the writer, Russel T. Davies, Queer As Folk, “a Doctor Who shaped whole in the British psyche”, Jon Pertwee, KVOS-TV, the abortive FOX Doctor Who reboot, Doctor Who as an episode of The X-Files, Paul McGann, The New Adventures of Doctor Who:Transit by Ben Aaronovitch, Rivers Of London by Ben Aaronovitch (aka Midnight Riot), Moon Over Soho, Whispers Underground, Peter F. Hamilton, “extruded fantasy product”, Michael Moorcock, Charlaine Harris, Diana Gabaldon, Harry Potter meets The Sweeney (the British version of Kojak), The Dresden Files (is “Gandalf noir”), reviews of Rivers Of London (aka Midnight Riot), Midnight Riot on GoodReads.com, negative reviews are very helpful, The Steel Remains by Richard K. Morgan, Morgan’s screed against J.R.R. Tolkien, Joe Abercrombie and China Miéville are good because they are good not because they are grim, the Blake’s 7 audio dramas started on The Sci-Fi Channel UK, Andrew Sewell, Rebel, Traitor, Liberator is an SFFaudio Essential |READ OUR REVIEW|, “Star Trek: British or Robin Hood in space”, Terry Nation, Chris Boucher, Avon’s one liners, Firefly, Farscape, the Blake’s 7 prequel series, Cally: Blood & Earth and Flag & Flame |READ OUR REVIEW|, Alistair Lock, the quality of the actors on Blake’s 7, Colin Salmon, Michael Praed, B7 is real Science Fiction ideas in a space opera setting, the internet is a huge echo chamber, the effect of torrents on Blake’s 7, B7 is on Audible.com (and Audible.co.uk), Bernice Summerfield, Big Finish, Blake’s 7: The Early Years: Zen: Escape Velocity (Volume 2.1), Series 2 of Blake’s 7 is already written, the rebooting of Battlestar Galactica, the Pegasus episode of BSG, landing a Battlestar was badly though through, Ronald D. Moore‘s Cylons didn’t have a plan, Lost, J. Michael Straczynski, television is like life, Dexter, detective shows can run longer, The Mentalist, Law & Order, why Doctor Who need never die, the Pertwee years, Doctor Who as the “universal television format”, Frankenstien = The Brain Of Morbius, Greek myth = The Myth Makers, there’s no end-game in Doctor Who, writers are used as a crutch by British TV executives, the credit given to writers by UK television, USA TV vs. UK TV, the writer’s room is very attractive, the homogeneous end product, Castle is beautifully written fluff, the psychic episode of Castle was soul-deadening, HBO, True Blood, Downton Abbey is kind of like Upstairs Downstairs, the problems of USA and UK TV, DaVinci’s Inquest, Intelligence, Downton Abbey, Highlander, Seacouver, The 4400 lake (is Buntzen Lake), “Caprica city is decaying”.
Here are four recently arrived audiobooks. They’ll join their friends on the teeming shores of SFFaudio’s PO BOX. But, before they can take up proper residence (on someone’s bookshelf) they’ll need one of our officials (that’s me) to unseal their carefully wrapped packages, do a “whole cover imaging” (which involves our totally non invasive and completely harmless photonic scanners technology), riffle through their intimate contents, and generally fondle them both inside and out in what we like to call “an enhanced manual inspection.” It’s the law here at SFFaudio AND it’s for your protection.
Heh-heh. I think I’ll start with the slim and sexy beauty standing at the head of the line here…
Zen, the artificial intelligence featured in this audio drama, is the master computer aboard the Deep Space Vehicle 2 (later to be re-named Liberator). In the television series “Zen’s history, like that of the Liberator itself, is unknown prior to its first appearance.” This audio drama answers much of the mystery surrounding Zen and the Liberator
Blake’s 7: The Early Years: Zen: Escape Velocity (Volume 2.1)
By James Swallow; Directed by Andrew Mark Sewell; Performed by a full cast
1 CD – Approx. 1 Hour [AUDIO DRAMA]
Publisher: B7 Productions
Published: April 26, 2010
ISBN: 978190657709 Based on Terry Nation’s seminal 70s science fiction TV series, The Early Years is a prequel series of audio stories that explores the origins of key Blake’s 7 characters prior to them meeting rebel leader Roj Blake. This latest entry to the ever-expanding series takes a new twist, concentrating on a character that doesn’t breathe or have any parents, the synthetic intelligence known only as Zen. When Roj Blake first stepped on board the mysterious, derelict alien spaceship Liberator, his every movement was monitored by the ship’s controlling intelligence, Zen Luckily, Blake and his rebel crew managed to gain the ‘confidence’ of this creation from an alien world and so he was able to use the Liberator in their quest for justice against the Federation. But the origins of Zen have remained a mystery, until now. What terrible catastrophe left the Liberator drifting and shattered? What drove the ship’s intelligence to murder its original crew? What dark secrets lie at the heart of this alien machine? And are Blake and his crew really safe on board the Liberator? Featuring Zoë Tapper, Jason Merrells, Tracy-Ann Oberman and Alistair Lock as Zen.
Here’s a title mentioned on The SFFaudio Podcast #065, narrator Steve West has a gentle, smoky English voice. Videos follow.
The Left Hand Of God
By Paul Hoffman; Read by Steve West
10 CDs – Approx. 12.5 Hours [UNABRIDGED]
Publisher: Penguin Audio
Published: June 15, 2010
ISBN: 9780142428238 Listen, The Sanctuary of Redeemers on Shotover Scarp is named after a damned lie, for there is little redemption that goes on there and less sanctuary… In the Redeemer Sanctuary, the stronghold of a secretive sect of warrior monks, torture and death await the unsuccessful or disobedient. Raised by the Redeemers from early childhood like hundreds of other young captives, Thomas Cale has known only deprivation, punishment, and grueling training. He doesn’t know that another world exists outside the fortress walls or even that secrets he can’t imagine lurk behind the Sanctuary’s many forbidden doorways. He doesn’t know that his master Lord Bosco and the Sanctuary’s Redeemers have been preparing for a holy war for centuries-a holy war that is now imminent. And Cale doesn’t know that he’s been noticed and quietly cultivated. Then, Cale decides to open a door. It’s a door that leads to one of the Redeemers’ darkest secrets and a choice that is really no choice at all: certain death or daring escape. Adrift in the wider world for the first time in his young life, Cale soon finds himself in Memphis, the capitol of culture-and the den of Sin. It’s there that Cale discovers his prodigious gift: violence. And he discovers that after years of abuse at the hands of the Redeemers his embittered heart is still capable of loving-and breaking. But the Redeemers won’t accept the defection of their special subject without a fight. As the clash of civilizations that has been looming for thousands of years draws near, a world where the faithful are as brutal as the sinful looks to young Cale to decide its fate.
By the author of the “Kiki Strike” series (which is about “the adventures of six girls in Manhattan” who encounter a “hungry ghost” and “giant squirrels”). The cover depicts a sort of Ouroboros, and the novel is apparently about reincarnation and/or past lives with romance, aimed at the YA market. Book and audiobook trailers follow.
The Eternal Ones
By Kirsten Miller; Read by Emma Galvin
9 CDs – Approx. 11 Hours [UNABRIDGED]
Publisher: Penguin Audio
Published: August 10, 2010
ISBN: 9780143145769 Haven Moore has always lived in the tiny town of Snope City, Tennessee. But for as long as she can remember, Haven has experienced visions of a past life as a girl named Constance, whose love for a boy called Ethan ended in a fiery tragedy. One day, the sight of notorious playboy Iain Morrow on television brings Haven to her knees. Haven flees to New York City to find Iain there; she is swept up in an epic love affair that feels both deeply fated and terribly dangerous. Is Iain her beloved Ethan? Or is he her murderer in a past life?
Most of the talk I’ve heard about this book has described it as ‘not really science fiction.’ Presumably part of their rationale is that’s because it isn’t set in the future. But as a deep SFF literature fan surely realizes, setting isn’t the key indicator of SF – Gibson’s approach, in every book I’ve read of his – has been the determining factor of its SF-ness. I’m willing to bet Zero History is SF.
Zero History
By William Gibson; Read by Robertson Dean
9 CDs – Approx. 11 Hours [UNABRIDGED]
Publisher: Penguin Audio
Published: September 7, 2010
ISBN: 0142428450 Hollis Henry worked for the global marketing magnate Hubertus Bigend once before. She never meant to repeat the experience. But she’s broke, and Bigend never feels it’s beneath him to use whatever power comes his way — in this case, the power of money to bring Hollis onto his team again. Not that she knows what the “team” is up to, not at first. Milgrim is even more thoroughly owned by Bigend. He’s worth owning for his useful gift of seeming to disappear in almost any setting, and his Russian is perfectly idiomatic – so much so that he spoke Russian with his therapist, in the secret Swiss clinic where Bigend paid for him to be cured of the addiction that would have killed him. Garreth has a passion for extreme sports. Most recently he jumped off the highest building in the world, opening his chute at the last moment, and he has a new thighbone made of rattan baked into bone, entirely experimental, to show for it. Garreth isn’t owned by Bigend at all. Garreth has friends from whom he can call in the kinds of favors that a man like Bigend will find he needs, when things go unexpectedly sideways, in a world a man like Bigend is accustomed to controlling. As when a Department of Defense contract for combat-wear turns out to be the gateway drug for arms dealers so shadowy that even Bigend, whose subtlety and power in the private sector would be hard to overstate, finds himself outmaneuvered and adrift in a seriously dangerous world.
While this book will likely shoot to it’s highest prominence next summer with the release of the next Disney movie about pirates in the Caribbean, a more interesting (and lesser known) factoid about this novel is that it inspired the LucasArts Monkey Island series of games! Now if only someone could tell me what inspired Their Finest Hour and it’s amazing 192-page ring bound manual!
On Stranger Tides
By Tim Powers; Read by Bronson Pinchot
10 CDs – Approx. 11.7 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: August 2010
ISBN: 9781441754981 On Stranger Tides follows the exploits of John “Jack Shandy” Chandagnac, who travels to the new world after the death of his puppeteer father to confront his uncle, who has apparently made off with the family fortune. During the voyage, he befriends Beth Hurwood and her father Benjamin Hurwood, an Oxford professor. Before they arrive at their destination, their ship is waylaid by Blackbeard and his band of pirates. With the help of the professor and his assistant, the captain is killed and Chandagnac is pressed into piracy and sorcery as Blackbeard searches for the Fountain of Lost Youth. Chandagnac, newly dubbed “Jack Shandy,” must stop the evil plot and save Beth Hurwood.
Prometheus Radio Theatre wishes everyone happy holidays with a three-part Christmas story, airing Christmas Eve, New Year’s Eve and Three Kings’ Day. 
|MP3|
![BBC RADIO COLLECTION - The Handmaid's Tale [RADIO DRAMA]](https://www.sffaudio.com/images10/BBCRADIOCOLLECTIONTheHandmaidsTale500.jpg "BBC RADIO COLLECTION - The Handmaid's Tale [RADIO DRAMA]")
The Handmaids Tale
