J. Michael Straczynski’s The Adventures Of Apocalypse Al to be a digital comic

SFFaudio News

CBC! Give Us The Adventures Of Apocalypse AlIt seems that back in October that “MTV Comics announced a new comic by J. Michael Straczynski, The Adventures of Apocalypse Al, which will be published online and on tablets and mobile devices in Spring 2012.”

Apparently there are plans to then release it in paper form. And there are also plans for a “live-action webisode series on MTV Geek in the Fall of 2012.”

The Adventures of Apocalypse Al marks the Eisner, Hugo, Eagle and Inkpot award-winner’s first graphic novel to follow the New York Times best-selling Superman: Earth One. Originally developed as a radio serial for the CBC, Al was never released and has had fans wondering if it would ever see the light of day. “Joe and I have been discussing the property since sometime in 2007, and it’s amazing to finally bring this series to fans.” said MTV Comics’ Tom Akel. JMS has described it as “Monty Python meets the Maltese Falcon en route to the end of the world.”

This comes as a bit of a surprise given that The Adventures Of Apocalypse Al was originally conceived, written, and produced as a radio drama, consisting of twenty 5-minute episodes, for CBC.

I’ve been covering the glacial drama that is The Adventures Of Apocalypse Al since 2004. CBC Radio One has the show completed, in the can, and ready to run ago, but it never aired.

At this point I suspect the original incarnation of The Adventures Of Apocalypse Al will never be on the radio.

It is a great pity.

Posted by Jesse Willis

BBCR4 + RA.cc: Gulliver’s Travels – a magnificent new RADIO DRAMA adaptation

SFFaudio Online Audio

BBC Radio 4RadioArchives.ccSFFaudio EssentialI’ve just finished listening to the new BBC Radio 4 Classic Serial adaptation of Gulliver’s Travels. And now I must tell you that this version, written by Matthew Broughton and directed by Sam Hoyle for BBC Cymru/Wales, is one the finest radio drama adaptations of any book that I’ve ever heard!

It’s stupendous! Of course the acting is wonderful, it’s BBC, and the sound design is unimpeachable, it’s BBC, but it’s the writing, the choices made in what to keep and how to play it, the particular attention to the audio medium that makes this version of Gulliver’s Tavels so magnificent. The three hour production allows for a much richer experience. I found myself curious, surprised, and delighted in each of the three episodes.

Here’s a snippet of Laura Pledger’s review from the Radio Times:

“this is a rollicking adventure awash with humour, taking potshots at everything from the Brits abroad to politics — shots that hit their targets as accurately as Lilliputian arrows skewer a man-mountain.”

I think she’s totally underselling it. I was fully submerged into the world of the play, variously laughing and frightened. The interweaving of the audio and the visuals they conjured up in me made this the best audio experience of my year so far.

Part of my amazement comes from my recent close familiarity with the the novel. Over the years I’d read plenty of the adaptations, seen the parodies, collected the comics, watched the movies, even heard radio dramas. They were alright, but I really didn’t know what I was missing until I compared them with the original text. Which I did just over a year ago when we talked about the book itself, in The SFFaudio Podcast #094.

The problem with all the adaptations, abridgements, and movies is actually addressed in this production in a terrific framing story.

To fully appreciate the magnificence of this adaptation I recommend you too first experience the unexpurgated original text.

And if you do I am confident that you will be then very well placed to see just how marvelous an adaptation this three part, 170 minute, production is.

The entire three part serial is available via |TORRENT| at RadioArchive.cc.

Episode 1 – Broadcast February 5, 2012
Gulliver is shipwrecked on the Island of Lilliput where the natives are tiny people living in a miniature society. With his unique overview of this realm, Gulliver discovers a world of petty politics and small minds. Coerced into a war between two nations who disagree on the best way to eat boiled eggs, Gulliver finds himself betrayed by friends and battered by enemies – escape is his only option if he wants to survive! Gulliver’s adventures in Lilliput are hilarious, disturbing and profound. This is a story of dishonest politicians, mindless ceremony and wars based on unconvincing arguments. A satire as potent now as it ever was! Gulliver’s Travels quickly became a classic. The book has become not only the defining work of its author but also of its genre – a landmark in English Literature to which all satirists today can trace a heritage.

Episode 2 – Broadcast February 12, 2012
Gulliver’s adventures continue when he finds himself in Brobdingnag – a land where the inhabitants are enormous! Here, as a miniature man, Gulliver must fight for survival against rats the size of dogs, a dwarf who is 40 foot high, and the ridicule and humiliation of a scornful court. With his uniquely close-up view, Gulliver sees the people (even the great beauties) as if under a microscope – and they are dirty, stinking and disgusting. He becomes increasingly horrified by humankind, stranded in a frightening land where his only ally is an innocent child. Once again, escape is imperative – if he doesn’t, he won’t survive… As an exploration of of man’s vanity and complacency, Gulliver’s second voyage is an acute satire – as relevant today as ever. Beyond that, it is also a rattling good adventure story – a man lost, swashbuckling his way through manifold giant-sized dangers, desperate to find a way back home.

Episode 3 – Broadcast February 19, 2012
The last voyages of Jonathan Swift’s story are the lesser told. Gulliver finds himself on the floating Island of Laputa, where he encounters mad scientists and the terrifying ghosts of the great and the good. He flees from these intellectual and spiritual horrors, only to finally find a kind of Eden with the Houyhnhnms, a race of intelligent and gentle horses. However, in this land, humans – or as they are called, the ‘Yahoos’ – are considered vermin. The dark and traumatizing experiences Gulliver has in this land change his life (and his wife and family’s lives) forever. With the satire here focused on crazy scientific experimentation, superstition, and finally spiritual desolation – Gulliver’s Travels is as modern and potent now as it has ever been.

Cast:
Arthur Darvill as Gulliver
Matthew Gravelle
Sam Dale
Bethan Walker
Judith Faultless
Richard Nicol
Chris Pavlo
Claire Cage
Lynne Seymour
Gareth Pierce
Ewan Bailey
Phoebe Waller-Bridge

Posted by Jesse Willis

CBS Radio Mystery Theater: Wuthering Heights adapted from the novel by Emily Brontë

SFFaudio Online Audio

We’ve got the audiobook version, and here’s cool radio drama adaptation from the 1970s. I’ll be listening to this tonight as I drift off into dreamland.

CBS Radio Mystery TheaterCBS Radio Mystery Theater – #0643 – Wuthering Heights
Based on the novel by Emily Brontë; Adapted by Elizabeth Pennell; Performed by a full cast
1 |MP3| – Approx. 45 Minutes [UNABRIDGED]
Broadcaster: CBS
Broadcast: April 29, 1977
Provider: CBSRMT.com
Heathcliff, an adpoted son, returns home to the family that mistreated him as a youth.

Cast:
Lloyd Battista
Paul Hecht
Russell Horton
Roberta Maxwell
Bryna Raeburn

Bonus: The Semaphore Version of Wuthering Heights (courtesy of Month Python):

Posted by Jesse Willis

The 15th Annual Mark Time Awards entry date is rapidly approaching

SFFaudio News

The Mark Time AwardJerry Stearns writes in to say:

“It’s the 15th Annual Mark Time Awards for Best Science Fiction Audio Theater.

The deadline for entry in the Mark Time Awards for SF audio theater, and the Ogle Awards for Fantasy/Horror audio theater is coming up. It must be postmarked by March 1. So, producers, get us your best material soon.

We’ve simplified it this year. You can send us only one (1) CD, either audio or MP3, or you can tell us where to download the files you want us to hear. The MP3s much be at least 256 kbps and 16 bit depth, though, so don’t skimp. You do still have to send in the entry form and entry fee.

Take a look at (http://www.greatnorthernaudio.com/MarkTime/MarkTime.html) for further information.

As an added incentive, whether you win a Mark Time or an Ogle this year or not, if you can attend ConVergence, the convention where we present the awards, you’ll get to hang out with the creators of Mark Time himself, the Firesign Theatre. Peter Bergman, David Ossman and Philip Proctor will be attending the convention to perform, present the awards, and share the Mark Time Breakfast with all the winners. You can pick up their new book of FST plays and get it autographed. Check out Convergence at (http://www.convergence-con.org/) for more.”

Posted by Jesse Willis