Of all the adaptations of Ray Bradbury stories, my favourites are the Bradbury 13, a series of thirteen radio dramatizations currently available through Blackstone Audio. They make for an absolutely wonderful experience. I’m not the only one who feels that way. When Fred Greenhalgh of Radio Drama Revival, and Final Rune Productions, heard of Ray Bradbury’s death – he contacted Mike McDonough – the producer of the famous Bradbury 13 and got permission to podcast another episode – he got it, and so we got it!
Bradbury 13 – The Veldt
Adapted from the story by Ray Bradbury; Performed by a full cast
1 |MP3| – Approx. 47 Minutes [RADIO DRAMA]
Podcaster: Radio Drama Revival
Podcast: June 8, 2012 A wealthy couple builds the ultimate virtual playroom for their spoiled children, complete with an African savanna and man-eating lions. It is so real, you can even smell the lions’ last meal. First broadcast on NPR in 1984. Short story first published in The Saturday Evening Post, September 23, 1950, under the title The World The Children Made.
Dark Adventure Radio Theatre: H.P. Lovecraft’s The Shadow Out Of Time
Adapted from the novella by H.P. Lovecraft; Performed by a full cast
1 CD – Approx. 77 Minutes [AUDIO DRAMA]
Publisher: HPLHS
Published: October 27, 2009
Themes: / Horror / Science Fiction / Aliens / Consciousness Swapping /
It their line of faux Old Time Radio shows the H.P. Lovecraft Historical Society has also adapted the old master’s The Shadow out of Time. After the slightly disappointing At the Mountains of Madness and the great Dunwich Horror we now look the The Shadow Out Of Time – not quite what I would have expected for an audio drama treatment.
As usual you can get the audio both as a download and in the physical CD form, the latter is enhanced with certain goodies. The HPLHS started off as a supplier of props for Lovecraftian role-playing games (both pen-and-paper, and live action). This CD is no exception and so you can find a cutout from the fictitious Arkham Advertiser printed on real newspaper paper, a sealed Marconigram (a telegram), torn pages from a psychological journal detailing the case of Nathaniel Peaslee, and finally a very well made faux facsimile page from the infamous “Von Unaussprechlichen Kulten“. The latter being in absolutely perfect German. Not that you will actually need any of these things but they are fun to look add and just add to the impression that this is a quality product.
But what about the audio?
The story tells of Nathaniel Peaslee, Professor of Political Economics whose mind gets exchanged by an alien entity from the Great Rave of Yith who are time travelers from earth’s distant past. The strange behavior of the entity in his body alienates Peaslee from his family and friends, and he becomes a celebrity patient among psychologists.
When the real Peaslee is being sent back into his body with no memories of his experience he is shocked to find his life in shambles and is soon confronted with nightmarish visions of his life as a captive of the Yithians. Eventually he becomes involved in an archeological dig in Australia that is about to uncover the remnants of the ancient pre-human city along with the Yithian arch-enemies that still dwell there.
Lovecraft’s usual topic, of showing the insignificance of human kind in light of some alien being or race who could eradicate it in the blink of an eye, is emphasized by the fact that even these powerful beings can be overcome by some more powerful than they are.
Let’s face it, you don’t read an individual Lovecraft story for the action or suspense. It’s more the joy of unveiling the cosmology that connects most of his literary works. The Shadow Out Of Time is no exception, if anything it is an even more than typical example. I mean it starts with an alien hijacking a professor of *Political Economics* of all things! (Dear students of Economics, this is nothing personal but you must admit that the discipline does not quite come to mind as the starter for a horror story of cosmic dimensions) A sizable part of the story consists one massive infodump detailing the culture and society of the Great Race of Yith. In it Lovecraft even goes so far as to classify the economic and political system (I can see a pattern evolving) of the Yithians, which he dubs some form of “socialist fascism”. All of this is delivered in the form of a letter to Peaslee’s son and the world at large.
Not an easy thing to turn into an audio drama.
However, the HPLHS managed surprisingly well to create a more dynamic form of presentation. First of all, when the story starts on the ship bringing Peaslee home from Australia the audio drama introduces the ship’s doctor as a counterfoil so that Peaslee can actually tell his story to someone. Peaslee’s research into the lost years of his amnesia during which his hijacker traveled the world in search of arcane knowledge is made more vivid through a conversation with a Swedish librarian, and so are the flashbacks into his incarceration in Earth’s distant past together with fellow prisoners from other ages and places. These diversions from the original story all serve to liven up the dramaturgy without changing the essence of Lovecraft’s Shadow Out Of Time.
As usual, the production and voice acting are great, especially considering that this is not an entirely professional production. The HPLHS are hobbyists who, in spite of the love and attention to detail they pour into their products, have not lost their sense of humour. Thus, The Shadow Out Of Time is the first Lovecraft adaptation to my knowledge which features product placement (Fleurs de Lys anyone?). It is not least this tongue-in-cheek humour that helps to turn an slightly stuffy tale of pre-historical kidnapping with cosmic, nay, titanic dimensions into an enjoyable audio drama. Highly recommended.
CBC’s long-running interview show, As It Happens, just finished airing a segment on Ray Bradbury, which consisted of a brief obituary, a vintage interview (from May 1992, with Eleanor Wachtel), and a broadcast of Dimension X’s Zero Hour – the streaming audio edition omits Zero Hour, (we’ll find out about the podcast edition tommorow) – in the meantime the segment as it exists begins at 9 minutes 30 seconds:
Set in either 2026 or 1985, this story – the tale of a lonely house in California is the first that sprung to mind after I heard about Ray Bradbury’s death this morning.
Part of The Martian Chronicles, but first published in the May 6th, 1950 issue of Collier’s Weekly, the entire text of Ray Badbury’s classic There Will Come Soft Rains is viewable at UNZ.org:
There Will Come Soft Rains
By Ray Bradbury; Read by Burgess Meredith
1 |MP3| – Approx. 18 Minutes [UNABRIDGED]
Publisher: Lively Arts
Published: 1962
Product #: LA 30004
There Will Come Soft Rains
By Ray Bradbury; Read by Leonard Nimoy
1 |MP3| – Approx. 15 Minutes [UNABRIDGED]
Publisher: Caedmon
Published: 1975
Radio dramatizations:
Dimension X – There Will Come Soft Rains
Adapted by George Lefferts; Performed by a full cast
1 |MP3| – Approx. 29 Minutes [RADIO DRAMA]
Broadcaster: NBC
Broadcast: June 17, 1950
X-Minus One – There Will Come Soft Rains (and Zero Hour)
Adapted by George Lefferts; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: NBC
Broadcast: December 5, 1956
There’s only a snippet from the beginning of this one…
There Will Come Soft Rains
Adapted by Malcolm Clarke
1 |MP3| – Approx. 2 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4
Broadcast: May 11, 1977
Wally Wood’s depiction of the house from the comic adaptation in Weird Fantasy #17:
Yesterday, a friend of mine was woefully mistaken. He said there was only one good audio drama and that it was The Hobbit (referring to the BBC radio dramatization). Well that is a pretty awesome audio drama but he is still totally and completely WRONG.
There are probably hundreds and hundreds of excellent audio dramas, but I was totally caught off guard – what’s that old french saying… ah yes…
Indeed, I only managed to throw out a couple of quick examples before my friend had retired for the evening.
I pointed out the BBC’s dramatization of The Lord Of The Rings and I a then suggested the CBS Radio Mystery Theater and it’s wonderful Alfred Bester story The Walking Dead).
My friend left unconvinced. And it is only now, today, that others spring readily to mind.
In l’esprit de l’escalier I will throw out one more – to him and to the world – and that will be George Zarr’s masterful adaptation of Jack Vance’s The Moon Moth.
It was one of the first audio dramas I reviewed for SFFaudio, back in 2003, and it is still one of the very finest audio dramas I’ve ever heard.
You could |READ OUR REVIEW|, but I think just hearing a few minutes of it will provide enough motivation to propel both you, and my friend, to both the end and a change of opinion.
Seeing Ear Theatre – The Moon Moth
Based on the novella by Jack Vance; adapted by George Zarr; Performed by a Full Cast
2 MP3 Files – Approx. 73 Minutes [AUDIO DRAMA]
Publisher: Seeing Ear Theater
Published: 2000? On the planet Sirene everyone wears a mask according to his status — or strahk — in society. Communication is accomplished through singing accompanied by a plethora of instruments, each of which signifies a different emotional mood or is used to talk to a different social caste. The problem is, the assassin Angmark is a master of Sirenese customs and — like everyone else on Sirene — his face is hidden behind a mask. Our doddering ambassador-detective’s only hope: to learn to use his own mask — the lowly Moon Moth — before Angmark relieves him of a head to put it on. First published in Galaxy Science Fiction, August 1961.
Produced and directed by George Zarr
Sound Design by John Colucci and David Shinn
Music Direction and Sirenese Musical Performance by Douglas Anderson
Cast:
David Garrison as Edwer Thissell and Provisionist Greenward
Tuck Milligan as Haxo Angmark and Messenger Slave
Ian Reed as Esteban Rolver and Bright Sky Bird
Mort Banks as Cornelly Welibus and Maskmaker
Mark Victor Smith as Mathew Kershaul
Leah Applebaum as Computoid, Maiden, Female Slave, and Rex
George Zarr as Steward and Paul
Andrew Joffe as Forest Goblin, Benko, and Sand Tiger
Paul Amodeo as Hostler and Toby
Here are the illustrations, by Dick Francis, from the original publication in Galaxy SF:
And finally, we talked to George Zarr about The Moon Moth, and many other plays, back in SFFaudio Podcast #071. Check it out if you’d like to hear more about how awesome audio drama is.
“[Hosiprog] was founded by the late Dennis Rookard to create and provide drama and features for hospital radio, audio magazines for the blind and community radio stations. Essex Audio Theatre and the Old Court Radio Theatre Company continue to produce and record original material for Hosiprog, with John Rhodes as recording engineer. Anyone is welcome to listen to the recordings, or to download them, and they may be broadcast freely by voluntary and community-run radio stations. The archive for the recordings are linked and provided in the Group at Times Past.”
The Mazarin Stone
By M.J. Elliott; Adapted from the story The Adventure Of The Mazarin Stone by Sir Arthur Conan Doyle; Performed by a full cast
1 |MP3| – Approx. 28 Minutes [AUDIO DRAMA]
Producer: Old Court Radio Theatre Company
Produced: 2007
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Based on a stage play (The Crown Diamond: An Evening With Mr Sherlock Holmes) by Sir Arthur Conan Doyle. First published as a short story in the Strand Magazine, October 1921.