Reading, Short And Deep #211 – The Soul Of The Cello by Maria Moravsky

Podcast

Reading, Short And DeepReading, Short And Deep #211

Eric S. Rabkin and Jesse Willis discuss The Soul Of The Cello by Maria Moravsky

Here’s a link to a PDF of the story.

The Soul Of The Cello was first published in Strange Stories, December 1939.

Posted by Scott D. Danielson

The SFFaudio Podcast #565 – READALONG: Last Days Of Thronas by Stuart J. Byrne

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #525 – Jesse and Paul Weimer talk about Last Days Of Thronas by Stuart J. Byrne

Talked about on today’s show:
and today we’re reading…, John Bloodstone, an old science fiction novel, why wouldn’t I read this book?, public domain, never heard of this guy, Science Stories, February 1954, house names or pseudonyms, tiers of science fiction magazines, armchair fiction, digging into the issue, the cover has nothing to do with the contents of the story, a brilliant 45,000 word novel, a singular spaceship, J. Allen St. John, Edgar Rice Burroughs, Tarzan, Warlord Of Mars, The Moon Maid, a Burroughsian planetary romance, splash page, the creature, his former lover, a precursor, L. Sprague de Camp’s Viagens Interplanetarias, against the rules, find each other attractive, tentacles out of eyebrows, an ancient spaceship, the subjugated people have invented gunpowder, backgrounded to Garthanas’ story, what Paul would be thinking about Jesse would be thinking about the worldbuilding, how little this book has been published, it does was it says on the tin, a man off his world (or not our world), the ending, a solar system with two and a half inhabitable planets, Thronas is the fifth world, Carson of Venus, Hamardeen, the math and the names, a panspermia story, dinosaur time, Dalathasheen, Haven, Adamas, a tropical haven, a vast natural garden which they named…, Atlantis,

Their dreams of old we, too, have known,
But we are flesh and they are
stone,
And Yesterday is dust…

just some rando, a weird way to start a story, Tolkien, narrator Tim Harper, preeeety good job, so good, very specific vocab, names of days, all of the logic, names of ranks, layer up this world, as logical and rational as possible, lovely detail, the amphitheater, very vivid, very colourful, a real sense of embodiment, the interests of the author, elf names, etymological construction to the names of things, the measuring system, worldbuilding and making a whole universe (or solar system) for a FIVE HOUR BOOK, and to make the story work as well, the same trick over and over: a secret identity, he’s teaching us, you like Twelfth Night, you like Shakespeare, he’s turning evil, what if I’ve been rooting for a monster this whole time, that’s good writing, the AI of the ship, the metal god, a very early AI, from such an oblique angle, The Great C by Philip K. Dick, he Kirks the computer, I love that idea, the computer doesn’t say, if Kirking is a verb, apparently Gene Roddenberry was a fan, “I’d stand in a line in the rain for one of Stu Byrne’s stories”, back when Paul was young and strong, Thundarr The Barbarian Garth Ennis, one of the many many rip-off’s if Conan, make the show to sell the toys, unpublished Tarzan novel, fan fiction, the Pellucidars, the Barsoom books, male romancesque, lost to time, when the book is THIS interesting, the archaeology of this sort of thing, born in 1911, Jam Packed with Burroughs, more of the same, He-Man, She-Ra, Red Sonja (from the comics), filed-off serial numbers, friendship works differently in Burroughs-world, honor-based friendship, more sex and drinking, more carousing, no animal friend, no Woola, The Green Odyssey, a loving-parody-comedy vs. straight-up, Michael Moorcock, Glory Road by Robert A. Heinlein, hard to escape the orbit of Burroughs, S.M. Stirling, Tantor Media, The Sky People, In The Courts Of The Crimson Kings, he goes wide, characterizing the responses to Burroughs, dinosaurs on Mars, Leigh Brackett, aliens, A World Of Difference by Harry Turtledove, a collapsed empire, the golden ship is a great piece, with that ending he’s cutting off all the sequels, what it turns this book into is a science fiction book of the mainstream type, acceleration, artificial gravity, a force of nature like the tides, the worship of many many gods, how much work he put into this, not a work of slapdashery, Goodreads reviews, the used bookstores podcast, Goodreads is owned by Amazon, many moral hazards in the universe, AbeBooks is owned by Amazon, Byrne is from St. Paul,

It has all the hallmarks of a hastily-written product plus one whose creator has a very specific beginning and endpoint in mind and is working to bridge the two. Byrne occasionally has to paste in the gaps with backstory or offstage events–clearly he was not going to go back and revise–and this leaves the impression that more interesting things are happening to more interesting people while Garthanas is standing around waiting or being talked to.

The story is also strangely unspecific about the context. It’s implied that the oppressed Harmarians are some kind of ethnic minority who are slowly being deported to planet Hamardeen (Mars) because the Thronasians would prefer to be served by the unpredictable and violent nonhuman polar inhabitants, but nobody says this and it is not explained clearly. The half-explanations conspire to baffle and not tantalize with unseen depths.

“Space barbarians” is arrived at uniquely, with a robotic Golden Ship left behind by an earlier civilization. It is a tragedy that this is the only remnant of super-science and one wonders what more Byrne could have added to liven up this story.

The final moments, as it starts to wrap up, do achieve power. Byrne finally has a specific vision with a specific end goal and Garanthas is in place to witness it all and to act appropriately. But the overall impression is less “tale of multigenerational tragedy” than “muddled mess”.

hanging out with a Roman slave who knows how the Roman Empire works, a case of reviewism, a disease that effects many reviewers, space barbarians, a trope, maybe it needed more pondering, a lot of battle scenes, before we talk about the art, action packed, almost the script for Buck Rogers, so many court scenes, sneaking around inside of a space ship, a Star Wars (1977) level of action, kissing, intrigue, how you are when you come to something, a serious problem when they do reviews a lot, IMDB or Rotten Tomatoes, he’s writing to his own conclusion, award winning is a bad word in Jesse’s mind, The Aquiliad: Aquila In The New World by S.P. Somtow, you need to know what the author is doing, answers to What If, the artist knew truth, the only person better at sculpting than me is my master, a very small pair of worlds, another connection to Star Wars, hello Jupiter, reading into it, he wanted to have philosophy in it without getting into it, a thinker king like King Kull, appreciating the art, about that meditation, a John Carter who is appreciating the martian sculptures, normally that’s us when reading the books, the statue at the end, it’s in that opening song, a future echo, an echo of the past, Battlestar Galactica, page 13, we are flesh and they are stone, playing with, the word “Truth”, Ozymandias by Percy Shelley, Ozymandias by Horace Smith, On A Stupendous Leg Of Granite…, hubris is a great problem, uh huh and yup and we’re going to be the same way, more political, Lovecraftian vs. science fictional, that projection, Beyond Thirty by Edgar Rice Burroughs, Robert Charles Wilson’s Darwinia, the journals and a report about what’s going on in North America, Planet Of The Apes, fast paced, Jack McDevitt’s Eternity Road, so many great books that are just hidden away, ratings are a part of the problem of reviewism, star ratings, clouding judgement, it straight jackets you, the pain management chart, hangnail 1, gaping flesh wound from sword stab 8, a standard of one person, the way Luke Burrage justifies his rating system, this is not a classic like a The House On The Borderland, The Time Machine, more worldbuilding than The Green odyssey, Tolkien vs. Narnia, portal fantasy vs. secondary world, six hours well spent, thank you to Tim Harper.

Last Days Of Thronas by S.J. Byrne - illustration by J. Allen St. John

Last Days Of Thronas by S.J. Byrne - illustration by J. Allen St. John

Last Days Of Thronas by S.J. Byrne - illustration by J. Allen St. John

Last Days Of Thronas by S.J. Byrne - illustration by J. Allen St. John

Posted by Jesse Willis

Reading, Short And Deep #210 – Hedone by H.P. Lovecraft

Podcast

Reading, Short And DeepReading, Short And Deep #210

Eric S. Rabkin and Jesse Willis discuss Hedone by H.P. Lovecraft

Here’s a link to a PDF of the poem.

Hedone was first inscribed in a letter dated January 3, 1927.

Posted by Scott D. Danielson

The SFFaudio Podcast #564 – READALONG: VALIS by Philip K. Dick

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #525 – Jesse, Paul Weimer, Marissa Vu, Evan Lampe and Terence Blake talk about VALIS by Philip K. Dick

Talked about on today’s show:
1981, science fiction novel?, the long awaited masterwork, you didn’t like it, low expectations, the first half is the best part, it takes place in the head, after the film, the discussion of the film, the Wikipedia, Radio Free Albemuth‘s plot, parallel universe Nixon, state vs. society, Flow My Tears, The Policeman Said, movement cultures, fighting the Black Iron Prison, this is a political dead end novel, is it science fiction?, the opening, SickMyDuck.narod.ru, quasi-consciousness, gobbledygook,

VALIS (acronym of Vast Active Living Intelligence System, from an American film): A perturbation in the reality field in which a spontaneous self-monitoring negentropic vortex is formed, tending progressively to subsume and incorporate its environment into arrangements of information. Characterized by quasiconsciousness, purpose, intelligence, growth and an armillary coherence.

–Great Soviet Dictionary

Sixth Edition, 1992, used in many others, the copyright details about his other books, A Scanner Darkly, the schizophrenic break, good bits, the autobiographical details, fictionalizing his life, not anything like science, most people don’t have a grasp of what science is, a perturbation in the reality field, progressively subsumed?, a collection of words, he’s eating his own prole feed, he takes as fact, a refutation soon accommodated, this skepticism thing, the same plot as 2001: A Space Odyssey, Book Of The New Sun by Wolfe, the hero can reverse time, that’s there, so much better, weird quest, this 2 year old kid who may or may not be Jesus, more like meta-fiction, reintegrate his brain, Psi-Man heal me, he put’s his hand on Fat’s shoulder, self-hugging, he baptized him with chocolate and a hot dog bun, stuff he’s actually done, not fiction, bullshit people all the time, every now and then this should be science fiction, bullshit with his friends, a rough plot, exegesis, we should be upset, puttering about in a small land, so internal, his other half, Small Holywater, Black WanderingEarth, that’s why its a better novel, it has the satellite, in the beginning was the word,

#36. We should be able to hear this information, or rather narrative, as a neutral voice inside us. But something has gone wrong. All creation is a language and nothing but a language, which for some inexplicable reason we can’t read outside and can’t hear inside.

its important to see why people are attracted to this book, words are data as much as visual data, bear scratching against a tree, i present these words to you and they become reality, dope dope dope 500 times, the word loses its sound and its meaning, words on a page are reality, we have to contend with this, how do you know when this is, it’s tremendous, is that true, dreams, your critical faculties are not in full operation, religious people are presented with evidence, adopted accommodated or ignored, causing a crisis, telegraphed far before, we all have this capacity to generate data, distinguishing it from, “Reality is that which, when you stop believing in it, doesn’t go away.”, untethered to critical no no no no, Fat gained strength, self-criticism, Horselover Fat is the early 60s sociological type, Michel Serres, there’s something broken in his head, he’s a car engine and there’s a serious problem with the mechanics, “The Black Iron Prison”, “The Empire Never Ended”, proved, made up in medieval times, the Roman Empire fell in…, time is not what we think it is, K.W. Jeter, Tim Powers,

“You found your way into the upper realm,” Kevin declared. “Isn’t that how you put it in your journal?”

#48. Two realms there are, upper and lower. The upper, derived from hyperuniverse I or Yang, Form I of Parmeni-des, is sentient and volitional. The lower realm, or Yin, Form II of Parmenides, is mechanical, driven by blind, efficient cause, deterministic and without intelligence, since it emanates from a dead source. In ancient times it was termed “astral determinism.” We are trapped, by and large, in the lower realm, but are, through the sacraments, by means of the plasmate, extricated. Until astral determinism is broken, we are not even aware of it, so occluded are we. “The Empire never ended.”

A small, pretty, dark-haired girl walked silently past Fat and the huge old woman, carrying her shoes. At breakfast time she had tried to smash a window using her shoes and then, having failed, knocked down a six-foot-high black technician. Now the girl had about her the presence of absolute calm.

“The Empire never ended,” Fat quoted to himself. That one sentence appeared over and over again in his exegesis; it had become his tag line. Originally the sentence had been revealed to him in a great dream. In the dream he again was a child, searching dusty used-book stores for rare old science fiction magazines, in particular Astoundings. In the dream he had looked through countless tattered issues, stacks upon stacks, for the priceless serial entitled “The Empire Never Ended.” If he could find it and read it he would know everything; that had been the burden of the dream.

so many comic books, he’s obsessed in a way,

Prior to that, during the interval in which he had experienced the two-world superimposition, had seen not only California, U.S.A., of the year 1974 but also ancient Rome, he had discerned within the superimposition a Gestalt shared by both space-time continua, their common element: a Black Iron Prison. This is what the dream referred to as “the Empire.” He knew it because, upon seeing the Black Iron Prison, he had recognized it. Everyone dwelt in it without realizing it. The Black Iron Prison was their world.

Who had built the prison–and why–he could not say. But he could discern one good thing: the prison lay under attack. An organization of Christians, not regular Christians such as those who attended church every Sunday and prayed, but secret early Christians wearing light gray-colored robes, had started an assault on the prison, and with success. The secret, early Christians were filled with joy.

this is ho you make science fiction this is not science fiction, superimposing the present on the past, James Joyce, 1981 or 1982, Paris, one of the greatest philosopher’s of the 20th century Gilles Deleuze, cinema, a vertical time axis, Marie Louise Von Franz, Jungian theory, a second axis of time, Wolfgang Pauli, tied to a particular experience, a working out of it, dipping into it, this is basically what it is, not that revealing, nonsense, the big words that he’s using, essay writing as a game, write them first, the way Star Trek: The Next Generation technobabble, reverse the polarity of the neutron flow, a black iron prison, does the blackness refer to the iron, its just a phrase that popped into his head and he thinks, this is how religions are birthed, coming straight out of it, so sad, hilarious Philip K. Dick bits, a mental breakdown on the page, a slow decline into depression and isolation, A Scanner Darkly except real, new religious movements, subjective experiences, William James, is there anything not referenced in here, a trained philosopher, Dick doesn’t do any of that stuff, multidimensional, masterful from the beginning, the only sad thing Terence can see, male male male all along, one sided, The Exegesis a fake book, this is a novel, a metafiction novel, its not a fantasy, he perceived those perceptions, its most interesting to him, where it intersects with the stuff in his previous writings, from the beginning, The Cosmic Puppets, much more grounded, breaking himself off from himself, he gets stuck in this loop, I have become a mechanical function of my own idea, a rat trying to get on a rat-proof ship, something mechanically wrong in his brain, the rest of the engine was good, a terrible metaphor, he goes to the therapist and the therapist becomes part of the problem, going back to the themes of the institution vs. the individual, the police steal his stuff, this is not a political book, the society against the state, encouraging movements to do little things, the resistance is always there, in Valis we gotta find Jesus, his interpretation, The Divine Invasion, Shadow And Claw by Gene Wolfe, symbols invent us, the symbol took over his mind, The Transmigration Of Timothy Archer, a cathartic effect, juxtaposing is the problem, that’s the science fiction aspect, its a theory, its unfalsifiable,

9

Wordsworth’s “Ode” carries the sub-title: “Intimations of Immortality from Recollections of Early Childhood.” In Fat’s case, the “intimations of immortality” were based on recollections of a future life.

In addition, Fat could not write poetry worth shit, despite his best efforts. He loved Wordsworth’s “Ode,” and wished he could come up with its equal. He never did.

Boldness is not virtue, Spiders sail on strands, there was no path back, crouched in basement darkness, on and on, infinitude of time, Mind, now torn away, We humans have been told, We larger ones, What of us we lack the stamina, a summary of the book, cats, the key to decoding it, Phil’s Cat by K.W. Jeter, two of PKD’s cats: Mrs. Tubbs and Harvey (an “elegant but paranoid” black cat), lots of stuff from book, a fatalistic attitude, the thing one most loves can be fatal, “Listen, do you hear something.”, with an open can of catfood, two big yellow eyes, his small mind not comprehending the vertical dimension, his spatial coordinates had been right on target, March 1982, his self destructive urges had been transcended, methodically combing the isles, a little scrap of warmth, ludicrous hope, a faith that believed in faithlessness, in the light of the story, this is what the empathy thing he’s so known for is all about, very beautiful, a lot of empathy for cats, his weird relationship with women, weird resentments, retroactive blaming the women, his empathy for women is his bad side, Sherry with cancer, suffering something so horrible, is that his perception or is that the reality, did she know that she was doing that, how do you know that?, citing citations, does she know she’s doing that, that’s the main problem, confronted with both sense data and actual sentences and both are not subject to critical questioning, Jesse saw a ghost once, Jesse loves the idea of ghosts, part of a letter, Last Wave, Summer 1984, The Shadow Out Of Time, hypnagogic images, conversations with, John W. Campbell, ultimately always better, Gene Wolfe’s similar cosmogony, between Dick and Wolfe, a better thinker, he saw Dianetics was bullshit, it seized on him, religion as a kind of a mania, latching on to their stories, Bishop Pike, if Philip K. Dick had access to the internet, anamnesis, three meanings, obsessing over etymology, etymology is everything, he’s in improv, I’m a toaster, have you eaten your toast?, you always go with it, your sense data or your sentence in front of you Jabberwocky, brillig, his vorpal sword, runcible spoon (a grapefruit spoon), runcible to runciter, something animals don’t really do, its almost like we can fall down a well of only believing this one book from 4000 years ago, writing down experiences they never had with a guy they never met, and he’s wrong, a druid ceremony, not the only story even he’s caught up in it, a half hour of notes, Tractates Cryptica Scriptura, usually it takes whole cultures to make a cosmogony, the appendix is kind of useful, in Evan’s podcast episode on Valis, The Gospel According To Philip K. Dick,

50. The primordial source of all our religions lies with the ancestors of the Dogon tribe, who got their cosmogony and cosmology directly from the three-eyed invaders who visited long ago. The three-eyed invaders are mute and deaf and telepathic, could not breathe our atmosphere, had the elongated misshapen skull of Ikhnaton, and emanated from a planet in the star-system Sirius. Although they had no hands, but had, instead, pincer claws such as a crab has, they were great builders. They covertly influence our history toward a fruitful end.

Kilgore Trout, Cosmos: A Personal Voyage, an endless hole, the discovery of planets doesn’t occur for quite a long time, an external place vs. another realm, his citation is it seems to me it must be true, horoscopes, there are no dis-confirming facts (until their is), a giant radical shift, its in the paper, if its published its true, the New York Times and The Washington Post, how we get offended by people’s words, you know I don’t REALLY believe this right, I know I’m nutty, the amount of time you spend on it, something is pulling their brain, a cool fact, bloodtype tells about your personality, you don’t know your blood type?, that’s very o positive, imagine saying that about someone’s race, we can’t conceive of that being a thing, this is destiny, this is how all the religious functions work, auspicious, looking good, Roman birds, suspicious, I don’t think we can trust this, trapped in a world of etymology, etymology as destiny, the fake etymology of embarrassed, Jesse doesn’t want to give it up, magic words, pickaninny, niggardly, the airplane was retarded by the braking process, the sound of it is not offensive, words are presentations of reality, the whole whale language thing, cobol, c++, I saw a ghost, I saw a red hat, red hats are not nice hats, words on a page, in your ear, on a sign, causing a dysfunction within us, that’s this book, that’s why this book has power, the revelation is surprising because almost nobody else ever talks about it, not a universal truth, how he described it to Anne, I’m writing an autobiography about BOTH of my personalities and I’m calling it VALIS, structure it as a self-conscious whatever, so much based on actual events, there is no VALIS film, he did call up somebody in Hollywood, he barely knew Gloria, a friend of his, Sic transit gloria mundi, pathology, sending up, funny bits pointing, making fun, he’s deflating the thing in real time, if he lived in our age, the pot showing up in the film, a fish symbol, the DNA molecule, how it connects to Galactic Pot-Healer, this pot did exist, oh yeah, of course, the jewelry in The Man In The High Castle, a photograph of him leaving the funeral early climbing into a Volkswagen, whose reaction is more authentic, if he were a girl, subject to criticism, ditzy, quite pathetic, pathos, Greek for feeling, how great he is at saying that experience of watching a film, applying the rules of filmwatching, Blade Runner, did they intend this to be the meaning, what about the eyes being lit up, different actors disagreeing, as a piece of fiction I’m allowed to spin up as many theories as I want, things outside of the film, where is the meaning?, the meaning goes out the window, macro-focused in the wrong direction, I didn’t see this the first time, adding Phil to the Skype call right now, at the time vs. now, almost guaranteed, everything in there is searchable, Reading, Short And Deep, looking at the text, breaking past the fourth wall into two different axis, no time is god, the boy can replace his wife who has died, its amazing, how seriously should we take this?, Parsifal,

Parsifal is one of those corkscrew artifacts of culture in which you get the subjective sense that you’ve learned something from it, something valuable or even priceless; but on closer inspection you suddenly begin to scratch your head and say, “Wait a minute. This makes no sense.” I can see Richard Wagner standing at the gates of heaven. “You have to let me in,” he says. “I wrote Parsifal. It has to do with the Grail, Christ, suffering, pity and healing. Right?” And they answered, “Well, we read it and it makes no sense.” SLAM.

which heaven do you go to?, the savior saved?, you’re the gods, the typical Nietzsche thing, glorified stupidity, a similar joke in episode 3 of Watchmen, the world being enduring suffering, Amfortas, three superheroes go to heaven, Nite Owl, did the comedian go to heaven?, how many people did you kill?, super moral, Ozymandias, Dr Manhattan, I’m already there, these things that seem to have great meaning, action set pieces, Harry Potter, ultimately its empty, Lord Of The Rings, the experience is not just a walk with Gandalf, finding meaning in existence, hiding in a secondary world, something deep there, its about the setups, kids go up and stuff happens, Tolkien would go to heaven, Wagner would go to hell, Rowling would go to hell, go to Valhalla for the Ring, you’re in the wrong heaven, sir, Valhalla ends at Ragnarok, a temporary heaven, done with VALIS, I wash my hands of it, where does it get us?, political or psychological, such an honest portrayal of having a psychosis and also be very aware of what’s happening, whatever philosophy he’s trying to get at, this is not a philosophy, pre-philosophy, gnostic beliefs, the Kult RPG, in the center of the city, a role playing game about trying to find reality, this module, the keeper or the dungeon master, exploring the reality, the players are in a Black Iron Prison.

On A Cat Which Fell Three Stories And Survived by Philip K. Dick from Last Wave, Summer 1984

Phil's Cat by K.W. Jeter from Last Wave, Summer 1984

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Reading, Short And Deep #209 – A Baby Tramp by Ambrose Bierce

Podcast

Reading, Short And DeepReading, Short And Deep #209

Eric S. Rabkin and Jesse Willis discuss A Baby Tramp by Ambrose Bierce

Here’s a link to a PDF of the story.

A Baby Tramp was first published in The Wave, August 29, 1891.

Posted by Scott D. Danielson

The SFFaudio Podcast #563 – AUDIOBOOK/READALONG: The Lurking Fear by H.P. Lovecraft

Podcast

The Lurking Fear by H.P. Lovecraft - Podcast

The SFFaudio PodcastThe SFFaudio Podcast #563 The Lurking Fear by H.P. Lovecraft; read by Mike Vendetti. This is an unabridged reading of the story (56 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Paul Weimer, Mr Jim Moon, Evan Lampe and Terence Blake

Talked about on today’s show:
Written in November 1922 – serialized January to April 1922, Home Brew, a semi-prozine, copyright dates, an obscure periodical, the PDF of the first serial, illustrated by Clark Ashton Smith, notice all the penises?, Leslie S. Klinger, coloured?, the chimney, the valley and the peak, shower for thinking, explicitly not mentioned, a similar theory from Mr Jim Moon, is Lovecraft hiding something from us that he will go on to use in another story, Pickman’s Model, Rats In The Walls, heterochromia, when not physical or genetic damage its inbreeding, related to the Martenses, three encounters, The Shadow Over Innsmouth, he’s going to dynamite the place, the fish eyes and the gilly look, save it for the podcast, how weird it is, stunningly beautiful passages,

‘in the throes of a nitemare wen unseen powers whirl 1 oer the roofs of strange ded cities toward the grinning chasm of Nis, it is a relief & even a delight 2 shriek wildly & throw 1self voluntarily along with the hideous vortex of dream-doom in2 watever bottomless gulf may yawn’

he’s a dreamer, red viscous madness, kaleidoscope mutations, unnamable juices, what’s the difference between CHUDS and ghouls, degredation of humans, modded humans, mutations, The Beast In The Cave, a lot of crawling around in tunnels, a recognition ones’ self in the thing that he saw, connections to other stories, The Dreamquest Of Unknown Kadath, Richard Upton Pickman, The Case Of Charles Dexter Ward, backwoods triracial isolates, The Graveyard Rats by Henry Kuttner, feasters, so explicitly stated in all the movies, Dark Heritage (1989), pretty good except for its terrible, 1994 Dan O’Bannon, the femme fatale is tied up, Leffert’s Corners, Tremors, Jeffrey Coombs, Dr Haggis, this whole delicious cannabilist joking, The Hound, The Dark Adventure Radio Theatre adaptation, talks like a goddamned Edgar Allan Poe, Dunsany mode, Poe mode, drawing heavily from The Fall Of The House Of Usher, the house has definitely fallen, laid on with a trowel, [incest euphemism], specters and devils and ghosts, I’m gonna get these muscular men, homoeroticism, he’s subconsciously bringing them a sacrifice (aka dinner), back to inbreeding, this is what Lovecraft is, he writer about race and degeneration, this is Lovecraft’s voice, blue and brown eyes, the numerous menial classes about the estate, the mongrel population, race mongrelism, racial degeneration, race and class as the same thing, Robert E. Howard, S.T. Joshi, Terence sees class, what makes you a high class person is your race, he wasn’t of the low type, interbound, Facts Concerning The Late Arthur Jermyn And His Family, if you have this idea in your head, paranoid about degeneration because there’s a belief in racial degeneration, they deigned to breed with the family help, keep that inbreeding going, Bleeders (1997), raised in Paris on a trust fund, emptying the graveyard, Leffert’s Island, I’m with these people now, degenerate elves, he eats a pickled baby and follows it with a sex scene with his wife, hermaphroditic, twin sister, making explicit what Lovecraft eludes to, changing the order of the story, a distancing effect, how insane the narrator clearly is, a birthmark, The Festival, actual cultists, welcoming, Kingsport, the draw of the family and deep tradition, he bought into this witchcraft stuff, The Witch-Cult In Western Europe by Margaret Murray, suppress working class traditions and alternatives, the violence of isolation The Dunwich Horror, The Call Of Cthulhu, just bomb it, The Horror At Red Hook, we need a wall, At The Mountains Of Madness, shoggoths are the working class, forget the past, eradicate the memory of the past, Curwen’s crimes, interesting threads of history that seem to challenge civilization, solution: destroy it, on the side of the barbarians, each chapter title, the fear within the narrator, I can’t think about that, focus on the external, The Shadow On The Chimney, two comic adaptations, the fireplace is decorated with scenes from The Prodigal Son, the meaning of the story of The Prodigal Son, Jan Martense goes off to the French and Indian War, how he died, a shout out to that story on the mantle, and to the narrator himself, a different ending, a Derleth “collaboration”, he destroys the family, a betrayal, come on let’s go to the beach!, concentration camps, they forgive him, there’ll be a penance (but it’ll be a small one), come again, good eating, A Passer In The Storm, Arthur Monroe, being watched, another thunderstorm, his face has been gnawed away, is this a joke, he passed away when a passerby ate his face, What The Red Glare Meant, redness would be anger?, hellish, demonic, a goblin-like creature lurking in the shadows, riffing on the “And the rocket’s red glare, the bombs bursting in air, Gave proof through the night that our flag was still there”, pre-Revolution, The Horror In The Eyes, double meaning, he’s got the Martense eyes, he sees his family, he sees himself, the terrible and thunder crazed house of Martense, solved, efface, oblivion, blot it, Dagon, inability to sleep, run out of money for opium, his brain thunders, radiating lines from the house, lay lines, tentacles, tunnels, The Old Straight Track by Alfred Watkins, The Red One by Jack London, ancient astronauts, a stretch, tentacles, what does all the lightning mean, a genetic story, is this god?, Wieland by Charles Brockton Brown, weird cult (of one), supernatural phenomenon, Frankenstein, lighting the family tree, who knows what juices they suck, overnourished, strange nourishment, Undine aka @horriblesanity, Too Much Fertilizer, The Colour Out Of Space, enjoying the wrong things, blowing up the trees, trees with testicles and tentacles, the land responding to the twisted nature of the family, plagued with storms, the taint is in the land itself, it’s just a monkey man, who is the shadow?, anything urban New England, seeing himself in the shadow, The Outsider, his grandma, Tempest Mountain, trying to attack the ground, the fulgurites, from the police’s point of view, the family name is Money, it’s spelled Money, eugenicists at the time, Ishi, backwoods Virginia, the Jukes, started the cancer, indentured servants and slaves ran away, rediscovered in the 20th century, in the consciousness today, race is NOT incidental to Lovecraft’s work, How The Irish Became White by Noel Ignatiev, the Italians and the Greeks, reading over and over, getting mixed ideas, crawling around under the earth, two demoniac reflections, two reflections, effulgence, nebulous memories, of the thing that bore them, a claw, but what a claw!, the voice of Zoidberg, the wild thunder of the mountain, those eyes, with vacuous viciousness, thank god I didn’t know what it was, gashes of disturbed earth, with cyclopean rage, what is going on?, he’s interpreting, you’re getting inside his psychology, externalizing and internalizing, in what sense would you have died?, in the chaos of sliding shifting earth, a rebirth, Joseph Campbell, my brain was as great a chaos as the earth, more horror, an orgy of fear, a nameless thing, done a deed, fired in frenzy, doing that deed, many rather than one, the ghost of a particular person, its the founder and the family name giver, the narrator’s name, hiding it or saving it for another story, with the full knowledge of his canon, Re-Animator -> Hypnos, The Lurking Fear -> The Shadow Over Innsmouth, “Lovecraft couldn’t have written Lovecraft stories without being obsessed with race in a way that Poe is not and Dunsany is not”, Celephaïs, F. Scott Fitzgerald style parties is the sadness, The Temple, the falling of a great house is the greatest tragedy for Lovecraft, for Poe it is the death of a beautiful woman, raised to be a gentleman, against modernity, 18th century English gentleman, Howard’s letters, primordial ancient migration and motion, that can’t be it, Rome was strong because it was racially pure?, nope, you’re completely wrong young man, strength in mobility, New Englander and a Texan, one is for the static, the other sees a liquidity in world history, a liquid mobility of ideas, a very American connection, both [H.P. LOVECRAFT and ROBERT E. HOWARD] died because the American health care system was so shitty, begging the editor of Weird Tales for back-pay, really terrible, highbrow historical forces and trends, `what connected them in their deaths was shitty healthcare, that’s not in their letters, Virgin Islanders, Henry S. Whitehead, plebeian danes, left handed fathers or grandfathers, a physical totem, the sinister end of the coat of arms, zombie stories, Jumbee, missionary, a creepy tale, Barlow was going to publish a volume of Whitehead’s letters, anecdotal stories, my friend in China, how we get out information, marshaling arguments, Hippocampus Press, A Means To Freedom, The Thing On The Roof, Lovecraft light, Lovecraft’s letters are black holes, history of anthropology, a second meaning, he liked his barbarians, the Italians are stabby, hilarious, imagining Julius Caesar saying “stabby”, way back when, no where near his best stuff, so many great lines, Poe poetic, his Poe period, a Poe-potpourri, sitting here all Poe face.

Clark Ashton Smith illustration of THE LURKING FEAR: The Shadow On The Chimney by H.P. Lovecraft

The Lurking Fear - The Martense Mansion illustration by Clark Ashton Smith

The Lurking Fear - Giant Bat Winged Gryphons illustration by Clark Ashton Smith

The Lurking Fear - Tempest Mountain illustration by Clark Ashton Smith

The Lurking Fear - I Playfully Shook His Shoulder - Illustration by Clark Ashton Smith

The Lurking Fear - Nearest Of All Was The Graveyard - Illustration by Clark Ashton Smith

The Lurking Fear - The Eyes And The Claw - Illustration by Clark Ashton Smith

The Lurking Fear - The Lines Radiated - illustration by Clark Ashton Smith

The Lurking Fear - Spreading Like A Septic Contagion - Illustration by Clark Ashton Smith

The Lurking Fear by H.P. Lovecraft - illustration by Octavio Cariello

Posted by Jesse Willis