Tantor Media is offering a FREE audiobook for feedback

SFFaudio News

Tantor MediaHow does a great audiobook company celebrate its 10 year anniversary? How about giving away a free audiobook?

Indeed, so to promote their 10th anniversary, test out their newly redesigned website, and get some feedback on their new ordering system, Tantor Media is offering a FREE audiobook by mail!

To get your free audiobook it looks like you’ll need to peruse the newly redesigned website and fill out a questionnaire. After that they’ll send you the audiobook by mail.

That is, you’d get one of these…

TANTOR MEDIA - Alice's Adventures In Wonderland by Lewis CarrollTANTOR MEDIA - The Time Machine by H.G. Wells

…your choice of either H.G. Wells’ The Time Machine or Lewis Carroll’s Alice’s Adventures In Wonderland.

Now that’s a sweet deal. Happy 10th Tantor!

[via The Cimmerian blog]

Posted by Jesse Willis

Blackstone Audio’s $5 audiobook sale – STUNNING DEALS

SFFaudio News

Blackstone Audio Five Dollar Overstock SaleBlackstone AudiobooksCan anyone resist Blackstone Audio’s just announced $5.00 clearance sale?

This comes not a month after they announced their $9.99 overstock sale!

$5 for an audiobook.

That’s the deal of the year people!

Admittedly, not all of the available titles in this sale are unabridged, but they mostly are. There are a dozen SFF titles, plenty of crime, mystery and noir as well as a shelfload of history audiobooks. There are even a couple of audio dramas in there.

Here’s just a smattering of what excited me:

THE ADVENTURES OF SHERLOCK HOLMES by Sir Arthur Conan Doyle; read by Ben Kingsley
THE AENEID by Virgil; read by Frederick Davidson
BABYLON BABIES by Maurice G. Dantec; read by Joe Barrett
THE CALL OF THE WILD by Jack London; read by Ethan Hawke
CASINO ROYALE by Ian Fleming; read by Simon Vance
CHRISTOPHER’S GHOSTS by Charles McCarry; read by Stefan Rudnicki
A CONNECTICUT YANKEE IN KING ARTHUR’S COURT by Mark Twain; read by Carl Reiner
CRIMINAL PARADISE by Steven M. Thomas; read by Patrick Lawlor
THE DEAL by Peter Lefcourt; read by William H. Macy
DEATH MATCH by Lincoln Child; read by Barrett Whitener |READ OUR REVIEW|
DON QUIXOTE DE LA MANCHA by Miguel de Cervantes; read by Robert Whitfield
EVIL, INC. by Glenn Kaplan; read by Glenn Kaplan
THE FLIGHT OF THE PHOENIX by Elleston Trevor; read by Grover Gardner
FRANKENSTEIN by Mary Shelley; read by Julie Harris
FRANKENSTEIN, OR THE MODERN PROMETHEUS by Mary Shelley; read by Simon Templeman, Anthony Heald, and Stefan Rudnicki
HOW TO SURVIVE A ROBOT UPRISING by Daniel H. Wilson; read by Stefan Rudnicki |READ OUR REVIEW|
HUCK FINN AND TOM SAWYER AMONG THE INDIANS by Mark Twain and Lee Nelson; read by Grover Gardner
I AM LEGEND by Richard Matheson; read by Robertson Dean |READ OUR REVIEW|
I, CLAUDIUS by Robert Graves; read by Frederick Davidson
THE INVASION OF THE BODY SNATCHERS by Jack Finney; read by Kristoffer Tabori
IT’S SUPERMAN! by Tom De Haven; read by Scott Brick
JAMES BOND BOXED SET by Ian Fleming; read by Simon Vance
KING KONG by Edgar Wallace and Merian C. Cooper; novelization by Delos W. Lovelace; read by Stefan Rudnicki |READ OUR REVIEW|
THE MANCHURIAN CANDIDATE by Richard Condon; read by Christopher Hurt
THE MARTIAN CHILD by David Gerrold; read by Scott Brick
MARTIAN TIME-SLIP AND THE GOLDEN MAN by Philip K. Dick; read by Grover Gardner
MILDRED PIERCE by James M. Cain; read by Christine Williams
MYSTIC WARRIOR by Tracy and Laura Hickman; read by Lloyd James
PETER PAN by J.M. Barrie; read by Roe Kendall
THE PICTURE OF DORIAN GRAY by Oscar Wilde; read by Simon Vance
THE PRESTIGE by Christopher Priest; read by Simon Vance
QUANTUM OF SOLACE by Ian Fleming; read by Simon Vance
RINGWORLD’S CHILDREN by Larry Niven; read by Barrett Whitener |READ OUR REVIEW|
ROCKET SHIP GALILEO by Robert A Heinlein; read by Spider Robinson |READ OUR REVIEW|
SUPERMAN RETURNS by Marv Wolfman; read by Scott Brick |READ OUR REVIEW|
SWEENEY TODD AND THE STRING OF PEARLS by Yuri Rasovsky; read by a full cast
TARZAN OF THE APES by Edgar Rice Burroughs; read by Ben Kingsley
THE TEN-CENT PLAGUE by David Hajdu; read by Stefan Rudnicki
THERMOPYLAE by Paul Cartledge; read by John Lee
THE THREE MUSKETEERS by Alexandre Dumas; read by Michael York
THE TIME MACHINE by H.G. Wells; read by Ben Kingsley
THE TRIAL by Franz Kafka; read by Geoffrey Howard
UTOPIA by Sir Thomas More; read by James Adams
V FOR VENDETTA by Steve Moore; read by Simon Vance |READ OUR REVIEW|
THE WAR OF THE WORLDS by H.G. Wells; read by Christopher Hurt
WHERE’S MY JETPACK? by Daniel H. Wilson; read by Stefan Rudnicki |READ OUR REVIEW|
THE WINTER OF FRANKIE MACHINE by Don Winslow; read by Dennis Boutsikaris
THE WORLD ACCORDING TO NARNIA by Jonathan Rogers; read by Brian Emerson

Posted by Jesse Willis

The Pulp Reader’s project and some audio drama picks

SFFaudio News

The Pulp ReaderThe Pulp Reader blog is an ongoing experiment in “computer generated audio books.” Sez the webmaster (Shonokin):

I read a lot. I also drive a lot, stuck in long commutes every day. There’s a way for a reader and a commuter to do both at the same time. And for me that is through audiobooks. But alas, most of the books I’d like to listen to are not available anywhere, so what to do? Make my own and that’s mostly what this is about. I create Text To Speech (TTS) audiobooks for my daily commute. Since I make them, I might as well share them. So here we are!

Shonokin places the files on Archive.org and then links to them on his/her blog. Shonokin started this project in 2006. And coincidently in 2006 I had a similar problem myself. There were a lot of ebooks out there that weren’t being turned into audiobooks. But with me being a hater of the robot voice I came up with the SFFaudio Challenges |First|Second|Third|Fourth| to solve my dilemma instead.

What Shonokin and I can both agree on, I’m betting, is that audio drama is not best done not by robots* – but by people – real people! Not those damned thieving “Silicon Americans” that Shonokin is employing.

Anyway, here are Shonokin’s thoughts on some recent human done shows that he/she has been listening to:

First off, there’s my love hate relationship with Wormwood, an excellent supernatural detective mystery. The acting is mostly good, the stories are sharp and exciting and the incidental music and sounds effects are great. My only complaint is that it is mixed very poorly. In situations such as driving in a car or surrounded by other ambient noise, you may find you have to fiddle with the volume knob of your radio or mp3 player to alternately listen to quiet dialog and back off on sudden crashing loud jabs of sound. Quite unpleasant aurally, but the stories are good enough to keep me going, annoyed as I am.

Also, the latest seasons of Black Jack Justice and Red Panda have started, which are a joy all the way around. Red Panda is a fun detective pulp with sprinkles of scifi/fantasy and comic book hero action. Black Jack Justice is a hard-boiled detective comedy. Both are great fun but written and played in very different styles.

And then there is also McLevy, an audio drama from the BBC which airs weekly on their iplayer. I find this to be a very fascinating series and have put together a mini webpage about him. In short, James McLevy was a real detective in 1800’s Edinburgh. He wrote several memoirs about his exploits which were very popular. There’s some speculation that aside from the obvious homages to his teacher, Doctor Joseph Bell, that Arthur Conan Doyle may have gleaned some bits of inspiration for Sherlock Holmes from McLevy’s memoirs.

I was fascinated by stumbling across the existence of McLevy but have not found an ultimate website or font of information about him, which is why I put this together. Please visit McLevy The Edinburgh Detective to find out more.

[via The Pulp Reader blog]

*with apologies to Robotz Of The Company for slander.

Posted by Jesse Willis

AudibleLive Chat with Dean Koontz about Relentless

SFFaudio News

Dean Koontz chats with his readers about his new novel Relentless (available through Audible.com and Brilliance Audio) in this AudibleLive chat with Dean Koontz

After viewing this interview/chat I am reminded about why I don’t like most interviewers. Questions like: “What was your motivation when…” and the old classic “where do your ideas come from?” are almost worthless. The problem is that author’s don’t often seem very insightful into their writing process. Koontz manages his best with these questions, but the answers are most interesting when he is telling you a story about something that happened to him.

[via Audible.com’s Twitter feed]

Posted by Jesse Willis

AudioFile Magazine’s December 2009 / January 2010 issue is readable online

SFFaudio News

AudioFile MagazineAudioFile Magazine, a print publication about audiobooks of all kinds, has released their December 2009/January 2010 issue via Mygazines.net. It’s kind of a PDF-style browser readable version of the paper magazine. The primary difference being the ads are all clickable.

Have a look |HERE|

Reading through it I see plenty of goodness. But like any paper magazine I’d like to have it actually in hand. Shouldn’t my local library stock AudioFile magazine?

Posted by Jesse Willis