Commentary: How to vote on Monday, May 2nd, 2011

SFFaudio Commentary

NDP Jack LaytonAccording to this Wikileaks document, an embassy cable from the United States embassy in Ottawa to the U.S. government in Washington, the United States was heavily pressuring Canada’s Conservative government ministers to pass their DMCA-style copyright legislation.

Despite the pressure, which included placing Canada on a “Priority Watch List”, the Conservatives weren’t able to please their U.S. advisors by delivering a DMCA-style copyright law. This failure is attributable to the Conservative’s minority government status and a growing opposition (public awareness). According to the cable neither attempt, Bill C-32 nor Bill C-61, was brought to a vote because the Conservatives knew it might cost them the 2008 election or the next (Monday’s). One of the more interesting lines, in the fascinating document, is this one:

On February 25, however, Industry Minister Prentice (please protect) admitted to the Ambassador that some Cabinet members and Conservative Members of Parliament – including MPs who won their ridings by slim margins – opposed tabling the copyright bill now because it might be used against them in the next federal election.

Despite Industry Minister Jim Prentice’s protected status he will not be running for re-election.

It may have been in a bid to curry such protection “an [unnamed] influential Liberal MP on intellectual property issues” told the U.S. embassy that “the copyright bill would receive widespread support from the Conservative, Liberal, and Bloc Quebecois parties if and when the GOC [Government Of Canada] sends it to Parliament.”

WOW! The Liberals and the Bloc would have supported Bills C-61 and C-32. Nice to know.

Perhaps this is due to the “inherent inferiority complex of Canadians” toward the U.S.? That’s detailed in this cable about how the U.S. needed to stay out of Canada’s last federal election. Will the trend be overturned on Monday? Maybe the “orange wave” can prevent whatever successor copyright legislation that comes after the election from being written wholly with U.S. interests in the foreground.

In the U.S. blue stands for the Democrat and red stands for the Republican. In Canada red stands for Liberal and blue stands for Conservative. No matter which side of the border, though, both red and blue are the parties of big business.

Individual people, small business owners and the self employed are not served by voting red or blue. The funding for all four red and blue parties comes from big business, they are honourable and so they do what they are paid to do – serve big business. But unlike our American cousins we have a second option in Canada. We have a choice of either blue/red or orange. Sure, maybe having green would be a good idea one day too – but right now we really only have a choice of either red/blue (big business) or orange (people). Please be a person on Monday and vote-in an orange government.

Posted by Jesse Willis

Gregg Taylor – the underappreciated genius of Decoder Ring Theatre

SFFaudio Commentary

Gregg Taylor, the creator and writer of Decoder Ring Theatre, is a creative genius, the quality and scope for which we have seen very few before. He is writer of genuine superbness, on the level of J. Michael Straczynski and Rod Serling. But unlike Straczynski, who wrote 92 of the 110 episodes of Babylon 5, and unlike Serling, who wrote 92 of 156 episodes of The Twilight Zone, Taylor has written 42 out of 42 episodes of Black Jack Justice and 70 out of 70 episodes of Red Panda Adventures. I don’t think there is any kind of precedent for this in the history of scripted drama, not on work of this quality or superfluity.

Battlestar Galactica, the recent TV series, ran 73 episodes. Writing credits for that show go to more that a dozen different writers. People think that Joss Whedon wrote Firefly. He did, but he didn’t do it alone. He wrote or co-wrote maybe only half the episodes of that short series. I’ve said it before and I’ll say it again: Nobody is doing anything like what Gregg Taylor is doing with scripted series, and I’m not sure anybody ever has, not on radio or TV. Taylor has, unbelievably, released a full cast production episode of both of his full cast series every two weeks, fall through to the spring, every year since 2005. That’s a stunning, stunning achievement.

I could go on and on and on. But if you just go and listen to the shows yourself I’m sure you’ll get as caught-up in them as so many fans of these independently produced shows have. Maybe start with the fairly standalone-ish episode #70 of the Red Panda Adventures |MP3|. Here’s the episode description:

There are some situations that you just can’t prepare for. You can be the cleverest mystery man on the block, there will still be days that you just never saw coming. Those are the moments that cry out for a fiery horse with the speed of light, a cloud of dust and a hearty… well, you know…

The talented Thomas Perkins, who does the covers for the Red Panda novels*, created this awesome “lobby card” art for the episode:

Red Panda Adventures - The Wild West

[via Bish’s Beat]

Posted by Jesse Willis

*Yes, Gregg Taylor is writing novels set in the Red Panda world too. And no, they are not mere reworkings of the scripts – theses are true canon series novels that fit into the chronology like so many Star Trek novels written for hire never did, and like the Babylon 5 novels claimed they would.

Commentary: Print ads for Radio Drama

SFFaudio Commentary

Meta SFFaudioOne of the goals that I set myself with SFFaudio was to always add a picture to a post. That’s a tough job sometimes. Like right now for instance – I’m working on a post about CBS Radio Workshop. Because it was a radio show, rather than a TV show, there are no screengrabs to be found. I could make something up, of course, and have done so – more often than I’d like – but the ideal would be to find something to ground that art. I want it for whatever logo or typeface they included mostly because there would be more historicity to it than whatever I can slap together. Somebody in the CBS Radio Workshop publicity department, for instance, probably did up some print advertising at some point. That art would be in a magazine or newspaper somewhere – but finding that magazine or newspaper can be pretty tough. This is ever my problem.

These days, when I do a Google Image search for whatever it is I’m looking for, I too often find myself looking at some art that I made. To solve this problem I plan on archiving some of the finds I make – for my own future reference (and for anyone else too). In doing this publicly I am asking for your help.

Does anybody have a scan of an advertisement for the CBS Radio Workshop?

Here’s my fist contribution (from the Spring 1957 issue of Space Science Fiction) three full page advertisements for:

The Fine Art Of Eating” with Vincent Price

Sportopics” with Russ Hodges

The Windup” featuring Private Eye, Ed Noon with Chester Morris

American Agent” with Lee Bowman

Our Heritage” with Westbrook Van Voorhis

Gag Bag” with Peter Donald

The Frightened” with Boris Karloff

Your Economy” with T.H. Mitchell, L.L. B., PH.D.

This Age Of Ours” with Quentin Reynolds

Space Science Fiction Spring 1957 Inside Front Cover

Space Science Fiction Spring 1957 Inside Rear Cover

Space Science Fiction Spring 1957 Outside Rear Cover

X Minus One ad from the April 1956 issue of Galaxy Science Fiction:
X Minus One ad from the April 1956 issue of Galaxy Science Fiction

Here’s an X Minus One advertizement that appeared in Galaxy magazine’s May 1956 issue:

X Minus One AD from Galaxy magazine's May 1956 issue

Here’s an X Minus One advertizement that appeared in Galaxy magazine’s February 1958 issue:

X Minus One AD from Galaxy Science Fiction's February 1958 issue

Here’s an ad, perhaps the very first, for X Minus One that appeared in the September 1955 issue of Astounding:

X Minus One advertizement from Astounding September 1955

Here’s an ad for X Minus One that appeared in the September 1955 issue of Astounding:

X Minus One ad from Astounding October 1955

Here’s an ad for X Minus One that appeared in the November 1955 issue of Astounding:

X Minus One ad from the November 1955 issue of Astounding Science Fiction

An X Minus One advertizement from Astounding’s January 1956 issue:

X Minus One ad from the January 1956 issue of Astounding

X Minus One is “BACK ON THE AIR” – from Galaxy, August 1957:

X Minus One - "BACK ON THE AIR" - an ad from Galaxy, August 1957

Here’s an ad for The Shadow radio show that appeared in the January 1954 issue of Astounding:

Ad for The Shadow radio show (on the Mutual Network) from the January 1954 issue of Astounding

Ad for The Shadow from Astounding August 1952:
Ad for The Shadow from Astounding August 1952

An ad for The Shadow from Astounding January 1952:

The Shadow ad from Astounding January 1952

Ad for The Shadow radio show from Astounding January 1953:

Ad for The Shadow radio show from Astounding January 1953

Here’s a familiar looking ad (it uses art recycled from The Shadow) for Nick Carter, Master Detective on the Mutual Network:

Nick Carter Master Detective ad from Astounding April 1955

Stay Tuned For Terror – illustration by Dolgov from Weird Tales, September 1945:

Stay Tuned For Terror - illustration by Dolgov from Weird Tales, September 1945

Dimension X ad from Astounding Science Fiction’s August 1951 issue:

Dimension X ad from Astounding SF's August 1951 issue

Dimension X ad from from Astounding July 1951:
Ad for Dimension X from Astounding July 1951

Posted by Jesse Willis

Anthony Boucher’s All Stars: 52 best SF books (+6 More) and 12 Fantasy books

SFFaudio Commentary

The Magazine Of Fantasy And Science Fiction - October1958

The “All Star Anniversary Issue” of Fantasy And Science Fiction Magazine (for October 1958) featured famed editor Anthony Boucher’s regular “Recommending Reading” column – but with a twist. In celebration of the magazine’s 9th anniversary Boucher challenged himself to create a list of “Fifty Review Copies I Would Not Part With.” He failed in this herculean task – he just couldn’t pair down the list to fifty (even by restricting what would qualify in a number of ways). Instead, he ended up listing 52 Science Fiction novels or collections that he had no hand in publishing, another six that he did, and twelve Fantasy titles that were absolute must keepers as well. Of them Boucher wrote:

“These are novels and collections which have, from 1949 through 1957, given intense pleasure to a man professionally, obligated to read every s.f. book published in America; and I venture the guess that any reader, novice or habitué of our field, will find stimulation and delight in a high number of these titles.”

That’s good enough for me! I have reproduced as Boucher listed them (in alphabetical order by author). But I’ve added links to extant audiobook editions:

Boucher’s 52 best SF books:
Brain Wave by Poul Anderson |BLACKSTONE AUDIO|

I, Robot by Isaac Asimov [COLLECTION] |READ OUR REVIEW|
The Caves Of Steel by Isaac Asimov |READ OUR REVIEW|
The Naked Sun by Isaac Asimov |READ OUR REVIEW|
Earth Is Room Enough by Isaac Asimov [COLLECTION]

The Demolished Man by Alfred Bester
The Stars My Destination by Alfred Bester

The Long Tomorrow by Leigh Brackett

The Martian Chronicles by Ray Bradbury [COLLECTION] |READ OUR REVIEW|

What Mad Universe by Fredric Brown
The Lights In The Sky Are Stars by Fredric Brown
Angels And Spaceships by Fredric Brown [COLLECTION]

Cloak Of Aesir by John W. Campbell [COLLECTION]

No Blade Of Grass / The Death Of Grass by John Christopher |AUDIBLE FRONTIERS|

Prelude To Space by Arthur C. Clarke
Expedition To Earth by Arthur C. Clarke [COLLECTION]
Against The Fall Of Night (and The City And The Stars) by Arthur C. Clarke

Mission Of Gravity by Hal Clement

The Wheels Of If by L. Sprague de Camp [COLLECTION]
Rogue Queen by L. Sprague de Camp

Nerves by Lester Del Rey

Eye In The Sky by Philip K. Dick |BLACKSTONE AUDIO|

The Third Level by Jack Finney [COLLECTION]

The Man Who Sold The Moon by Robert A. Heinlein [COLLECTION]
The Green Hills Of Earth by Robert A. Heinlein [COLLECTION] |BLACKSTONE AUDIO|BOOKS ON TAPE|CAEDMON|

Bullard Of The Space Patrol by Malcolm Jameson

Takeoff by C.M. Kornbluth
The Explorers by C.M. Kornbluth [COLLECTION]
Not This August by C.M. Kornbluth

Gather, Darkness by Fritz Leiber
The Green Millennium by Fritz Leiber |WONDER AUDIO|

The Big Ball Of Wax by Shepherd Mead

Shadow On The Hearth by Judith Merrril

Shadows In The Sun by Chad Oliver
Another Kind by Chad Oliver [COLLECTION]

A Mirror For Observers by Edgar Pangborn

The Space Merchants by Frederick Pohl and C.M. Kornbluth

The Other Place by J.B. Priestly [COLLECTION]

Deep Space by Eric Frank Russell [COLLECTION]

Untouched by Human Hands by Robert Sheckley [COLLECTION]

City by Clifford D. Simak [COLLECTION] |AUDIBLE FRONTIERS|
Strangers In The Universe by Clifford D. Simak

Without Sorcery by Theodore Sturgeon [COLLECTION]
The Dreaming Jewels by Theodore Sturgeon |BLACKSTONE AUDIO|
More Than Human by Theodore Sturgeon |BLACKSTONE AUDIO|

Slan by A.E. van Vogt |BBC AUDIOBOOKS AMERICA|
The Weapon Shops and The Weapon Makers by A.E. van Vogt

Player Piano by Kurt Vonnegut Jr. |AUDIBLE MODERN VANGUARD|

A Martian Odyssey by Stanley Weinbaum [COLLECTION] |LIBRIVOX|

The Throne Of Saturn by S. Fowler Wright

The Day Of The Triffids by John Wyndham |AUDIBLE FRONTIERS|
Re-Birth/The Chrysalids by John Wyndham |AUDIBLE FRONTIERS|

Excellent titles that had origins on the pages of Fantasy And Science Fiction:

Bring The Jubilee by Ward Moore

Tales From Gavagan’s Bar by Fletcher Pratt and L. Sprague de Camp [COLLECTION]

The Sinister Researches Of C.P. Ransom by H. Nearing Jr. [COLLECTION]

One In Three Hundred by J.T. McIntosh

The Star Beast by Robert A. Heinlein |FULL CAST AUDIO|
The Door Into Summer by Robert A. Heinlein |BLACKSTONE AUDIO|

Boucher’s best dozen Fantasy books:

The Devil In Velvet by John Dickson Carr

Fancies And Goodnights by John Collier [COLLECTION]

The Worm Ouroboros by E.R. Eddison |MARIA LECTRIX|

The Circus Of Dr. Lao by Charles G. Finney

The Private Memoirs And Confessions Of A Justified Sinner by James Hogg

Fear by L. Ron Hubbard |GALAXY PRESS|

The Lottery by Shirley Jackson [COLLECTION] |BBC AUDIOBOOKS AMERICA|

The Ghostly Tales by Henry James [COLLECTION]

Pogo by Walt Kelly

Till We Have Faces by C.S. Lewis |BLACKSTONE AUDIO|

Further Fables For Our Times by James Thurber [COLLECTION]

The Lord Of The Rings by J.R.R. Tolkien |RECORDED BOOKS|

Posted by Jesse Willis

Commentary: Fredric Brown’s Eternal Arena

SFFaudio Commentary

For nearly a year I’ve been studying the extensive influence of Fredric Brown’s 1944 short story, Arena. It took a recent article, on roughly the same topic, over on the excellent bare•bones e-zine blog, to prompt me to actually finish writing up this post – which is essentially a collection of inspired by and/or similar stories. That other post, by Jack Seabrook, mostly covers the Outer Limits‘ response to Arena – which is something that I’ve only briefly mentioned. Seabrook’s article and the thoughtful comments it’s spawned are well worth looking at |HERE|. One of the comments there also points out the connection to Richard Connell’s The Most Dangerous Game (but that’s another post altogether). My post on Arena begins here:

Arena (noun) – [Latin harēna, arēna, sand, a sand-strewn place of combat in an amphitheater, perhaps of Etruscan origin.] -1. An enclosed area, often outdoor, for the presentation of spectacular events -2. The part of a Roman amphitheater that was covered with sand to absorb the blood spilled by the combatants.

The SFFaudio Podcast #051 had a brief primer, by Professor Eric S. Rabkin, on Fredric Brown‘s spectacular short story Arena. Rabkin pointed out the curious description of the alien, and the year in which the story was first published (1944). The story being a fascinating metaphor for the Pacific War. The description of the alien, a “red sphere with several dozen fully retractable thin tentacles” is nicely comparable it with the Imperial Japanese battle ensign…

War flag of the Imperial Japanese Army:

War flag of the Imperial Japanese Army

Now if we keep looking for symbols, we can certainly find them. Take the blue sand of the arena itself. If Carson represents the USA, and the alien represents Japan, would the pervasive blue sand not therefore be representative of the Pacific Ocean? Of course it would!

Next, check out the original story, available in an unabridged audiobook version created by Rick Jackson (aka The Time Traveler) for The Time Traveler Show podcast…

The Time Traveler - Arena by Fredric BrownArena
By Fredric Brown; Read by William Spurling
1 |MP3| – Approx. 1 Hour [UNABRIDGED]
Podcaster: The Time Traveler Show
Podcast: July 23rd, 2006
The mysterious Outsiders have skirmished with Earth’s space colonies and starships. Their vessels are found to be faster and more maneuverable, but less well armed. Survivors of these encounters are able to provide little other information about the enemy. Fearing the worst, Earth builds a war fleet. Sure enough, scouts report a large armada approaching the solar system. Earth’s defenders go to meet them. All indications are that the two fleets are evenly matched. First published in the June 1944 issue of Astounding Science Fiction magazine.

Fredric Brown's Arena - illustrated by Williams
Fredric Brown's Arena - illustrated by Williams
Fredric Brown's Arena - illustrated by Williams
Fredric Brown's Arena - illustrated by Williams
Fredric Brown's Arena - illustrated by Williams
Fredric Brown's Arena - illustrated by Williams

In the comics department, there was a 1976 Marvel Comics magazine adaptation in Unknown Worlds of Science Fiction. Of it, Pete Doree (Of The Bronze Age Of Blogs) sez:

Arena is one of my all-time favourite one-off comic stories, from Roy Thomas’ short-lived Worlds Unknown. Rascally Roy obviously liked it as much as me, as he reprinted it in the last issue of his b/w follow up Unknown Worlds Of Science Fiction. What I like about it is that it’s storytelling pared right down to the bone: One man. One monster. Winner takes all. It’s that simple, and that elegant. The set up is so primal that you’re practically dealing in archetypes. Plus you get the amazing pairing of John Buscema & Dick Giordano on art. It was adapted from a story by Frederic Brown, a great old school sci-fi writer.”

Marvel Comics - Worlds Unknown - Issue 4 - Arena by Fredric Brown

And, check out this editorial from Marvel Comics issue 4 of Unknown Worlds:

Worlds Unknown (#4) Editorial - Science Fiction And Me by Gerry Conway

Keeping with the art theme, there’s Boris Vallejo’s depiction from the March 1977 Starlog Magazine printing of Arena (more on that |HERE|):

Starlog Magazine - March 1977- Arena - Illustration by Boris Vallejo

TV, movies and other SF authors also seem to have taken inspiration or paralleled Fredric Brown’s Arena too:

Star Trek: Arena:

Outer Limits: Fun And Games:

The one man against one man theme, as developed in Arena, departed the SF genre entirely with the 1968 film Hell In The Pacific. The movie stars Lee Marvin and Tishiro Mifune as shot down American and Japanese fighter pilots who make WWII more personal.

The meme sunk to its lowest low with the frighteningly awful (and least faithful) variation in “The Rules Of Luton” episode of Space 1999.

Space: 1999 - The Rules Of Luton

The meme transmogrified back into a man vs. alien confrontation for Barry B. Longyear’s 1979 novella Enemy Mine. Willis Davidge, a human fighter pilot, is stranded along with Jeriba Shigan, a Drac, on a hostile alien planet foreign to them both.

Isaac Asimov's Science Fiction Magazine - September 1979

TOR DOUBLE #6 - Enemy Mine by Barry B. Longyear

The movie version of Enemy Mine, 1985, magnified the allegory with a theme of racial brotherhood.

In 1989, Star Trek: The Next Generation first adopted the idea for an episode entitled “The Enemy“.

Another variation, in 1991, in an episode of Star Trek: The Next Generation called “Darmok” nearly eliminates the physical conflict, replacing it with an intellectual puzzle on the difficulties of communication.

Star Trek: Enterprise, in an attempt to recycle every previous Star Trek series plot, did their own take with the 2003 episode entitled Dawn:

Update:

David Schleinkofer illustrated the Reader’s Digest Edition of Arena in the early 1980s:

Arena as illustrated by David Schleinkofer for Reader's Digest

Posted by Jesse Willis

Commentary: SFSignal Mind Meld on favourite audiobooks (and audio drama) of all time

SFFaudio Commentary

SFSignal.comJohn DeNardo, of the magnificent SFSignal blog, recently asked me to participate in another “Mind Meld.”

Here’s the topic:

“What are your favorite SF/F/H audiobooks and/or audio fiction stories of all time?”

Here’s what I wrote:

As one of the people behind SFFaudio, a website devoted to SFF in the audio format, this is about the hardest question you could possibly ask me. I can’t even begin to start ranking all the gloriously wonderful audio I’ve had the honor of listening to over the last 20 years (unless you count SFFaudio as exactly that). But, I can throw out some titles that are absolutely terrific!

Since I began listening in earnest (around 1991), and to make it manageable, I’ll limit myself to just one audiobook (or audio drama) per year (sorted by publication date). To make it even easier, I’ll list only commercial productions – we have plenty of love for podcasts and other amateur audio on SFFaudio.com. For starters check out our series called Five Free Favourites.

1991: The Best Fantasy Stories Of The Year 1989 (Dercum Audio – ISBN: 1556561431)
1992: The Wind From A Burning Woman by Greg Bear (Recorded Books) |READ OUR REVIEW|
1993: The Children Of Men by P.D. James (Recorded Books) |READ OUR REVIEW|
1994: Do Androids Dream of Electric Sheep? by Philip K. Dick (Time Warner – ISBN: 9781570420528)
1995: Mind Slash Matter by Edward Wellen (Durkin Hayes) |READ OUR REVIEW|
1996: Friday by Robert A. Heinlein (Blackstone Audio – ISBN: 0786110546)
1997: Sci-Fi Private Eye ed. Isaac Asimov and Martin H. Greenberg (Dercum Audio) |READ OUR REVIEW|
1998: Martian Time Slip by Philip K. Dick (Blackstone Audio) |READ OUR REVIEW|
1999: Ringworld by Larry Niven |READ OUR REVIEW|
2000: The Reel Stuff edited by Brian Thomsen and Martin H. Greenberg |READ OUR REVIEW|
2001: Minority Report And Other Stories by Philip K. Dick |READ OUR REVIEW|
2002: Two Plays For Voices by Neil Gaiman (Seeing Ear Theatre / Harper Audio) |READ OUR REVIEW|
2003: The Terminal Experiment by Robert J. Sawyer |READ OUR REVIEW|
2004: Ender’s Game (25th Anniversary Edition) by Orson Scott Card |READ OUR REVIEW|
2005: The Dark Worlds Of H.P. Lovecraft Volume 1 by H.P. Lovecraft (Audio Realms) |READ OUR REVIEW|
2006: The Chief Designer by Andy Duncan (Infinivox) |READ OUR REVIEW|
2007: Blake’s 7 – Audio Adventures (Trilogy Box Set) (B7 Media) |READ OUR REVIEW|
2008: The Accidental Time Machine by Joe Haldeman (Recorded Books) |READ OUR REVIEW|
2009: Earth Abides by George R. Stewart (Audible Frontiers/Brilliance Audio ) |SFFaudio Podcast #073|
2010: The Stainless Steel Rat by Harry Harrison |READ OUR REVIEW|

Posted by Jesse Willis