Commentary: How to download TORRENT files

SFFaudio Commentary

TorrentsI recently received email from a friend asking me to send him files that are easily available as a torrent.

This is pretty funny considering that the guy in question has had hundreds, more likely thousands, of complete copies of his creations downloaded, via torrent, to users all over the planet.

This got me thinking that probably a good many other creators and fans are in the same position – they’ve heard of torrents – would like to use them – but don’t have a friend who uses them. You just need a friend to walk you through it.

Well friends I’m here to tell you that torrents are extremely easy to use, very quick and very safe, just so long as you pay attention to a few details.

It’s actually pretty easy.

Torrents are specialized internet files, very similar to podcast feeds. Like podcast feeds they work to automatically retrieve the content you want. And just like podcast feeds they work only with specialized software.

But why would you want to use one?

Two reasons to use torrents:

1. Torrents do not greatly burden a content creator as he or she need not host the files for very long before they’re off and growing in the wild

2. Torrents are particularly good at the distribution of suppressed materials (take the case of the example given father below)

Software needed:

1. µTorrent is a free and easy to use torrent client (that’s just a piece of software for getting torrents)

Three quick facts to keep in mind after installation:

1. Torrent files end in “.torrent” – when you click on one, and when you’ve got µTorrent installed, you’ll get the download of the file you want (just as long as there are seeders)

2. A seeder is a torrent user who has a complete copy of the download that you want

3. You will see the extensions of the file types you are going to download – this means you can pick and choose the kinds of files you want to end up on your computer

uTorrent 1.7.7

Example of a torrent:

Queen Of The Black Coast is a free full cast audio dramatization, that was suppressed by legal threats. It’s producers no longer host it. But it is available as a torrent on the torrent tracker website ThePirateBay.org (and other torrent tracking websites).

The Pirate Bay - QUEEN OF THE BLACK COAST Example

Clicking on the green double down arrow (pictured above) will download the “.torrent file” which will interface with your installed µTorrent software to get you the audio drama. Note the number of seeders listed too. If there are zero seeders then you probably won’t be able to download the complete file or files. And if there are many seeders then the file will come down faster than if there are few. Once you complete your download, and hit “stop” in µTorrent, you will no longer be seeding.

Using torrents will open up a whole new part of the internet to you and make many more parts of the web useful too. A good place to start exploring with your new torrent skills is RadioArchive.cc. RadioArchive.cc is a domain entirely devoted to radio, offering radio drama, audiobooks (broadcast on radio), factual programs and every other kind of audio goodness that public radio services are known for. Happy torrenting!

Posted by Jesse Willis

Commentary: How to convert iPhone Voice Memos to MP3 (or WAV) in iTunes

SFFaudio Commentary

iTunes Preferences

I use my iPhone as a portable audio recorder. But the default recording format is M4A. This is not an easily manipulable format. If you, like me, want to use Audacity (and/or Levelator) to fiddle with your files you’ll want to be able to convert your files into other formats. iTunes has this capability, but figuring out how to make it happen in iTunes is not straightforward. Here’s the process in seven steps:

1. Go into the “Music” section of iTunes (which is where Voice Memos are found)
2. Click on the “Edit” tab
3. Select “Preferences”
4. Select “General”
5. Go down to “When you insert a CD” and select “Import Settings”
6. Change “Import Using” from “AAC Encoder” to “MP3 Encoder” (or “WAV Encoder”)
7. Now, when you right click on the Voice Memo, you will now have the option to “Create MP3 Version” (or “Create WAV Version”)

Here’s a video that shows the same process:

Posted by Jesse Willis

SFFaudio Challenge #6

SFFaudio Commentary

The SFFaudio Challenge Number SixTHE CHALLENGE:
This is our 6th Annual SFFaudio Challenge. Every November 11th, for the last six years, we’ve offered the following challenge to SFFaudio readers:

“We’ll give you an audiobook if you make one for everyone else.”

That deal still holds. We’ll get you an audiobook if you make make an audiobook out of one of the public domain etexts we suggest. All you’ll need to do is claim a title (by email), record the audiobook, using your own human voice (sorry no robots), and follow the rules (see the first comment of this post for the rules). Some titles will not be public domain in all countries, but this is a global challenge. We’ve also added, for the very first time, a French language title!

Still feeling a little unclear on how it all works? Then have a look at our past SFFaudio CHALLENGES:

|OUR FIRST CHALLENGE|
|OUR SECOND CHALLENGE|
|OUR THIRD CHALLENGE|
|OUR FOURTH CHALLENGE|
|OUR FIFTH CHALLENGE|

PRIZES:
Tantor MediaThis year we’re doing something a bit different with prizes, something better. Instead of offering those unwieldy physical copies we’ve got DRM-FREE MP3 downloads for you! This not only saves us on postage it also allows for a much greater selection of audiobooks! For each audiobook you complete, you can choose one of more than 1,300 titles available! All prizes this year come courtesy of Tantor Media.

CHALLENGE TITLES:
The Friendly Demon (aka The Devil Frolics With A Butler) by Daniel Defoe |HORRORMASTERS|PDF| (short story)

Seventh Victim by Robert Sheckley |PDF| (short story)*

CLAIMED BY CAINE DORR NOVEMBER 12, 2011

Untouched By Human Hands (aka One Man’s Poison) by Robert Sheckley |PDF| (short story)*

Writing Class by Robert Sheckley |RTF| (short story)*

CLAIMED AND COMPLETED BY WILLIAM COON (of Elquoent Voice) ON NOVEMBER 13, 2011

The Purple Cloud by M.P. Shiel |GUTENBERG| (novel)

City At World’s End by Edmond Hamilton |ARCHIVE.ORG| (novel)

The Common Man by Mack Reynolds |GUTENBERG| (short story)

The Ship Of Ishtar by A. Merritt |GUTENBERG AUSTRALIA| (novel)

Supernatural Horror In Literature by H.P. Lovecraft |WIKISOURCE|GUTENBERG AUSTRALIA| (essay)

Almuric by Robert E. Howard |WIKILIVRES|GUTENBERG AUSTRALIA| (novel)

Nineteen Eighty-Four by George Orwell |GUTENBERG AUSTRALIA| (novel)

Animal Farm by George Orwell |GUTENBERG AUSTRALIA| (novel)

Empire by Clifford D. Simak |GUTENBERG| (novel)**

CLAIMED BY BILL KIRBY ON JANUARY 3, 2012

The Great Potlatch Riots by Allen Kim Lang |GUTENEBERG| (short story)

The Dominion In 1983 by Ralph Centennius |GUTENBERG| (30 pages)

Ten From Infinity by Paul W. Fairman |GUTENBERG| (novel)

CLAIMED BY KAREN SAVAGE ON NOVEMBER 11, 2011

No Great Magic by Fritz Leiber |GUTENBERG| (short story)

CLAIMED BY DANIEL GURZYNSKI ON NOVEMBER 21, 2011

The Syndic by C.M. Kornbluth |RTF| (novel)*

CLAIMED BY MARK NELSON ON NOVEMBER 13, 2011

Our first French audiobook:

La Vie Électrique by Albert Robida |GUTENBERG| (novel)

So, who wants to sign up?

[*With special thanks to Rick Jackson of Wonder Publishing for selection advice **This etext was part of SFFaudio Challenge #2, but wasn’t completed]

Posted by Jesse Willis

FiveBooks Interviews – Orson Scott Card

SFFaudio Commentary

Orson Scott CardOne of the blogs I follow is FiveBooks, a segment of The Browser: Writing Worth Reading. The site features a daily interview of a renowned authority, invited to discuss his or her area of expertise and provide his or her choice of the best five books to read on that topic. It ranges from fiction to non-fiction, across all genres and subject matters. I like having it in my Google reader because I can just skip the topics that don’t interest me, while those that do have added to my to-read list exponentially.

Recently, Orson Scott Card was given this opportunity. He chose five books that will get readers hooked on science fiction, even if they are new to the genre.  Card also briefly discusses the development of the genre itself.  Check it out and tell me if these are the five you would have chosen.  I thought it might be a slight cop-out to choose two anthologies as two of his five selections, except I keep hearing about one of them as a volume that drew science fiction fans into the genre as children.

Posted by Jenny Colvin

Commentary: The Ethics Of Torrents

SFFaudio Commentary

Look at this screenshot. Just look at it!

The Pirate Bay - Ethics

It’s screenshot of a torrent for an audiobook about ethics. The audiobook in question (one from Recorded Books’ The Modern Scholar series) is entitled Ethics, A History Of Moral Thought. It’s a course by Peter Kreeft, a professor of philosophy at Boston College and the uploader is listed as “anonymous”.

Why did he or she upload it?

Why did he or she do so anonymously?

Was uploading it wrong?

Am I wrong to download it?

Am I wrong to even point it out?

You may have answers to these questions. If you do they’re probably swirling around somewhere inside of you – but if they are of the sort of answers that are ready to latch on to just about any reasonable sounding analogy, the kind of analogy that matches the conclusion you want to come to, I’m betting they are the wrong answers.

If your answers to those questions don’t originate in your brain (figuratively) as much as they do your gut (again figuratively) we’d probably call those answers moral answers.

If, on the other hand, your answers have a structure to them, are logically argued towards (rather than just intuitively felt) and have some basis in experience we’d probably call those ethical answers.

Let’s go through the old argument:

1. Theft is wrong.
2. Using torrents is stealing.
_________________________
3. Therefore torrents are wrong.

This argument sounds good. It is simple and has a morally satisfying conclusion.

But if the premises have something wrong with them, we must reject the conclusion.

The problem is with premise #2 .

Torrents are/is a technology, like podcasts and email. Technology doesn’t usually come in only one flavour, just good or wholly evil. Torrents are the same. Copyright owners torrent their own material – that isn’t wrong. Public domain material is torrented – that isn’t wrong. So torrents themselves aren’t the problem. Even if we associate 99% of all torrenting with wrongful behavior that doesn’t make the technology wrong. Etc. Etc.

So what is wrong exactly? Is it that copying is theft?

Let’s go through that argument:

1. Theft removes a thing from someone’s use.
2. Digital copying does not destroy the original.
__________________________________
3. Therefore digital copying is not stealing.

Makes sense right? So theft, at least the precise meaning of it isn’t the problem. How about this argument:

1. Harm is wrong.
2. To infringe upon copyrighting causes harm.
___________________________________
4. Therefore copyrights shouldn’t be violated.

I like this one. I think a lot of other people like it to. My only problem is with premise #2. What does it mean exactly?

Does it mean that someone is physically wounded? Clearly not. I’m betting this isn’t a physical thing at all. Maybe it is something else, or maybe it’s purely financial.

Is there a financial harm?

Maybe!

Let’s have a look at that one such argument:

1. Copyright generates revenue for copyright holders.
2. Infringing on copyright subverts copyright.
___________________________________
3. Therefore not infringing copyright helps copyright holders financially.

And if you believe #1 I’ll happily lease this post for 1¢ per day (minimum 100 days please). Premise #1 in the above argument just isn’t true. It can be true, but it sure doesn’t make for as compelling an argument:

1. Copyright can generate revenue for copyright holders.
2. Infringing on copyright subverts copyright.
___________________________________
3. Therefore not infringing copyright could help copyright holders financially.

That’s enough to start with.

If you would definitely not have paid for Ethics, A History Of Moral Thought would it have helped the copyright holder?

If you definitely would have paid for Ethics, A History Of Moral Thought, then why haven’t you?

If you once considered it, but didn’t buy it, I’m betting it is either price or convenience that’s prevented you.

Both can influence ethical arguments, but often don’t because they complicate matters.

Consider:
$49.95 + shipping used CD on Amazon (no DRM but slightly inconvenient format) – copyright remuneration $0.00
$38.95 on Audible (with DRM) – copyright remuneration UNKNOWN
$30.36 + shipping used on cassette (no DRM but inconvenient format) – copyright remuneration $0.00
FREE on Audible for first time customers (with DRM) – copyright remuneration UNKNOWN
FREE on ThePirateBay.org (with no DRM and no inconvenience) – copyright remuneration $0.00
FREE at your public library (variable formats and convienience) – copyright remuneration UNKNOWN

What we end up with is a lot of question marks. And if you suspect that the answers to the three UNKNOWNS above aren’t likely to be equal I agree with you. But what I find more interesting is that two of those $0.00 answers actually don’t generate any moral disgust in most people and I think that may be where our answer lies.

Yeah, I said it. The used versions of books are neither immoral nor unethical!

And why is it exactly that the arguments in favour of making the purchase of used books unethical have all failed to change our minds?

Now weigh those variable UNKNOWNS against these knowns:

Negatives regarding download of copyrighted material via torrent:

1. Copyright holders do not directly benefit monetarily.
2. You may be, depending on jurisdiction, in violation of a law – which may be scary.
3. You may feel guilty.

Positives regarding download of copyrighted material via torrent:

1. Convenience – torrents are fast and easy, they are often better labelled versions of the content, they lack DRM.
2. Price – torrents are free.
3. Intangibles – sharing makes you feel good, other torrent users benefit, copyright holders may benefit indirectly.

If our reasoning happens inside a big bag of blackness our reasoning is going to be poor. Ethics is hard. I’d like to hear some arguments.

What’s your answer to these questions?

Posted by Jesse Willis