BBCR4: Tracking The Lincolnshire Poacher – A documenary on “Numbers Stations”

Aural Noir: Online Audio

Back in 2005 BBC Radio 4 broadcast a compelling documentary on something called “Numbers Stations“, automated shortwave radio stations that are linked to international espionage. Check out the Wikipedia entry for “The Lincolnshire Poacher” and have a listen to an |OGG| recording of an example transmission! Then listen to the doc…

BBC Radio 4Tracking The Lincolnshire Poacher
By Simon Fanshawe
1 |MP3| – Approx. 28 Minutes [DOCUMENTARY]
Broadcaster: BBC Radio 4
Broadcast: 2005
Simon Fanshawe embarks on a detective journey into the clandestine world of radio cryptography and attempts to solve one of the most unusual broadcast mysteries of all time.

[via Simon Mason and Speechification]

Posted by Jesse Willis

Mister Ron’s Basement: My Financial Career by Stephen Leacock

Aural Noir: Online Audio

This 100 year old story of a very Canadian bank heist, authored by Canada’s greatest literary humorist, could encapsulate a good part of that elusive Canadian culture we say were always looking for.

My Financial Career by Stephen Leacock, Art by GordRaymer (found in SENSE AND FEELING)

Mister Ron's BasementMy Financial Career
By Stephen Leacock; Read by Mister Ron
1 |MP3| – Approx. 7 Minutes [UNABRIDGED]
Podcaster: Mister Ron’s Basement
Podcast: 2005

My Financial Career by Stephen Leacock

When I go into a bank I get rattled. The clerks rattle me; the wickets rattle me; the sight of the money rattles me; everything rattles me.

The moment I cross the threshold of a bank and attempt to transact business there, I become an irresponsible idiot.

I knew this beforehand, but my salary had been raised to fifty dollars a month, and I felt that the bank was the only place for it.

So I shambled in and looked timidly round at the clerks. I had an idea that a person about to open an account must needs consult the manager.

I went up to a wicket marked “Accountant.” The accountant was a tall, cool devil. The very sight of him rattled me. My voice was sepulchral.

“Can I see the manager?” I said, and added solemnly, “alone.” I don’t know why I said “alone.”

“Certainly,” said the accountant, and fetched him.

The manager was a grave, calm man. I held my fifty-six dollars clutched in a crumpled ball in my pocket.

“Are you the manager?” I said. God knows I didn’t doubt it.

“Yes,” he said.

“Can I see you,” I asked, “alone?” I didn’t want to say “alone” again, but without it the thing seemed self-evident.

The manager looked at me in some alarm. He felt that I had an awful secret to reveal.

“Come in here,” he said, and led the way to a private room. He turned the key in the lock.

“We are safe from interruption here,” he said; “sit down.”

We both sat down and looked at each other. I found no voice to speak.

“You are one of Pinkerton’s men, I presume,” he said.

He had gathered from my mysterious manner that I was a detective. I knew what he was thinking, and it made me worse.

“No, not from Pinkerton’s,” I said, seeming to imply that I came from a rival agency.

“To tell the truth,” I went on, as if I had been prompted to lie about it, “I am not a detective at all. I have come to open an account. I intend to keep all my money in this bank.”

The manager looked relieved, but still serious; he concluded now that I was a son of Baron Rothschild or a young Gould.

“A large account, I suppose,” he said.

“Fairly large,” I whispered. “I propose to deposit fifty-six dollars now and fifty dollars a month regularly.”

The manager got up and opened the door. He called to the accountant.

“Mr. Montgomery,” he said unkindly loud, “this gentleman is opening an account. He will deposit fifty-six dollars. Good morning.”

I rose.

A big iron door stood open at the side of the room.

“Good morning,” I said, and stepped into the safe.

“Come out,” said the manager coldly, and showed me the other way.

I went up to the accountant’s wicket and poked the ball of money at him with a quick, convulsive movement, as if I were doing a conjuring trick.

My face was ghastly pale.

“Here,” I said, “deposit it.” The tone of the words seemed to mean, “Let us do this painful thing while the fit is on us.”

He took the money and gave it to another clerk.

He made me write the sum on a slip and sign my name in a book. I no longer knew what I was doing. The bank swam before my eyes.

“Is it deposited?” I asked in a hollow, vibrating voice.

“It is,” said the accountant.

“Then I want to draw a cheque.”

My idea was to draw out six dollars of it for present use. Someone gave me a cheque book through a wicket and someone else began telling me how to write it out. The people in the bank had the impression that I was an invalid millionaire. I wrote something on the cheque and thrust it in at the clerk. He looked at it.

“What! are you drawing it all out again?” he asked in surprise. Then I realized that I had written fifty-six instead of six. I was too far gone to reason now. I had a feeling that it was impossible to explain the thing. All the clerks had stopped writing to look at me. Reckless with misery, I made a plunge.

“Yes, the whole thing.”

“You withdraw your money from the bank?”

“Every cent of it.”

“Are you not going to deposit any more?” said the clerk, astonished.

“Never.”

An idiot hope struck me that they might think something had insulted me while I was writing the cheque, and that I had changed my mind. I made a wretched attempt to look like a man with a fearfully quick temper.

The clerk prepared to pay the money.

“How will you have it?” he said.

“What?”

“How will you have it?”

“Oh”—I caught his meaning and answered without even trying to think—”in fifties.”

He gave me a fifty-dollar bill.

“And the six?” he asked dryly.

“In sixes,” I said.

He gave it me and I rushed out.

As the big door swung behind me I caught the echo of a roar of laughter that went up to the ceiling of the bank. Since then I bank no more. I keep my money in cash in my trousers pocket and my savings in silver dollars in a sock.

And here is the 1962 National Film Board adaptation:

Posted by Jesse Willis

LibriVox: The Diamond Master by Jacques Futrelle

Aural Noir: Online Audio

LibriVoxJacques Futrelle was a mystery writer best known for his creation, a rival to Sherlock Holmes, a detective named Professor Augustus S.F.X. Van Dusen, (aka “The Thinking Machine“)! Futrelle’s career was tragically, and famously, cut short whilst traveling aboard the titanic:

“[He] steadfastly refused to accept a chance to enter a lifeboat when he knew that the Titanic was sinking under him.”

This story, a novella, was actually adapted to film in a pair of 1920s movie serials. Sadly they no longer exist. But, Futrelle lives on, in this audiobook, and as the protagonist of The Titanic Murders by Max Allan Collins, which is a murder mystery set aboard the Titanic on its final voyage .

LIBRIVOX - The Diamond Master by Jacques FutrelleThe Diamond Master
By Jaques Futrelle; Read by Dawn Larsen
17 Zipped MP3 Files or Podcast – Approx. 3 Hours 15 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: June 23, 2010
A perfect diamond worth millions is mailed, in a plain package, to a diamond dealer. Then he finds that identical diamonds were delivered to other diamond dealers. Where did the gems come from? Who sent them? And why?

Podcast feed: http://librivox.org/rss/4161

iTunes 1-Click |SUBSCRIBE|

[Thanks also to Annise]

Posted by Jesse Willis

Recent Arrivals: Tequila Mockingbird by Paul Bishop

Aural Noir: Recent Arrivals

Out of print, (I found it on ABEbooks.com), and just arrived by Canada Post, is this 10 cassette audiobook written by Paul Bishop, of the Bish’s Beat blog!

CHIVERS - Tequila Mockingbird by Paul BishopTequila Mockingbird
By Paul Bishop; Read by William Roberts
10 Cassettes – Approx. 10 Hours [UNABRIDGED]
Publisher: Chivers Audio
Published: 1998
ISBN: 0792722426
The murder of Alex Waverly, a highly decorated detective in LAPD’s anti-terrorist division, appears to be an open-and-shut case of domestic violence turned deadly. But circumstances are not what they seem, as Fey Croaker discovers, when the Chief gives the case to her with instructions to wrap it up “quick and tidy. No muss, no fuss.” Caught in the middle of a power struggle, Fey and her crew search for the truth. But they quickly become moving targets in their effort to stop a south-of-the-border terrorist from striking at the very heart of Los Angeles.

Posted by Jesse Willis

Escape: Percival Christopher Wren’s Beau Geste

Aural Noir: Online Audio

One of my favorite blogs for HuffDuffing files from is Escape-Suspense.com. The proprietoress there posts episodes from two classic radio drama series, Escape and Suspense. This latest story there is Beau Geste. “Beau” means “handsome” and “Geste” means “notable deed or exploit”, combined it is also the name of the main character. The story itself is a beautiful example of the iconic adventure tale. There have been multiple adaptations of this novel, to film, television, a stage play and of course radio. I really enjopyed this production, its short, sweet and adventurous.

EscapeEscape – Beau Geste
Based on the novel by Percival Christopher Wren; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: CBS Radio
Broadcast: June 6, 1948
Based on the novel, first published in 1924.

Though there is still no LibriVox edition, the novel is in the public domain. Tantor Media may have the most compelling audiobook edition of Beau Geste is read by David Case.

A column of French Legionnaires finds one of their fortresses manned by dead men. It looks like the sergeant was killed by one of his own troops. Who could have done it?

A flashback then unravels the mystery of the three English Geste brothers. The brothers, orphaned early in life, are raised by an aunt. Their raucous youths are filled with the literature of adventure and ritualized horseplay centered around these myths and legends. So when the family’s prized Blue Water sapphire turns up missing, each of the young men confesses to being the thief in order to protect the others, and one by one they head off to join the French Foreign Legion. The three brothers meet up in the deserts of Africa, where they fall under the command of the malevolent Sergeant Lejaune. Not content to merely be a martinet, Lejaune sets his sights on stealing the jewel, which rumor holds to be in the brothers’ possession. Meanwhile, the unruly troops he commands are planning a mutiny, and the marauding Tauregs pin this badly outnumbered and bitterly divided unit of Legionnaires at Fort Zinderneuf. The ensuing drama plays itself out as the French forces battle overwhelming odds. Ultimately, only a handful of men survive to discover the truth behind the Blue Water’s disappearance.

A classic, rip-roaring tale of adventure!

[via Escape-Suspense.com]

Posted by Jesse Willis

Aural Noir Review of Gentlemen Of The Road by Michael Chabon

Aural Noir: Review

RANDOM HOUSE AUDIO - Gentleman Of The Road by Michael ChabonGentlemen Of The Road: A Tale Of Adventure
By Michael Chabon; Read by Andre Braugher
Audible Download – Approx. 4 Hours 13 Minutes [UNABRIDGED]
Publisher: Random House Audio
Published: October 2007
Provider: Audible.com
Themes: / Adventure / Crime / Jewishness / War / Politics / Mercenaries / Con-men / Khazaria /

Gentlemen Of The Road was first published as a serial in The New York Times Magazine. Despite it’s sword and sorcery feel, it is not actually a Fantasy novel, but is instead a “swashbuckling adventure” set in an obscure, but real, historical setting. Its heroes, Amram and Zelikman, are an odd, but vaguely familiar, pair. Familiar in their companionable rivalry and clearly inspired by Fritz Leiber’s famed pair of characters: Fafhrd and Grey Mouser. But, instead of one being a short, urban thief and the other a hulking Northern barbarian, the two are instead the titular gentlemen of the road, wandering Jews, or as Chabon himself states in the audiobook’s afterword “Jews With Swords.” And that’s what was really important in this story; though each of these two Jews looks entirely unalike from the other, they are tied together by far flung tradition, common heritage and similar tales of woe. The larger of the pair is Amram, a swarthy Abyssinian with a penchant for shatranj and quite literally an axe to grind. The slighter and paler of the pair is Zelikman, a fair haired Frank, who far from being a member of the thieves guild is actually a doctor (he wields an “over-sized bloodletting lance as a rapier”). Together they are a neat pair of dark age sell-swords/con-men, working the taverns and inns of southern Eurasia. It is, all in all, one of the neatest set-ups for a book I’ve ever heard. And you couldn’t find a funner fictional premise for illustrating the Jewish diaspora in an adventure novel.

One evening (circa AD 950), a chance encounter at a roadside inn in the kingdom of Aran leads to a body-guard job. The job involves a journey to the neighboring khaganate of Khazaria. Along the way they meet many a fellow road traveler and have some less than polite encounters. Eventually, Amram and Zelikman (A & Z) find themselves fully entangled in a rebellion and plot aimed at restoring a displaced Khazar prince to the throne.

Narrator Andre Braugher is a television actor that I’ve admired since his portrayal of the unwaveringly professional detective Frank Pembelton on Homicide: Life on The Street. Braugher has a powerful voice that he uses to deliver Chabon’s ornately constructed descriptive scenes and dialogue. You can tell, with every sentence of Braugher’s delivery, that Chabon loves language. I thoroughly enjoyed the book after I got into it. But it wasn’t easy, I really had to shift gears. This is embellished storytelling, it feels both old-fashioned and unrepentantly ostentatious. It has very little of the usual fantasy stylings, it dumps any ordinary flat or prosaic description in favour of the deliberately lavish. Once I did get into it, I loved it. There’s a lot of detail to enjoy here. Chabon’s hulking Abyssinan, for instance, has a battle-axe. He gained it after combat with the Varangian Guard in Byzantium. A runic inscription on it roughly translates into “defiler of your mother.” Another writer would have done it another way – another writer wouldn’t have done it at all. This is what makes Chabon, his books and this novella in particular so special.

Sadly, the audiobook lacks the map and the 15 terrific black and white illustrations (by Gary Gianni ) found in the paperbook. Here is a peek at both:

Gentlemen Of The Road - MAP

Gentlemen Of The Road - PAGE 161

Posted by Jesse Willis