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FREE LISTENS REVIEW: The Land that Time Forgot by Edgar Rice Burroughs

The Land that Time Forgot by Edgar Rice Burroughs

Source: LibriVox (zipped mp3’s)
Length: 3 hr, 49 min
Reader: Ralph Snelson

The book: Set during World War I, this adventure novel starts with the sinking of an Allied ship by a German U-boat. Bowen Tyler, his dog, and the beautiful Miss Lys La Rue are rescued by a British tug, then captured by the same U-boat. Through a series of prisoner revolts, double-crosses and sabotage, the U-boat ends up at an uncharted island near Antarctica. Here, they are attacked by dinosaurs and other prehistoric beasts.

Sounds like a good, old-fashioned adventure, right? Well, it is for the first two-thirds of the book. The final third consists of Burroughs dragging his characters to an unsatisfying conclusion. As in The Lost World, I expect some amount of pseudoscience in these types of early science fiction adventures, but Burroughs’ mystical version of evolution on the island severely strained my suspended believability. Perhaps the narrative is more fully resolved in the sequels, but after finishing, I felt cheated rather than wanting to know more.

Rating: 6 / 10

The reader: Snelson has a deep voice with an American Southern accent. His reading and recording quality are amateur, but satisfactory. His characters have distinctive, but not silly, voices. Snelson’s matter-of-fact narrating tone doesn’t add much to the story, but neither does he ruin the novel by trying to over-embellish the action.

Posted by Seth

Free Listens Review of Firstborn by Brandon Sanderson

“Firstborn” by Brandon Sanderson

Source: Tor.com (mp3)

Length: 1 hour, 13 minutes

Reader: Brandon Sanderson and Emily Sanderson

The story: If you keep up with fantasy literature, you probably know Brandon Sanderson from his own large fantasy novels, such as the excellent Mistborn, the juvenile fantasy Alcatraz series or as the writer called in from the bullpen to finish the late Robert Jordan’s sprawling Wheel of Time fantasy series. So for Sanderson to be writing space opera science fiction and a short story is two unusual situations at once. He’s so successful, at least in this story, that I wonder why he doesn’t write more short science fiction.

“Firstborn” is set in a galactic empire where space navies do battle with rebel forces, complete with space fighters dogfights. Dennison Crestmar, a young nobleman in the Imperial Navy, is struggling as an unsuccessful officer who is constantly compared to his older brother, the famed admiral Varion Crestmar, who has never lost a battle. The setting, plot, and characters seem ripe for a series of clichés, but somehow Sanderson crafts these parts into an engaging and inventive story.

Rating: 8/10

The reader: Sanderson, as he freely admits, is not a professional voice actor. He doesn’t have the richness of sound that the pros have and the recording quality has a bit of hiss. Yet, Sanderson is a very good amateur reader. He is expressive and seems to be enjoying reading his own work. When his wife checks in to read some of the middle portion of the story, she does an equally fine job. Although he does a good job here, I don’t think I’d like to see Sanderson narrate those fantasy novels he’s best known for; those things are long and I’d rather have him writing sequels than reading!

posted by Seth

FREE LISTENS REVIEW: Thousandth Night by Alastair Reynolds

Thousandth Night by Alastair Reynolds

Source: Subterranean Press (part 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15)
Length: Approx. 3 hours
Reader: Sam A. Mowry

The story: In the far future when Thousandth Night is set in, humankind has advanced to the point where almost anything is possible: living for hundreds of thousands of years, travelling across the galaxy, and transforming the structure of the human body to almost any form. One thing that is not possible is breaking the laws of physics by travelling or communicating faster than the speed of light.
One group of humans, the Gentian line, meets every few thousand years. For 999 days each member shares his or her experiences from travelling through the galaxy. Then on the thousandth night, they elect the member with the most entertaining presentation to prepare the next reunion.

Reynolds introduces together a number of space opera technologies on the framework of a mystery during one Gentian reunion. He later reused these technologies in the setting for another novel, House of Suns. Although the big science fiction ideas are the star, Reynolds never loses sight of the effects of science on humans. In fact, one of the major themes of the novella is our efforts change the physical world around us and the long-term consequences, good and bad, of those actions.

Note: This story contains sexual situations and may not be suitable for younger listeners.

Rating: 8 / 10

The reader: Mowry has a wonderfully smooth voice with a richness like a less gravelly Charlton Heston. His reading is clear and his pacing is rhythmic. He doesn’t try to charge the reading with emotion that isn’t there, but instead remains restrained. The only complaint I have is that his fairly straight reading sometimes makes it difficult to know what is narration and what is dialog. After a bit, I got into the story and had no trouble with knowing when characters were speaking and enjoyed his reading tremendously.

Posted by Seth

FREE LISTENS REVIEW: House on the Borderland

Review

The House on the Borderland by William Hope Hodgson

Source: LibriVox (zipped mp3s)
Length: 5 hr, 22 minutes
Reader: Alan Winterrowd

The book: Halloween is getting close, so for the remainder of October, I’ll be posting reviews of horror novels and stories at Free Listens and here on SFFaudio. House on the Borderland by William Hope Hodgson is the perfect place to start, since it was a major influence on the writing of H.P. Lovecraft and ushered in a new type of supernatural horror novels for the 20th century.

Two gentlemen vacationing in Ireland find a manuscript in the ruins of an old house. In it, the former owner of the house describes how his house lies on the border of a demonic realm and how he ends up having to defend himself against pig-like invaders from this other dimension. The beginning of this narrative is eerie while the climax is heart-thudding terrifying, but a large section of the middle, in which the narrator describes a hallucinogenic dream in which he travels to the end of the world, dips into boredom. Apart from this middle section, the novel is a short, spooky classic of horror literature.

Rating: 7/10

The reader: Winterrowd is a voice that I haven’t come across before. His voice is strong and confident, with an American accent. He gives a fairly straight reading, without much emotion. This doesn’t mean that his reading is dull – he varies his pace and emphasis – but he doesn’t try to embellish the text, which can be good or bad, depending on your taste. In some early chapters, there’s a faint ringing in the recording, but later on this problem seems to go away and the sound is fine.

Posted by Seth

FREE LISTENS REVIEW: The Overcoat by Nikolai Gogol

Review

The Overcoat by Nikolai Gogol

Source: Archive.org (part 1 | part 2)
Length: 1 hr, 28 min
Reader: Alan Davis Drake

The story: This classic tale, also translated as “The Cloak”, is one of the most revered stories in Russian literature, but it’s also a ghost story. Akaky Akakievich is a poor clerk in a government office who is the butt of many jokes from his colleagues as much for his social ineptitude as for his threadbare overcoat. When he finally decides to get the overcoat mended, he runs into one problem after another, leading eventually to ghostly revenge.

Many of the themes that would be common to the greats of Russian literature trace their heritage to this story: the hopelessness of poverty, the striving to move up in a class-striated society, government indifference and arrogance, and injustice for the powerless. Tolstoy, Dostoevsky, and Chekhov would continue these themes in their own literature, building great works from common starting material.

Despite the heavy themes, this is a story with plenty of humor. Gogol even pokes fun at the conventions of storytelling by breaking the fourth wall. Part of the genius of this story is the tension between the listener’s tendency to sympathize with the plight of Akaky Akakievich or laugh at his awkwardness and eagerness to impress his colleagues.

Rating: 9/10

The reader: This may be a free recording, but that doesn’t make Alan Davis Drake any less of a professional. His voice is smooth and expressive in his narration, bringing out the sometimes subtle humor in this piece. His intonations for the dialogue bring out the pattern of Russian speech without doing a broad accent. The short musical pieces at the beginning and end of each part do not distract from the reading and are not played over the narration.

Review by Seth, Free Listens blog

FREE LISTENS REVIEW: The Curse of Capastrano

Review

The Curse of Capastrano by Johnston McCulley

Source: Librivox (zipped mp3s)
Length: 6 hr, 34 min
Reader: Barry Eads

The book: Never heard of this book? Perhaps that’s because it’s the secret identity of its more famous alter-ego. Following the successful Douglas Fairbanks movie based on The Curse of Capastrano, McCulley reissued his novel under the same name as the silent film: The Mark of Zorro.

It’s easy to see why this book became a blockbuster film; it’s full of action, humor, romance, and plot twists. McCulley has a great sense of pacing, building up suspense and taking Zorro from scene to scene with great efficiency. Each short chapter ends with a mini-cliffhanger. Many of the supporting characters are one-dimensional, but I was happily surprised to find the main female character, Lolita, to be a self-reliant woman with a brain, rather than a damsel in distress.The Curse of Capastrano is a great short action-adventure book, perfect for putting a little pep in your morning commute or gym routine.

Rating: 9/10

The reader: Barry Eads does a terrific job with this narration. There are a number of speaking characters in this book, and Eads does a distinct voice for each one, making it easy to figure out who is talking. Even his female voices are believable. He varies the pacing and tone of his narration to keep up with the changes in action, making it easier to follow Zorro’s spectacular feats. The only fault I could find is that Eads tends to mispronounce some of the many Spanish words, but if you’re not a Spanish speaker, you will have no problem with this.

Posted by Seth