Having a great time at CONduit in Salt Lake City! Regular posting will resume on Tuesday…
Posted by Scott D. Danielson
Having a great time at CONduit in Salt Lake City! Regular posting will resume on Tuesday…
Posted by Scott D. Danielson
Want a chance to weigh in on your favorite audiobook format? Take the preferred audiobook format survey at Audiofile Magazine and let your opinions be heard by the audiobook industry. The survey is open until June 6.
Posted by Scott D. Danielson
An update to today’s previous post – Audiofile Magazine and the APA have a “listening contest” for the Audies. You can listen to clips of all the Finalists and vote for the one you think should win. Anyone who enters gets a chance to win an entire collection of the Audie winners! Click here to play!
Posted by Scott D. Danielson
On June 3, members of the Audio Publisher’s Association (APA) will meet at the Tavern on the Green in New York City and announce the winners of this year’s Audie Awards. To find the whole list of nominees, click here.
The science fiction and fantasy genres are well represented! Here are some of the categories in which genre titles are nominated:
Fiction, Unabridged
Going Postal, Terry Pratchett, HarperCollins Publishers
I Am Charlotte Simmons, Tom Wolfe, Audio Renaissance
Jonathan Strange & Mr. Norrell, Susanna Clarke, Audio Renaissance
Our Sunshine, Roberte Drewe, Bolinda Publishing, Inc.
The Darling, Russell Banks, BBC Audiobook America
Note: Jonathan Strange and Mr. Norrell also appears on the Audie Award Literary Fiction nominee list. It’s also one of the Hugo nominees this year.
Science Fiction
Brimstone, Douglas Preston and Lincoln Child, Time Warner Audiobooks
Horizon Storms, Kevin Anderson, Recorded Books, LLC
Lost Boys, Orson Scott Card, Blackstone Audiobooks
The Consciousness Plague, Paul Levinson, Listen and Live Audio, Inc.
The Quantum Rose, Catherine Asaro, Blackstone Audiobooks
The children’s categories usually have some fantasy titles, and this year is no exception. The Neil Gaiman Audio Collection (Neil Gaiman, HarperCollins) is in the Children’s Titles for Ages Up To 8 category, and four out of the five titles in the Children’s Titles for Ages 8+ category are genre titles.
One disappointment is that the Short Stories/Collections category has no science fiction or fantasy nominees. A shame for a genre which produces so much short fiction.
And a final note – A Series of Unfortunate Events: The Bad Beginning by Lemony Snicket (Harper Collins, narrated by Tim Curry) is one of the three nominees for Audiobook of the Year. The other two nominees are My Life by Bill Clinton (Random House, narrated by Bill Clinton) and Ulysses by James Joyce (Naxos Audiobooks, narrated by Jim Norton with Marcella Riordan).
Posted by Scott D. Danielson
Roger Gregg and the Crazy Dog Audio Theatre are at it again – their latest series, The Last Harbinger starts on Ireland’s RTE Radio One this week. Those not in Ireland can listen online – Episode One is now available. A description of the series:
The people of Moloch are running out of time. Their seas are dead. Their ice caps are gone. Their air is filled with toxins. A twisted civilization that celebrates greed is destroying itself. Can Truth save a world from self destruction? The Last Harbinger is a scathingly satirical allegory which exploits the potential of the audio medium to lampoon a decadent world of hunger, disease and injustice.
This latest ‘audio movie’ production (5 parts) from Ireland’s multi-award winning Crazy Dog Theatre company features an all star cast including Phil Proctor of Rugrats, state-of-the-art location recordings and an original music score.
And don’t forget the Quandary Phase of Hitchhiker’s – Episode One is online this week. Listening now…
Posted by Scott D. Danielson
The Voice from the Edge Vol. 1: I Have No Mouth and I Must Scream
By Harlan Ellison, read by Harlan Ellison
5 CD’s – 6 hours [UNABRIDGED stories]
Publisher: Fantastic Audio
Published: 2002
ISBN: 1574535374
Themes: / Science Fiction / Collection / Series / Post-Apocalypse /Artificial intelligence / Utopia / Dystopia / Magic Realism / Love / Hell /
There are two basic reasons to invest in a short story collection by a single author. The first is to experience first hand the stylistic, thematic, and technical contributions the author has made to his genre and to literature in general; the second is to sample the dynamic range the author covers, to gauge the extent of his palette.
This audio book delivers the first in spades. With Harlan Ellison’s friendly, yet curmudgeonly introduction, we are thrust immediately into the gritty, rawness he helped bring to science fiction. Such stories as the harrowing, lurid, complex title story, the gleefully offensive misogyny and sociopathy of “A Boy and His Dog”, the pop-cultural, pejorative ranting of “Laugh Track”, and the sophomoric sexual preoccupation of “The Very Last Day of a Good Woman” clearly delineate the dark, adult-oriented themes he introduced, as well as his predilection for unlikable anti-heroes who often leave us feeling a bit less comfortable about ourselves. And on such material, his distinctive narrative style shines. He curses with conviction, and his voice handles guilt, revenge, and damnation with seeming familiarity.
In the overall story choice, we also have a remarkable demonstration of the range of Ellison’s writing. Compare the patient, redemptive power of “Paladin of the Lost Hour” to any of the stories mentioned above, and you’ll see what I mean. Throw in the sly, haunted twist of “The Time of the Eye”, the overwrought post-modernism and tedious beatnik vamping in “’Repent Harlequin!’ said the Tick-Tock Man”, the sublime, hellish search for love in “Grail”, and the puzzling juxtaposition of the truly horrific and the trivial in “The Lingering Scent of Woodsmoke”, and you cover quite a swath of not only the science-fiction spectrum, but the fiction spectrum in general.
Unfortunately, the use of a single narrator for all these stories blurs their uniqueness, especially since that narrator is Harlan Ellison. His delivery style can be enjoyable, but it is so raw, so exaggerated and so pervasive that it tends to flatten the relief of the work itself. I can’t say that I question the wisdom of having Ellison narrate, for on any single story his voice adds the confident insight that only an author can bring to his own work. But this is a collection, and the diverse stories deserve a wider range of vocal performance to truly showcase their differences. My advice is to make the best of this paradox by taking the collection slowly. The quality of the material, the exceptionally crisp sound and the fine, user-friendly packaging make this an audio book you should not miss, just make sure to pace yourself.
Posted by Scott D. Danielson