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Review of The Dragon Factory by Jonathan Mayberry

SFFaudio Review

The Dragon Factory: A Joe Ledger Novel
By Jonathan Maberry; Read by Ray Porter
16 Hours – [UNABRIDGED]
Publisher: Blackstone Audio via Audible.com
Published: 2011
Themes: / Science Fiction / Cloning / Genetics / Mayhem /

“Detective Ledger?” he said, and held out an ID case. “NSA.”

“How do you spell that?”

Joe Ledger’s back.

In Patient Zero, (SFFaudio review here) he saved the world from a zombie apocalypse and Muslim terrorists. Almost single handed.

How will he do on the island of Dr. Moreau?

In The Dragon Factory Joe is evading government agents trying to shut down the DMS, is the only man alive to have defeated genetically engineered super warriors, and is romancing his beautiful fellow agent Grace Courtland.

And that’s just in the first few chapters.

Once again, Jonathan Maberry weaves a threat we know with a threat from fiction. A mad scientist (Cyrus) is using genetic experiments to mold the world in a way that will have horrific results for the population at large. Did I mention he’s German? And enjoys cloning as a light pastime?

Meanwhile, a pair of amoral, super intelligent, albino twins are mixing and matching genetics to create creatures of myth and monsters from your worst nightmares.

Joe’s got to find and stop all of them before the “Extinction Wave” doomsday program counts down to zero and releases havoc on the world. With a little help from Top, Bunny, Grace, and the enigmatic Mr. Church, of course.

I enjoy the way that Maberry mashes up several genres, with tongue in cheek, and produces a pulp fiction style, action-packed roller coaster ride that keeps me on the edge of my seat.

This book tells a good portion of the story from the crazed villains’ point of view, to good effect. I really love the dysfunctional family of super-villains where the children have disappointed the father by not having enough “vision” and the kids have giant “daddy” issues.

Maberry also dug just a bit deeper than I expected by contrasting the villainous family with Eighty-Two the clone who Cyrus loves most but who fails every psych test in being “acceptable” (as his henchman, Otto, puts it). I didn’t stop to think about what that meant when filtered through the horrific mindsets that Otto and Cyrus have, but the result was an interesting surprise that led to some interesting musing about free will versus evil and nature versus nurture. It isn’t that deep but I still found its inclusion refreshing in a book of this sort.

As in Patient Zero, Ray Porter’s narration was spot on, voicing Joe Ledger as if he were the man himself, with slight variations applied to other characters to make them come alive equally well. I’d rather hear these books narrated than read them myself just for the sheer enjoyment of Porter’s style and emphasis.

Make no mistake, The Dragon Factory is a straight-up thriller without a lot of twists and turns in plot. You read it for the hunt, for the action, for the adventure. You also read it for the twists of humor, the pulp fiction style, and the monsters. Especially for the monsters.

It’s a good time at high speed. What more can you ask?

Posted by Julie D.

Review of Patient Zero by Jonathan Maberry

SFFaudio Review

Patient Zero: A Joe Ledger Novel, Book 1
By Jonathan Maberry; Read by Ray Porter
12 CDs – Approx. 14.2 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: October 2010
Themes: / Horror / Zombies / Terrorists / Covert Intelligence /

Jonathan Maberry caught my attention immediately with Patient Zero’s dedication:

This book is dedicated to the often unsung and overlooked heroes who work in covert operations and the intelligence communities.

And then he caught it again with the quote with which the book begins.

A hero is no braver than an ordinary man, but he is braver five minutes longer. — Ralph Waldo Emerson

I know a particular person who is one of those unsung heroes and so my natural inclination is to look approvingly upon the author’s sentiments.

However, I wasn’t here for a covert intelligence story or a spy story but for zombies. Also, because I’d heard the Writing Excuses podcasters praising the Joe Ledger series.

Then I heard the first two sentences of the book itself.

When you have to kill the same terrorist twice in one week, then there’s either something wrong with your skills or something wrong with your world.

And there’s nothing wrong with my skills.

Aha. The hat trick … which also informed me that I actually was here for a covert intelligence story, for a spy story, and, this should go without saying by now, for zombies.

Here’s a quick story synopsis.

Joe Ledger is a hardened Baltimore cop with serious skills in physical combat. After a surprise raid on suspected drug traffickers, he is strong-armed into joining the DMS, a rapid response task-force that handles problems too big for Homeland Security. The latest problem is a terrorist’s bio-weapon which, for all practical purposes, turns the infected into zombies. While Joe and his team try to track and stop the threat, we also see the bad guys: a tangled knot of corporate interests and Muslim fanatics gearing up for the ultimate assault on American soil.

In a way this is a meta thriller. It is obvious that there are the standard types which are being used. The Warrior. The Super Villain. The Mad Scientist. The Best Friend who is also The Conscience. Characters will even call people by these labels. This is reinforced by such tidbits as when a scientist excitedly asks Joe if he’s read Doctor Spectrum comics where Joseph Ledger is a character. However, Maberry keeps it from being cliched. Perhaps it is the zombies but I felt it was also due to Joe Ledger’s character and the blistering pace of the book. Short, fast chapters keep the action moving and the reader on the edge of their seat.

As with many thrillers, the story is relatively formulaic. The good guys are very good. The bad guys are very bad. Joe bleeds red, white, and blue and there is no way he is going to let terrorists harm Americans. There is a bit of humor, a touch of romance, and a ton of suspense. And zombies. Lots and lots of zombies coming in wave after wave.

It’s a formula that works. We need heroes and villains in our stories. Sometimes it is easy to see who they are. Patient Zero works because Maberry reminds us of how much entertainment there is to be had in the telling of such a tale.

My one problem with the book was that there were a couple of extended zombie attack sequences where Joe and the team just had to keep fighting and fighting … and fighting. We’d have gotten the same effect by cutting out just a bit of the fighting, particularly in the crab plant. They didn’t really have to be down to the point of ripping legs off of tables for weapons in order for me to understand just how desperate the situation was. However, this is a small quibble.

Much of the delight in this audiobook comes from Ray Porter’s narration. He reads Joe Ledger’s lines as if he were Ledger himself, reacting perfectly with a naturalness that made me feel as if I were hearing Joe’s actual thoughts. I particularly enjoyed the moments when he would hesitate or pause to emphasize points because that carried me into Joe’s emotions much more than if I had been reading.

The only problem with the narration was that Porter was a little too thorough. There is one character whose identity we don’t know until the end of the book but who we hear speaking with his employer. As I listened, I continually wondered if Porter had randomly chosen the accent with which this character spoke. I found myself listening to other characters in the book, wondering if we’d met this character yet and if he had that accent. It didn’t give it away much before the book itself did but it turns out that the narrator was being true to the character and that is something that I don’t think would have come across in the actual book. This isn’t a big deal, but it was an interesting problem.

Overall, you have to like this sort of thriller to enjoy this book. But if that’s the sort of thing you like, as I obviously do, then you’re going to really enjoy meeting Joe Ledger. And wave after wave of zombies.

Posted by Julie D.

Review of Hounded by Kevin Hearne

SFFaudio Review

Hounded: The Iron Druid Chronicles
By Kevin Hearne; Read by Luke Daniels
8 Hours – [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2011
Themes: / Fantasy / YA / Druids / Occult / Werewolves / Vampires /

This is the first of a hugely popular YA series, highly recommended by a friend and, luckily for me, available as a review book from SFFaudio.

Here’s the brief summary for those who, like me, hadn’t heard of this book:

Atticus O’Sullivan, last of the Druids, lives peacefully in Arizona, running an occult bookshop and shape-shifting in his spare time to hunt with his Irish wolfhound. His neighbors and customers think that this handsome, tattooed Irish dude is about twenty-one years old — when in actuality, he’s twenty-one centuries old. Not to mention: He draws his power from the earth, possesses a sharp wit, and wields an even sharper magical sword known as Fragarach, the Answerer. Unfortunately, a very angry Celtic god wants that sword, and he’s hounded Atticus for centuries. Now the determined deity has tracked him down…

The book begins with verve as Atticus is a charming narrator who introduces us to his friends, who are mainly from the supernatural world. We meet Druid gods, local werewolves, a Viking vampire, the local coven of witches, and Atticus’s Irish wolfhound, Oberon, with whom Atticus can carry on mental conversations. There are few genuine humans in Atticus’s life and none are developed beyond a paltry few amusing characteristics, such as the Irish widow who likes to get drunk before going to Mass and forgives murder on her lawn if she is told the victims were British. The most likable character in the group is the dog Oberon who is charmingly focused on doggish things and has just enough understanding of Atticus’s world to offer his own solutions from time to time.

My initial attraction to the story soon ground to a halt. The problem with this book, and it is a large problem, is that Atticus is a perpetual Peter Pan character. His emotional development seems to be frozen at several years younger than his outward 21 years since a heaving bosom is all it takes to permanently distract him from whatever he’s doing. Pity. One would have hoped that 2,100 years of living would result in a certain amount of experience leading to wisdom. Instead, Atticus spends more time in a practical joke on an ambulance attendant than in thinking through how much he should have healed himself from a bullet wound to make it seem convincing to local law enforcement. That’s ok though because Atticus has friends and allies who unfailingly show up to give an easy solution without readers ever feeling that Atticus himself is too worries about the outcome. This leads to a permanent lack of dramatic tension.

It’s a pity there isn’t a “Wendy” to accompany Atticus’s “Peter Pan.” That would give Hounded the necessary depth and contrast. Now we can see how wise J.M. Barrie was in the construction of his tale. Without a truly human element who lacks control of the situation, all the adventures are one boring episode after another with nary a worry about how Atticus will escape.

The one good thing about this book is the narrator, Luke Daniels. I haven’t come across him before but will keep an eye out for him in the future. His talents kept me listening long past the point where I would have given up. His voicing of Oberon has found its way into my head whenever we “speak” for what our dogs in our household.

Sadly, Daniels’ talents aren’t enough to make this shallow story worth your time. There are many wonderful YA stories out there that are worth reading and rereading: The Graveyard Book by Neil Gaiman, the Harry Potter series by J.K. Rowling, Eon: Dragoneye Reborn by Alison Goodman, White Cat by Holly Black, and Assam and Darjeeling by T.M. Camp are just a few.

For that matter, try Peter Pan by J.M. Barrie. You’ll see what Hounded could have been with proper attention given to the storytelling.

Posted by Julie D.

Review of White Cat by Holly Black

SFFaudio Review

White Cat: The Curse Workers, Book One
By Holly Black; Read by Jesse Eisenberg
1 |MP3| – Approx. 6 Hours 41 Minutes [UNABRIDGED]
Publisher: Listening Library
Published: May 11, 2010
ISBN: 9780307711816
Themes: / Fantasy / Urban Fantasy / Con men / Curses / Magic /

I wake up barefoot, standing on cold slate tiles. Looking dizzily down. I suck in a breath of icy air.

Above me are stars. Below me, the bronze statue of Colonel Wallingford makes me realize I’m seeing the quad from the peak of Smythe Hall, my dorm.

I have no memory of climbing the stairs up to the roof. I don’t even know how to get where I am, which is a problem since I’m going to have to get down, ideally in a way that doesn’t involve dying.

[…]

I’d dreamed of a white cat. It leaned over me, inhaling sharply, as if it was going to suck the breath from my lungs, but then it bit out my tongue instead. There was no pain, only a sense of overwhelming, suffocating panic. In the dream, my tongue was a wriggling red thing, mouse-sized and wet, that the cat carried in her mouth. I wanted it back. I sprang up out of the bed and grabbed for her, but she was too lean and too quick. I chased her. The next thing I knew, I was teetering on a slate roof.

A siren wails in the distance, drawing closer. My cheeks hurt from smiling.

Eventually a fireman climbs a ladder to get me down. They put a blanket around me, but by then my teeth are chattering so hard that I can’t answer any of their questions. It’s like the cat bit out my tongue after all.

Born into a family of curse workers, Cassell doesn’t have the magical powers to be a “worker.” Curses come in all shapes and sizes from transforming victims into something else down to emotionally influencing people. All that is needed is the touch of a finger. This makes gloves much more than a fashion accessory since they are a necessary item of protection.

Curse work is illegal so curse workers are all either part of the powerful crime families, con workers, or exist with their secret on the edges of society. Cassell’s family owes allegiance to a powerful crime family and working cons is as normal as breathing. In fact, working the con is the thing that makes up for not being a worker and Cassell eyes the world from this vantage point, which makes him a solitary figure with few friends.

Cassell has a dark secret, a problem with sleepwalking, and a family who specializes in running cons. He also lost the love of his life, Lila, long ago. However, he put that all behind him and is concentrating on life in boarding school and building a normal life, along with keeping book on the side. (Hey, a guy has to have a little spending money, right?) So when a white cat begins following him everywhere, terrifying dreams bring Lila back into his waking thoughts, and those dark secrets begin surfacing again, Cassell begins to suspect that he is a pawn in a complicated con game.

Can he out-con the pros and solve his problems? Well, of course he can or what would be the point of reading the book? The fascination is with watching Cassell have to admit that he needs help from others, seeing his longing for family ties even as he fears that he may have been betrayed by them,

Holly Black has a fully realized alternate world where the presence of curse working and magic define much more than Cassell’s personal problems. There is a slight but interesting subplot about an organization that is working for “worker’s rights.” The government has begun pushing a testing program, urging workers to come forward and be identified. Family loyalty along with the inner workings of crime families are also interesting embellishments to the plot. The magical abilities described are fascinating, as is the concept of “blow back” which besets anyone who works a curse. Nothing is done with impunity so you’d better be darned sure you want to curse someone because you will suffer some sort of severe reaction in turn.

Perhaps the most interesting aspect of the book is that Cassell is an unreliable narrator. What is more, he knows he is an unreliable narrator as he is afraid that he is too influenced by dreams or that his memory has been worked. Everyone around him is fairly unreliable as well since Cassell is never sure when someone is working a con or being natural. Although some major plot twists are fairly well telegraphed ahead of time, this hardly matters because we are so concerned with the fact that Cassell may be working a con we don’t see or that he is being conned himself.

The story is narrated by Jesse Eisenberg, who is probably best known for portraying the awkward college student in Zombieland or the equally awkward Mark Zuckerberg in Social Network. His trademark delivery works perfectly as the story is told by Cassell who is equally as awkward as either of those movie characters. Furthermore, Eisenberg alters his voice slightly but effectively to portray different characters: a fortune teller, Cassell’s mother, his roommate Sam, and the crime boss all get slightly different intonations which perfectly convey character. I would have liked the book anyway as a straight read, but with Eisenberg’s narration I bought it hook, line, and sinker. Just like an average mark, in fact.

It is called urban fantasy but didn’t really feel that way to me. It is fantasy because of the curse working element but other than that there are precious few fantastic elements. Likewise, it is labeled YA, but aside from the age of the narrator and some elements like having to attend classes, it didn’t feel like something written for younger readers.

I thoroughly enjoyed this book. What can I say? I like con stories. I like the universe Holly Black created. Jesse Eisenberg’s narration pulled me into the story so I stayed there long enough to care about a boarding school student with an interesting set of problems. I also liked the fact that the story arc was concluded in this book except for one element which obviously serves as a bridge to the second book of the series.

It’s just plain fun all round and moves at a fast, addictive pace. Recommended.

Posted by Julie D.

Aural Noir Review of Dimiter by William Peter Blatty

Aural Noir: Review

Dimiter
By William Peter Blatty; Read by William Peter Blatty
8 Hours – [UNABRIDGED]
Publisher: Macmillan Audio
Published: 2010
Themes: / Thriller / Religion / Christianity / Espionage /

In 1973 a nameless prisoner is being tortured in an Albanian prison, where “grace and hope had never touched.” Colonel Vlora, known as “The Interrogator,” is frustrated and mystified by a man they have come to call The Prisoner because they cannot even make him speak. Is he an American spy, Paul Dimiter, known as the “agent from hell?” The solution to this stalemate while expected on one level is a complete surprise on another. This turns out to be emblematic of William Blatty’s book. Part 1 is an appropriate foretaste of this complex, suspenseful, and fast paced thriller.

The scene shifts to Jerusalem where we meet Moses Mayo, a neurologist, who is investigating a series of seemingly natural deaths that are nevertheless linked. He also is plagued by a gruesome murder, reports of apparitions and mysterious miraculous healings. We also meet Mayo’s life-long friend, Peter Meral, an Arab Christian, who is a police detective. Among other things, Meral is investigating a strange car explosion and the mysterious disappearance of the men involved, a CIA cover-up, and a body found at the Tomb of Christ.

The body count climbs and complications arise from the interweaving of all the events. This sounds somewhat like a standard thriller, however, it is anything but. We know the deaths are real but what about the reported miracles? Is everything really connected and, if so, what could possibly be the logical link? The solution is not only surprising but also provides an extremely moving moment of redemption.

Dimiter‘s suspense keeps the listener fascinated while also raising it above the ordinary by not being afraid to have characters who care about spiritual searching, loss, redemption, and love. The spiritual element will make this work especially interesting to those who are drawn to themes that investigate good versus evil. This is not an element that should surprise those who remember that Blatty is the author of the justly famous horror novel The Exorcist. Although this novel is strictly in the thriller vein, I must admit that I did find the torture scenes rather horrific and did fast forward through a few of them.

The author narrates his work and does such an effective job that I often forgot I was not listening to a professional voice talent. The only downfall was that during fast-paced scenes with more than two male characters, such as CIA interrogations, there was not enough differentiation between all the voices to make it easy to tell when dialogue shifted from one person to another. This was not a huge problem but it did require me to back up a couple of times until I figured out the tempo. Otherwise, William Blatty’s reading was a sheer pleasure, especially in voicing his more eccentric characters who he brought to life in a most vivid fashion.

Highly recommended.

Posted by Julie D.

Review of Lost Gods by Drew Beatty

SFFaudio Review

Lost Gods
By Drew Beatty; Read by Drew Beatty
Publisher: Podiobooks.com
Published: 2008
Themes: / Fantasy / Gods / Con Men /

Kweku Anansi is just another down-on-his luck con man who preys on the more fortunate during the day and goes home to his loving wife at night. That seems rather a comedown for the African trickster god, which is his real identity. However, Anansi is close to one of the “lost gods” whose powers are fading as the number of people who believe in him grow fewer with time. He meets up with another con man who has a good idea for a big haul when they are confronted by a group of gods who would do anything to be worshipped again. When they offer him the chance to regain his lost power and worshippers Anansi must make a choice between the mortal world which includes his wife and that of the gods.

I always enjoy stories about Anansi whether the authentic folk tales or the modernized use of the character such as is found in Neil Gaiman’s Anansi Boys. This is a smaller tale than Gaiman’s but still well told. We like Anansi from the beginning and pull for him along the winding path his adventures take. Author Drew Beatty does a good job of reading the book, slightly changing his voice to portray characters so that one can really visualize them well. The only problem I came across was that the last three chapters had unedited duplications where the author had reread for proper wording or emphasis.If these are fixed then the story will be much smoother.

I enjoyed this book thoroughly, especially Beatty’s inclusion of the trickster gods from pantheons of both current and long gone religions around the world. If you enjoy modernized tales of gods among us, of the urban fantasy oeuvre, this this will be your cup of tea as well.

Posted by Julie D.