Future Tense: Richard Matheson’s Born Of Man And Woman

SFFaudio Online Audio

Richard Matheson’s first published story, Born Of Man And Woman, is a powerful three page Science Fiction Horror tale written in the form of a diary. An uneducated and abused child, our protagonist, is kept chained in the basement by his or her parents, he or she has never been outdoors or upstairs. It’s a thoughtful tragic masterpiece.

Though I take the title as an allusion to a line in William Shakespeare’s Macbeth it also, I think, adds a layer of depth to the story’s sketch.

Born Of Man And Woman by Richard Matheson from Fantasy & Science Fiction, Summer 1950


Future TenseFuture Tense – Born Of Man And Woman
Adapted from the story by Richard Matheson; Performed by a full cast
1 |MP3| – Approx. 10 Minutes [RADIO DRAMA]
Broadcast: WMUK Special Projects
Broadcaster: May 30, 1974
Provider: SciFi Friday
First published in Fantasy & Science Fiction, Summer 1950.

External |PDF|

Posted by Jesse Willis

The Risk Profession by Donald E. Westlake

SFFaudio Online Audio

One of my favourite writers, Donald E. Westlake, mostly left the SFF field for the greener pastures of crime fiction after the 1960s. He was very successful there.

The Risk Profession, first published in 1961, is a fun SF novelette and one well worthy of our continued attention.

Another guy who appreciated Westlake was my friend, Gregg Margarite, who narrated it for LibriVox back in 2010.

The plot, a murder mystery, concerns an insurance investigator who makes a trip to the asteroid belt to investigate the death of an asteroid miner.

The Risk Profession by Donald E. Westlake - illustrated by Ivie

LibriVoxThe Risk Profession
By Donald E. Westlake; Read by Gregg Margarite
1 |MP3| – Approx. 1 Hour 4 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: January 17, 2010
“The men who did dangerous work had a special kind of insurance policy. But when somebody wanted to collect on that policy the claims investigator suddenly became a member of… The Risk Profession.” First published in Amazing Stories, March 1961.

Here’s a |PDF| made from the publication in Amazing.

[Thanks also to Wendel Topper and Lucy Burgoyne]

Posted by Jesse Willis

At The Mountains Of Madness by H.P. Lovecraft (abridged, read by Richard Coyle)

SFFaudio Online Audio

Though I’m of the opinion you should go for the Wayne June version (physical copy HERE or Audible.com HERE) I should point out that the abridged 2010 BBC reading of H.P. Lovecraft’s At The Mountains Of Madness, as read by Richard Coyle (with added bed music) is wholly available streaming.

Here’s the official description:

This 2010 adaptation comprises 5 episodes, originally aired on BBC Radio 7, and offered here in exclusive EXTENDED EDITIONS. You will find an additional 30 mins of terror-filled audio within these five episodes!

Abridged by Paul Kent
Read by Richard Coyle
Music by Jon Nicholls
Produced by Neil Gardner

Posted by Jesse Willis

Review of Brick By Brick: How LEGO Rewrote the Rules of Innovation and Conquered the Global Toy Industry by David Robertson and Bill Breen

SFFaudio Review

Brick By Brick - How Lego Rewrote The Rules Of Innovation And Conquered The Global Toy IndustryBrick By Brick: How LEGO Rewrote The Rules Of Innovation And Conquered The Global Toy Industry
By David Robertson and Bill Breen; Read by Thomas Vincent Kelly
Approx. 10 Hours 23 Minutes [UNABRIDGED]
Publisher: Random House Audio
Published: June 25, 2013
ISBN: 9780449806524
Themes: / Non-Fiction / Business / LEGO / STAR WARS / Denmark / Copyfight /

Sample |MP3|

I’m not one for business books, and this is explicitly a business book. The closest I’ve come to one, in the last decade, was Joseph Finder’s corporate espionage thriller Paranoia. On the other hand, I really am one for LEGO and Brick By Brick: How LEGO Rewrote The Rules Of Innovation And Conquered The Global Toy Industry is an audiobook about The LEGO Group.

Most of the book is about the recent history of LEGO, how it became unprofitable, and how it, through controlled innovation, recovered from that unprofitably. Along the way there is a fair amount about the company’s history – and even more importantly about the philosophy behind the “system” of The LEGO Group’s core product, the LEGO bricks themselves.

I started with LEGO in the mid-1970s, and barring a few pieces (lost, vacuumed, and stolen) along the way I still have much of it. But, similar to many other AFOLs (adult fans of LEGO) I experienced a decline in interest in LEGO as I entered my teens. As a kid I appreciated that LEGO allowed you to build your own toys, as a tween I programmed my own robotic LEGO creations (LEGO LOGO for Apple II) – but shortly thereafter the corporation seemed somehow go off track – creating products that were less LEGO sytem than LEGO branded toys. That is until around the mid-1990s. And that’s about when my re-invigoration of interest in LEGO started. No coincidence there, as this was also about the same time as the company’s financial revival. It seemed that the more I got more into LEGO the more the company became financially viable – but, of course, it was actually the reverse.

Indeed, Brick By Brick is essentially Robertson and Breen trying to figure out how the company works, where it went wrong, and how it recovered. In doing this they have looked at a number of failed projects, how they came to fail, how the company reorganized itself and how, with help from both adult LEGO fans and child LEGO fans they learned to operate without patent protection.

One of the more interesting comparisons between companies that Robertson and Breen make is that of LEGO to Apple. The parallels between the companies’ aesthetic philosophies (and cult like devotion by their customers) are many. I myself am a committed Apple iPhone user, not because I buy into the ecosystem, but rather because of the sculptured discipline of the technology. Likewise, though Megablocks and other LEGO competitors are making bricks that are 100% compatible with (and cheaper) than LEGO I am scrupulously careful to weed out MEGABLOCKS and other “fake lego” from my collection. The iPhone’s competitors aren’t really competitors, and the LEGO system’s competitors aren’t really competitors.

Back to the book, David Robertson and Bill Breen talk about a number of LEGO lines that I like, particularly the CITY, SPACE, and CASTLE lines but they also explain the thinking behind popular licensed IPs like STAR WARS, INDIANA JONES, and THE LORD OF THE RINGS. Several chapters cover the creation of the successful BIONCLE line (originally conceived as a line called “VOODOO HEADS”), the innovative board game division (that sneakily gets moms to buy more LEGO), and the massively expensive failure of the LEGO UNIVERSE project (an ambitious project aimed at disrupting LEGO’s own core market). And that last one is one of the most fascinating sections of Brick By Brick. By trying to make the experience perfect, by trying to produce a graphically rich massively multiplayer online game without bugs, then charging a whopping $40 to start playing it LEGO screwed up royally. The failure of the LEGO Universe project is all the more ironic in that a lone computer game programmer, Markus “Notch” Persson, came to create a sucessful kind of digital competitor to LEGO system, in the form of Minecraft. Peterson’s success, using almost no resources and no money, make the error of LEGO hierarchy all the clearer. But in an even more ironic move LEGO has since produced a Minecraft set!

In my view the only thing missing from Brick By Brick is talk about the very successful, collectible Minifigures line (now up to Series 10). To my ears Minifigs get very short shrift in Brick By Brick. I’d love to hear a two or three hour audiobook about that alone.

There’s very little to say about narrator. Thomas Vincent Kelly is a relatively new narrator, his reading is clear and precise, like the LEGO system. The occasional Danish place-name pronunciation, and the names of the LEGO products themselves are the only real narrative challenges. Kelly delivers.

David Robertson: The Story of LEGO from BrightSightGroup on Vimeo.

Posted by Jesse Willis

Wireless Theatre Company + Moonlight Audio Theatre: Burke And Hare

SFFaudio Online Audio

Up the close and doun the stair,
But and ben wi’ Burke and Hare.
Burke’s the butcher, Hare’s the thief,
Knox the boy that buys the beef.
—19th-century Edinburgh skipping rhyme

Burke And Hare

There may never have been a blacker comedy than this horrifying (and horrifyingly funny) audio drama about a pair of real life murderers. William Burke and William Hare apparently killed sixteen people in the early 19th century selling the corpses to an anatomist named Dr. Robert Knox.

This audio drama, which I found in the Moonlight Audio Theatre podcast feed, is well written, smartly acted, and full of ripe innuendo. Burke And Hare is clever and creepy. If you’ve seen the 1999 horror/comedy film Ravenous, also based on a true story, you know how disturbing this kind of mix can be.

Moonlight Audio TheatreBurke And Hare
By Terence Newman; Performed by a full cast
2 MP3 Files – Approx. 77 Minutes [AUDIO DRAMA]
Podcaster: Moonlight Audio Theatre
Podcast: June 2013
This is the story of the infamous 19th Century Scottish Grave-robbers who weren’t Scottish and didn’t rob graves. They were actually Irish and as robbing graves to supply the needs of Edinburgh’s anatomists proved to be rather hard work, they just took to murdering people – usually their neighbours – for profit. In collaboration with their common-law wives they set about supplying corpses for Dr John Knox an eminent Scottish surgeon with considerable enthusiasm and gusto. The play follows their business exploits from small beginnings, through their days of peak output to the final reckoning – set against a world that is becoming recognisably modern.

Part 1 |MP3|
Part 2 |MP3|

Podcast feed: http://moonlightaudio.libsyn.com/rss

Starring:
Rob Crouch
Jonathan Clarkson
Genevieve Swallow
Holly McLay
Clive Greenwood
Neil McCormack
Adam Hall

Edited by: Joe Siddons
Directed by: Robert Valentine
Music by: Adam Bernstein

Posted by Jesse Willis