Jesse Willis – Page 243

Review of Blake’s 7 – Point Of No Return and Eye Of The Machine

SFFaudio Review

SFFaudio Essential Blake’s 7 – Point Of No Return and Eye Of The Machine (Vol. 1.2 & 1.3)
By Ben Aaronovitch and James Swallow; Performed by a full cast
2 CDs – Approx. 70 Minutes [AUDIO DRAMA]
Publisher: B7 Media
Published: November 2008
ISBN: 9781906577063
Themes: / Science Fiction / Politics / Crime / Artificial Intelligence / Terrorism / Noir /

‘Blake’s 7 draws much of its inspiration from the legend of Robin Hood. It follows a small band of outlaws, under a figurehead leader, leading a rebellion against a tyrannical regime.’
–A History and Critical Analysis of Blake’s 7 by John Kenneth Muir

This is the second release in the first season of Blake’s 7 prequel stories. For more information on the original the Trilogy Box Set and Volume 1.1 of the prequel series read our reviews HERE and HERE.

Point of No Return and Eye Of The Machine are two more rousing and unconventional adventures in the Blake’s 7 reimaginging. As is typical with most excellent series the music, sound design and acting are absolutely stellar. But, it is the writing which amazes me the most. There are two ways you can go with remakes of old television series. One is to write it so that the dumbest people in your audience won’t have any trouble following it (New Doctor Who I’m looking at you). The other is to re-imagine, re-construct and re-engage with those who loved a smart Science Fiction series for its intelligence. I’m happy to say that this new Blake’s 7 series is in the latter category. Feelings of surprise and utter engagement followed from the opening moments of a rainswept city soundscape to the final credit sequence. I was rapt, imagining the goings-on as vividly as if they were projected onto 1,000 foot screen. Here are my thoughts on each of the two episodes in this set…

Point of No Return – (Episode 1.2)
Written by James Swallow, directed by Andrew Mark Sewell

Point of No Return depicts a critical juncture in the life of Major Stefan Travis. Travis is a Blake’s 7 baddie, the Guy of Gisborne to Roj Blake’s Robin Hood. In this prequel story we find Travis assigned to investigate Carl Varon. Varon is a kind of proto-Blake – a political troublemaker who claims to have been setup by the powers that be. The evidence is against Varon is damning. There’s a laundry list of horrific charges against him. Plus, there’s all the video evidence. So what’s Travis’ problem? Just that Varon may be entirely innocent. Travis has two duties. 1. A duty to the state. 2. A duty to the truth. Which will he choose?

Actor Craig Kelly plays Travis. To my ears his voices sounds pretty similar to the original TV series actor Brian Croucher. What benefits Kelly here is that he gets a much meatier role than poor Croucher (the TV Travis) ever got. He also benefits by playing against a veteran like Peter Guinness. Guinness has a Jekyll And Hyde-like role in this story, we get him as the innocent man in jail and as a political terrorist (during some video playback sequences). Jake Maskall has the least to do here, playing Sub-Lieutenant Garcia. His role being to mostly act as a naive assistant to Travis.

Eye Of The Machine – (Episode 1.3)
Written by Ben Aaronovitch, directed by Andrew Mark Sewell

Eye Of The Machine also follows a baddie (but one of the less bad baddies). Kerr Avon (the Will Scarlet of Blake’s 7) in this prequel story is a brilliant and geeky post-graduate student at Oxford in 2230. The university’s campus, like so many on Earth, is roiling with political protest movements. Avon wants nothing to do with politics, but a fellow student is hot for two things – political change and Kerr Avon. Meanwhile Avon’s brilliance in his chosen studies has caught the eye of a respected cyberneticist professor. Professor Ensor is working on an artificial intelligence breakthrough – he needs a mind like Avon’s. Will Avon’s attendance at Freedom Party meetings or the ambitious Professor Ensor be his undoing?

Colin Salmon (playing Avon) is a movie star with stage acting chops. Anna Grant (played by Keeley Hawes) is fast talking and passionate. She’s terrific. Ensor, is played by Geoffrey Palmer, a veteran of virtually every television series made in the U.K.. In this he’s slimy, mean-spirited and perfect. The script jumps back and forth between the events as they unfolded chronologically and sometime shortly after ‘what happened’ wherein Ensor and Grant give one sided answers to an interrogator’s questions. Both Episode 1.2 and 1.3 use just three actors each but we don’t need even more. These scripts are perfectly polished audio drama gems. Highly recommended.

Posted by Jesse Willis

Aural Noir Review of The Fabulous Clipjoint by Fredric Brown

Aural Noir: Review

[This audiobook was created by Wonder Audiobooks which is owned by SFFaudio contributor and a past reviews editior Rick Jackson]

SFFaudio Essential The Fabulous Clipjoint
By Fredric Brown; Read by William Coon
Audible Download – 5 Hours 36 Minutes [UNABRIDGED]
Publisher: Audible.com / Wonder Audio
Published: 2009
Themes: / Crime / Mystery / Murder / Alcoholism / Noir / Carny / Chicago / Janesville /

You’ll hear the soft, lazy voice of a dame who’s been around, and you’ll meet up with a beautiful heller. You’ll learn the lurid secrets of a man’s locked past, and you’ll prowl dark alleys with two men–two men turned hunters. And you’ll wonder–why Ed and his Uncle Am didn’t level with the cops; what business a gang would have with Ed’s dead father; and where the killer thought the hunters would go wrong. Here are your answers, in this fast-spinning, two-fisted mystery about thugs, molls, and carnival folks.

Ed Hunter is 18, an apprentice linotype operator in 1940s Chicago. He works with his father. One morning Ed gets up to work only to find his father missing, having not come home the night before. This can only mean one thing – MURDER! The cops aren’t too interested, his alcoholic stepmother and oversexed step sister aren’t up for it, so it’s up to Ed to get justice. But to get the job done he’ll need help so For he enlists his uncle, a carny with more brains and experience than any man Ed knows.

Rick Jackson, the man behind Wonder Audiobooks, is a good friend of mine. It’d be hard to say I’m 100% objective about reviewing his stuff. The problem mostly being that he and I have such similar tastes in audiobooks and fiction that to praise one of his audiobooks is very much like saying how cool I am! But he is cool damn it! And more importantly this is a truly awesome audiobook. I will stake my reputation on you loving it. If you’re twice as apt to like an old crime novel as a new one, then you’re three times as apt to love The Fabulous Clipjoint. The mystery is not hard to follow, the story is told in first person, but conversely it was devilishly hard to solve. I pride myself on being an excellent armchair detective, but I was happily baffled right up til the big reveal. That’s really saying something. William Coon sounds like a wise teenager. But then whenever he’s tasked with another character’s voice he switches: Falsetto, gruff, kindly, Coon does them all. Highly recommended.

Posted by Jesse Willis

Aural Noir Review of Drive by James Sallis

Aural Noir: Review

Drive
By James Sallis; Read by Paul Michael Garcia
Audible Download – 3 Hours 26 Minutes [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2007
Provider: Audible.com
Themes: / Crime / Noir / Los Angeles / Hollywood / Arizona /

“Much later, as he sat with his back against an inside wall of a Motel 6 just north of Phoenix, watching the pool of blood lap toward him, Driver would wonder whether he had made a terrible mistake. Later still, of course, there’d be no doubt. But for now Driver is, as they say, in the moment. And the moment includes this blood lapping toward him, the pressure of dawn’s late light at windows and door, traffic sounds from the interstate nearby, the sound of someone weeping in the next room…”

Drive starts with an important dedication. “To Donald Westlake, Ed McBain and Larry Block.” If an author is going to choose any three modern crime writers as inspiration for a book they could pick no better three than these dudes. Drive starts off with an opening sentence that could have been written by Richard Stark (a pen-name of Donald Westlake), proceeds to punch-out clean and clinical prose like McBain’s 87th Precinct novels and punches the story along like Lawrence Block at his best. Drive stars “Driver”, a nameless Hollywood stunt driver by day and a criminal getaway driver by night. We get how he started in the business of stunt-driving, a few scenes of him pulling off those incredible feats of automotive control, and how he got involved in the punishing business of criminal getaway driving. It’s fast, but it ain’t furious, it’s more of a simmering sizzle.

Blackstone narrator Paul Michael Garcia, who I last heard as the reader of Starman Jones, has a young voice – I knew I’d enjoy his reading of something in this genre. Garcia’s narration made it an incredibly solid listen. What’ll keep it from being a classic of the niche is that same anonymity of the protagonist. I enjoyed the ride with the guy, the “driver”, he has an incredible story to tell, but it was like I got hypnotized by the road somehow – I got to the end, refreshed and exhilarated but not particularly aware of what route we took. Perhaps this makes Drive the ideal summertime, top down, high-gear audiobook? It’s a novella so it’s short and you’ll zip through it practically before the commute is over. I think its worth giving a try.

Posted by Jesse Willis

Review of Blake’s 7 – When Vila Met Gan (Vol. 1.1)

SFFaudio Review

SFFaudio Essential Blake’s 7 – When Vila Met Gan (Vol. 1.1)
By Ben Aaronovitch; Performed by a full cast
1 CD – Approx. 50 Minutes [AUDIO DRAMA]
Publisher: B7 Media
Published: October 2008
ISBN: 9781906577056
Themes: / Science Fiction / Crime / Dystopia /

Earth. 2230 AD. A time of social and political turmoil. Olag Gan wants to marry the woman of his dreams. Vila Restal wants to steal anything that isn’t nailed down. When they form a partnership, a perfect combination of strength and skill, it seems that nothing stands between them and the easy life. But fate hates to give a sucker an even break and the course of true love never did run smooth.

Though set after the events of the Blake’s 7 – Audio Adventures (Trilogy Box Set) |READ OUR REVIEW| When Vila Met Gan is primarily a prequel showing Gan and Vila back on Earth. There they work in the criminal underworld, Vila as a burglar and Gan as syndicate muscle. This is where the show shines, with Ben Aaronovitch having carefully constructed even more of the world he illustrated in the Trilogy Box Set. Very little of Earth was shown in the original television series – so Aaronovitch makes the tyranny of Earth actually tyrannical by drawing heavily upon the culture and lexicon of Aldous Huxley’s Brave New World. The story on Earth is set within a framing sequence in which a post-Trilogy Box Set Vila and Gan are visiting a colony world. They are there to take some much needed shore leave – but after they’ve spent all their money boozing up the planet Gan gets misty, and pines for his lost love back on Earth. It is at this point the narrative jumps back to Pre-Trilogy Box Set London (Rog Blake is still just a reformer candidate in upcoming planetary elections).

The story itself runs 30 minutes. The writing is fresh and funny with Gan and Vila make a terrific pair. Michael Keating, reprising the role he created in the original TV series, sounds just like he did on the show (even 30 years on). Owen Aaronovitch plays Gan. Also noticeable in this script is Ben Aaronovitch’s addressing of the original TV series “teleport” capabilities. The TV B7 “teleporter” and Star Trek‘s “transporter” technologies have been seen by SF fans as a kind of deus ex-machina. I think that’s why they were left out of the Trilogy Box Set. But, in When Vila Met Gan, our stranded heroes bemoan the lack of teleport technology. It verges on self-parody, but in the context of the framing story it works very well. This is a serial audio drama series of the highest caliber.

Also included on the CD are the Season 1 trailer, and the Season 2 trailer!

Posted by Jesse Willis

Forgotten Classics: The Hiccup Flask by James Powell

SFFaudio Online Audio

First published in the October 1985 issue of Ellery Queen’s Mystery Magazine, The Hiccup Flask is another jewel from the typewriter of James Powell. Now, thanks to the good Julie D. of the Forgotten Classics podcast, we have an excellent audio version of Powell’s wonderful tale.

The plot concerns: An intractable caliph, his incurable hiccups, an untrustworthy alchemist and the Thief of Baghdad.

For your listening pleasure…

The Hiccup Flask
By James Powell; Read by Julie D.
1 |MP3| – Approx. 1 Hour [UNABRIDGED]
Podcaster: Forgotten Classics
Podcast: August 22, 2009
A tale of wonder in which we encounter a caliph, a thief, an alchemist, and a hiccup … from the mind of James Powell.

For more James Powell stories in the paperbook format check out his recently released collection A Pocket Full Of Noses.

Posted by Jesse Willis

BBC7: The Coma, The Scarifyers, Vostok, Hothouse by Brian Aldiss

Online Audio

The upcoming weeks on BBC Radio 7 is mostly made up of repeats. But that aint necessarily all bad. First up, a repeat of its 2006 serialization of The Coma, a novel by Alex Garland. Hopefully you’ll remember him as the screenwriter for the film 28 Days Later and not the god-offal Sunshine. The five part unabridged reading of Coma begins Monday and the five segments air nightly til Friday.

The Coma
By Alex Garland; Read by Tom Goodman-Hill
5 RADIO BROADCASTS – Minutes Approx 150 Minutes [UNABRIDGED]
Broadcaster: BBC Radio 7
Broadcast: Monday to Friday at 6:30pm and 12:30am
“[A] surreal fantasy which delves into the mysterious workings of the subconscious mind.”

Also repeating radio drama on BBC 7: “A thrilling sci fi adventure”…

Vostok
By Bill Murphy; Performed by a full cast
Broadcaster: BBC Radio 7
Broadcast: Friday at 6pm and 12midnight
Three intrepid heroes venture into the depths beneath the Antarctic ice, to the only unexplored lake in the world: Lake Vostok. Cast: Stuart Milligan, Brana Bajic, David Earl and Ingvar Sigurdsson. Produced as a Radio 7 commission by Lawrence Jackson.

Then, there’s one quite a few folks have recommended…

The Scarifyers – The Nazad Conspiracy
By Simon Barnard; Performed by a full cast
3 Parts – Approx. 84 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 7
Broadcast: Saturdays at 6pm and midnight
Professor Dunning and Inspector Lionheart face quarrelsome Generals, sinister clowns and Russian demons as they unravel ‘The Nazad Conspiracy’. With Terry Molloy and Nicholas Courtney, The Scarifyers is a Cosmic Hobo Production.

And finally there’s this all new serialization out of Radio Scotland, read by Blake of Blake’s 7 (Gareth Thomas). This one is also special because it is a part of a trial for a limited number of radio series which are being made available with a feature called “series catch-up.” The concept is that the availability window for individual episodes is extended beyond the normal seven days after their broadcast, allowing you the chance to listen to an entire series for up to a week after the final episode is broadcast. It isn’t as convienient as podcasting the show, or even Radio Downloader-ing, but it’s nice to have BBC7 trying out some new things. Check out Hothouse…

Hothouse
By Brian Aldiss; Read by Gareth Thomas
5 Parts – [ABRIDGED]
Broadcaster: BBC Radio 7
Broadcast: Sundays at 6.30pm and 00.30am
A “1962 cult classic”, set millions of years in the future. Earth is a dense jungle and in this florid and dangerous environment a young boy with a maverick streak tears his tribe apart as he embarks upon a relentless search for knowledge.

posted by Jesse