Sea Curse by Robert E. Howard
read by Tommy Patrick Ryan
|MP3| – 18 minutes 19 seconds [UNABRIDGED]
first published in WEIRD TALES, May 1928 |PDF|
and again in WEIRD TALES, Winter 1973 |PDF|
Posted by Jesse Willis
Author: Jesse Willis
Morella by Edgar Allan Poe (read by Wayne June)
The great and powerful narrator WAYNE JUNE has recorded, I proudly say at my prompting, the most wondrous and definitive audiobook of Edgar Allan Poe’s Morella ever recorded.
Feast your ears on this…
Posted by Jesse Willis
Shambleau by C.L. Moore
Here is Jayem Wilcox’s illustration for C.L. Moore’s Shambleau as it appeared in Weird Tales, November 1933, its first publication:
Her first professional sale, selling for $100, it is also her most famous story.
The LibriVox version, read by Roberta J, runs just under 78 minutes |MP3|.
C.L. Moore recorded her own reading of Shambleau, available below in two parts, for a Caedmon record (TC 1667) published in 1980:
Frank Kelly Freas’ did the cover art for the Caedmon recording:
And on the back of the LP was an abridged “Footnote To Shambleau” taken from a 1975 essay of the same name:
Posted by Jesse Willis
News: Riot Ad Network Closing
The Riot Ad Network, a division of Riot New Media, is closing shop and will no longer be operating after September 2017.
Riot Ad Network has provided website ads in competition with Google AdSense since at least 2013.
SFFaudio.com uses both Google AdSense ads and Riot Ad ads to generate revenue to cover hosting costs (Riot Ad Network ads have been in place on SFFaudio.com since the Fall of 2013).
Riot Ad revenue payments started promisingly, beginning with $138.54 USD for November 2013 impressions but ended with $17.89 USD for May 2017 (the most recent payment).
From an email:
Riot New Media Group will be discontinuing the Riot Ad Network as of September 30, 2017.
…
The economics of a niche display ad network are challenging and have eroded further over the past year. It is time for us to exit this business.
Thank you for being part of the Riot Ad Network.
Posted by Jesse Willis
Commentary: How I make a podcast
The first step to putting together a podcast is the idea.
I find that ideas are connected, and that by focusing on the connections ideas flow. For example, I just did some research on comics adaptations of the Fafhrd And The Grey Mouser stories. Looking at adaptations is one of several tricks I use for figuring out what might make for a good idea for a podcast. My logic is that if a story or a novel has been adapted to another medium then someone probably saw some merit in it other than the original writer and the original publisher. That isn’t to say that an adaptation means it will definitely work, or that stories or novels without adaptations (or even subsequent re-printings) won’t make for good shows – indeed, sometimes great works have just been neglected. This technique works.
Coming off a recent discussion of a Gene Wolfe novella (recorded for a future SFFaudio Podcast), I got to thinking about the city of Lankhmar, that great fictional city that is the setting for so many of Fritz Leiber’s Fafhrd And The Grey Mouser stories.
My first stop in looking for adaptations is comics and here are the results of my researches.
DC COMICS – SWORD OF SORCERY (1973):
1. The Price Of Pain Ease (an adaptation)
2. Thieves’ House (an adaptation)
3. Betrayal (an original)
4. The Cloud Of Hate (an adaptation and public domain) 14pgs from Fantastic, May 1963
5. The Sunken Land (an adaptation) / The Mouse Alone (an original)
EPIC COMICS – FAFHRD AND THE GRAY MOUSER (1991):
1. Ill Met In Lankhmar (an adaptation)
2. The Circle Curse (an adaptation) / The Howling Tower (an adaptation)
3. The Price Of Pain Ease / Bazaar Of The Bizarre (an adaptation and public domain) 28pgs from Fantastic, August 1963
4. Lean Times In Lankhmar (an adaptation and public domain) 40pgs from Fantastic, November 1959 / When The Sea King’s Away (an adaptation and public domain) 27pgs from Fantastic, May 1960
So as you can see above there have been two Fafhrd And The Grey Mouser comics series, one in 1973, the other in 1991. Of all the adaptations only The Price Of Pain Ease was adapted twice. But that story isn’t public domain (I prefer PD stories because it means we can just make an audiobook without spending weeks, hours, and centuries of often fruitless labour trying to track down the copyright holder). Of those that are PD I’m leaning towards the last couple from issue 4 of the Epic Comics run, in part because I have a vague positive memory of both). But I’m willing to have my mind changed. The next step will be to ask some narrator friends about their interest in Fafhrd And The Grey Mouser – in recorded a story and in talking about it – I seem to recall that Oliver Wyman has a deep love of Mike Mignola (who did the adaptations for Epic Comics) – that might be a good approach, but maybe that Mark Turetsky who was the Mignola lover – heck, I could ask Wayne June or Mr Jim Moon. These guys are all into comics. I’ll probably just tweet them all, cast a wide net and employ a crappy fishing metaphor (a crappie is a kind of fish) I’ll just ask them all if they’re interested in Fafhrd & the Grey Mouser and just see who bites.
Hmm… now for some reason I’m leaning towards When The Sea King’s Away.
Posted by Jesse Willis
Review of Blood Rites by Jim Butcher
Blood Rites (The Dresden Files, #6)
By Jim Butcher; Read by James Marsters
11 CDs – 13 Hours 11 Minutes [UNABRIDGED]
Publisher: Penguin Audio
Published: April 6, 2010
Harry Dresden, Chicago’s only professional wizard, takes on a case as a favor to his friend Thomas – a vampire of dubious integrity – only to become the prime suspect in a series of ghastly murders.
I can honestly say, Blood Rites is my favorite in the series so far. Now, this was also my first audiobook of the series so that could have something to do with it. It’s hard to tell at this point, but either way, I highly enjoyed Bood Rites.
At first, I thought Marsters was a bit too serious for Harry, at least the Harry I had in my head, but the more I read, the more I realized Marsters is pretty much as perfect as you can get. Harry’s wit and constant one-liners were actually made more hilarious by this narrator who is serious for the majority of the time. I think the heightened seriousness really works better for these books because it gives you a sense of this highly dangerous world where Harry works on a daily basis.
It’s hard to separate the story from Harry himself because it’s told in first person so you’re in Harry’s head the entire time (outside of dialogue from other characters). I thought this was a brilliant way to handle it though, where you get Harry’s sense of humor through his dialogue mostly, his thoughts as well of course, but a seriousness that anchors the narrative because Harry still lives in a world of scary monsters.
I hope any of that made some remote bit of sense.
Anyhow, Blood Rites gets back into the vampires (they seem to be a pretty regular fall back for Butcher) and that makes sense because the set up has been an all-out war between vampires and wizards. Someone’s taking out people on an adult film set and Harry has to go undercover to discover who’s behind it. Of course, it goes deeper than he imagined at first and there’s where the money is for this series… Harry getting into stuff only to get beaten down and beaten on … a lot.
I struggled a slight bit with the first books in the series, but they have really hit their stride now. I didn’t even notice the typical repetitions this time (Harry disrupts electricity, Harry gets really protective of women, etc. etc.) that are explained in each volume as if no one’s ever heard about them before. It probably helps that it’s been a year or so since I last read in the series.
Blood Rites was excellent. James Marsters is so perfectly Harry Dresden it’s almost scary. What a great combination. I’ve already broken my rule of leaving a year between each Dresden file read and started on Dead Beat.
4.5 out of 5 Stars (highly recommended)
Posted by Bryce L.