Copyfight: Question Period June 14th, 2010: Bill C-32

SFFaudio Online Audio

If you’ve been watching or listening to CPAC, you may have been mislead by a very bad translation.

CPAC’s podcast Canada’s House of Commons – Question Period for June 14th 2010 |MP3| (20:30 – 23:00)

Question Period - Carole Lavallée and James Moore - June 14th 2010

The exchange in English, for the television broadcast (and captured in the podcast), went like this:

Carole Lavallée, Member of Parliament for Saint-Bruno—Saint-Hubert, asked:

[translated from French] “The artists and creators are hotly criticizing Bill C-32 on copyright and digital lock as stipulated under the act. It will not help them. because they will have to become detectives, investigators and attorneys in order to avail themselves of their rights. By forcing creators and artists to have to look after their rights themselves does the minister not understand that he is not protecting people well enough?[/French]

Hon. James Moore (Minister of Canadian Heritage and Official Languages, CPC) responded:

[translated from French]”Mr. Speaker here in the House we tabled Bill C-32 which is fair for everyone, consumers and creators. This is what the Canadian Association Of Film Producers said: ‘We hail the reform of Bill C-32. The Association of Film And Television creates more than 160,000 jobs in Canada. The Government’s actions have played an important role by protecting this area of copyright and creating new jobs.’ We have delivered the goods for both consumers and creators.”[/French]

Carole Lavallée, Member of Parliament for Saint-Bruno—Saint-Hubert:

[translated from French]”That’s a mistake. They have not considered the goods to the consumers. The Canadian Initiative for consumers considers that ‘the digital lock is a punitive approach that is proven ineffective elsewhere in the world. The rights of consumers will be limited and even denied by the entertainment industry.’ Those are the organizations responsible for consumer advocacy across Canada who have said this. How can the minister deny that his bill does not do anything for either creators or consumers.”[/French]

Hon. James Moore (Minister of Canadian Heritage and Official Languages, CPC):

[translated from French]”That’s completely false Mr. Speaker. This is something that was said by an organization that is very well known by my colleague. The Consumers Association of Canada say this bill is ‘an important step towards the maintenance of a competitive and thriving economy. Bill C-32 allow us to maintain a stable and competitive environment in Canada.’ And the only thing we’ve heard from the Bloc Quebecois is that they want us to impose a new tax on consumers $75 on iPods. That’s not out approach.[/French]

The problem comes at the end when it sounds as if Heritage Minister James Moore is citing a consumers advocacy organization.

HERE is the official exchange, from the “EDITED HANSARD.”

In it the “Consumers Association of Canada” turns out to actually be “the Canadian Chamber of Commerce” (which is ABSOLUTELY NOT a consumers advocacy organization). Here is the amended translation:

Hon. James Moore (Minister of Canadian Heritage and Official Languages, CPC):

Mr. Speaker, that is simply not true. This bill is good for both groups. An organization that my colleague knows well, the Canadian Chamber of Commerce, does act in consumers’ best interests. According to the chamber, Bill C-32 is ‘an important step toward maintaining a competitive, thriving economy. Bill C-32 is a monumental and essential measure that will go a long way toward maintaining a stable and competitive business environment in Canada.’ The only suggestion we have heard from the Bloc Québécois so far was to impose a new $75 tax on iPods. That is not in consumers’ best interests.

Myself, I would far prefer to pay a $75 levy on my next iPod, than be deemed a criminal. But maybe that’s because I don’t consider myself a consumer. I consider myself a voter.

[via Michael Geist and CPAC]

Posted by Jesse Willis

Escape: Percival Christopher Wren’s Beau Geste

Aural Noir: Online Audio

One of my favorite blogs for HuffDuffing files from is Escape-Suspense.com. The proprietoress there posts episodes from two classic radio drama series, Escape and Suspense. This latest story there is Beau Geste. “Beau” means “handsome” and “Geste” means “notable deed or exploit”, combined it is also the name of the main character. The story itself is a beautiful example of the iconic adventure tale. There have been multiple adaptations of this novel, to film, television, a stage play and of course radio. I really enjopyed this production, its short, sweet and adventurous.

EscapeEscape – Beau Geste
Based on the novel by Percival Christopher Wren; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: CBS Radio
Broadcast: June 6, 1948
Based on the novel, first published in 1924.

Though there is still no LibriVox edition, the novel is in the public domain. Tantor Media may have the most compelling audiobook edition of Beau Geste is read by David Case.

A column of French Legionnaires finds one of their fortresses manned by dead men. It looks like the sergeant was killed by one of his own troops. Who could have done it?

A flashback then unravels the mystery of the three English Geste brothers. The brothers, orphaned early in life, are raised by an aunt. Their raucous youths are filled with the literature of adventure and ritualized horseplay centered around these myths and legends. So when the family’s prized Blue Water sapphire turns up missing, each of the young men confesses to being the thief in order to protect the others, and one by one they head off to join the French Foreign Legion. The three brothers meet up in the deserts of Africa, where they fall under the command of the malevolent Sergeant Lejaune. Not content to merely be a martinet, Lejaune sets his sights on stealing the jewel, which rumor holds to be in the brothers’ possession. Meanwhile, the unruly troops he commands are planning a mutiny, and the marauding Tauregs pin this badly outnumbered and bitterly divided unit of Legionnaires at Fort Zinderneuf. The ensuing drama plays itself out as the French forces battle overwhelming odds. Ultimately, only a handful of men survive to discover the truth behind the Blue Water’s disappearance.

A classic, rip-roaring tale of adventure!

[via Escape-Suspense.com]

Posted by Jesse Willis

BBC Radio 3: The Star by H.G. Wells (as read by Sir Patrick Stewart)

SFFaudio Online Audio

BBC Radio 3The Star is yet another plank in the theory supporting the idea that Science Fiction was almost single-handedly created by H.G. Wells. The Star, is a tale of the ultimate in habitat destruction (poof goes the planet). Here’s part of the current Wikipedia entry for this generative tale of planet cracking:

“[The Star] can be credited with having created a Science Fiction sub-genre depicting a planet or star colliding, or near-colliding with Earth – such as the 1933 novel When Worlds Collide by Philip Wylie and Edwin Balmer, (made into a film in 1951), Fritz Leiber’s The Wanderer (1965), and Lucifer’s Hammer by Larry Niven and Jerry Pournelle (1977).”

RadioTimes - Patrick Stewart Reads The Star by H.G. WellsThe Star
By H.G. Wells; Read by Sir Patrick Stewart
1 |MP3| – Approx. 21 Minutes [UNABRIDGED?]
Broadcaster: BBC Radio 3
Broadcast: Tuesday 7 September 2004
Provider: Radio Mensa
Astronomers discover a bright new star in the heavens rushing headlong towards the Earth on a collision course. First published in 1897.

[Thanks Bill]

Posted by Jesse Willis

Review of Vampire$ by John Steakley

SFFaudio Review

Horror Audiobook - Vampire$ by John SteakleySFFaudio EssentialVampire$
By John Steakley; Read by Tom Weiner
10 CDs – Approx. 10 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2010
ISBN: 1441727213
Themes: / Horror / Vampires / Religion / Catholicism / Mercenaries /

Suppose there really were vampires. Dark, stalking, destroying. They’d have to be killed, wouldn’t they? Of course they would. But what kind of fools would try to make a living at it? In best-selling author John Steakley’s vampire classic, one tightly knit band of brothers devotes itself to hunting down the monsters that infest the modern world—for a price. An exciting blend of horror and western genres, Vampire$ is a twenty-first-century Ghostbusters with an edge.

I first found out about John Steakley when watching John Carpenter’s Vampire$. The on screen accreditation didn’t mean much then. I figured that what goodness was found in that movie came from Carpenter. And that’s largely true. Their rather different in plot, or at least in the way the plot plots out. Its clear that John Steakey’s novel served more as the inspiration than a blueprint for the movie. The novel feels much richer, much wider, and also much more personal, than Carpenter’s version.

Now, having read this audiobook after John Steakley’s other novel, Armor |READ OUR REVIEW|, I’ve come to the conclusion that Steakley has a pattern or two. First up there’s the name thing. Two names are recycled from Armor (even though they aren’t the same characters). Felix, the gunslinger (and ex-drug trafficker) has an important role in Vampire$. Jack Crow, the lead vampire hunter, is arguably the main protagonist. Armor, which is set maybe a thousand years in the future, has two characters with those exact names too, and they play similar importance in the plot. This is a novel full of twists and turns that even a fan of the movie based on the novel can be surprised by Similarwise, the emotional impact is the primacy of the novel’s power. Sure, this novel has maybe a few innovations I’ve never read before:

1. God is real AND vampires are too.
2. A team of mercenaries, with pure hearts, are taking cash for cleaning up vampire infested towns.
3. The anti-vamp mercs are in league with the Pope and the Vatican, who know and support their efforts.

Narrator Tom Weiner gets to play a fairly wide range of characters. On top of the brooding Felix and the unstoppable Jack Crow he’s got a compassionate pope, an irate Texas sheriff, and a bloodsucking vampire (or two) too.

This is a case where a good movie was based on an very good novel and a good novel got made into a great audiobook. Vampire$ is an emotionally impactive audiobook that surprises with its innovate approach to an old foe: those old evil vampires fucks that you gotta love, and Jack Crow’s gotta hate.

Posted by Jesse Willis

Review of Armor by John Steakley

SFFaudio Review

Science Fiction - Armor by John SteakleySFFaudio EssentialArmor
By John Steakley; Read by Tom Weiner
11 CDs – Approx. 13.5 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2009
ISBN: 1433294834
Themes: / Science Fiction / Military SF / War / Leadership / Drugs / Psychology /

The planet is called Banshee. The air is unbreathable, the water poisonous. It is the home of the most implacable enemies that humanity, in all its interstellar expansion, has ever encountered. Felix is a scout in A-team Two. Highly competent, he is the sole survivor of mission after mission. Yet he is a man consumed by fear and hatred. And he is protected not only by his custom-fitted body armor, the culmination of ten thousand years of the armorers’ craft, but also by an odd being which seems to live with him, a cold killing machine he calls “the Engine.” This best-selling science-fiction classic is a story of the horror, the courage, and the aftermath of combat and also of how strength of spirit can be the greatest armor of all.

Armor is a novel that was clearly inspired by Robert A. Heinlein’s Starship Troopers. It makes use of both powered exoskeletons and insect-like alien enemies. But, instead of being a novel of politics and leadership it is a very different kind of story. At first I thought it was about the psychological effects of violence and the various kinds of heroism that can exist within a person. I was wrong because that isn’t enough. This novel is not one or two things. It isn’t the normal kind of idea driven SF that I so love – instead its ideas flow more through the emotions, eliciting our sympathies. I think this was acomplished by it changing, turning over and over, with it’s many plot surprises.

Early on Felix, our viewpoint character, refers to something he calls an “engine.” I thought he was describing the powered armor of the title. That would make sense, there was a video game called Heavy Gear that, like than Mechwarrior, had men and women doing battle in humanoid shaped tanks. I think it refereed to its “mechs” as “engines.” Felix seems pretty much like any of the other soldiers he’s been dropped with on planet Banshee. Maybe he’s a bit more of a hick – he doesn’t know the names of the winners at the Powered Olympics. Felix makes no waves, volunteers for nothing. He just wants to survive the battle to come. But when the waves of enemy aliens pour out of their holes only Felix survives – and keeps on surviving.

Armor has taut battle scenes, flowing exposition, and realistic dialogue. Had John Steakley written more, and his other novel Vampire$ |READ OUR REVIEW|, I think he’d be a very well known author.

The first third (or so) of the novel follows Felix, a low ranking scout in the invasion of the planet Banshee. Here the action somewhat resembles that of Starship Troopers. Then there is an abrupt switch – the novel seems to lurch into an an entirely different scene and setting. Set a few years later and following in first person perspective this time we meet a man named Jack Crow. Crow is a notorious galactic scoundrel. A well known thief, pirate, and adventurer – his legend is long and precedes him even to an obscure research station on a planet called Sanction. Crow is there to infiltrate, but eventually finds himself involved in an experiment – one that drains him of his half-hearted bravado and changes his life. If were talking about where this novel fits in the SF library I’ll say this: Armor synthesizes the action of Heinlein’s Troopers with the emotional impact of Haldeman’s The Forever War – but still comes off as a completely unique story.

Tom Weiner, who seems to be narrating almost every Blackstone Audio audiobook that I’m listening to these days, delivers his usual letter perfect narration. Weiner animates Felix with a weary melancholy of a veteran scout, brightens audibly with the cocksure Crow, pulls a vocal Tom Bombadil with Louis, feminizes for Lya, and geeks it all up for Holly (a star-struck scientist). That’s pretty impressive. Check this audiobook out!

Posted by Jesse Willis

Radio Drama Revival: 2000X – Karel Čapek, Robert A. Heinlein, Yuri Rasovsky

SFFaudio Online Audio

2000X Tales Of The Next Millenia

Radio Drama RevivalFred Greenhalgh, or Radio Drama Revival, writes:

Hey Jesse,

Wanted to point you to what should be some pretty appealing Radio Drama Revival episodes for SFF Audio listeners. I’ve gotten permission from Yuri Rasovsky to broadcast a few stories produced for the Beyond 2000 series… If you’re not familiar with it, it was a series commissioned by NPR back in the day and featured a startlingly great compilation of writers no less than Kurt Vonnegut, Robert Heinlein, Ray Bradbury, Ursula K LeGuin… http://www.irasov.com/faves.htm

Wow! Thanks Fred!

I agree with Fred, this is truly exciting audio. And there IS a whole lot to love in these professional productions from 2000X series (aka Beyond 2000). Check out the top shelf actors in these productions. And, then check out the sound quality! As Fred mentions in the podcast, it is all in an absolutely pristine stereo goodness.

Rossum’s Universal Robots asks a question, which has haunted the Science Fiction since: What does the creation of an artificial life form mean for the fate of humankind?

2000X - Rossum's Universal Robots2000X – R.U.R. (Rossum’s Universal Robots)
Based on the play by Karel Čapek; Performed by a full cast
1 |MP3| – Approx. 1 Hour 11 Minutes [AUDIO DRAMA]
Podcaster: Radio Drama Revival
Podcast: June 4, 2010
Helena, the daughter of the president of a major industrial power, arrives at the island factory for a tour of Rossum’s Universal Robots. The original stage play premiered, in Czech, in 1921.

Robert A. Heinlein’s By His Bootstraps deals in some of the inherent paradoxes that would be caused by recursive time travel.

2000X - By His Bootstraps2000X – By His Bootstraps
Based on the short story by Robert A. Heinlein; Performed by a full cast
1 |MP3| – Approx. 57 Minutes [AUDIO DRAMA]
Podcaster: Radio Drama Revival
Podcast: June 11, 2010
Bob Wilson locks himself in his room to finish his doctoral thesis on time travel. Suddenly a stranger appears in his dorm room and tells him to stop writing and start listening. The interloper, who looks strangely familiar, calls himself “Joe” and explains that he has come from the future through a Time Gate. First published in the October 1941 issue of Astounding Science Fiction under the pen name Anson MacDonald.
Starring:
Richard Dreyfuss
Cordis Heard
Kascia Marciniak
Ira Burton
Crew:
Adapted, Produced and Directed by Yuri Rasovsky
Sound Fesign by Richard Fairbanks

Posted by Jesse Willis