1936, a Sunday in June. The tides of woe are sweeping in. Today is Robert E. Howard’s funeral.
Gloomy Sunday (1936) by Paul Whiteman with Johnny Hauser |MP3|
That must mean…
there’s a new Jake Sampson serial starting up.
Episode 1 of Jake Sampson: Monster Hunter: The Gods Of War |MP3| is out now!
Jake Sampson: Monster Hunter is my favourite original serial from BrokenSea. The show is set in 1930s and features a cast of characters that’s half Indiana Jones half Tales of the Gold Monkey. Throw in plots about Howard Carter, cursed Egyptian mummies, evil South American cults, vampires and the source of Robert E. Howard’s stories and you’ve got the fixins for one heck of a fun show.
At 110 years old The Wonderful Wizard Of Oz (aka The Wizard Of Oz), is one of the few children’s classic novels, that children read, and that WAS a children’s novel from the very beginning. Today a tour through the kids literature section of your local big box bookstore will probably turn up a dozen or so “classic novels” that purport to be ‘kid lit’ of some sort. For publishers what makes them ‘children’s classics’ is that they are public domain and they have recognizable titles. Few were written with actual children in mind, and due to the age many can use an English language that’s so archaic as to be hard for many adults to read. Not so with The Wonderful Wizard Of Oz. Sure it’s public domain too, but unlike most it was actually written with children wholly and completely in mind, unlike say, The Call Of The Wild, Frankenstein or Dracula.
In a 1975 essay entitled The American Grimm, comics legend Roy Thomas describes L. Frank Baum as the New World’s successor to “Hans Christian Anderson” and “The Brothers Grimm”. Writes Thomas:
“After trying his, hand at both acting and journalism, Lyman Frank Baum decided to create a unique Americcan fairy tale which did not owe its entire existence and background to the European tradition of goblins, witches, elves and the like. To do this, he set the beginning and ending of his story (which was originally called simply The Emerald City and at one point even From Kansas To Fairyland) in the heart of the American prairie. Of course. he didn’t completely keep out the witches.”
The Free Listens blog rates LibriVox’s audiobook version, as narrated by J. Hall, rather highly! Consider:
“J. Hall narrates the book with a pleasant American accent that would be at home at NPR. This isn’t a professional reading; Hall has several minor stumbles and he doesn’t attempt distinguishing voices for the characters. However, these minor faults can be easily overlooked when one considers the excellent pacing and emphasis with which Hall reads. The recording is free of any background sound, but has a compressed sound when played at higher volumes, perhaps due to noise filtering. All in all, this is a excellent choice if you’re looking for a recording of The Wonderful Wizard Of Oz that comes without silly voices or overacting.”
The Wonderful Wizard Of Oz
By L. Frank Baum; Read by J. Hall
1 |M4B| File, 25 Zipped MP3 Files or Podcast – Approx. 3 Hours 45 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: March 10, 2007 The timeless story of the Wizard Of Oz. Follow Dorothy as she leaves Kansas for Oz on a cyclone. She meets many strange, and wonderful people and creatures along the way. Enjoy it again with your children and family.
The Iron Heel, one of the books from our 4th Annual SFFaudio Challenge. It is now complete and available free from LibriVox! Narrator Matt Soar sez:
I have just this afternoon finally finished the last chapter of Jack London’s The Iron Heel. Phew! It’s been quite an experience – begun in Montreal, completed in France, six months in the making.
He actually wrote that two months ago. See, Matt decided to make a planned creative commons release release PUBLIC DOMAIN! Woohoo! It’s on LibriVox and it has now been catalogued!
And, over in the “about” section of Matt’s site, TheIronHeel.net Matt wrote:
The entire experience has been intriguing, if not uncanny: The story, about an overbearing, immoral government characterized by deception, torture, and warmongering, against a background of civilian exploitation and religious zealotry, is mainly remarkable for the fact that it was written a hundred years ago — rather than, say, five.
Perhaps the only aspects of The Iron Heel that really age it are its breathlessly romantic heroine, occasionally prosaic language, and the author’s fleeting use of dubious terms to describe ethnic minorities. These quibbles aside, I’m really glad I took the time to record it, and hope you enjoy it too.
The Iron Heel
By Jack London; Read by Matt Soar 26 Zipped MP3 Files or Podcast – Approx. 8 Hours 18 Minutes [UNABRIDGED]
Publisher: LibriVox / TheIronHeel.net
Published: July 16, 2010 Generally considered to be the earliest of the modern dystopian novels, The Iron Heel chronicles the rise of an oligarchic tyranny in the United States. It is arguably the novel in which Jack London’s socialist views are most explicitly on display. A forerunner of “soft science fiction” novels and stories of the 1960s and 1970s, the book stresses future changes in society and politics while paying much less attention to technological changes.
ca·lyp·so – /kəˈlɪpsoʊ/ – a musical style of West Indian origin, influenced by jazz, usually having topical, often improvised, lyrics.
I’ve only been the Caribbean once. But I still greatly feel its tropical magnetism. Ian Fleming did too. The first James Bond film, Doctor No was set in Jamaica. It’s where Ian Fleming lived and where he wrote Doctor No. I think he really brought the flavour of the Caribbean to the story. Throw in a mysterious Chinese, a yellow peril type, complete with fire-breathing dragon – and that’s entertainment folks!
When you think about it, Doctor No has just about everything a James Bond movie would later come to epitomize. First, there’s the exotic locale, Jamaica! Then there’s the titular villain with a body quirk, Doctor No has functional metal hands. And finally there’s the beautiful and headstrong woman, Honey Rider. Her first appearance, on screen, is perhaps the best known scene in any James Bond movie. As we first meet this enterprising shell collector she’s singing a song to herself on the beach. It’s a calypso tune that goes … “Underneath the mango tree me honey and me…” |MP3|
Now while that’s a great scene, the original novel ain’t no slouch either. Check out the unabridged reading by Simon Vance…
Dr. No
By Ian Fleming; Read by Simon Vance
7 CDs or 1 MP3-CD – Approx. 7 Hours 13 Minutes [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2001
ISBN: 9781433258572 (cd), 9780786190720 (mp3-cd)
Sample |MP3| M called this case a soft option. Bond can’t quite agree. The tropical island is luxurious, the seductive Honey Rider is beautiful and willing. But they are both part of the empire of Dr. No. The doctor is a worthy adversary, with a mind as hard and cold as his solid steel hands. Dr. No’s obsession is power. His only gifts are strictly pain-shaped.
In the novel, “Honeychile Rider” is described as “Botticelli’s Venus as seen from behind.” The movie has her in a bikini, in the novel she’s nude, except for a belt. In the movie she’s singing “Underneath The Mango Tree,” in the novel she’s whistling “Marianne.” Fleming describes “Marianne” as “a plaintive little Calypso that has now been cleaned up and made famous outside Jamaica.”
And it’s “Marianne” that’s used in the most recent incarnation of the Doctor No story, the BBC audio dramatization! And, in case you were wondering, it returns Honeychile to the nude.
I really like the movie, and the novel is definitely up there, but for me, now that I’ve heard it, the 2008 BBC audio dramatization of Doctor No is now my preferred version. It has that, sense of place, that a film gives, it plays up the mystery element, (which the movie downplays) and compresses the narrative with a “show, don’t tell” way that good audio drama really excels at.
I got a copy from RadioArchive.cc. The uploader there describes the audio dramatization like this:
Ian Fleming was never satisfied by the movie world’s take on James Bond. This dramatisation by Hugh Whitemore would meet with his approval as it is so faithful to the original novel. Bond, played here by Toby Stephens, is a wistful, vulnerable man as much as he is a fabulously fit and sexy hero. We hear him throwing up with fear after being crawled upon by a giant killer centipede, for example, which would never have done for Sean Connery. But both script and performances are true to Fleming’s vision of Bond.
And of course once you start looking into the actors biographies you start seeing all sorts of fascinating connections. Lucy Fleming, Ian Fleming’s neice plays a role. Toby Stephens has been in a Bond film and John Standing, who plays “M”, came from the family that owned Bletchley Park (the ultimate in espionage HQs if there ever was one)!
Now read a couple more of the listener reviews:
“Were this a movie, David Suchet [playing Dr. No] could have seriously expected an Oscar nomination, best Bond villain in any medium ever. Fantastic production all in all.”
“A splendid, sharp, slick adaptation, very faithful to Fleming’s writing. Makes you wonder why BBC hasn’t tackled more of these. And Toby Stephens is terrific as Bond.”
Dr. No
Based on the novel by Ian Fleming; Adapted by Hugh Whitemore; Performed by a full cast
Broadcast – Approx. 90 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4 – The Saturday Play
Broadcast: May 24, 2008
Provider: RadioArchive.cc Bond is sent to investigate a strange disappearance on the island of Jamaica, and discovers that the heart of the mystery lies with a sinister recluse known as ‘Dr No’.
Cast:
‘M’ …… John Standing
Moneypenny …… Janie Dee
James Bond ……Toby Stephens
The Armourer …… Peter Capaldi
Chief of Staff …… Nicky Henson
Airport Announcer/Receptionist/Inika …… Leigh Wright
Airport Official/Pus-Feller/Henchman …… Kobna Holdbrook-Smith
Quarrel …… Clarke Peters
Miss Chung/ Sister Lily …… Kosha Engler
Pleydell Smith …… Samuel West
Miss Taro/Telephonist/ Sister May/Tennis girl …… Jordanna Tin
Librarian …… Lucy Fleming
Honey Rider …… Lisa Dillon
Guard/Henchman/Crane Driver …… Jon David Yu
Dr No …… David Suchet
Acting Governor of Jamaica …… Simon Williams
Voice of Ian Fleming …… Martin Jarvis
Crew:
Music by Mark Holden and Samuel Barbour
Producer Rosalind Ayres
Director Martin Jarvis
Seth, of the FREE LISTENS blog, (a site that focuses exclusively on reviewing FREE audiobooks), has posted a TOP TEN list of FREE AUDIOBOOKS. Here it is:
I’ve tried to convince Seth (AKA “The Listener” as he’s known over there) to come blog for us exclusively. Sadly, that hasn’t happened yet.
But, upon his recommendation, I’ve taken the liberty of checking out just the first audiobook on the list, The Adventures Of Sherlock Holmes (as read by John Telfer).
“The Listener” is right, it is absolutely terrific! Be sure to check it out for yerself…
The Adventures Of Sherlock Holmes
By Sir Arthur Conan Doyle; Read by John Telfer
25 MP3 Files – Approx. 6 Hours 15 Minutes [UNABRIDGED]
Publisher: AudiobooksForFree.com
Published: 2003
Provider: Gutenberg.org
Originally published in the Strand Magazine from July 1891 to June 1892.
Jake Sampson: Monster Hunter is my favourite original serial from BrokenSea. The show is set in 1930s and features a cast of characters that’s half Indiana Jones half Tales of the Gold Monkey. Throw in plots about Howard Carter, cursed Egyptian mummies, evil South American cults, vampires and the source of Robert E. Howard’s stories and you’ve got the fixins for one heck of a fun show.
At 110 years old The Wonderful Wizard Of Oz (aka The Wizard Of Oz), is one of the few children’s classic novels, that children read, and that WAS a children’s novel from the very beginning. Today a tour through the kids literature section of your local big box bookstore will probably turn up a dozen or so “classic novels” that purport to be ‘kid lit’ of some sort. For publishers what makes them ‘children’s classics’ is that they are public domain and they have recognizable titles. Few were written with actual children in mind, and due to the age many can use an English language that’s so archaic as to be hard for many adults to read. Not so with The Wonderful Wizard Of Oz. Sure it’s public domain too, but unlike most it was actually written with children wholly and completely in mind, unlike say, The Call Of The Wild, Frankenstein or Dracula. 
