The Rustlers was first published in Zane Grey’s Western, February 1953. Now according to the official Elmore Leonard website The Rustlers is set in Arizona but Leonard’s title for it, when it was submitted for sale was “Along The Pecos” – the Pecos is a river that doesn’t originate or pass through Arizona (instead it flows south from New Mexico and into Texas before it joins the Rio Grande, the border between Texas and Mexico proper. In fact, the story begins near Anton Chico, New Mexico, what is now a “census designated place” just south of the head of the Pecos. In any case, The Rustlers was Elmore Leonard’s 11th story, we are told, and similar legend suggests that Leonard’s first dozen tales sold for 2 cents a word; meaning this story, at approx 5,762 words, probably earned him about $115.
The Rustlers by Elmore Leonard
read by Tommy Patrick Ryan
|MP3| – 30 minutes 4 seconds [UNABRIDGED]
Earlier today Terence Blake, a friend of mine who lives in France, sent me a link to a PDF featuring a translation of a short German essay. I printed it up and told Terence that I would read it in my class. Terence asked if I was going to record it. Kezia, my student, consented.
Thus we read and digressed on and around an essay entitled On The Gradual Formation Of Thought In The Process Of Speech by Heinrich von Kleist
Exile Of The Eons was first published in Super Science Stories, March 1950, and later published under an alternate title, Nemesis.
Exile Of The Eons is a story of deep time, of ego in the face of same, of utopias and their evil twin, dystopia, or maybe the utopia is the evil one? All this Clarke seems to say by not saying. A dying earth story, set in an almost unimaginably a distant future, it is also the story of today, and of the past, of those great men who in the fighting against mortality are doomed to fade away, their crimes vague, their lives unimportant.
Arthur C. Clarke was struck by the writings of Olaf Stapledon, who, more often than almost anyone else, wrote not stories with narratives, but histories of whole civilizations. This appealed to Clarke, and in stories like this you can hear not only the echoes of the *great men* who sought to change the face of the world, but also the attitude of Stapledon, who is mostly forgotten, but who’s works still echo here and there in such writings as Exile Of The Eons.
Exile Of The Eons by Arthur C. Clarke
read by Tommy Patrick Ryan
|MP3| – 37 minutes 29 seconds [UNABRIDGED]
This early Ursula K. Le Guin story, her second published, depicts a far future Earth where humanity struggles to regain ground lost by natural disaster. A new repressive religion makes progress slow for those who value a fidelity to reality and those who would make the tools to measure truth are punished by those who only value their own position and obedience to authority.
First published in Fantastic Stories Of Imagination, February 1963
I figure I had spotted the cover art, looked at the title, probably in an ebay auction, and became slightly obsessed with finding it.
I even wrote the New Jersey Historical Society about it, they have all of William Hamillton Osborne’s papers, apparently – but to no avail.
In trying to find it I found out a bit about the author.
William Hamilton Osborne (1873-1942) wrote at least 274 stories (a couple of handfuls of which got reprints), but at the time of this writing only one of them is even listed on ISFDB.org (and that’s a reprint).
Then nothing happened.
Then, all at once, I got the whole issue – just after it was scanned late in 2022! And I got the scan and I made a PDF out of it.
About that experience I wrote this:
“i havent read the story all the way through, but in processing it for a PDF i read from every page and can tell you that the idea seems VERY NOVEL despite there being in it…
*a scientist, and his beautiful daughter*
the scientist has a ‘machine’ – a kind of time machine (?) – but it also seems like more of a ghost story
and, from what my eyes spotted hear [sic] and there THE HAUNTED CORRIDORS appears to deal with ‘the eerie’ as Mark Fisher described it – rather than ‘the weird’ [in his book The Weird And The Erie]
then they go to Egypt! and ‘CLEOPATRA’ makes an appearance, kinda
and the ending seems pretty cool, its [sic] very proto-Lovecraftian”
Then, very recently, it sprung to mind and I passed it on to my friend Tommy Patrick Ryan and he has been so kind as to narrate it for me, and for you and for everyone! And so here it is:
The Haunted Corridors by William Hamilton Osborne
read by Tommy Patrick Ryan
|MP3| – 1 hour and minutes 37 seconds [UNABRIDGED]
first published in Mystery Magazine, October 1, 1918 |PDF|