Two for Texas
By James Lee Burke; Read by Will Patton
Publisher: Simon & Schuster Audio (link includes an audio sample)
ISBN: 144235478X
Published: January 2013
[UNABRIDGED] – 5 discs
Themes: / Western / Alamo / Prison Break /
Publisher Summary:
Son Holland arrived in the Louisiana penal camp determined not to spend the rest of his days suffering in a chain gang—but he didn’t imagine for one minute that in order to escape he would need to kill a man. Terrified for his life, he flees the state across the river to Texas, taking with him a beautiful Indian squaw and a fellow prisoner. And as they make their way towards General Houston’s infamous Texas Rangers they find themselves in the midst of the final tragic battle for the Alamo.
Two for Texas is one of James Lee Burke’s earlier works prior to him hitting his stride with the Robicheaux series of novels in the late 80s, which have through carried him to present day. In addition to these novels, two other Burke characters, cousins Hackberry Holland and Billy Bob Holland, have both had multiple books focusing on them – most recently the Hackberry Holland novel Feast Day of Fools released in 2011.
Two for Texas, first published in 1989, tells the story of the Holland’s great-grandfather Son and his escape into Texas from a Louisiana penal camp along with another hardened convict and their participation in a series of events leading to the battle for the Alamo. Actor Will Patton does a superb job handling the narration on this audiobook, easily tackling the various dialects of the many characters of diverse backgrounds in this story. Will Patton is no stranger of the work of James Lee Burke having recorded a dozen or more previous audiobooks of the author’s works. The combination works great and I am looking forward to checking out some of the others in the near future.
World War Z
By Max Brooks; Read by Full Cast
Publisher: Random House Audio
Published: September 12, 2006
ISBN: 0739340131
[ABRIDGED] 5 discs – 6 hours
Themes: / post-apocalypse / zombies / military / oral history /
Publisher summary:
The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.
Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War.
I’ve broken my cardinal rule for reading books just before the movie comes out. My rule is not to read the book directly before the movie (at least 1 year before or it must be read after or just wait on the movies). The reason for this is that I want to enjoy the story through both mediums and if you read the book just before the movie, you’ve set yourself up to be a critic – analyzing everything and complaining about every detail that’s inevitably left out, but which is more often than not necessary for the medium. If you read the book at least a year before, at least with my shoddy memory, the movie becomes a happy time of fond remembrances. Oh yeah, I remember that part, so cool! Yay! Happy! In this instance, I hear the movie doesn’t quite follow the book exactly and what else can that mean than that it’s a typical zombie movie. I don’t think I’ve ruined much here.
You know, it could have been partly because of all the hype, but I didn’t love this book. I didn’t hate it either, which makes these the hardest reviews to write, but I think I have a few ideas why World War Z just didn’t work all that well for me.
The Plot
Doesn’t really exist. Yeah, there’s a loose series of events that defines the book, or the Zombie War, but it’s told through interviews with different survivors from different countries. And they’re short too, I even checked this with the book (paper-form). Each interview amounts to a page or two, maybe 5 max. Each tends to discuss a certain important event, which ends up getting referred to by characters later in the book and often mentioned by the one directly following. It’s extremely clever and lets you see how well developed this whole idea is.
It’s extremely clever
Max Brooks has literally thought of everything when it comes to a war against zombies. I thought the same in my reading of The Zombie Survival Guide, and it goes just as well here. EVERYTHING! He goes into why tanks are all but useless against hordes of zombies – because you have to take out their heads! Anything else, and they’ll still shamble and probably even become more dangerous when you trip over them on the ground. The airforce is just as useless because it’s so much money and effort for such a little amount of good. Better spent on a bunch of soldiers with tons of ammo. He even goes into better strategies for fighting this war, why the zombies are such a good enemy – because they don’t need to be bred, fed, or led.
Very clever and not even pretentious about it. Just captivating. And this isn’t the only thing I liked although we’re getting into the middle ground because I didn’t love the audio either.
The Audio
One of the things that got me excited to listen to this on audio was that it’s read by a full cast. That means they’re trying REALLY hard and that tends to be a good thing, especially if you don’t like one or two of the voices, it’s okay, it’s only temporary. With just one narrator, that can really kill a book. I mentioned that this is told through many different people in different countries and they have actors like Rob Reiner, John Turturro, and Mark Hamill. Even Max Brooks himself plays the part of the interviewer. Very cool…just up until the point of distraction. There are so many different countries represented that the accents started to distract heavily from the story. I found myself pondering why the German guy had such a heavy accent on his “R’s” and yet could perfectly pronounce “TH” every time. And this was just the one guy. One of the benefits of a single narrator is that even when they do an accent, it’s easier to understand because English is their primary language.
The audio’s great for the most part, outside of that little niggle about the accents, but one thing I absolutely HATE about it is…it’s abridged!
Abridged
I would probably never forgive myself if I listened to this abridged audio version and never actually read the entire book if I actually thought that mattered. Maybe others are better sleuths than myself, but I can’t find a reading of World War Z that’s not abridged. At the same, after having read the book, the abridged version seems to do enough justice to the entirety of the novel, what with how it is organized, that it just cuts out a few of the interviews. Normally this is heresy, but I can live with it for this one time only.
What I didn’t like
I think the thing that just makes this an okay to good book for me is that while it’s style and organization is unique and highly clever, it also takes away from my ability to care. Without just following one person or a group of people, there’s no attachment to any specific person.
The Movie
After writing the above, I actually do think the movie will make it all better. It seems like it will be following one single person and that’s what this reader needs. The movie comes out in June of this year.
In the end
Let’s just say, if we ever do get into a Zombie War, you better have a copy of World War Z and The Zombie Survival Guide on you. Someone’s already gone through the effort of thinking up EVERY situation that can occur, what’s effective, what’s not and put it down in words. No sense reinventing the wheel. While an entertaining idea and clever execution, these were the exact things that made World War Z a book only a mother could love I could never love. It’s worth a read if only to see how in-depth you have not thought about zombies.
We Can Build You
By Philip K. Dick; Read by Dan John Miller
Publisher: Brilliance Audio
ISBN: 978-1-4558-1461-9
Published: August 14, 2012
[UNABRIDGED] – 7 discs; 8 hours
In this lyrical and moving novel, Philip K. Dick intertwines the story of a toxic love affair with one about sentient robots, and unflinchingly views it all through the prism of mental illness — which spares neither human nor robot. The end result is one of Dick’s most quietly powerful works.
When Louis Rosen’s electronic-organ company builds a pitch-perfect robotic replica of Abraham Lincoln, the firm is pulled into the orbit of a shady businessman, who is looking to use Lincoln for his own profit. Meanwhile, Rosen seeks Lincoln’s advice as he woos a woman incapable of understanding human emotions — someone who may be even more robotic than Lincoln’s replica.
Published in 1972, Dick uses the premise of a “future” (the book takes place in Dick’s imagined 1982) where programming is advanced enough to allow programming the appearance of sentience into androids to provide a treatise on mental health and mental healthcare.
In short, Louie Rosen and his partner Maury run a business making and selling electronic organs. One day, however, Maury decides to make an android of Edwin Stanton, Lincoln’s Secretary of War. When he reveals it to Louie, he also reveals that his schizophrenic daughter, Priss, played a large role in developing the personality for it. The Stanton simulacrum is quite successful, and they make another, this time of Abraham Lincoln. They get the idea to pitch it to an investor, Barrows, to capitulate on Americans’ love for the Civil War (which at the time it was written, was nearing its centennial). Unfortunately, as Barrows and the crew spend more time with the Lincoln, they find that it is moody and seems manic. While this may be historically accurate, it could also be a projection of Priss’s beliefs about Lincoln into the programming. Where the Stanton android is personable, logical, and “normal,” the Lincoln is anything but. Eventually, Barrows decides to pass on the investment and instead make his own (which he will use as first settlers for a moon colony–an idea I would have preferred to read about). Priss ends up infatuated with Barrows and follows him back to Seattle. Louie, while talking to the Lincoln, seems to have also developed mental instability and runs to Seattle to bring Priss back. She shoots him down and he ends up committed. The story ends when Louie “gets over” his issues and is discharged to go about his normal life.
This was a book about ideas. Dick obviously had feelings about the state (and stigma) of mental health issues in the 60’s, both with regards to diagnosis and treatment. He almost seems to imply that we’re all mentally unstable/have our moments of instability…but he takes it to another level as to suggest that the state-run facilities do nothing to help people. Rather, the state-run facilities can actually make people worse.
In the end, this was a book of a lot of thoughts, not a lot of actions. There was a lot more dialogue an “thinking” than there was stuff actually happening; it was quite cerebral. This isn’t the kind of book I’m normally into…and in fact, as the book wore on, I found it hard to want to listen and hard to keep focused. I liked the idea of sentient androids, of “souls” built from research into real people…but it’s not for me. And probably not for everybody. But if you like “ideas” books, then it may be for you.
The narration itself was…interesting. Miller’s voice is somewhat flat, which can be good in an audiobook like this; he certainly didn’t try to project too much character into most of the voices. However, he did use different tones for female voices as compared to male voices. In that respect, it was somewhat grating; his female voice was almost pandering and was somewhat creepy. It made some “sexual” scenes between Priss and Louie extra-creepy. That said, it also helped to make me really believe that Priss was mentally ill…
It’s hard to believe, but this is the first PKD I’ve ever read. I’ve also never watched Bladerunner in its entirety. I don’t know if the rest of his stories are like this, so cerebral. If they are, I may skip them. I was lured in by the robots…and kind of turned off by everything else.
The Dead Man, Volume 3: The Beast Within, Fire & Ice, Carnival of Death
By Lee Goldberg, William Rabkin, James Daniels, Jude Hardin, Bill Crider; Performed by Luke Daniels, James Daniels
Publisher: Brilliance Audio
[UNABRIDGED] – 8 hours
Themes: / Horror / Supernatural / Death /
Publisher Summary:
Matt seeks out a paranoid visionary who claims to have defeated an entity just like Mr. Dark. His quest takes him deep into the Michigan woods — and into a bloody siege between warring, paramilitary factions in James Daniels’ THE BEAST WITHIN. In Jude Hardin’s FIRE AND ICE, Matt is trapped inside an industrial plant during a deadly shooting rampage. As the body count rises, the cunning Mr. Dark raises the stakes to horrifying new heights, putting thousands of lives at risk. Matt is working security on the midway in Bill Crider’s CARNIVAL OF DEATH. But when violence breaks out and a fake fortune teller’s dark prophecies suddenly begin coming true, Matt knows that Mr. Dark has arrived and it’s not for the cotton candy…
The Dead Man series of novellas was launched by Lee Goldberg & William Rabkin. Originally conceived as television series about Matt Cahill AKA “the Dead Man,” a man who after surviving being frozen for several months returns to life with supernatural abilities. The project creators dusted off their episode ideas and farmed them out to a series of both new and established authors to let them each give their own novella-length take to the story. Past and upcoming authors include Christa Faust, Anthony Neil Smith, James Reasoner, and in this volume Bill Crider just to name a few.
The audiobooks have been packaged together in groups of three, with each novella spanning approximately 2 compact discs with stories averaging a couple of hours each. First up on Vol. 3 of the series is The Beast Within by James Daniels. In this tale the Dead Man travels thousands of miles to seek answers in small Michigan town and finds himself caught in the middle of a mini-war between rival factions of a militant white supremacist cult. This the second Dead Man novella to be penned by James Daniels. In fact, his first ever published work Ring of Knives can be found as part of the Dead Man, Vol. 1 Audiobook. In both volumes, James Daniels handles narration duties on his own novellas himself, with his brother Luke narrating the other stories. James and Luke Daniels have both narrated other Brilliance audiobooks with Luke having recorded over 100 different titles including works by Ed McBain, Philip K. Dick, and George R.R. Martin’s Wild Cards series.
The volume’s second contribution is written by author Jude Hardin and is entitled Fire and Ice. Matt Cahill takes a temporary job on one of his itinerant stops and finds Mr. Dark’s hand at work even at factory that produces industrial-strength cleaners. Instead of chapters, the action takes place as the clock ticks away giving the narrative a “real-time” feel that translates very well to the audiobook format leading into the final story of the volume, Bill Crider’s Carnival of Death where the carnage visit the circus environment with all of the obligatory elements: a palm reader, snake lady,and of course Mr. Dark himself. Each author gives their own unique spin on the character and story making for entertaining listening while keeping with the dark and violent nature of this horror series.
Floyd Jones has always been able to see exactly one year into his future, a gift and curse that began one year before he was even born. As a fortuneteller at a postapocalyptic carnival, Jones is a powerful force, and may be able to free society from its paralyzing Relativism. If, that is, he can avoid the radioactively unstable government hit man on his tail.
So far, every Phillip K. Dick book I read makes me fall in love with him a little harder. This one didn’t disappoint.
PKD’s protagonist in The World Jones Made is a dedicated, world-weary secret-service officer for FedGov, the world government in 2002. He thinks of himself as something like “the town dog catcher,” and he’s proud of his work, even if other people (including his wife) don’t much appreciate it.
Cussick’s job is to help enforce the new Relativistic society in which just about anything is tolerated and you can believe whatever you want, but you can’t state personal beliefs as facts or impose your views on anyone else. The world has recently emerged from a huge religious war that nobody really won, and now religious dogma as well as anti-religious dogma (or any kind of fanaticism) is illegal.
Of course, there’s a dystopian twist: anyone who is caught stating their personal opinions as facts loses their civil liberties and is sent to a labor camp.
The story starts when Cussick meets a weird, slightly feverish fortune-teller named Floyd Jones at a carnival. Cussick arrests Jones for talking about the future as fact, but it soon becomes clear that Jones isn’t just spouting opinions; he’s a true precog. The FedGov police are forced to release him (just as Jones knew they would), and Jones’ subsequent cult following soon begins to upset the “stability” FedGov had forced on the population.
This is the set-up to the main plot, but I haven’t even mentioned the sub-plots that run alongside and intertwine the Jones/Cussick story, like the strange mutants who live inside a hot, steamy biodome refuge near San Francisco. There’s also the problem of the barn-sized jellyfish-aliens that have been drifting down from space to die on Earth’s surface. No one really knows what “the Drifters” are or what they want, but people find them kinda disgusting and scary (fair enough) and have a tendency to attack them in angry mobs.
FedGov, meanwhile, is trying to protect the aliens from injury, in case whatever has sent them doesn’t appreciate mob attacks by Earthlings. One of the notices up on a bulletin board in this future world goes like this: “WARNING TO THE PUBLIC: Migrating Protozoa not to be harmed. The public is hereby advised that certain Interplanetary Migratory Protozoa, referred to as “Drifters,” have, by special act of the Supreme Council of the Federal World Government, been placed in the category of Wards of the State and are not to be damaged, harmed, mutilated, destroyed, abused, tortured or in any way subjected to cruel or unusual treatment with intent to injure or kill.”
The scenery and situations in this book are pure PKD: dark and grim and bizarre. There are mutants, precogs, wives behaving mysteriously, and smoky subterranean bars where patrons order heroin from robot servants and hermaphrodites perform live sex shows on the stage.
PKD switches viewpoints between the characters of the main story-lines: the biodome mutants, Cussick, and of course the fascinating Jones, who is a long-suffering prisoner to his own future: his ability to see one year in the future means that he must experience every conversation and event twice (to his extreme irritation).
For me, Christopher Lane’s reading was just about perfect: his calm, determined narration and pacing is well suited for PKD’s writing. The characters already had distinctive personalities and voices, but Lane managed to enhance them. He also did a great job with the female voices by adjusting his tone, accents and pacing without affecting that artificial high pitch I’ve heard some other male narrators do (cringe). I especially loved how he portrayed Jones’ bored frustration at having to live every moment twice over.
I’ll definitely look out for more of Lane’s readings, and I highly recommend this audiobook as a brilliant and weird PKD experience.
“Dick Morrison’s life has become a nightmare of addictions, filling his days with overeating, overworking, and smoking way too much. When an old friend tells him about a surefire way to quit, he’s more than willing to give it a shot. But what Dick doesn?t know is that Quitters, Inc. demands a high price from anyone who strays from their rigid rules?like a few volts of electricity for the nearest and dearest…or maybe a missing thumb? Forced to choose between his desperate need for cigarettes and the dire consequences of giving in to his addiction, Dick must decide just how important another drag really is.”
Stephen King’s short story “Quitter’s Inc.” was originally featured in the author’s 1978 anthology Night Shift, which also included the story “Children of the Corn.” The audiobook version of “Quitter’s Inc.” features Academy Awards nominated Eric Roberts (actress Julia Roberts’ brother) and was originally released by Phoenix Audio as part of Otto Penzler’s “Greatest Mysteries of All Time” series.
Soft jazz accompanies the initial narrative complementing a bar scene conversation between the main character Dick Morrison and an old buddy. Dick’s let himself go, smoking, overeating, etc. His friend Jim leaves him a card for Quitters, Inc; a low-profile firm that helped him quit smoking using secret techniques. Eventually, Dick’s curiosity gets the better of him and the story details the firm’s unorthodox techniques. The soft jazz picks up again later in the story during a segment that quickly highlights later scenes from Dick’s life and again at the conclusion.
The story is approximately 45 minutes and can be easily enjoyed in one listening session from a single CD.
Two for Texas
The Dead Man, Volume 3: The Beast Within, Fire & Ice, Carnival of Death
The World Jones Made
Quitters, Inc.