Jenny – Page 36

Review of Eye in the Sky by Philip K. Dick

SFFaudio Review

Eye in the Sky
By Philip K. Dick; Performed by Dan John Miller
Publisher: Brilliance Audio
8 hours [UNABRIDGED]

Themes: / theology / altered reality / science fiction / particle accelerator / dystopia /

Publisher summary:

When a routine tour of a particle accelerator goes awry, Jack Hamilton and the rest of his tour group find themselves in a world ruled by Old Testament morality, where the smallest infraction can bring about a plague of locusts. Escape from that world is not the end, though, as they plunge into a Communist dystopia and a world where everything is an enemy. Philip K. Dick was aggressively individualistic, and no worldview is safe from his acerbic and hilarious takedowns. Eye in the Sky blends the thrills and the jokes to craft a startling morality lesson hidden inside a comedy.

Eye in the Sky is Philip K. Dick’s 5th published novel, and although his earlier work touched on many themes that would continue throughout his career, this book is one of the first to develop these themes in full. The focus is on a technological mishap that sends Jack Hamilton and 7 other individuals into what amounts to a shared consensual hallucination. The characters quickly find their mutual realities at odds with one another. During the first of these alternate worlds, Philip K. Dick has fun with another of his favorite topics – theology, and it is from this segment that the title Eye in the Sky originates.

Dick’s humor is also more present in this novel than in his previous works. Narrator Dan John Miller is very successful in capturing the sarcasm found in character Jack Hamilton’s dialogue. In addition to humor, horror elements can also be found during another segment late in the story involving a haunted house of sorts. With all of the mind-bending excitement throughout most of the book, the ending may seem anti-climactic; however, I felt the ending was consistent with the author’s own philosophy and would recommend Eye in the Sky as a great place to start for someone interested in the earlier work of Philip K. Dick.

Posted by Dan VK

Review of Chicks Kick Butt

SFFaudio Review

Chicks Kick Butt
Edited by Rachel Caine and Kerrie L. Hughes
Performed by Joyce Bean, Jennifer VanDyck, Justine Eyre, Khristine Hvam, Lauren Fortgang, Nicola Barber, Dina Pearlman, Piper Goodeve, Aimee Castle, Elizabeth Livingston, Christina Delaine, and Kim Mai Guest
Publisher: Brilliance Audio
13 hours [UNABRIDGED]

Themes: / urban fantasy / vampires / werewolves / demons / exorcisms / short stories /

Publisher summary:

Today’s women don’t stand around waiting for a hero. These days, women are quite capable of solving their own problems and slaying their own dragons (or demons, as the case may be). In this all-new anthology, Kerrie L. Hughes and New York Times bestselling author Rachel Caine have collected original stories from thirteen of today’s most exciting urban fantasy and paranormal authors. Each story features a strong heroine who kicks butt and takes names in a dangerous world and makes that world a better place for everyone in it — except the bad guys, of course. And if she finds a bit of romance along the way, well, a little heat warms the heart and sharpens the mind . . . just as long as the man can keep up.

Chicks Kick Butt is an anthology of stories with strong, driven female protagonists written by women. I am pretty sure that I’ve never read anything by the majority of the authors, and it was the concept that made me pick it. Most of the stories involved characters or worlds from other, full-length novels. Please note there are spoilers in the individual reviews for the stories, so let me just say if you’re looking for a light entertaining read, I may not recommend this anthology. It was uneven in terms of writing quality overall, although the stories by Rachel Vincent and Lilith Saintcrow were quite good. I will be honest, some of the writing was so bad I couldn’t finish listening, and so the review is only for the first part of the story. The audio narration was similarly off, with some of the narrators’s over-the-top characterization taking me out of the story. There was a neutral male voice actor who gave each story’s relevant info. While the audiobook came on disks, I transferred it to digital for ease of listening. So it is not a flaw, but on each end track the audio would fade into music, there would be the instruction to switch disks, and then the last few sentences would be repeated before moving on.

On to the individual stories:
Shiny by Rachel Caine – *** Not really my thing, but pretty good. I am unfamiliar with this author’s other work, but she wove the explanations in really well. The story was really character driven over the sunny backdrop of Florida, and was definitely entertaining, with diamond bikinis, fast cars, and handsome men. I wouldn’t seek out her work, but I’d listen if she was included in another anthology. The car-obsessed main character, Joanne, has a great voice.

In Vino Veritas by Karen Chance – * So bad I had to stop listening. The narrator was pretty neutral, but the writing was just bad. Admittedly, I’m pretty picky with vampire stories, but I did try to give it a chance even after they came out with the ‘dhampire’ bit. I enjoy well-done daywalker stories. This just wasn’t one of them.

Hunt by Rachel Vincent – **** Powerful, slightly triggery with flashbacks to a sexual assault, threatened sexual assault, and violence. Werecat Abby goes on vacation with some friends only to have their camp invaded by several violent men. It is a story about finding the strength within oneself, and the narrator was a perfect match to the story. She relayed Abby’s emotional reaction to the events well without distracting from the story.

Monsters by Lilith Saintcrow – **** Characters, concept, narration, all of it was great. Perfect match between the tone of the narrator and the luridly poetic imagery. This story threw together a vampire and werewolf in a quest for revenge, but the depiction of both felt fresh, more visceral than most modern vampire stories. I would definitely read more by this author.

Vampires Prefer Blondes by P N Elrod -*** Surprised how much I liked it. Narrator really sold it, effortlessly falling into the main character and the verbal ticks of the noir novel. I had my doubts for the first track or two, but the story drew me in. It had a very solid universe that didn’t need much explanation, plus the realistic reactions of the characters was a refreshing change.

Ninth Tenths of the Law by Jenna Black – ** I was getting an Exorcist vibe from this (which is good, especially since it was about exorcism), but the ending was a bit weak. The build up was great, with a runaway rebellious teenage possibly possessed by a demon, an over-bearing religious fanatic, and a jaded protagonist, but then the world-building kicked in and overshadowed a really interesting story. I understand that Morgan having a demon inside her is from a series of novels, but here it felt like a cheap trick to resolve the plot. The narrator was great, completely hidden by the story.

Double Dead by Cheyenne McCray – ** I had to look this one up to see which one it was, and I still can’t really remember anything about it.

A Rose by Any Other Name Would Still be Red by Elizabeth A Vaughn – ** I really wanted to like this. It was probably the most violent of the stories, and the violence was described rather well. I couldn’t get a good handle on the main character or world. It felt like something that should be developed into a longer format.

Superman by Jeanne C Stein – * I couldn’t get into this at all. I listened to the whole thing, but found my mind wandering. Neither the narrator’s delivery nor the story were strong enough to hold my interest.

Monster Mash by Carole Nelson Douglas – **** Although I’m sure I missed a few references, I enjoyed this story quite a bit. There’s a lot to keep up with as Delilah tries to figure out who or what is haunting a supernatural casino, but it’s entertaining even if you’re unfamiliar with this universe. Narrator did an excellent job, with just enough characterization to make it fun.

Wanted Dead or Alive by L A Banks – *** Interesting (yes, I know, damning with faint praise). It was a little hard to follow, as the beginning was an infodump on the particulars of vampires in this universe, but I would give the author another shot with something longer. The characters were interesting, there was just a lot of explaining going on.

Mist by Susan Krinard – * I couldn’t finish this, and I LOVE Norse mythology. It may have been the combination of narrator and text. The voice actor droned a little while I was trying to parse which parts of the mythology they were using, and together it just lost my interest. I listened through to the fight scene in the park, but I figured I had enough when even a fight between a valkyrie and a giant couldn’t keep my attention.

Beyond the Pale by Nancy Holder – NR. At first the story was amazing, although the changeling bit made me snort out loud in surprise (Hitler and Manson as changelings instead of humans) but I let that part go. Then it got to the bit where faeries actually stole babies and the Nazis were blamed for it, and no. Just no. It kept nibbling at my mind while I was listening to what seemed to be a very well written story, so it would appear this isn’t the story for me.

Posted by Sarah R.

Review of Deadhouse Gates by Steven Erikson

SFFaudio Review

Deadhouse Gates (Malazen Book of the Fallen #2)
By Steven Erikson; Performed by Ralph Lister
34 hours [UNABRIDGED]
Publisher: Brilliance Audio
Themes: / epic fantasy / magic / desert / empire /

Publisher summary:

In the vast dominion of Seven Cities, in the Holy Desert Raraku, the seer Sha’ik and her followers prepare for the long-prophesied uprising known as the Whirlwind. Unprecedented in size and savagery, this maelstrom of fanaticism and bloodlust will embroil the Malazan Empire in one of the bloodiest conflicts it has ever known, shaping destinies and giving birth to legends…. Set in a brilliantly realized world ravaged by dark, uncontrollable magic, this thrilling novel of war, intrigue, and betrayal confirms Steven Erikson as a storyteller of breathtaking skill, imagination, and originality — a new master of epic fantasy.

This book was pretty amazing. I want to say that right off the bat. This book is something special. Steven Erikson has a wonderful way of writing about things that we know nothing about as readers but by the end of the book you look back and have a whole new appreciation for everything you read previously. His foreshadowing is so subtle and wonderfully done that you don’t even realize that you realize that it’s coming, until in comes.

The characters are all very cool, including a few characters who return from Gardens of the Moon. Kalam is a real favorite of mine; I really like his progression in this book as he is originally from Seven Cities and it affects him on an emotional level. I also absolutely love Mappo and Icarium. Those two were by far in my opinion the most interesting characters, and their relationship is memorable.

We get to see a whole new continent in this book in Seven Cities, with a middle eastern, desert feel. The Whirlwind is an interesting concept; there is no doubt that this is another world that is extremely dangerous and volatile. There is no safety anywhere and almost every decision made is one of life or death.

This book ends in a truly epic fashion and I think that anyone who enjoyed Gardens of the Moon will undoubtedly love Deadhouse Gates. It has awesome magic, epic sword fights, political intrigue, and some truly horrifying monsters. This book in my opinion surpasses Gardens of the Moon and sets the stage for a truly epic series that I can’t wait to finish. This is only the second book of ten and I just can’t wait to see where this story is going to go. I cannot recommend this book enough.

This book is read by Ralph Lister who really brings these characters to life in a way that is truly believable. It’s as if there are a whole cast of people reading this book. He does such a wonderful job. I look forward to listening to Memories of Ice.

Posted by Scott Russell

Review of Deathworld by Harry Harrison

SFFaudio Review

Deathworld
By Harry Harrison; Read by Jim Roberts
Publisher: Brilliance Audio
6 hours [UNABRIDGED]

Themes: / gambler / psionic abilities / planetary worlds / planetary colonists /

Publisher summary:

Professional gambler Jason dinAlt, who has ‘psionic’ abilities, is hired to win a great deal of money for a mysterious and very imposing stranger. When he ‘breaks the bank’ their expertly timed escape gets them off-world just in time. The gambler learns he has helped the dwellers of Pyrrus, otherwise known as ‘Deathworld’ – a planet that appears to be fighting and trying to destroy its inhabitants. Intrigued, he determines to see this world and learn its secrets. He discovers that there are colonists who live outside the embattled city who are not under constant and ever evolving attack from the planet. Jason’s efforts to help the city dwellers and re-unite the two planetary groups before they are all destroyed makes for a gripping listen.

Deathworld is one of Harry Harrison’s early books written in the finest tradition of the pulps with a forced romance and a flimsy excuse, but highly entertaining nevertheless. Jason dinAlt, the psionic gambler with a heart of gold, decides to go the the deadliest known planet in the universe due to a fit of malaise and stays there in spite of a rather tedious training period (made more enjoyable if you imagine Eye of the Tiger playing in the background). However, once he gets released into the general population, the mystery of Pyrrus picks up and it’s certainly a mystery I never suspected.

Pyrrus itself, presumably named after the war of attrition being fought there, is a dreadful world where even the plants can kill you, but the ingenuity of the planet’s lethalness and the two societies it has created are a nice backdrop to the adventure plot. Our exposure to the wildlife is more limited than I’d like with the focus being on the warfare instead. The relationship between the aptly named Junkmen and Grubbers is much more developed and is one of the most interesting elements of the story. Their mutual hostility reflects the tension between industrialism and agrarianism that is always prevalent in developing civilizations.

The characters themselves are mostly flat and underdeveloped, everyone according to their role and no more. Meta, Jason’s love interest, is especially annoying to me, though that may have been because of the complete lack of chemistry between her and Jason. She feels like a perfunctory character whose actions and reactions are dictated by the needs of the story rather than any sort of internal motivation. Jason, too, doesn’t have much a character arc (although I trust he isn’t as bored by the end as he was before Pyrrus). As a gambler he’s willing to put his life on the line for a hunch but his investment in the fate of the world is never fully explained beyond a general sense of goodwill. Still, what is character development in the face of carnivorous plants, poisonous animals, murderous bacteria, and the perpetual threat of volcanic eruptions? I’m not going to read a book called Deathworld for characters talking about their feelings.

Should you feel inclined to listen to this book, I don’t recommend this audiobook. The narrator, a Mr. Jim Roberts, was flat, boring and completely wrong for the tough characters and fast-paced action. It felt like I was being read to by a New York accountant, a well-meaning but unsuccessful uncle. The characters all sound the same and no attempt is made to put emotion into them. With a story like this, the right narration can really make or break it. I’d recommend either reading the book yourself or finding another version of the audiobook.

Posted by Rose D.

Review of The Mad Scientist’s Guide to World Domination edited by John Joseph Adams

SFFaudio Review

The Mad Scientist’s Guide to World Domination
Edited by John Joseph Adams
Performed by Stefan Rudnicki, Mary Robinette Kowal, and Justine Eyre
Publisher: Brilliance Audio
16 hours [UNABRIDGED]

Themes: / mad scientists / science / superheroes / villains /

Publisher summary:

Mad scientists have never had it so tough. In super-hero comics, graphic novels, films, TV series, video games, and even works of what may be fiction, they are besieged by those who stand against them, devoid of sympathy for their irrational, megalomaniacal impulses to rule, destroy, or otherwise dominate the world as we know it. Dr. Frankenstein was the first truly mad scientist of the modern era. And what did it get him? Destroyed by his own creation. And Jules Verne’s Captain Nemo, a man ahead of his time as well as out of his head — what did he do to deserve persecution? Even Lex Luthor, by all accounts a genius, has been hindered not once, not twice, but so many times that it has taken hundreds of comic books, a few films, and no fewer than ten full seasons of a television series to keep him properly thwarted. It’s just not fair. So those of us who are so twisted and sick that we love mad scientists have created this guide. Some of the names have been changed to protect the guilty, but you’ll recognize them. It doesn’t matter, though. This guide is not for you. It’s for them: the underhanded, over-brained paranoiacs who so desperately need our help. What lies behind those unfocused, restless eyes and drooling, wicked grins? Why — and how — do they concoct their nefarious plots? Why are they so set on taking over the world? If you’ve ever asked yourself any of these questions, you’re in luck, because we are exposing their secrets, aiding and abetting their evil. It all awaits, within. Watch out, world!

Full table of contents on editor’s site.

I really enjoyed the first half of the stories in the collection but thought things got less interesting/slower in the second half. It may have been that some stories shared some similarities and the repetition got tiresome, but I don’t think so. I think it was actually that the second half of the stories had more of a serious tone to them that just didn’t go as well with me as the more humorous first half.

I really liked Chris Claremont’s introduction to the book. I thought it brought some interesting insights into why the bad guy is so important for the hero. I thought John Joseph Adams’ introductions to each story were helpful although a bit confusing in the audiobook format (it took a few stories before I understood what the heck was going on with the scientific categorization). I thought they helped me get into the story faster since I kind of knew what to expect and I do think I enjoyed the short stories more as a result. Some would say they spoil the stories but I didn’t think they revealed any more than the back of a novel would about its story.

There are 22 stories in this collection. Many are humorous and have interesting spins on the common tropes you’d expect from mad scientist or superhero stories. I generally liked all the stories but I’d say my favorites were Professor Incognito Apologizes, The Angel of Death Has a Business Plan, Captain Justice Saves the Day, and Rocks Fall.

I didn’t overly dislike any stories except for The Space Between by Diana Gabaldon. The story is by far the longest and I had trouble following the different character’s stories and understanding the point of the story. It appears that story is from a series by her so it may be that I didn’t like it because I haven’t read her other works.

I thought all three readers did a fantastic job with their voice acting in this collection. I would definitely listen to books performed by these readers again. I particularly liked Mary Robinette Kowal’s performances. She does a great job doing voices of people trying to be patient with the mad scientists – whether it be their therapist, assistant, or fellow evil genius.

Various sites have posted some of the stories online to read for free, compiled on the editor’s site, and those would be a good litmus test if this is the book for you. Professor Incognito Apologizes: an Itemized List by Austin Grossman is a great example of the more humorous offerings and The Mad Scientist’s Daughter by Theodora Goss is a good example of the more serious stories.

Posted by Tom Schreck

Review of The Sphinx by Bob Mayer

SFFaudio Review

The Sphinx (Area 51 #4)
By Bob Mayer; Performed by Eric G. Dove
Publisher: Brilliance Audio
11 hours [UNABRIDGED]

Themes: / military sci-fi / aliens / hybrids / nuclear /

Publisher summary:

Dr. Lisa Duncan and Special Forces officer Mike Turcotte know better than anyone that no secret is safe for long — especially one that offers untold power. Case in point: no sooner does Turcotte’s elite Area 51 team uncover a dormant alien ship in earth orbit than a group of alien-human hybrids seizes it and uses its technology to commandeer a satellite array bristling with nuclear missiles. Now they’re demanding that humankind hand over the key to an ancient stash of alien technology…or watch an entire continent be reduced to atomic rubble. Doom seems certain, as the required key is believed lost to the ages — until an unwitting anthropologist discovers the first of many clues to its hiding place. As Duncan and Turcotte race to reach the key — and the powerful treasure it can unlock — ahead of their alien foes, the quest leads them deep into a deadly maze within the Great Sphinx of Giza. The prize? Nothing less than the legendary Ark of the Covenant.

For fans of this series, Bob Mayer delivers a story that lightly scratches the military SF itch but never arrives at satisfaction. If you don’t mind foreshadowing and rather flat characters that encounter somewhat predictable puzzles, then I think you’ll like this installment of the Area 51 series. I’d say that Mayer has written the equivalent of a bacon cheeseburger. You know what you’re going to get before you order it, and if you are in the mood for a run of the mill bacon cheeseburger, then I say “Dig in and don’t be shy about using napkins.”

Eric G. Dove acts as narrator and I am on the fence with his delivery. So here’s the down and dirty with Dove. When he reads dialogue, Dove is on top of his game and carries this audio performance. When Dove is left to recite, I mean read exposition; he becomes the human equivalent of narrator elevator music. Seriously, Dove reads exposition like most people might read a road map but with less enthusiasm. But when Dove engages a character, everything changes and this somewhat average audiobook becomes almost enjoyable.

Final thoughts. If you’re even thinking about reading this book then it’s a fair assumption to think you’ve read the previous books in this series. If you have and are considering reading on, I encourage you to do so as I think you will be happy. If you have read the books in the series are aren’t sure if you want to continue, then I say “Turn back when you still can.”

Posted by Casey Hampton.