Jenny – Page 33

Review of Black Feathers by Joseph D’Lacey

SFFaudio Review

Black Feathers (The Black Dawn #1)
By Joseph D’Lacey; Performed by Simon Vance
Publisher: Angry Robot on Brilliance Audio
[UNABRIDGED] – 11 discs; 13 hours

Themes: / fantasy / apocalypse / post-apocalypse / eco-horror / mysterious figures /

Publisher summary:

It is the Black Dawn, a time of environmental apocalypse, the earth wracked and dying. It is the Bright Day, a time long generations hence, when a peace has descended across the world. In each era, a child shall be chosen. Their task is to find a dark messiah known only as the Crowman. But is he our saviour – or the final incarnation of evil?

Black Feathers is the first in the Black Dawn series by eco-horror writer Joseph d’Lacey. It follows two timelines, one about a present day boy Gordon Black whose birth marks the end of the world and one about Megan Maurice who lives in a post-apocolyptic future. They are connected in their search for the Crowman, a mysterious figure who will either save the world or destroy it. And if you were hoping to find that out, or anything else for that matter, you’ll have to wait for the next book.

This book sets up tone really well. It’s moody and dark and a little bit creepy without being cheap. And as great as the idea of the Crowman and the parallel timelines are it all falls apart in the lack of plot. After all, just because I will watch a movie with a shirtless Jude Law doesn’t mean I want to be forced to spend a day with him. And that was kind of how this was. After a while I was just waiting to see if anything would happen that would be more than a “previously on” could sum up. The answer is no. Not even in the last chapter. This is probably also because I had trouble connecting with Gordon and Megan. We are told that they are special and important without being shown. Why does Gordon’s coming mark the end of the world? Why do crows follow him around wherever he goes? Why was Megan chosen by the Crowman to receive visions when no girl has been chosen before her? It’s a mystery! But we know that all this has been foretold so that makes them special. Unfortunately, they are not special enough for me to want to stick around through Gordon wondering what to do when his family is taken away and meeting some random strangers in the woods. Or to see Megan wandering around a forest while her teacher whispers enigmatic things at her.

Along those same lines, this book also commits the cardinal sin of being worthless on its on. Without a sequel, this book does not have a complete story. There is not a single resolved plot element or character arc which makes the whole thing an overly long set up for the next book.

As a side note, d’Lacey takes the eco part of his chosen genre seriously. There are times when it gets a bit preachy about how we have destroyed the earth and we are horrible, irresponsible creatures. This actually gives it a bit of a Happening feel. Anyway, if you enjoy composting on your days off, this is the book for you.

The audiobook is narrated by Simon Vance who was amazing and perfect for this book. He loans it an almost storybook quality that enhanced the overall tone and emphasized the youthfulness of the protagonists. Even if the book is mediocre, I could listen to him for hours. Which is, in fact, exactly what I did.

Posted by Rose D.

Review of Legion by Brandon Sanderson

SFFaudio Review

Legion
By Brandon Sanderson; Read by Oliver Wyman
Publisher: Brilliance Audio
[UNABRIDGED] – 2 discs; 2 hours

Themes: / fantasy / magic / hallucinations / special powers / novella /

Publisher summary:

Brandon Sanderson is one of the most significant fantasists to enter the field in a good many years. His ambitious, multi-volume epics (Mistborn, The Stormlight Archive) and his stellar continuation of Robert Jordan’s Wheel of Time series have earned both critical acclaim and a substantial popular following. In Legion, a distinctly contemporary novella filled with suspense, humor, and an endless flow of invention, Sanderson reveals a startling new facet of his singular narrative talent. Stephen Leeds, AKA “Legion,” is a man whose unique mental condition allows him to generate a multitude of personae: hallucinatory entities with a wide variety of personal characteristics and a vast array of highly specialized skills. As the story begins, Leeds and his “aspects” are drawn into the search for the missing Balubal Razon, inventor of a camera whose astonishing properties could alter our understanding of human history and change the very structure of society. The action ranges from the familiar environs of America to the ancient, divided city of Jerusalem. Along the way, Sanderson touches on a formidable assortment of complex questions: the nature of time, the mysteries of the human mind, the potential uses of technology, and the volatile connection between politics and faith. Resonant, intelligent, and thoroughly absorbing, Legion is a provocative entertainment from a writer of great originality and seemingly limitless gifts.

Legion is a short, interesting, 2-disc novella by Brandon Sanderson about a man with a unique mental disorder that allows him to do extraordinary things. Sanderson develops some fun characters, interesting abilities (of course this is typical for him), and drops them in a mysterious adventure. My only real complaint about this novella is that I wish there was more.

Those familiar with Sanderson’s style know to expect a unique magic/ability system that leads to an interesting plot. In this case, Stephen Leeds has many hallucinations that all serve as experts in some way that is useful to him such as weapons, knowledge, psychology, etc. People come to Stephen with problems and he can serve as a team of experts to solve whatever case/mystery needed. The trick is that only he can see these hallucinations (think A Beautiful Mind) which can lead to some interesting conversations.

Oliver Wyman does a great job narrating this novella. He did a great job with all the voices and accents from the novella. He does a great vocal equivalent of a skeptical look when characters are dealing with someone talking to hallucinations. I would listen to books narrated by Oliver Wyman again.

Posted by Tom Schreck

Review of More Than Honor by David Weber, et al

SFFaudio Review

More Than Honor (Worlds of Honor #1)
By David Weber, David Drake, S. M. Stirling; Read By Victor Bevine, L. J. Ganser, Khristine Hvam
Publisher: Brilliance Audio
Publication Date: 21 May 2013
ISBN: 978-1-4805-2813-0
[UNABRIDGED] – 9 discs; 11 hours

Themes: / telepathic tree cats / short stories / military sci-fi / Honor Harrington /

Publisher summary:

New York Times bestselling author David Weber invites David Drake and S.M. Stirling, two of today’s top writers of military science fiction, to join him in an exploration of Honor Harrington’s universe.

More Than Honor consists of the following four parts.

A Beautiful Friendship by David Weber, narrated by Khristine Hvam.
A Grand Tour by David Drake, narrated by Victor Bevine.
A Whiff of Grapeshot by S.M. Stirling, narrated by Khristine Hvam.
The Universe of Honor Harrington by David Weber, narrated by L. J. Ganser.

This collection starts and ends strong, but unflatteringly sags in the middle. The story “A Beautiful Friendship” is a short work introducing Stephanie Harrington and the first bonding between humans and treecats. It’s a powerful piece and Khristine Hvam narrates it with skill and style. David Weber later lengthened this short story into a novel, which now is on my to-read list. This collection is worth picking up if for no other reason than to simply read this first story. I know for those of you who aren’t familiar with Honor Harrington and treecats, the idea of a six-legged cat might seem weird, it’s not, well not really. Trust me on this, just go with it and all shall become groovy.

The following two works in this collection were in my opinion, unneeded baggage that added little and entertained less. “A Grand Tour” by David Drake, narrated by Victor Bevine, tells the story of a largely forgettable cast of characters doing stuff that really doesn’t matter to anyone outside of the narrative. Going from “A Beautiful Friendship” to this was like going from steaming jets of hot water shooting from the showerhead to being sprayed down in county lockup with a fire hose gushing ice water. Victor Bevine as narrator gives a solid effort though at times, I felt he was overdoing it and this contributed to my overall sense of “Mehh” for this piece. “A Whiff of Grapeshot” by S.M. Stirling, narrated by Khristine Hvam, wasn’t as bad as “A Grand Tour” but still, not great. Stirling does tie this into the Honor Universe and Khristine Hvam gives another outstanding performance as reader. Others may find this short story enjoyable and if you are one of these individuals, I can understand why you may like this. I however found it lacking any sense of urgency and as a result, I felt unengaged for the duration of this short work.

This collection concludes with an appendix providing a wealth of historical reference to the Honor Universe. For those of you who are into this series, I highly recommend reading this. L. J. Ganser narrates this final section, “The Universe of Honor Harrington” by David Weber. And for what it’s worth, Ganser does a great job of reading mostly historical exposition. I found some of this material to be fascinating while some of it was dry and skim-worthy but still, good stuff to read through.

In the end, I’d say it’s an okay expansion pack but falls short of what it promises. Sadly, this collection doesn’t even come close to scratching the military SF itch like Weber has done in the past with his earlier Honor Harrington books. I was left wanting more treecats and more space battles.

Posted by Casey Hampton.

Review of Jumper by Steven Gould

SFFaudio Review

Jumper by Steven Gould Jumper (Jumper #1)
By Steven Gould; Performed by MacLeod Andrews
Publisher: Brilliance Audio
[UNABRIDGED] 10 hrs. on 9 CDs
ISBN: 978-1469298801

Themes: / teleportation / coming-of-age /crime /

Publisher summary:

What if you could go anywhere in the world, in the blink of an eye? Where would you go? What would you do? Davy can teleport. To survive, Davy must learn to use and control his power in a world that is more violent and complex than he ever imagined. But mere survival is not enough for him. Davy wants to find others like himself, others who can Jump. And that’s a dangerous game.

It’s actually interesting to note the timing for my reading of this book. I’d just finished Larry Correia’s Hard Magic and jumped (pun intended) right into Jumper by Steven Gould, the new SFWA president.

I absolutely loved Hard Magic and Correia’s book dealt with a wide variety of different magics, from the Pale Horse who can make people die to the Heavies who can use magic to move objects (and much more as we find out) and even teleports who can disappear and appear anywhere they want. Jumper, on the other hand, only deals with one power, teleportation. How could this book even compete?

And yet as complicated and well-thought-out as Hard Magic is, even going so far as to explain what happens when you teleport into a bug (it melds with your skin and really hurts), Jumper was an excellent story in its simplicity. Jumper explains some of the nuances of the powers of teleportation, but not nearly as in-depth as Correia (I know, even with all the other powers it deals with).

Davy learns about his powers through some pretty brutal circumstances. His dad is an alcoholic who regularly beats him, but in the middle of one episode, he suddenly “jumps” away to his local library. From there, he decides not to go back, but that doesn’t mean he understands or even knows how to use his newfound skills. Davy gets into more trouble out on his own with scumbags who try to rape him and again he accidentally teleports out of the situation and back to the library.

And so begins Davy’s use of his powers and his fledgling understanding of what he is able to do. This, this right here, is the genius of this story. I can’t imagine finding myself with these powers, especially at a young age and with such brutal circumstances, but I’m sure it would be something very similar to this. Okay, with a few less problems because not everyone encounters one problem after the next, but overall it works so well. The performance by MacLeod Andrews is a good capture of being a teenager, crackly voice and all.

I’m also happy to report that the book is leaps and bounds better than the movie. With such a cool premise and such great previews, how did that movie suck so much? Oh yeah, they got the worst actor in the world to be the lead.

On the topic of the movie, if you are one of the poor souls who sat through it (it did have its moments of not being terrible I have to admit), the movie follows the book pretty well for the most part although there are some things that are added, but I’m wondering if those elements don’t appear in the sequels to this book which I’ll have to read and get back to you about.

To recap. Jumper is much better than the movie and works well because of its simplicity. It’s nothing that will change the world in terms of ideas or writing, but it’s great for what it’s meant for – action and exploration. It displays a power we all wish we could have and does so brilliantly and realistically.

4 out of 5 Stars (highly recommended)

Posted by Bryce L.

Review of The Crack in Space by Philip K. Dick

SFFaudio Review

The Crack in Space
By Philip K. Dick; Performed by Benjamin L. Darcie
Publisher: Brilliance Audio
[UNABRIDGED] – 7 hours

Themes: / racism / politics / alternate worlds / parallel universes /

Publisher summary:

When a repairman accidentally discovers a parallel universe, everyone sees it as an opportunity, whether as a way to ease Earth’s overcrowding, set up a personal kingdom, or hide an inconvenient mistress. But when a civilization is found already living there, the people on this side of the crack are sent scrambling to discover their motives. Will these parallel humans come in peace, or are they just as corrupt and ill-intentioned as the people of this world?

Philip K. Dick’s The Crack in Space was published in 1966, however the novel has its genesis in the short story Prominent Author which debuted in the May 1954 issue of IF: Worlds Of Science Fiction. This story has been featured previously on the SFFaudio website and is available as a PDF.

The focus of this story is a futuristic teleportation device known as a Jiffi-scuttler which is a product of the Terran Development company. In the short story, a prototype of the device is defective, which while works as a teleportation device, also serves as a sort of gateway into alternate times and/or realities. I recommend reading the short story first before tackling the novel as some of the key concepts are introduced which took some time to get used to in the full length novel.

The Crack in Space take places in the year 2080 and is interesting to read today as the focal character Jim Briskin is in the midst of a political campaign to become the first black president of the United States. This campaign takes place at a time that the country is still very much racially divided, with the population divided between “Cols” and “Caucs,” terms which are abbreviated forms of the words “Coloreds” and “Caucasians.” Due to the overpopulation, a large number of people (mostly “Cols,”) are kept in a state of cryogenic sleep while waiting for a time when the economy turns around and a solution to the overpopulation problem is found. These people are referred to as “bibs.”

The narration is handled by Benjamin L. Darcie who does a great job with the material. Benjamin also handles narration for Philip K. Dick’s A Maze of Death as well as has narrated a variety of other crime, sci-fi/fantasy, and horror titles. In addition to acting and film, Ben Darcie is also the beer editor for West Michigan’s REVUE magazine and known for the Beer Tasting Classes he hosts at breweries around Grand Rapids. I recommend the audiobook of The Crack in Space as a very interesting read with a contrasting mid-60’s view of the future given the current state of politics in the United States.

Posted by Dan VK

Review of She Returns from War by Lee Collins

SFFaudio Review

She Returns from War (Cora Oglesby #2)
By Lee Collins; Performed by Alison Larkin
Publisher: Brilliance Audio
[UNABRIDGED] – 10 hours

Themes: / western / fantasy / skin walkers / vampires /

Publisher summary:

Four years after the horrific events in Leadville, a young visitor from England, Victoria Dawes, sets into motion a series of events that will lead Cora and herself out into the New Mexico desert. They are in pursuit of Anaba, a Navajo witch bent on taking revenge for the atrocities committed against her people.

In this follow-up to The Dead of Winter, Lee Collins gives us a second installment of his “Cora Oglesby” saga. She Returns From War tells the story of Victoria Dawes, an English woman finding her grit in the American West. Lee Collins has improved his writing but not nearly enough to make this tale snap with electricity. Collins does a great job in the early portion of this novel. The wheels don’t completely fall off until midway through chapter three. The first three chapters are quite good. I hope that Collins continues improving and polishing his craft. If he does, I might be able to write a positive review of his work some day. But that day is not today.

Collins is clumsy with the female characters in his charge. Either the women are two-dimensional drunks, classic western prostitutes, or prissy high-society types. He also includes a stereotypical Native American woman character who is a “skin walker” trying to reap revenge on the white man. My issue isn’t with the choice of characters that Collins employs within his storytelling. My problem is that Collins fails to provide his characters with enough depth and substance that his characters deserve. As a result, we encounter a story jammed with cardboard cutouts lacking all sense of meaning.

Alison Larkin is the Narrator. She uses an English accent for the most part since the story is inferred as Victoria’s story. Larkin changes accents when doing American characters and I had a real issue here. While the English accent works quite nicely for the character of Victoria, Larkin butchers all other accents in an over-the-top cartoonish rendition of cowboy-drawl gone bad. If you can look beyond this, Larkin isn’t a half bad reader, though she would do well to back down the level of dramatic inflection. There is a musical score that plays at the beginning and end of each audio CD. Every time I heard this, I kept thinking it sounded like a second-rate retread of the Titanic soundtrack with a not so haunting female vocalist in the background lamenting some long lost love. If any of you ever find yourself in the position of choosing music to go in these spots in an audio production, please remember that less is truly more. All that is needed is a simple single instrument that reflects the tone of the story where it is broken by the physical limits of the CD.

Aside from skin walkers and vampires, there’s not much new in the way of dark things that need to be killed. We do encounter mysterious wolf-like things at the very beginning but these are only with us for a short while.

If you are contemplating giving Lee Collins a go, start here and see how you like his style. I think Collins is at his best in the first three chapters. If you like this story, then maybe take a gander at his first try The Dead of Winter… Though if’in it was up tuh me, I’d stop dead-in-my-tracks here. It’s all downhill beyond this point.

Posted by Casey Hampton.