Jenny – Page 30

Review of Dreamer: A Prequel to the Mongoliad by Mark Teppo

SFFaudio Review

Dreamer: A Prequel to the Mongoliad (Foreworld Saga)
By Mark Teppo; Performed by Luke Daniels
Publisher: Brilliance Audio
Publication Date: 25 September 2012
[UNABRIDGED] – 1 hour, 25 minutes

Themes: / crusades / hallucinaion / pacifism / monks / mongoliad /

Publisher summary:

During the Fifth Crusade, the bloody siege of Damietta grinds to a stalemate and a young Christian soldier begins having visions… Raphael of Acre, a young initiate of the Shield-Brethren, becomes a war hero during a vicious battle for control of a Muslim stronghold. One of his companions, Eptor, is wounded in the battle and falls under the influence of strange hallucinations. When a superior plots to manipulate Eptor’s visions into war propaganda, Raphael struggles between duty to the cause and duty to his faith. Unable to reconcile his roles as Christian and soldier, Raphael seeks out an unlikely source of counsel — the great pacifist Francis of Assisi. Part of the Foreworld Saga, Dreamer confronts the paradox of using sword and fist in an effort to spread a message of humility and compassion.

Like Sinner earlier this year, Dreamer: A Prequel to the Mongoliad is a prequel to the main books in The Foreworld Saga. We once again see Raphael, this time without Andreas, well before the events in The Mongoliad: Book One.

This story written by Mark Teppo is less plot-driven than the previous books in the series. Instead, it recounts a part of Raphael’s past, and uses the writing to drive home some important themes/things to think about. The story is really two stories–one in Raphael’s present (1244 or so) and one in his past (1219 in the battle of Damietta in the 5th Crusade). Raphael, you may remember, is a sworn knight, and participates in the battle against the Muslims during the Crusades. One of his brothers takes a vicious blow to the head during the battle and word gets out that, as he’s recovered, he’s had visions/hallucinations that seem to be prophetic. One of Raphael’s superiors in the battle would like to use these visions to twist the truth and turn the tides of the battle, with Raphael acting as the “witness” to the prophecy. Raphael is obviously torn between his dual loyalties–that to morality and that to his superiors.

Some years later, he is still feeling the heavy weight of his decision. He seeks out St. Francis of Assisi–a pacifist–as a counselor. This is the “second timeline” of the story, Raphael’s recounting of his tale to the non-violent brotherhood and Assisi himself. This is where a second morality question is presented, the difficulty of being both Christian and a soldier. Early on, Raphael reminds us that as a Christian, he is to love his fellow man. He also reminds the peaceful brothers that the Muslims have a saying much like the Christian “peace be with you,” even if they don’t believe in the same God. Of course, as a soldier, it’s his duty to go where he is commanded, to fight for what’s “right.”

I usually like my stories to have a bit more plot than this one did, but I found myself enjoying the background and insight into Raphael’s character. I’m not sure I would have liked this story if I hadn’t read other (more action-y) books in the series, hadn’t already been introduced to Raphael. So if you are going to read this, I definitely recommend reading at least Sinner: A Prequel to the Mongoliad first.

As usual, Luke Daniels did a fine job with the narration. I was able to put in my headphones, lay back in my recliner, and relax as I let the story wash over me. Unlike The Mongoliad: Book One, there weren’t too many characters with odd-sounding names in this book, making it easier. I’m looking forward to going back into the main Foreworld saga, onto The Mongoliad: Book Two.

Posted by terpkristin..

Review of Between Two Thorns by Emma Newman

SFFaudio Review

Between Two Thorns (Split Worlds #1)
By Emma Newman; Performed by Emma Newman
Publisher: Angry Robot on Brilliance Audio
Publication Date: 26 February 2013
[UNABRIDGED] – 11 hours; 59 minutes

Themes: / alternate worlds / England / fantasy /

Publisher summary:

Something is wrong in Aquae Sulis, Bath’s secret mirror city. The new season is starting and the Master of Ceremonies is missing. Max, an Arbiter of the Split Worlds Treaty, is assigned with the task of finding him – with no one to help but a dislocated soul and a mad sorcerer. There is a witness, but his memories have been bound by magical chains only the enemy can break. A rebellious woman trying to escape her family may prove to be the ally Max needs. But can she be trusted? And why does she want to give up eternal youth and the life of privilege she’s been born into?

Between Two Thorns is the first book in Emma Newman’s Split Worlds trilogy. The universe was debuted by the author in a series of weekly free short stories released over a year-long period leading up to this book’s release. The short stories are independent of the trilogy in the sense that it is not necessary to read them prior to the starting the trilogy, but can be read later to enhance the characters and the universe. The stories are available both as text and as audio and can be found on the Split Worlds website.

In regards to the audio, Emma Newman also happens to be a professional audiobook narrator with credits including science fiction and romance titles as well as recordings for Dark Fiction Magazine. I always find it interesting to hear an author narrate their own work, as there is arguably a certain degree of credibility gained which could be lost with another narrator. In the case of the Split Worlds series, I find it interesting to hear the author’s own take on the wide variety of characters in the universe ranging from angels, sorcerers, and gargoyles to wish-granting faeries. On a couple occasions, however, the characters seem to blend together and I had a little difficulty keeping track of who was who which is surprising given the diversity.

The Split Worlds universe provides an immersive and addictive environment for the reader. Part real-world Bath and part netherworld Aquae Sulis, the author has even conducted role-playing games set in the book’s world and invited reader participation. Between Two Thorns sets the tone pulling the reader in and it’s cliffhanger ending leaves one anxious to dive right into the sequel Any Other Name. (And I’m sure from that installment onto the conclusion.) I certainly plan myself to continue on with the next installment soon.

Posted by Dan VK.

Review of Space Magic by David Levine

SFFaudio Review

Space Magic
By David D. Levine; Read by David D. Levine
Publisher: Book View Café
Publication Date: 25 June 2013
ISBN: 978-1-61138-281-5
[UNABRIDGED] – 7 hours; 56 minutes

Themes: / short stories / interstellar salesman / comic book fantasy / space magic /

Publisher summary:

This Endeavour Award-winning collection pulls together 15 critically acclaimed science fiction and fantasy stories that take readers from a technicolor cartoon realm to an ancient China that never was, and from an America gone wrong to the very ends of the universe. Including the Hugo Award-winning Tk’Tk’Tk, the Writers of the Future Award winner Rewind, Nucleon, The Tale of the Golden Eagle, and many other highly-praised stories, Space Magic shows David D. Levine’s talents not only as a gifted writer but as a powerful storyteller whose work explores the reaches of space as well as the depths of the human heart.

Space Magic is a collection of short stories by David D. Levine that are either Science Fiction, Fantasy, or some combination of those together. I really enjoyed this short story collection. Short stories in general sometimes feel underdeveloped or trivial, but the stories in this collection each do a great job of introducing a whole new world, what’s going on, and coming to a satisfying conclusion. If you like science fiction or fantasy of any kind, this is a great collection of stories.

Here were some of my more favorite stories:

Nucleon – This was like Mr. Magorium’s wonder imporium at a junkyard. A fun concept and likeable characters.

Zauberschrift – Really cool story about a scribe who used to apprentice with feuding wizards needs to help a village plagued by bad magic. Really cool magic ideas and insights into mob mentality.

Rewind – This story really reminded me of Equilibrium in how you have someone from an elite force of some totalitarian government join in with the rebellion with his super abilities/powers. So many possibilities in this story.

Brotherhood – A great story of the labor force in their struggles with the man that will have you wondering why it’s in this collection for most of the story…(in a good way)

Tk’Tk’Tk – This story takes the problems of a salesman selling to a different culture to the extreme. What if you were an interstellar salesman coping with the cultures of another species you could barely understand?

Charlie the Purple Giraffe Was Acting Strangely – This story is crazy. What happens to comic characters between the cells and between the comics?

The Ecology of Faerie – This story is like Faerie horror. I don’t know how Mr. Levine did it, but he made a Faerie story like Night of the Living dead and it’s awesome!

David D. Levine does his own reading for this book, and does a decent job.

Posted by Tom Schreck

Review of The Elephant Vanishes by Haruki Murakami

SFFaudio Review

The Elephant Vanishes: Stories
By Haruki Murakami; Translated by Alfred Birnbaum and Jay Rubin
Read by Teresa Gallagher, John Chancer, Walter Lewis, Rupert Degas, Tim Flavin, Mark Heenehan, Jeff Peterson
Publisher: Random House Audio
Publication Date: 6 August 2013
[UNABRIDGED] – 10 hours, 31 minutes
Download excerpt: |MP3|

Themes: / light fantasy / personal identity / life’s meaning / a dwarf inside of me / short stories / surrealism /

Publisher summary:

With the same deadpan mania and genius for dislocation that he brought to his internationally acclaimed novels A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, Haruki Murakami makes this collection of stories a determined assault on the normal. A man sees his favorite elephant vanish into thin air; a newlywed couple suffers attacks of hunger that drive them to hold up a McDonald’s in the middle of the night; and a young woman discovers that she has become irresistible to a little green monster who burrows up through her backyard.

By turns haunting and hilarious, The Elephant Vanishes is further proof of Murakami’s ability to cross the border between separate realities – and to come back bearing treasure.

Some of the stories in this collection originally appeared in the following publications: The Magazine (Mobil Corp.): “The Fall of the Roman Empire, the 1881 Indian Uprising, Hitler’s Invasion of Poland, and the Realm of the Raging Winds” (in a previous translation; translated in this volume by Alfred Birnbaum), The New Yorker: “TV People” and “The Wind-up Bird and Tuesday’s Women” (translated by Alfred Birnbaum), “The Elephant Vanishes”, and “Sleep” (translated by Jay Rubin), and “Barn Burning” (in a previous translation; translated in this volume by Alfred Birnbaum) Playboy: “The Second Bakery Attack” (translated by Jay Rubin, January 1992).

In Haruki Murakami’s The Elephant Vanishes, Murakami tries to bind a collection of stories with a few common threads woven through the various narratives. At this, Murakami failed to hold my interest. But Murakami does manage to seduce the reader, if only from time to time, with glimpses of brilliant storytelling. And it became the prospect of discovering these hidden gems that kept me going.

I don’t think that Murakami shines in the short story genre. His style of writing requires time for the odd sense of surrealism to grip the reader, sometimes like a lover, other times like an anaconda. But in these short works, Murakami’s talent for making the odd seem normal, had too much of a rushed sensation. Instead of being seduced, I was narratively groped.

I didn’t appreciate the numerous narrators that this audio production contains. It would have been far better to have two or perhaps three readers, but this audiobook simply has too many voices. I ended up feeling detached for too much of the time. I liked that this audio production doesn’t use musical interludes to mark new stories or sections of change.

Should you read this book? Well, if you like Murakami, then yes. But you should go into this with the understanding that some of these stories just flop with all the grace of a sweat-soaked sock on a locker-room floor. But a few of these tales possess a magic vitality that lingers in the consciousness long after you are through. It is for these stories that make the reading worthwhile.

Posted by Casey Hampton.

Review of Rebellion by B.V. Larson

SFFaudio Review

Rebellion (Star Force #3)
By B.V. Larson, Performed by Mark Boyett
Publisher: Brilliance Audio
[UNABRIDGED] – 12 hours

Themes: / aliens / military sci-fi / fighting bugs / machines /

Publisher summary:

Rebellion is the turning point in the great interstellar war between all living creatures and the machines. Star Force is on the side of the machines – but for how long? In the third book of the Star Force series, Kyle Riggs learns just what kind of war Earth is caught up in. At the mercy of the Macros, his marines fight against new alien races, big and small. They battle the innocent and the vile alike, until their situation becomes grim.

Rebellion is the third novel in B. V. Larson’s Star Force series starring computer science professor turned interstellar marine Kyle Riggs. It stands on its own better than the previous novel, Extinction, but I would still recommend reading the previous books first as the plot throughout the series thus far has been mostly linear. In Rebellion, Larson takes his Star Force formula, throws in a couple new atomic grenades, and keeps blasting right along with the story of humanity’s fight against alien machines known as the Macros.

Given the title, it should come as no surprise that in this novel Kyle Riggs leads the battered remnants of his Star Force marines in a rebellion against their Macro masters. His reasons for this are many, but the decision point comes when he discovers that, while the Macros are scrupulous in abiding by the letter of their agreements, they have no compunction in their networked silica minds against taking advantage of every loophole in an agreement. In this case, they use Riggs’s nanotized marines to attack a race that had failed to include a prohibition against indirect assault using mercenaries in their peace treaty. Riggs concludes that the Macros will employ similar tactics against Earth and the near future and determines that it is better to restart the war now. On his own terms. With only five thousand men. With no way of alerting Earth.

Draw your own conclusions about Kyle Riggs’s big-picture tactical planning capabilities but, as in the previous novels, it is hard to fault his individual decisions in the heat of the moment. Indeed, I’m starting to wonder if Larson intends his hero to be an object lesson in the difficulty of making good choices under stress.

The structure of the Macro / Nano division continues to frustrate me. I’m beginning to accept that Nanos can not simply swarm a Macro and take it apart, though this acceptance is less for any logical reason than just because it continues to not happen, even though there are specific scenes of destroyed Macros being disassembled by Nanos and reprocessed. Perhaps my worst gripe along these lines for Rebellion is the revelation that Macro ships are difficult to pilot because the cockpits are built for pilots with seven arms. Now, I’ll accept that there is some sort of fundamental programming element that requires all Macros to be large, but when their entire command structure is built on networked parallel processing, why aren’t the ships just built into that network? There is simply no reason for the Macros to have physical ship controls, any more than there is a need for their ships to have pressurized compartments.

All complaints aside, I was pleasantly surprised to discover that Rebellion features more, and far more interesting, revelations about the Star Force universe than its predecessor. The best of these are the emergence of a new machine intelligence and Sandra finally coming into her own as a character. This new intelligence starts off as little more than another of the nanobot “brain boxes” that Riggs uses in every aspect of his military. Riggs names the over-achieving brain box Marvin, in what I can only hope is an unacknowledged tip of the hat to The Hitchhiker’s Guide to the Galaxy, and the interactions between Marvin and the human characters are probably the best part of this novel. As for Sandra, she spends half the novel in a coma, then wakes up just in time to reprise her roll as Riggs’s shallow, hot-tempered girlfriend. Literally her first action after waking up is to punch another woman for kissing Riggs in a moment of desperation. Fortunately, Sandra seems to blow most of her daft behavior allocation in that first moment as, with the help of some sentient microbes who have been tortured into assisting Starforce, she quickly evolves into a strong, self-motivated character.

Development of characters other than Kyle Riggs has been a weakness for this series from the beginning, and Rebellion does little to change this. Other than the introduction of Marvin and the growth in Sandra, the only supporting characters to see a change are Jasmine, who develops a crush on Riggs, and Kwan, who gets a girlfriend and learns a few new English idioms. But you don’t read Star Force novels for character development or fully coherent plot. If you are a fan of fast-paced science fiction featuring liberal quantities of bloody, laser-scorched human versus robot combat, Rebellion will quench your thirst for action.

The audiobook narrated by Mark Boyett has the usual quality of production and performance. Three books into the series, I do have to admit that I am starting to get annoyed by the accents of characters other than Kyle Riggs, as it seems that any human character who merits a name also has an accent. Mark Boyett does a fine job with his reading, and I do appreciate that B. V. Larson is attempting to show the global nature of Star Force, but the continual shifting of accents and genders from a single male reader grows tiresome after about six hours.

Posted by Andrew Linke

Review of A Wild Sheep Chase by Haruki Murakami

A Wild Sheep Chase: A Novel
By Haruki Murakami; Read by Rupert Degas
Publisher: Random House Audio
Published: August 2013
ISBN: 9780804166539
[UNABRIDGED] – 9 hours, 38 minutes
Excerpt: |MP3|

Themes: / fantasy / sheep / surreal thriller /

Publisher summary:

It begins simply enough: A twenty-something advertising executive receives a postcard from a friend, and casually appropriates the image for an insurance company’s advertisement. What he doesn’t realize is that included in the pastoral scene is a mutant sheep with a star on its back, and in using this photo he has unwittingly captured the attention of a man in black who offers a menacing ultimatum: find the sheep or face dire consequences. Thus begins a surreal and elaborate quest that takes our hero from the urban haunts of Tokyo to the remote and snowy mountains of northern Japan, where he confronts not only the mythological sheep, but the confines of tradition and the demons deep within himself.

In Haruki Murakami’s seductive novel A Wild Sheep Chase, Murakami spins a yarn (see what I did there) around such issues as personal identity and the meaning of life. Sound complicated? No not really… well maybe a little, but it all depends on how deep you want to dive and how long you wish to hold your breath. Do you need to be a trained philosopher and English/lit major to decipher the subtle beauty of this novel? No, but it doesn’t hurt either.

Murakami’s ability to word-paint vivid autumn colors through brushed scenery of green grass and sunburnt leaves only pales to his talent of sketching his wintered black and white landscapes of rain soaked city nights and the lonely dark of death. For the most part, I was rolling along really enjoying the ride. When I reached the end, everything shifted and the true weight of what this story is about settled deep around me like an endless snow. Lulling, dulling, and soothing the reader until who we are is reflected in a grimy mirror. The I becomes you, the you becomes we, the we becomes… a sheep?

Here’s all you need to know. Don’t get hung up on the whole “A sheep inside of me” thing or the uncountable mentions of a “dead whale’s penis,” just go with the flow and ride the tide. Permit the current to carry you along and let loose your anchor and just drift.

Rupert Degas acting as narrator is brilliant. Let me say this again. Rupert Degas as narrator is brilliant. I haven’t heard a reader narrate something so clean and true since I listened to Frank Muller narrate All Quiet on the Western Front or I Heard the Owl Call My Name. Rupert Degas delivers a reading that sooths the ear while making Murakami’s narrative dance like maple leaves in a September breeze.

If you can’t tell, I found this to be a damn fine book. I enjoyed the subtle layering of philosophy and critical theory. I found the narrative captivating once I “let go.” Hmmm, might this be a reflection of life? Is life better consumed if one can let go from time to time with the understanding that time itself is an unanswered question of experienced interpretation? Maybe… Maybe so maybe no but still, this was a pleasure to read.

Posted by Casey Hampton.