Review of Kenobi: Star Wars by John Jackson Miller

SFFaudio Review

kenobiKenobi: Star Wars
Written by John Jackson Miller; Read by Jonathan Davis
Publisher: Random House Audio
Publication Date: 27 August 2013
ISBN: 9780804148221
[UNABRIDGED] – 13 hours; 36 minutes
Download Excerpt: | MP3 |

Themes: / Star Wars / Jedi /
Publisher summary:

The Republic has fallen.
Sith Lords rule the galaxy.
Jedi Master Obi-Wan Kenobi has lost everything . . .
Everything but hope.
 
Tatooine—a harsh desert world where farmers toil in the heat of two suns while trying to protect themselves and their loved ones from the marauding Tusken Raiders. A backwater planet on the edge of civilized space. And an unlikely place to find a Jedi Master in hiding, or an orphaned infant boy on whose tiny shoulders rests the future of a galaxy.
 
Known to locals only as “Ben,” the bearded and robed offworlder is an enigmatic stranger who keeps to himself, shares nothing of his past, and goes to great pains to remain an outsider. But as tensions escalate between the farmers and a tribe of Sand People led by a ruthless war chief, Ben finds himself drawn into the fight, endangering the very mission that brought him to Tatooine.
 
Ben—Jedi Master Obi-Wan Kenobi, hero of the Clone Wars, traitor to the Empire, and protector of the galaxy’s last hope—can no more turn his back on evil than he can reject his Jedi training. And when blood is unjustly spilled, innocent lives threatened, and a ruthless opponent unmasked, Ben has no choice but to call on the wisdom of the Jedi—and the formidable power of the Force—in his never-ending fight for justice.

Star Wars Kenobi takes place between the events of Episode III and Episode IV and explains how Obi-Wan Kenobi settled in on Tatooine and became “Old Ben” that we see at the beginning of Episode IV. While that is mostly true, the feel I got from this book was more like, “The adventures of a bunch of frontier settlers on Tatooine who have problems with Tusken Raiders and each other with a Jedi in hiding mixed in”. While the title of the novel is “Kenobi” more of the story is centered around those settlers and their problems than around Obi-Wan himself. The book isn’t bad for it, it’s just not necessarily what I would have expected based on the title and description.

I liked the book overall. There were some points where it felt like the story could have resolved sooner but I found the overall conclusion satisfactory. The western/frontier setting is pretty interesting with the sets of problems that frontier life and sand people can give you. I liked John Jackson Miller’s portrayal of Obi-Wan as this passive guy that perpetually avoids conflict but gets forced reluctantly into action. You get some more insights into how Obi-Wan is reacting to the events of Episode III and where he thinks things went wrong.

If you like Star Wars books, this is a definite read. If you don’t haven’t read many, this book is not a bad place to start since it doesn’t rely on any back story beyond the movies. The pace of the book keeps up pretty well throughout with only a few slow moments so overall this was a quick fun book. I have to admit that I was into the book enough that I wanted to hit some of the characters if they didn’t get theirs eventually.

Jonathan Davis does a great job reading this book. His Obi-Wan impression does not disappoint and he does a great job with the other characters. One of the main characters is a bit of a schmoozer and he pulls it off really well (I just wanted to smack that guy sometimes.) The sound effects and music are always a plus in Star Wars books. My only grief here is that there are many scenes at a local store and the background sounds are that of a grocery store scanner – which I found incredibly distracting.

Posted by Tom Schreck

Review of Carniepunk

SFFaudio Review

CarniepunkCarniepunk
By Rachel Caine, Rob Thurman, Kevin Hearne, Seanan McGuire, Jennifer Estep, Allison Pang, Kelly Gay, Delilah S. Dawson and Kelly Meding
Narrated by Candace Thaxton and Kirby Heyborne
Publisher: Simon & Schuster Audio
Publication Date: 23 July 2013
[UNABRIDGED] – 14 hours
Themes: / carnivals / urban fantasy / paranormal romance / mind-readers / synaesthesia / imprisoned goddesses / mermaids / short stories / tie-ins /
Publisher summary:
Come one, come all! The Carniepunk Midway promises you every thrill and chill a traveling carnival can provide. But fear not! Urban fantasy’s biggest stars are here to guide you through this strange and dangerous world. . . .

RACHEL CAINE’s vampires aren’t child’s play, as a naïve teen discovers when her heart leads her far, far astray in “The Cold Girl.” With “Parlor Tricks,” JENNIFER ESTEP pits Gin Blanco, the Elemental Assassin, against the Wheel of Death and some dangerously creepy clowns. SEANAN McGUIRE narrates a poignant, ethereal tale of a mysterious carnival that returns to a dangerous town after twenty years in “Daughter of the Midway, the Mermaid, and the Open, Lonely Sea.” KEVIN HEARNE’s Iron Druid and his wisecracking Irish wolfhound discover in “The Demon Barker of Wheat Street” that the impossibly wholesome sounding Kansas Wheat Festival is actually not a healthy place to hang out. With an eerie, unpredictable twist, ROB THURMAN reveals the fate of a psychopath stalking two young carnies in “Painted Love.”

This was a short story collection with urban fantasy, paranormal romance, and carnival themes. On the whole, the book was fairly average. There were some fantastic stories and there were some terrible stories. I’ve reviewed each story individually, below. The narration was mostly done by Candace Thaxton, though Kirby Heyborne narrated a few including “Painted Love” and “The Demon Barker of Wheat Street.” All in all, I found Thaxton’s narration preferable to Heyborne’s, but that might have been because I liked more of the stories she narrated than Heyborne. Heyborne’s narration bordered on creepy, and while it fit the genre/story, it also made me kind of uncomfortable. In honesty, I’m not sure I can recommend this book unless someone is looking for a specific short story from one of the authors. There were a few stories that I read that I’m now interested in the world, but most were either very average or downright terrible. This is also not a book for younger readers–some of the stories are quite graphic, mostly sexually. So if you want the book, be warned that it’s probably not “good family listening.”

Stories:
“Painted Love” by Rob Thurman. A creepy tale of a carnival manager and his killer tendencies, seen through the eyes of a demon that escaped from Hell. The demon, called “Doodle,” wants to see the world and so latches onto people as he makes his way around, seeing people of all types. Unexpectedly, Doodle finds that he’s awed by the strength of the psychic at the carnival–and steps in when Bart, the manager, tries to kill her and rape her sister. It was an interesting idea, made all the more creepy by the narrator’s voice. Unfortunately, most of the story was character development of the members of the carnival; the actual meat of the story felt like it was fairly rushed.

“The Three Lives of Lydia” by Delilah S. Dawson. I believe this was said to be a story of “Blud,” though I haven’t read any of Dawson’s work to have familiarity with the story or the characters. This was a sad story of a girl who woke up on the outskirts of a carnival in a different world, a world called “Sang.” The girl, Lydia, is a “stranger” in the world, a transient. She falls in (and in love?) with a vampire, and takes a job at the carnival. Unfortunately, she’s also stalked by some of the less-nice members of the carnival, and skates the line between her waking life and the life in her “dream.” While this was a sad story and somewhat predictable, I actually kind of liked it. I think I might want to read more in this world, if it’s more of the carnival “dream” world.

“The Demon Barker of Wheat Street” by Kevin Hearne. A story from the world of The Iron Druid Chronicles, therefore starring the Druid Atticus O’Sullivan, his Irish wolfound, and his student Granwael (spelled wrong I’m sure). This is supposed to take place a few years after the events in Tricked, which I haven’t read yet (I’ve only read the first book in the series, Hounded). This time, Atticus and Granwael decide to go into a “freak show” in a carnival and find something much more sinister than a typical carnival freak show. It results in a battle with some ghouls, as might be expected. Just like Hounded, this story is pretty light but entertaining enough with a good bit of action, if slightly formulaic.

“The Sweeter the Juice” by Mark Henry. A terrible and disgusting story about a transvestite looking for a new street drug to help pay off her debt at a sex change clinic. This story had a lot of unnecessary detail. It was also needlessly disgusting. I regretted eating while listening. If I could give negative stars, this story would get them.

“The Werewife” by Jaye Wells. Be careful what you wish for, even if it’s only in the darkest recesses of your mind. That goes double when you’re at a carnival with a freak show run by someone who can read minds. A story, as you might guess from the title, about a man and his werewolf-wife. The ending in this was almost “happy” and the story didn’t go where I thought it would. It was a welcome relief after the last story.

“The Cold Girl” by Rachel Caine. A short story in the vein of Twilight, down to the emo teenager “in love.” This particular emo teenager’s boyfriend turns out to be a murderer and she looks to be his next victim. She’s warned by a psychic at the carnival, but is also told that there is nothing she can do, and that she will meet The Cold Girl soon. This was utter rubbish. I suppose that if you liked the Twilight series, you might like this, but the truth is, the Twilight series did terrible things for a wonderful genre, the least of which was inflicting further crap like this on unsuspecting readers.

“A Duet with Darkness” by Allison Pang. This story is listed by Goodreads as “book 0.5” in the Abby Sinclair series. I’ve never read the series, but I do like the idea of music and synaesthesia as a tie to the magical world. In this story, Melanie is a violinist tied to a fallen angel, Numo (the description of whom reminds me of Sephiroth from Final Fantasy VII a bit). She is insanely talented and her pride gets the best of her while at a gig she “duels” (plays violin with/against) someone who is better than her. Her opponent turns out to be the Devil’s violinist. This story was a bit heavy on introduction of characters that didn’t seem to matter much for this story (but probably makes sense for the larger world context). I may have to give this series a go.

“Recession of the Divine” by  Hillary Jacques. Can you imprison a goddess? What happens if you try? This story attempts to answer that as Mnemosyne (Goddess of Memory, a Titan) has renounced her Olympian ways and (in this century) is a loss specialist for an insurance company. She ends up at a carnival which has had a string of accidents. She finds that there is much more than meets the eye as one of the carnival members is using other divine techniques to have his way about things–including wooing/luring customers. Realizing what Olivia (Mnemosyne) is, he tries to use her abilities as a part of the show…and that may just be his undoing.

“Parlor tricks” by Jennifer Estep. This is an Elemental Assassin short story, another series I haven’t read but might look into based on this short story. This time, a girl goes missing while at a carnival and “The Spider” and her sister (a police detective) go there to search for her. What they uncover is a fairly typical trope in fantasy, but that doesn’t stop this story from being pretty good. One other thing that I really liked that not many of the stories in this collection have done well is that it only gave us detail we needed. Too many of the other stories in this collection have a lot of detail that is irrelevant to the story. The detail would be needed for a full-length novel or maybe even a novella…but not for the short story. So, in addition to enjoying this story, I have to give Estep credit for the focus in the story.

“Freak House” by Kelly Meding. Another concise story, and another one I was surprised to enjoy. This time, it’s a story of a daughter trying to find her kidnapped father. The twist? Well…how does one exactly kidnap a djinn to start with, and how does one rescue the djinn from whoever was powerful enough to kidnap him in the first place? Shiloh, half-djinn, teams up with a werewolf and a human to do just that…the narration said this was a “Strays” short story, but I can’t find any reference to that series on GR or on Meding’s website. Either way, it was another story, just enough detail without going overboard.

“The Inside Man” by Nicole Peeler. After a few strong stories, I guess I can’t complain too much when this one was not nearly as strong–or as interesting. The concept was interesting: a soul-stealer and those trying to fight against him, to reclaim the souls. The execution, though, was boring. I routinely found myself getting distracted during this story in the Jane True universe.

“A Chance in Hell” by Jackie Kessler. A story that starts and ends with gratuitous sex scenes, this one was also pretty boring. Jezebel used to be a succubus, but she has escaped hell and is living “topside” as a human, getting trained in the ways of being human by her roommates. One of her roommates, Cecilia, wants to go to a carnival, to show her a new view of humanity. What Cecilia doesn’t know, can’t know, is that this carnival is run by a powerful demon. A story in the Hell on Earth series, it was another that was predictably un-entertaining.

“Hell’s Menagerie” by Kelly Gay. At its crux, a story about a girl and her dog with some coming of age thrown in for good measure. This story is from the Charlie Madigan world, though from reading the description of the books in that series, I think it’s just set in the same world, not necessarily with the same character. In this story, Emma travels with her hellhound, Brim, to Charbydon to rescue Brim’s puppies and their mother. They track them to a menagerie and are forced to make the decision to trade Brim for the pups. Now on a mission to rescue Brim, Emma realizes she has some special powers, powers that extend above and beyond her connection with Brim. This story was cute, if predictable. Really, how can anybody not like a story with hellhounds?

“Daughter of the Midway, the Mermaid, and the Open, Lonely Sea” by Seanan McGuire. I don’t really know what to make of this story. It wasn’t bad…but I’m not sure I “got” it. There didn’t seem to be much real story…it was about a young woman who was part (or entirely) mermaid, visiting with a traveling carnival the city where her mother (also mermaid) was found (and subsequently joined the traveling carnival). There is a lot of discussion of a “possible” problem but the actual action was only in the last 10 minutes or so of the 45-minute story…and even then, it was pretty mundane. I haven’t read any of Seanan McGuire’s (or her alter ego, Mira Grant) works, and I’m not sure that this enticed me to do so. I wonder how similar this story is to others she’s written.

Posted by terpkristin.

Review of Kafka on the Shore by Haruki Murakami

SFFaudio Review

Kafka on the ShoreKafka on the Shore
By Haruki Murakami; Performed by Sean Barrett and Oliver Le Sueur
Publisher: Random House Audio
Publication Date: 6 August 2013
ISBN: 9780804166553
[UNABRIDGED] – 19 hours, 2 minutes
Excerpt: | MP3 |

Themes: / cats / helpful librarians  / metaphysical reality / Japan /

Publisher summary:

This magnificent new novel has a similarly extraordinary scope and the same capacity to amaze, entertain, and bewitch the reader. A tour de force of metaphysical reality, it is powered by two remarkable characters: a teenage boy, Kafka Tamura, who runs away from home either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister; and an aging simpleton called Nakata, who never recovered from a wartime affliction and now is drawn toward Kafka for reasons that, like the most basic activities of daily life, he cannot fathom. Their odyssey, as mysterious to them as it is to us, is enriched throughout by vivid accomplices and mesmerizing events. Cats and people carry on conversations, a ghostlike pimp employs a Hegel-quoting prostitute, a forest harbors soldiers apparently unaged since World War II, and rainstorms of fish (and worse) fall from the sky. There is a brutal murder, with the identity of both victim and perpetrator a riddle–yet this, along with everything else, is eventually answered, just as the entwined destinies of Kafka and Nakata are gradually revealed, with one escaping his fate entirely and the other given a fresh start on his own.

I went on a Murakami reading binge in 2009, and suddenly found myself hitting a wall. What I had started out loving started to overwhelm and suffocate me. I knew I needed a break from him for a while.

I did take a break from the break to read 1Q84, which I really enjoyed. As I listened to the audiobook of this novel, I found myself wishing I’d read this prior to 1Q84. Some of the themes are the same, and I don’t just mean the silly themes like cats and pasta and music, but shifting realities and not being sure about who you are on many levels. They seem more concise in this novel, and I think having this experience first would have made 1Q84 even better.

This past year, Random House has been putting many of Murakami’s works out on audio, so I jumped at the chance to listen to this one as I had not yet read it in print. I enjoyed the audio production immensely. The two narrators bring completely different feelings to the different sections, and the novel shifts back and forth between the narratives of Kafka and Nakata. I enjoyed the haven of the library and the very helpful librarian, but that might have been the only moment of reality in this book.

Murakami always sends me off to listen to music, not just by work but certain performances of a work. I spent several afternoons listening to the Archduke Trio (Beethoven) as performed by the “Million Dollar Trio.” Great stuff.

Posted by Jenny Colvin

Review of The Human Division by John Scalzi

SFFaudio Review

The Human DivisionThe Human Division
By John Scalzi; Performed by William Dufris
Publisher: Brilliance Audio
Publication Date:[UNABRIDGED] – 15 hours

Themes: / military science fiction / space opera / short stories /

Publisher summary:

EARTH IS BETRAYED. It’s a violent, competitive universe. And our home planet would have been an easy conquest, if not for the efforts of the Colonial Union — the human spacefaring military organization that has defended our world for generations. But the Colonial Union kept many secrets from humanity, until John Perry revealed them to Earth’s billions. The CU has fought an endless series of secret wars on (it claims) Earth’s behalf, while manipulating humankind into providing an unlimited supply of recruits who never return from space. And, it turns out, there are alien races that seem inclined toward peace and trade instead of battle. Indeed, Earth has now been invited to join a new alliance of multiple worlds — an alliance against the Colonial Union. For the shaken and uncertain people of Earth, the path ahead is far from clear. With that choice hanging in the balance, managing the CU’s survival won’t be easy, either. It will take diplomatic finesse, political cunning . . . and a brilliant “B-Team,” centered on the resourceful Lieutenant Harry Wilson — a team ready to deal with the unexpected things the universe throws at you when you’re struggling to preserve the unity of the human race.

The Human Division is the most recent installment in John Scalzi’s series that started with Old Man’s War. The book was released in an episodic/season format and this book is the collection of those stories. The book takes place immediately following the events of The Last Colony and Zoe’s Tale but does not follow the same characters from the first four books. The collection comes off like something by Isaac Asimov where all the stories work together to a conclusion while each presenting their own puzzles/challenges to the protagonists. Overall this was a great book and I’m really looking forward to the next one!

Warning: If you haven’t read the novels leading up to this one, some of the things said after this point could be considered minor spoilers. You have been warned.

I really like the world Scalzi created with Old Man’s War and we get to see more of it explored in these stories as the Conclave and Colonial Union try to court Earth to their side. We also get to see how Earth reacts to the revelations and new technology they have been deprived of for so long, often to humorous effect. John Scalzi does a great job of mixing intrigue with comedic timing and flowing dialogue that makes this book a great read. There are some slower, more character driven segments in the book, but even those come across as interesting as the author adds more dimensions to already interesting characters.

Generally speaking, the stories follow a political vessel carrying a lower level politician and some Colonial Union staff that are sent around to fight Colonial Union fires as needed. This team is the “B Team” as indicated by the name of the first short story. My favorite character is Lt. Harry Wilson who is an out of practice CU soldier constantly thrown into crazy circumstances. He does some awesome things, has an entertaining attitude, and gets the job done.

William Dufris did a great job with the narration of this book. The characters often find themselves in odd circumstances and Mr. Dufris does a great job of making them sound incredulous or indignant. He pulls of the humorous dialogue quite well and definitely had me laughing at some parts. The episodes are clearly labeled and it’s easy to settle into each subsequent story. I had some trouble following all the character names at times but it wasn’t hard to keep track of the main characters because I recognized the voices Dufris used with them.

Posted by Tom Schreck

Review of Through the Door by Jodi McIssac

SFFaudio Review

Through the DoorThrough the Door (The Thin Veil #1)
By Jodi McIssac; Performed by Kate Rudd
Publisher: Brilliance Audio
Publication Date: 23 April 2013
[UNABRIDGED] – 10 hours

Themes: / Celtic mythology / faerie / motherhood / urban fantasy /

Publisher summary:

Single mom Cedar McLeod leads an ordinary but lonely life, balancing the demands of her career and her six-year-old daughter, Eden. One day, a fight between the two leads to the stunning discovery that Eden can open portals to anywhere she imagines. But before they can learn more about Eden’s extraordinary gift, the young girl mysteriously disappears. Desperate to find answers and her daughter, Cedar seeks out Eden’s father, who left before Eden was born. What she discovers challenges everything she’s ever known about the world around her: Magic is real — and mythical beings from an ancient world will stop at nothing to possess Eden’s abilities. Now, Cedar may have to put her faith in all of them if she hopes to save her daughter’s life. The first in the Thin Veil series, Through the Door is a pulse-pounding adventure that takes listeners across the globe and into the ancient realm of Celtic myths, where the stakes are high and only the deepest love will survive.

Through the Door has an unusual protagonist – a single mother. Cedar is raising her daughter, Eden, with the sometimes critical help of her mother, Maeve. Eden’s father, Finn, left before he even knew Cedar was pregnant. The story follows Cedar’s trials, beginning with the day Eden opens a door and finds not her bedroom, but Egypt.

I was very excited to get this audiobook, as I love Celtic mythology, but I found myself passing on chances to listen to it. I think some of the repeated uses of the Celtic words threw me out of the story a little, and the plot dragged in the beginning and end. Cedar was very refreshing. She was flawed and complicated, and felt like a real person who sometimes make mistakes. Eden acted like a strong little girl, and Maeve seemed like someone’s mother who didn’t approve of all of her choices. It was well-written, and I could tell the author was trying to cover all her bases, but that attention to detail slowed down the action too much. I will definitely be picking up her next book, so I would recommend this to anyone looking for a novel dealing with modern fae, wonderfully drawn characters, and unexpected protagonists.

The narrator is to be commended for her pronunciation of many Celtic words and her clear, emotive work throughout the story. Each disk had a short bit of music to smooth the transition, and the first few sentences from the previous track were repeated before continuing on.

Posted by Sarah R.

Review of Vol’jin: Shadows of the Horde

SFFaudio Review

VoljinVol’jin: Shadows of the Horde (World of Warcraft)By Michael A. Stackpole; Read by Scott Brick
Publisher: Simon and Schuster Audio
Publication Date: July 2013
[UNABRIDGED] – 11 hours, 42 minutes

Themes: / world of warcraft / trolls /

Publisher summary:

That night, visions mocked Vol’jin. He found himself in the midst of fighters, each of whom he recognized. He’d gathered them for that final assault on Zalazane, to end his madness and free the Echo Isles for the Darkspears. Each of the combatants took on aspects of a jihui cube, faced to be at their maximum power. Not a fireship among them, but this did not surprise Vol’jin.

He was the fireship, but not yet turned to display his maximum power. This was not a fight, though desperate, in which he would destroy himself. Aided by Bwonsamdi, they would slay Zalazane and reclaim the Echo Isles.

Who be you, this troll, who be having memories of a heroic effort? 

This is my first book by Michael A. Stackpole, who is probably best known for his Star Wars books. From the dedication at the beginning, it sounds like he is/was a WoW player at some point. This is book #12 in the World of Warcraft books. As far as I know/could tell it is unrelated to any of the others. I didn’t find myself lost or confused.

As the title would indicate the protagonist of this book is Vol’jin, the Shadow Hunter, leader of the Dark Spears and high general in the Horde.

I would say having quested in Pandaria is almost a pre-requisite. The other main character of this book is Chen Stormstout

I really enjoyed his questline as I leveled this expansion, so it was nice to get more with him. His niece Li-Li also makes an appearance. I haven’t played Horde in awhile, but there looks to be a quest related to this book. Chen finds Vol’jin nearly dead and takes him to the monastery of the Shadow Pan.

The first half of this book is really slow, which is bad considering it’s only about 12 hours long. I was really hoping for more action. There is a lot of self-reflection as Vol’jin tries to heal. The second half of the book has a bit more action and was a slightly faster pace. I did end up listening a little longer than yesterday just to finish it up.

The book made me to want to start playing again, which is probably a large part of the point of these books.  However, I would say if it WASN’T about a world/characters I already really like, that it probably would have gotten an even lower rating.

This is the first book I’ve listened to by Scott Brick. Mr. Brick has a good clear voice. He also does a pretty good Cajun accent for the trolls. My big problem is apart from that everyone sounds the same. The Trolls (both male and female) sounded the same. I couldn’t really tell apart the human character from the Panderan either. It could make some conversations very hard to follow unless it was between Vol’jin and a non-troll. That said, I’d probably listen to something read by Mr. Brick again.

My other gripe with the audiobook was my digital copy had music at the end of EVERY chapter. I’d have been fine with it if it was in-between chapters, but I hate when audiobooks have music while the Narrator is reading the book.

Overall this is just a so-so book, 3 stars.

Review by Rob Zak.