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HAPPY 1ST BIRTHDAY TO SFFAUDIO! SFFAUDIO was bo…

SFFaudio News

HAPPY 1ST BIRTHDAY TO SFFAUDIO!

SFFAUDIO was born on March 31st 2003 at 12:09PM, and today is our first birthday. Now, we’re still wearing diapers and making the occasional mess in them – but on the bright side people say we’re “as cute as a button” and that we still have that “new baby smell.” Over our first year we had some teething difficulties and they may continue into our second, but we expect to be doing more than just goo-ing and gaa-ing by March 31st 2005!

Happy Birthday to us, and thanks for visiting!

Posted by Jesse and Scott

Review of The Twilight Zone No. 2 – Walking Distance by Rod Serling

The Twilight Zone No. 2 – Walking Distance
By Rod Serling; Read by Cliff Robertson
1 Cassette – 75 minutes [UNABRIDGED]
Publisher: Harper Audio
Published: 1992 – (OUT OF PRINT)
ISBN: 1559946601
Themes: / Fantasy / Time-travel / Small Town / 1930’s / Depression Era / Human Condition /

The signpost up ahead. You’ve just crossed into… The Twilight Zone.

“Walking Distance” is the second in the series of stories based on actual episodes from the original The Twilight Zone television series. Martin Sloan is a 36-year-old businessman who longs for the carefree days of his youth. Martin wants to return to his hometown, but when his car breaks down, just walking distance from his destination, he decides to walk the rest of the way. Upon entering Homewood, Martin is taken aback by the sameness of the place, chocolate sodas still only cost a dime and people drive obsolete automobiles. Gradually, Martin begins to realize that the town has not changed at all in the twenty years since he’s left: In fact, his parents are still alive, and there’s a young boy running around who is the living image of 10-year-old Martin Sloan.

Cliff Robertson’s range isn’t all it could be, but he reads the story with enough vigor and emotion to instill a nostalgia for the 1930’s in me! “Walking Distance” doesn’t have many of the typical conceits of a science fiction time travel story, but its definitely a Twilight Zone story. And it has the requisite and almost comforting Twilight Zone Twist at the end. Presented just like an actual episode of the television series, there’s the haunting Twilight Zone music at the beginning and the end and an introduction just like Serling used to make. A good second installment in this six part series.

Posted by Jesse Willis

Review of The Callahan Chronicals by Spider Robinson

The Callahan Chronicals
By Spider Robinson; read by Barrett Whitener
12 cassettes – 18 hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2003
ISBN: 0786124601
Themes: / Science Fiction / Telepathy / Empathy / Callahan’s Place / Extraterrestrials / Time Travel

There is nothing which has been contrived by man by which so much happiness has been produced as by a good tavern or inn. — Samuel Johnson

With that quote begins Spider Robinson’s omnibus collection of short stories entitled The Callahan Chronicals. Included in this audiobook are the collections Callahan’s Crosstime Saloon, Time Travelers Strictly Cash, and Callahan’s Secret. Time Travelers is not included complete – in the original paperback, some non-Callahan stories appeared that are not collected here.

The stories center around a bunch of very good folks that spend quite a bit of time at Callahan’s Place, a bar owned and tended by Mike Callahan. In the author’s words, Callahan’s is “an environment in which shared pain is lessened, shared joy is increased, and the puns really suck.” It’s a place that a person can bring his or her troubles, and find people that are willing to listen – and believe. A typical story finds the patrons enjoying each other’s company (often tossing horrible puns at each other) when someone enters and tells his or her story. This person is changed by the experience of sharing his or her troubles.

Some of the stories are marginally science fiction, but most involve some kind of science fiction idea engendered in one of the characters. Telepaths, time travellers, extra-terrestrials, and even Spider Robinson himself are among the bar’s visitors. Robinson is able to reach an emotional depth not often seen in science fiction. Each story is touching in its own way, and they often reach peaks of joy and depths of pain, all within minutes of audio. In short, these stories pack an emotional punch. I found them difficult to listen to one after the other, as a person can only feel so much. They would be better heard individually, with a bit of time to digest and reflect in-between. I plan to revisit them in this way – they are worth listening to again, and are worth the pause.

Barrett Whitener is exceptional here. He understands the material and adds just the right touch in nearly every story. No easy task with these touching stories. A job very well done.

At the beginning of the audio, there are three introductions. The first is titled “Backward”, written by Spider Robinson for the entire volume. Next is “Spider Robinson: The SF Writer as Empath” by Ben Bova, which provides a look into the life of an editor as he describes Spider’s first sale to Analog. Then comes a forward written by Robinson for the original version of Callahan’s Crosstime Saloon. All of them were interesting, and I’m glad Blackstone left them in there.

I was disappointed only by the fact that there are no breaks between these stories. The final sentence of a story is read, immediately followed by the title of the next, and straight on till morning. I would have appreciated some kind of break there.

Posted by Scott D. Danielson

Review of Nine Princes in Amber by Roger Zelazny

Nine Princes in Amber
By Roger Zelazny; Read by the author
4 Cassettes – 6 Hours [UNABRIDGED]
Publisher: Sunset Productions
Published: 1998
ISBN: 759433069046
Themes: / Fantasy / Magic / Parallel Worlds / Immortality /

At the beginning of this book, Corwin, an immortal prince of Amber, wakes up in a hospital bed without his memory. He slowly figures things out – who he is, where he is, and most interesting, who’s on his side and who isn’t. As he goes through this process, so does the listener, discovering the world through Corwin’s eyes.

But Corwin is not just human. He’s a member of the royal family of Amber, which is the only true world there is. All other worlds in the universe, including the one in which you and I sit, are but shadows of Amber. One gets to Amber only if one remembers exactly what Amber looks like, and if one has the power to subtly change the environment until it matches the one true world.

The royal family of Amber is dysfunctional, to say the least. Corwin has many brothers, among them Eric, Random, Bleys, and Caine. They all want the throne, and some are willing to kill for it. As Corwin becomes more aware, he too faces that decision – how far is he willing to go to gain the throne himself?

Roger Zelazny narrates this unabridged novel. He has a deep voice that I’ve heard compared to Bogart’s – takes a little getting used to, but the result is personal and satisfying.

The novel is wonderful – vintage Zelazny. I was delighted when I first found this (and the other four Amber novels) on unabridged audio. It was published by Sunset Productions in both unabridged and abridged formats. The abridged version is “enhanced” with sound effects, and features changes to Zelazny’s voice to indicate that the narrator is in a library or underwater, etc… that version is an example of an audiobook that has been overwhelmed with sound effects at the cost of the material. I much prefer this unabridged version, not only because it’s unabridged, but also because it is Zelazny’s reading without distortion.

Americana Publishing now owns the rights to the Sunset Productions, and has re-released the Amber novels, unfortunately only in the abridged format.

posted by Scott D. Danielson

Review of Brown Girl in the Ring by Nalo Hopkinson

Brown Girl In The Ring
By Nalo Hopkinson; Read by Peter Jay Fernandez
6 Cassettes – 8 Hours [UNABRIDGED]
Publisher: Recorded Books
Published: 2001
ISBN: 0788752286
Themes: / Fantasy / Science Fiction / Dystopia / Organ harvesting / Canada / Caribbean / Voodoo /

To uncover the future voices of science fiction, Time Warner Publishing sponsored a contest that attracted hundreds of submissions. Brown Girl In The Ring was the winning entry, announcing author Nalo Hopkinson to the world as a tremendous new talent. Brown Girl In The Ring is set in a future Toronto. An economic breakdown and a rising crime rate means the middle and upper classes have left and only the underclass remains there – a significant portion of which is of Carribean descent. Toronto’s citizens have been walled away from the rest of Canada, but now the upper classes need something from the untouchables within Toronto city limits – they need their orphans. If you think of the New York in the movie “Escape From New York”, move it a few miles North and East, you’ll get an idea of the general setting. This is a “what would the world be like if…” story, which makes it sort of SF, but there is also magic or more properly magics (both good and bad) that influence the character’s lives, and deaths too, and this is certainly not plausible in my buttoned down scientist’s hat worldview (scientists do wear hats right?). Which tends to make me think it must be fantasy, kind of like Star Wars with its “force” must be fantasy.

I think I’ve thought of a term to describe it too, you’ve heard of Cyberpunk and Steampunk right? Well maybe Brown Girl In The Ring is Voodoopunk? I wasn’t sure what I was getting into with this audiobook, it has a vocabulary and an outlook I’d never experienced in a novel before. But on the other hand it did have some things that I recognized. It has a story – a very strong story – that was told as if the author had told dozens like it before and she guided me through it with a sure hand. What’s even better is it has a strong finish. I was worried I wasn’t going to be satisfied with where the story was going, I was happily surprised. Nalo Hopkinson knew what she was doing. I didnt anticipate the dénouement, but it makes sense and is very satisfying even though it is subtle. Maybe it makes it even more satisfying because it is subtle.

As for the production, it’s a Recorded Books audiobook so of course every word of the novel’s text is present. A very good thing too! It would have been a mistake to abridge a story as complex as this one. The cover art is perfect, I think it even surpasses the original paperback artwork!

Not being from the Caribbean myself I thought Peter Jay Fernandez did a great job with the accents and voices. I have been informed however that Fernadez is definitely mis-reading some of the phrases, so badly in some cases that he accidently changes their meaning. It didn’t detract from the experience for me, but if you are at all familiar with Carribean pronounciation and accents it may make it somewhat distracting.

posted by Jesse Willis

Review of The Small Assassin by Ray Bradbury

The Small Assassin
By Ray Bradbury; Read by Ray Bradbury
1 Cassette – 39 minutes [UNABRIDGED]
Publisher: Caedmon
Published: 1981 – (OUT OF PRINT & HARD TO FIND)
ISBN: NONE (Library of Congress #91-740020)
Themes: / Fantasy / Childbirth / Babies /

Ray Bradbury is different from most speculative fiction authors. His stories feel almost organic – the ideas in them seem to grow out of a small seed rather than to be built, there is a structure present but the elegant symmetry of his tales appears to come solely from their functionality rather than deliberate act of ornamentation. This is doubly true in the case of “The Small Assassin”. Written in 1945, when he was only 25 years old, Bradbury sold the story to Dime Mystery Magazine and it appeared in the November 1946 issue. It tells the story of a brand new family, the father is a proud parent, the mother is dutiful but worried and the baby is trying to kill his parents. Its a slight premise, the story is short and it needs to be for the limited range of consequences it can explore. But its successful and leaves the listener with just that much more cautious about assumptions. A lesson Bradbury teaches well. Caedmon was the pioneer of audiobooks (Caedmon is now an imprint of HarperAudio), and like many of its earliest recordings it liked to have authors read their own stories. Bradbury reads his own tale here and he reads it well.

posted by Jesse Willis