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 84.2 Minutes Of Algis BudrysBy Algis Budrys, Read by Algis Budrys 1 Cassette - 84.2 Minutes [UNABRIDGED] Publisher: Unifont Company Published: 1995 ISBN: 1886211019 Themes: Science Fiction / Interstellar Travel / War / Immortality / Post Apocalypse / Fairy Tales / Alternate History / Parallel Worlds / The four stories in this rare collection are densely packed with terrific science fiction ideas and all four share a haunted bittersweet quality. Algis Budrys lets the power of his text completely rule over his performance. Budrys barely distinguishes between the characters; he reads it in an almost conspiratorial style saying, "If you don't like them, there's very little more I can say. But I secretly think you will like them, in which case there's nothing much more I need to say". His philosophy has extended into the production as well, this is a very utilitarian audiobook, pages can be heard turning in the background while he reads, the cover art is completely non-existent and the title is hardly evocative of much at all, but despite it all 84.2 Minutes Of Algis Budrys is a worthy addition to any science fiction audio fan's library. The only hard part may be getting a hold of one! Stories Included: "The Distant Sound Of Engines" Severely maimed in an automotive accident, a patient recovering in hospital listens as his roommate, a dying man spouts formulas for faster than light travel, the alloy specifications for ultra strong spacecraft hulls and everything else necessary to make humans an interstellar species. First published in The Magazine of Fantasy and Science Fiction's March 1959 issue. "Explosions!" On a distant water-world that was long ago colonized by humans, a pirate king comes up with a plan to unify the many islands of his planet, and do it by force. “Explosions!” was written under the pseudonym William Scarff and first appeared in Tomorrow Speculative Fiction's April 1993 issue. "The Price" The Earth's civilizations have been destroyed, fewer than 100 people survive, mankind's last hope is an enigmatic hunchback who's been imprisoned for more than 150 years. He'd been chained in various dungeons or enslaved in forced labour camps, but when Europe was annihilated in a global war, and every person there was destroyed, he alone walked out. First published in The Magazine of Fantasy and Science Fiction's February 1960 issue "Never Meet Again" England surrendered in 1940, by 1941 German U-boats ruled the Atlantic, by 1942 the Russian's had surrendered at Stalingrad. Now fifteen years later a respected researcher in the Greater German Reich has finished his life's work, a machine that can access alternate worlds. “Never Meet Again” was first published in the 1958 anthology The Unexpected Dimension.  Ash City StompBy Richard Butner; Read by Richard Butner 1 MP3 File - 32 Minutes 17 Seconds [UNABRIDGED] Publisher: Small Beer Press Published: 2004 Themes: / Fantasy / The Devil / Drugs / "The Devil was rail thin, wearing a too-large red union suit that had long since faded to pink. It draped over his caved-in chest in front and bagged down almost to his knees in the seat. A tattered red bath towel was tied around his neck, serving as a cape. He wore muddy red suede shoes that looked like they'd been part of a Christmas elf costume." The Small Beer Press website has posted an author- read downloadable MP3 of Richard Butner's short story Ash City Stomp, taken from the anthology entitled Trampoline. You've likely read stories like this before. I'm not sure if it has a name (maybe slacker-zen would be a good one), but it is some kind of amalgam of the gen-x aesthetic with the fantastic element. Something like Neil Gaiman's American Gods as written by Douglas Coupland. It's not designed to leave you fully satisfied. Instead, its purpose is to show you the post-modern human dilemma for the educated class and their relationship to traditional fantasy elements. Butner's stripped-down dialogue is rhythmically punctuated with curly-cues of ornate hyper-description. As a reader Butner doesn't have much luck playing the female voice, but his crazy devil voice is loads of fun. The recording itself is clean, and includes an introductory hard rocking electric guitar riff. The free downloadable MP3 be found HERE.  Bubba Ho-tepBy Joe R. Lansdale; Read by Joe R. Lansdale DVDVideo Special Feature - 7 Minutes 56 Seconds [UNABRIDGED EXERPT] Publisher: MGM Published: 2003 UPC: 027616906533 Themes: / Fantasy / Horror / Humor / Magic / Elvis Aaron Presley is living in a Texas rest home. See, he really isn't dead because he'd switched identities with an Elvis impersonator years before his so called "death". Also occupying this old folks home is an elderly black man, call him Jack, who claims to be former President John F. Kennedy. When a lurking evil in the form of a soul sucking Egyptian mummy starts killing the residents its up to JFK and Elvis to take it out. Good thing it's 3000 years old because Elvis' hip is out and he still hasn't gotten the hang of his walker. Wait a second, we don't review DVDs here! That's right we don't - normally. But this DVD has a special feature, an audio excerpt of Bubba Ho-tep, the original novella as read by the author Joe R. Lansdale. This phenomenon of special features on DVDs has yielded a few radio dramas in collector's editions of old movies before - but this is a recent film so I was juiced to see that it included the original story as an extra. Too bad Lansdale reads only the first chapter of his Bram Stoker Award nominated novella. What little is there is ribald and crude and pretty funny. The reading is accompanied by still images from the film. Too bad it's just the first chapter. With all the useless making of special features out there you'd think they could at least give us the full story.  Catskinby Kelly Link; read by Kelly Link http://www.kellylink.net/ 56 minutes - [UNABRIDGED] Publisher: WNYC Radio ["Spinning" with host David Garland] Published: Nov. 1st 2002 *[LISTEN TO THE ARCHIVED SHOW IN REALAUDIO] Themes: Fantasy / Horror / Magic / Witchcraft / Cats This short story by Nebula, World Fantasy, and James Tiptree Jr. Award winning author Kelly Link can be heard by listening to this archived radio show. *Be sure to zip all the way to the end of the first hour of the show and then to the 2 minute mark of the second hour of the show. This is an unusual tale of the death of a lonely witch whose magical family must deal with the death of their mother. Frightening mental images and an unconventional approach to traditional horror and fantasy marks much of Kelly Link's work . Like Neil Gaiman, Link is working with traditional themes, but overturning our expectations and that's a good thing. Unfortunately, Link reads this tale very matter-of-factly, something all too common with author-performed stories and of course this adds nothing to an otherwise interesting tale. Link's reading is also accompanied by a constant tinkling and trumpeting musical background - if it merely introduced and concluded the reading it would be great but because it doesn't it simply distracts from the telling. One other minor issue is the long pauses up to six seconds. Such pauses make the listener think the reading has concluded prematurely. Despite these audio production problems, Catskin makes for a chilling Halloween themed listen.  Comic Book: The MovieWritten & Directed by Mark Hamill; Performed by a Full Cast DVD Video Special Feature - 7 Minutes [UNABRIDGED AUDIO DRAMATIZATION] Publisher: Miramax Published: 2004 UPC: 786936230635 Themes: / Superhero / Comics / Fantasy / Humor / The fictional Golden Age superhero Commander Courage is without doubt the greatest hero in comics for obsessed High School teacher Don Swan (Mark Hamill) in the mockumentary called Comic Book: The Movie. While the movie itself is well worth viewing it is one of the extra features on this 2 disc DVD set that is the most interesting for us: An original radio script supposedly first broadcast in the mid-forties, entitled "The Origin Of Commander Courage". As most of the cast of Comic Book the movie is made up of animation voice talent they decided to do a dramatic "re-creation" of the script during a panel at the 2002 San Diego Comic Con. This brief origin story tells how Commander courage first got his unique super powers. The voice talent includes: Gary Owens (Roger Ramjet, Space Ghost), Maurice Lamarche (Pinky and the Brain, Futurama), Bob Paulsen (Animaniacs, The Tick) and Jim Cummings (The New Adventures of Winnie the Pooh, Shrek)! Video of the recording session is provided as well but we're asked to imagine sitting with our families gathered around an old Philco Radio, tuning in to the first ever broadcast of the "Commander Courage Radio Show"'. The script is ridiculous, but then so were most of the origin stories of 1940s superheroes. The live audience laughs as the casts takes liberties with the script and improvise their own sound effects. Well worth a look and a listen!  The Consciousness Plagueby Paul Levinson, read by Mark Shanahan 7 CD’s – 9 hours [ABRIDGED] Publisher: Listen & Live Audio Published: 2003 ISBN: 1593160380 Themes: / Murder / Memory / Mystery / Cognitive Anthropology / Detective Phil D’Amato has to solve a series of murders, but he and many others begin losing chunks of their memory. It turns out a functioning memory is quite helpful when trying to solve crimes, but D’Amato manages anyway. Levinson wrote it in first-person, so when D’Amato realizes there is important information he had forgotten, you don’t know it until he knows it. That really worked well for me, giving me that startled, disconcerted feeling one would actually have in that situation. Early in the book Phil D’Amato declares himself a “lone wolf” and immediately begins butting heads with shortsighted superiors. But if the book promises at the beginning to be cliché, don’t believe it. Detective D’Amato brings aboard a number of collaborators as he gets the bad guy. There are a few unbelievable moments. For example, Dr. D’Amato decides to fly to Scotland to speak with a man face to face because he is warned that the man is “really monotone” when talking over the phone. Perhaps I lack the proper empathy, not having previously been subjected to such a monotone telephone conversation that I’d rather cross an ocean just to have a face-to-face conversation, but I found the few moments like this distracting. On the other hand, what do I know? Levinson won the Mary Shelley Award for Outstanding Fictional Work in 2003 for this novel. The plot is really quite intriguing, and pulled in credible ideas from a number of fields such as Cognitive Anthropology. (I get the feeling he googled some other areas of expertise for enough information to throw them in the mix, but let a non-googler cast the first stone.) Mark Shanahan does different voices for over a dozen characters. How well does he do? With that many voices it depends on whether you’re a glass-is-half-full or half-empty kind of person. He actually has the perfect voice for a New York forensic detective and even the silliest voice was attached to one of the more endearing characters, so it worked for me.  Ecotopia - An Audio NovelBy Ernest Callenbach, Read by Ernest Callenbach and Edwin Newman 2 cassettes - 3 hours [UNABRIDGED AUDIO ADAPTATION] Publisher: Audio Renaissance Date Published: April 1990 - Out of Print ISBN: 1559270527 Themes: Science Fiction / Utopias / Environmentalism / Ecology / Dateline -- the early 21st Century. The nation of Ecotopia -- made up of what was once Washington, Oregon and Northern California -- has been independent of the United States for 20 years. Now, for the first time since its secession, this mysterious society is allowing an outsider to enter its borders and report on its way of life. William Weston is a journalist from the eastern United States, the first person to be granted permission to enter Ecotopia since its breakaway from the rest of the USA 20 years earlier. The news reports he transmits from Ecotopia describe the strange customs, practices and beliefs of the Ecotopians. Meanwhile, his personal journal doesn't try to remain objective as he comes to terms with his personal response to this strange new society. Ecotopia is less a novel than it is an extended essay on how we could live if we would just all become environmentalists. The basic premise is simply an environmentalist version of Sir Thomas More's literary classic Utopia. While listening to the story I never once got lost in the tale. I was always aware that this was directly inspired by More's famous work - heck, even the title jars the suspension of disbelief, its like naming the first moon colony "Moonbase Alpha" and then expecting us all to take it seriously. But Ecotopia isn't exactly a modern retelling of More's work. Unlike his utopia, Ecotopia is earnest, real earnest - and in a way only a true environmentalist or an evangelical vegetarian can be. But don't get me wrong, I enjoyed the story and liked a lot of the ideas in it. But the story is a complete daydream, with no chance of it ever happening, at least any sort of revolutionary way as Callenbach has it. I shouldn't overstate the flaws. Ecotopia was written in 1975, and here nearly three decades later a significant portion of the population has adopted at least some of the mindset set out in the novel. I must tell you I'm no true-believing granola-cruncher myself, but I concede that much of the novel has great power and is persuasive. Ecotopians enjoy 20-hour work weeks, have a stake in the product of their labor and live in a society that has abolished patriarchy. The greatest criticism that I can have against the story is that it's completely unrealistic - it ain't gonna happen, not like he's written it. Now normally this wouldn't be an issue at all. Many fantasy novels are set in worlds which are absolutely physically impossible, but nobody says "elves don't exist so I can't accept the story", but in this case I think the criticism is apt. Ecotopia isn't fantasy fiction, it's utopian fiction - and the charge of implausibility is much much stickier when it comes to utopian stories especially when they're earnest. Dystopian tales on the other hand, like George Orwell's 1984 need not be plausible. They are vaccinations against future problems. By taking our modern moral and technological problems to an extreme in utopian/dystopia stories like Aldous Huxley's Brave New World or Ira Levin's This Perfect Day we are immersed in a complex vision of the problems and benefits such a society would have. Utopian dystopias demonstrate how good ideas can be ruined by unforeseen consequences and how taking some of the bad with the good might not be such a bad thing. But straight earnest utopian literature has to be laid out in such a way as to explain how we get there from here. Author Ernest Callenbach doesn't do that. He doesn't even wave his hands or use a throwaway excuse, and that shortcoming is a huge hurdle. All his characters are true believers, no one rails against the obvious implausibility of it all, so it is we, the listener who must. In Kim Stanley Robinson's utopian novel Pacific Edge (1988), for example, a similar ecological balanced society is pondered, but it manages to explain how the self same human nature that we have in a consumer mad society like ours can also become an ecological utopia and it does it in a much more plausible and immersive fashion. Callenbach himself narrates Ecotopia with help from Edwin Newman, they take turns reading the first person account of William Weston's journey through Ecotopia and the dispatched news reports respectively. Both do very competent work presenting the story and have pleasant reading voices. The original cover art is attractive, the packaging adequate. Overall, this is a good package but not exceptional. Worth a listen but by no means a classic.  Eye For EyeBy Orson Scott Card; Read by Stefan Rudnicki with Margy Stein 3 CDs - 147 Minutes [UNABRIDGED] Publisher: ReQuest Audiobooks Published: 2005 ISBN: 1933299517 Themes: / Science Fiction / Society / Morality / Youth / Power / "If you're a half way decent person you don't go looking to kill people. Even if you can do it without touching them. Even if you can do it as nobody even guesses they were murdered you still got to try not to do it." Mick Winger is only seventeen - and already he's killed over a dozen people. Not on purpose of course; he never meant to hurt anyone. But when Mick gets angry, people die, even the people he loves the most. Set in the contemporary world, Mick is a godfearing young man with a mysterious power - the ability to kill people just by getting mad at them. He doesn't want to kill people, but sometimes he gets mad and then they die of hideous cancerous tumors - sometimes fast, sometimes slow - depending on how mad he gets. The phenomena is explained by some "bio electrical field" handwaving on Card's part but that isn't the heart of the story. Mick's been an orphan since the day he was born - even as a baby his uncontrollable power killed his caregivers. When he grew old enough to realize the danger he posed to others, he left the orphanage to get a job doing manual labour for a decent father figure. One day Mick finds himself unconciously withdrawing his meager savings and travelling to his birthplace - like a salmon going to spawn - but on the way he meets an older woman who knows his terrible secret. She tells him he doesn't have to go and tries to persuade him to come with her instead. But Mick has other plans. He'll go work for the CIA, make some good of his ability to kill. Of course Mick has forgotten even he has to sleep sometime... I plain loved this book. Not only is the story told crisply and cleanly, but it also gets one doing some deep thinking. Mick's gift/curse is almost the perfect allegory for gun control. Not even the most rabid NRA members would suggest it's a good idea to give pistols to toddlers, and that's basically Mick's situation. He's been given a weapon that is so a part of him that he can no more stop it than he can stop breathing. His emotions are tied into a hair trigger of killing. Pity even the most loved friend who is standing near when his emotions run hot. Orson Scott Card has tied this all in with what looks like a cross between an Old Testament inbreeding program and a fundamentalist militia. This whole situation reminded me of a phrase Robert A. Heinlein once coined: "An armed society is a polite society."* This concept has been much trumpted by the firearms lobby and Eye For Eye shows just what it would mean if it were practiced. If everyone was like Mick Winger, a community of the armed would also be a community of fear, where even constructive criticism is to be avoided at all costs lest someone take offense. Love thy neighbor doesn't extend very well when thy neighbor demands the freedom to own nuclear weapons. In this age of seemingly endless series, thousand page fantasy epics, and general fiction sprawl, it is wonderfully refreshing to listen to a short novel or novella. Request Audiobooks, a brand new player in the audiobook market, has dipped into Science Fiction and Fantasy's glorious past for some wonderous tales that don't require a forklift to enjoy. Eye For Eye was first published in Isaac Asimov's Science Fiction Magazine, Mar 1987 issue, and in 1988 it won the Hugo Award for best novella. Then in November 1990 it was paired as half of the Tor Double Novel #27 with another novella by Lloyd Biggle Jr. (The Tor Doubles are for my money the very best modern treeware series published). For more than ten years this terrific tale sat out of print. Then ReQuest Audiobooks stepped up. And boy did they ever! ReQuest presents the novella in all its glory, and then some. They tapped master narrator Stefan Rudnicki to read it. Rudnicki who's sonorant basso has performed more Orson Scott Card audiobooks than any other voice on Earth is perfect for the job. Then, they went to Orson Scott Card himself and had him write an original afterword just for the audiobook. To finish it all off, they commisioned some truly eye-catching art. This is my very favorite kind of audiobook. A short novel with an intriguing premise, bristling with driven characters, read by a talented narrator, and sporting a bonus feature. With a USA price point of just $14.95 for three CDs this is like a slice of audio heaven. *-The quotation comes from the novel Beyond This Horizon by Robert A. Heinlein  Falling FreeBy Lois McMaster Bujold; Read by Michael Hanson and Carol Cowan 7 Cassettes - 9 hours [UNABRIDGED] Publisher: The Reader's Chair Published: 1996 ISBN: 0962401099 Themes: / Science Fiction / Genetic Engineering / Space Travel / Space Stations / Slavery / Corporations / When I heard about The Reader's Chair going out of business, I couldn't help but to revisit this book. I first started writing about audiobooks back in 2001, and one of the first columns I wrote for SFSite was about The Reader's Chair. In that column, I said: The audio versions are first-rate. Hanson and Cowan read the books with enthusiasm, providing different characters with different inflections. Great care was taken to make these novels a listening pleasure. Upon listening to this Nebula-winning novel, and after hearing I have no clue how many audiobooks since, I can still say that the Reader's Chair titles are amongst the finest out there. Michael Hanson has a deep sonorous voice that demands attention, and Carol Cowan is a warm yet feisty counterbalance. Falling Free is a novel that fits into Lois McMaster Bujold's Vorkosigan series, but the events occur 200 years before the birth of the famous Miles Vorkosigan. The story involves a corporation that genetically engineers a new race of humans (called Quaddies) that are uniquely adapted for work in zero-gravity. Enter Leo Graf, an engineer hired to teach zero-g welding techniques to this new race of slave labor. When he sees how the Quaddies are treated, he becomes very uneasy. Think you know where this is heading? Bujold pulls it off brilliantly. This one is now officially out of print, but well worth finding. The Reader's Chair productions are top notch, from the high quality production value to the sturdy and fine-looking packaging. I'm very sorry to see them go.  The
Giverby Lois Lowry; Read by Ron Rifkin 4 Cassettes - Approx. 6 hours [UNABRIDGED] Publisher: Bantam Doubleday Dell Published: April 1995 ISBN: 055347359X Themes: Science Fiction / Children / Dystopia / Utopia / In the future, society has eliminated pain and there is peace on earth, at least as far as we can tell. For Jonas, his twelfth birthday marks new responsibilities and new challenges. He hopes to be assigned to training as a "Nurturer,'' like his father, with duties of caring for newborn babies until they are assigned to mothers and fathers. His mother works in the "Department of Justice''; but he doubts that will be chosen to be his life's work. He has little natural aptitude for either function. But he is unexpectedly assigned to the position of "Receiver,'' an important job with the unique function of learning and holding the community's memories. The present position is held by a community elder, who is called "The Giver". Together they must make the transition easy for the community because strong memories of hate, anger, and love aren't acceptable except for guiding political decisions. This is a well written children's novel that adults can enjoy. But it is a children's novel and one way to tell is by the controversy surrounding it was so strong. Though it is set in a science fiction setting, it is more of a parable than most modern children's science fiction. The story of a young boy confronting a hidden truth about his society isn't entirely original (though it does predate Harry Potter by a few years). It is also of course a story of a utopia/dystopia and the transformation of society that happened to make it. Again something not unfamiliar, but what is original though is the method used to transform the society. Think of it as a children's version of Brave New World, This Perfect Day or G-rated Equilibrium and you'll get the idea. Ron Rifkin's narration is effective, and it is an enjoyable novel to listen to. The controversy surrounding "The Giver" is entirely a product of it being deemed a children's book, and having a child rebelling against his parents and society. It won't turn your pre-teen into Che Guevera.  The HarvestBy Alec Sand; Read by John Pruskin 1 MP3-CD - 4 hours [UNABRIDGED] Publisher: Academic MP3 Audiobooks Themes: / Science Fiction / Space Travel / Biology / Alien life / Medicine / Click here for an Audio Trailer The Harvest is a short novel of future history. No, it's a bit more than just that. Alec Sand has created a detailed future in which his characters move. It is a future in which a substance called iridium has changed things significantly - it's a substance from which power is derived and the finding and mining of iridium occupies much of mankind's time. The Harvest is hard science fiction in which the ideas and concepts generously flow. In this future, Gideon and his sister Dara reside. Dara has a disease that Gideon is somehow convinced has a cure somewhere "out there", so he takes her with him on a mining expedition to a new planet. Dara finds much there. There was some lecturing during the story, which I felt slowed things down a bit. The author could have found smoother ways to introduce information, but it was all interesting, and I found myself eager to know what happened next. I liked the story as a whole very much. John Pruskin narrates, and overall was very good at keeping my interest. There were a few errors in the narration, but again - I was always eager to continue, and a listener can't ask for much more than that. He maintained a good, consistent pace throughout and read with clarity. A unique aspect of this audiobook is its soundtrack. There are several songs that play at various times throughout the audiobook, usually as bridges between chapters or sections. A band called Silk84 provides this music, and the songs are included in full in a different folder on the MP3-CD. I'm listening to some of this music as I write this... I like it! The music ranges from upbeat dance music to beautiful piano music, and though I didn't always feel the music matched my mood while listening, what Academic did with music in this audiobook is unique and it worked! Yeah, Silk84... I like the sound of your guitar. (You can find Silk84 on iTunes.) You can get a copy of The Harvest from Academic MP3's website by clicking right here.  The HelmsmanBy Bill Baldwin, Narrated by Justin Brooks, C.J. Critt, Patrick Seaman, Roger Jones, & Steve Botha MP3 Download, 576Mb - 10 hours [UNABRIDGED] ISBN: 1587521539 Pub Date: 2005 Publisher: Timberwolf Press Themes: / Science Fiction / Military Science Fiction / Space Travel / Aliens / Battles / One of the few survivors of a League sneak attack on his poor and miserable homeworld of Careseria, Wilf Brim sets out to settle the score. Were it not for the attrition from the war that followed, Wilf would never have escaped his lower-class status and been accepted into the Academy. Now, freshly graduated, young Sublieutenant Wilf Ansor Brim, Imperial Fleet, begins his first assignment, Helmsman of the I.F.S. Trucluent. I'm honestly not certain how to categorize this book audio-wise. Though it is listed as "unabridged", the recording itself says "Based on The Helmsman by Bill Baldwin", and is very near a 10 hour audio drama. There is a narrator (a very good one), but all of the dialogue is read by other actors, and there are sound effects throughout. The important question is "did it work", and the answer is Yes, though the occasional unbelievable actor really pulls the listener out of the action. The novel is pure military pulp science fiction. There is a ton of technical jargon as characters tune disruptors and such. Vehicles are often called "field pieces", time is measured in "metacycles", and everyone says "Aye, sir!" quite a bit. The action moves quickly as battles lead to more battles. The title is listed as "mature" for some sexual scenes. In a nutshell, The Helmsman should please fans of military SF. The sound quality is very good, and the main narrator excellent. This is the first of several volumes - the Timberwolf Press website promises Galactic Convoy (currently available), The Trophy, The Mercenaries, The Defenders, and The Siege. This title is available at Paperback Digital.  Hunting For Robin HoodBy Seth Feldman; with readings by Penelope Reed Doob and Barry MacGregor 1 CD - Approx 1 Hour [UNABRIDGED] Publisher: CBC AUDIO Published: 2003 ISBN: 0660189143 Themes: / Non-Fiction / History / Mythology / Fantasy / Magic / England / "Ballads, plays and movies tell of Robin Hood stealing from the rich and giving to the poor. But did he really exist? Seth Feldman cavorts with a merry band of scholars searching for the still elusive outlaw." Hunting For Robin Hood was first produced for broadcast on CBC Radio's long running Ideas program. Ideas has been the standard-bearer for the intellectual and scholarly radio programming for decades. One would be hard pressed in Canada, or anywhere else in the English speaking world to find a consistently more enlightening program presenting scholarly lectures and documentaries in the fields of sociology, culture, arts, geopolitics, history, biography, science, technology or the humanities in a more accessible or entertaining way. If Ideas hasn't covered it at some point, it probably doesn't matter. With the wide commercial release of this and other CBC Audio CDs and cassettes the ephemeral radio broadcasts are preserved, marking the beginning of some of the very best audio non-fiction programs previously available only through costly direct order from the CBC. I've been an avid listener to Ideas since the 1980s. The program runs weeknights between 9PM and 10PM throughout most of Canada. Hunting For Robin Hood interviews several Robin Hood scholars who trace the origins of the popular English hero. They touch on his roots in the "Green Man" mythology, something which ties Robin Hood to the fantasy realm, why he's such a popular hero, his outlaw mystique, and even his ties to Morris dancing! Other surprising revelations include Maid Marian's roots as a fertility goddess and the scattered origins of the rogues' gallery of Robin Hood villains. Production values and sound quality are of course absolutely top notch, and the CD comes in an attractive DVD style Amaray case. Highly recommended to Robin Hood fans.  Inside ManBy H.L. Gold; Read by William Mills, Sam Gartner and Roxanne Mills 1 MP3 File - Approx. 32 Minutes [ABRIDGED] Publisher: Renaissance E Books / REB Audio Published: 2005 Themes: / Science Fiction / Humor / Empathy / Telepathy / Psychology / Domesticity / Why would Lester Shay need anything new to occupy his mind? He is a newlywed of just 3 months! But, when you can't shut out the pained emotions and feelings of the machines with which you live, even a passionate young bride isn't quite enough! First published in the October 1965 issue of Galaxy magazine, the 15th Anniversary issue, Inside Man garner a Nebula nomination for best science fiction short story of the year. But despite the nomination this is, by no means, a classic of the genre. Horace Gold was a far better editor than he was a writer. Despite the caveats this is a well produced multiple voice reading of the exact sort of story that appeared in Galaxy magazine under Gold's editorial reign. Funny and original. And though hearing the mid-twentieth century values voiced today seem at best rather quaint, this short story still yields an interesting twist. The readers' voices are clear and this a relatively straightforward and professional production. The highlight for me though is actually the three minute biographical and historical introduction to the story written by Jean Marie Stine. It is always a good idea to place an older story in its context. But I must say the spacey music that accompanies the introduction doesn't actually improve it. Inside Man is available now as a high quality MP3 through Fictionwise.com.  Just a GeekBy Wil Wheaton; Read by Wil Wheaton MP3 Download - 373Mb - 10 hours [UNABRIDGED] Publisher: 10 Quick Steps Published: 2005 Themes: / Non-fiction / Biography / Star Trek / Acting / Writing / Blogs / Internet / So, there's this guy named Wil Wheaton, right? And he wrote this book called Just a Geek, which is filled with his experiences as a Star Trek actor, as an ex-Star Trek actor, as a stepfather, a husband, a son... in short, Just a Geek is filled with life, and it's compelling listening. Wheaton started a blog a while back which now resides at http://www.wilwheaton.net. It's not your average celebrity website; Wheaton's blog entries are personal, honest, and interesting. He is as likely to talk about his family life as he is about his projects. And he is an excellent writer who writes things that resonate with his readers, as evidenced by the many folks who revisit his site to read more (myself included). Just a Geek contains many blog entries from his site, along with much more material. Included are things from many parts of his life, from the time as a kid he traded a Death Star for a Land Speeder and five bucks to his experiences during and after the filming of Star Trek: Nemesis. I knew Wil Wheaton was a good narrator before I clicked PLAY on my MP3 player, because I'd heard the audio version of the Hugo-winning science fiction story "Why I Left Harry's All-Night Hamburgers" by Lawrence Watt-Evans. Wil Wheaton read that, and I thought he was excellent. I came away even more impressed here. He reads about his life as if he's talking to you personally across a table. Again, compelling is the word that comes to mind. I never once lost interest. This audiobook will make you smile, it will touch you, and it will make you want to go to Hooters for some chili cheese fries. Oh yeah, and Wil wants all of you over for a Guinness later. Bring your own action figure. Just a Geek is available for MP3 download or on Audio CD at 10 Quick Steps - click here!  Mazer In PrisonBy Orson Scott Card; Read by Stefan Rudnicki 1 MP3 FILE - 1 Hour 2 Minutes 10 Seconds [UNABRIDGED] Publisher: Orson Scott Card's Intergalactic Medicine Show Published: Oct. 15th 2005 Themes: / Science Fiction / Spaceships / War / Prolific science fiction author Orson Scott Card has launched a new online fiction magazine entitled Orson Scott Card's Intergalactic Medicine Show, the first issue of which includes an audio edition of Mazer In Prison, a terrific short story set in the "Enderverse" (stories that have sprung from the novel Ender's Game). But before I tell you how much I liked this story... I'll have to tell you my biggest concern about it - you shouldn't read this story before you've read either Ender's Game or Ender's Shadow if you do you are in for spoilers. Now on to the spoilers....  Trapped aboard a tiny starship traveling near lightspeed on a parabolic course designed to preserve him for a future battle Admiral Mazer Rackam, hero of the Bugger war, uses all the weapons he has to fight the most insidious enemy of them all - Earth's bureaucracy. This is a neat little branch off of the Ender's Game tree. Card knows how to write canny characters who even when they guess wrong guess smartly. The events of this tale happen before both Ender's Game and Ender's Shadow (two novels which mirror each other) what is particularly neat about this tale is that it "fills in the corners" as the Hobbits say, giving us just that much more of a delicious dish we so enjoyed. Hopefully this will be the first of many audio delectables coming from Orson Scott Card's Intergalactic Medicine Show.And hopefully will we see reader Stefan Rudnicki reading them. Rudnicki, who is ably helming the Audio Renaissance's series of audiobooks set in the "Enderverse" also reads Mazer In Prison in the convivial way he reads every audiobook. He's scary in the scary bits and cute in the cute bits. Mazer In Prison is a cool story well told.  Middle WomanBy Orson Scott Card; Read by Mary Robinette Kowal 1 MP3 File - 9 Minutes 57 Seconds [UNABRIDGED] Publisher: Orson Scott Card's InterGalactic Medicine Show Published: March 2006 Themes: / Fantasy / Fable / Dragons / 3 Wishes /Immortality / This is the second "Audio Bonus" from Orson Scott Card's InterGalactic Medicine Show online magazine, the plan appears to be to offer one bonus MP3 story per issue. Cool! Orson Scott Card's short fiction is connected to people in ways that other speculative fiction often isn't. Realistic character psychology always takes the lead over scenarios, but his scenarios always test his characters' psychologies - it makes for a special completeness rarely found in Speculative Fiction. Combine this with a refinement of prose, where every word is perfectly placed, and you get a little piece of magic in every OSC story. In this case, "Middle Woman" is a fable style fiction, another variation of that old saw "the three wishes". Originally published under OSC's pseudonym "Byron Walley", it takes the idea of moderation, something almost always absent from fables, and runs with it. It reminded me of a kinder, gentler version of Robert Bloch's classic "That Hellbound Train". Interestingly, it also offers a more restive solution to W.W. Jacob's "The Monkey's Paw". The setting is Eastern, and given the "middle" of the title I suspect it is working in the 'middle kingdom' style of storytelling. Whether I'm right about that or not you'll have to check it out yourself to decide. Quite short, only 9 minutes, this is ably read by Mary Robinette Kowal who manipulates her voice in all the right ways to lend classic fairy tale reading to this modern fable. In addition to being a terrific narrator, Kowal is a professional puppeteer who also moonlights as speculative fiction author. "Middle Woman" is the Audio Bonus found in Issue Two of the online magazine Orson Scott Card's Intergalactic Medicine Show. DISCLAIMER: Mary Robinette Kowal, when not reading stories aloud is an SFFaudio reviewer.  Mind Slash MatterBy Edward Wellen; Read by René Auberjonois 2 cassettes - 3 Hours [UNABRIDGED] Publisher: Durkin Hayes Inc. [Audio Exclusive] Published: 1995 ISBN: 0886463890 Themes: / Science Fiction / Mystery / Computers / Artificial Intelligence / Hollywood / Disability / [His mother] should have died then, at that moment, but she lasted five terrible downhill years longer. Doctors were small help, they couldn’t cure or even treat Alzheimer's. But they could tell him it seemed to run in families. So during those years, in between looking after her and meeting his deadlines, he put his mind to the matter of insuring that he would not end up mindless and helpless. That he would end up in the middle of a slasher case was farthest from his mind” Depending how you look at it, there are either one or two people named Rush Lightbody. The first Rush was an award winning screenwriter, who is respected in Hollywood. The second Rush is in physically the same body, but this Rush has a terrible secret. He suffers from Alzheimer's disease, a progressive and irreversible brain disorder with no known cure. The effects upon him include extreme memory loss, disorientation, and impaired judgment. But he is able to cope because he anticipated it. Rush saw his own mother disabled by this horrendous disease and knowing that it can run in families he wrote a complex computer program to manage his daily activities for him. It can respond to questions and give instructions to the housekeeper. But most importantly it can help Rush with his daily routine; the program does everything from reminding him who he is and what he’s accomplished to telling him where the bathroom is. It can even answer the phone in Rush's voice! The program provides constant reminders, telling Rush, "P.J. Katz called Rush, he's your agent." P.J. Katz, like everyone else Rush knew has been fooled into thinking Rush is normal, so he's isn't reluctant to call with a new writing assignment - the biography of an aging film star. The biography of Iris Cameron will require Rush to physically visit her and his agent and thus to venture outside the bounds of his home and routine. So the computer program gives Rush a pager with a digital display readout and calls a cab. Disoriented and out of sorts Rush somehow manages not to screw up either the meeting with his agent or Iris Cameron, but when he returns home, Rush's computer has recorded a death threat from an anonymous caller - if Rush doesn't stop writing the biography of Iris Cameron, he's a "dead man." This threat eventually leads to something the first Rush Lightbody, the young man who wrote the computer program, could never have expected - Rush becoming the prime suspect in serial killer murder investigation! Its now up to a dementia suffering screenwriter and a few lines of code in a PC to both keep Rush alive and discover the real killer. The plot as detailed above may remind you of a combination of Christopher Nolan’s independent film Memento (2000), and Billy Wilder’s Sunset Blvd. (1950). But while Mind Slash Matter is certainly inspired by the latter, it precedes the former by a good five years. And as a big fan of both those films I am pleased to announce the resemblance in plots is also duplicated in the quality. Mind Slash Matter is one of the most riveting audiobooks I've ever heard! Upon finishing it I immediately attempted to track down more audiobooks by Edward Wellen, but unfortunately he wrote only two novels, and only one other story has been recorded as an audiobook - a short story I highly recommend you track down called "Mouthpiece". But back to Mind Slash Matter, this is suspenseful, unpredictable, thought provoking and even funny novel with a mentally disabled detective solving a murder mystery. And frankly this story amazes me. Wellen has done the impossible. He's written something completely and undeniably original. Wellen's portrayal of what it's like to live with Alzheimer's disease is insightful and frightening, and his ideas as presented are almost a meditation on the boundaries of the human mind, a recurrent theme in Wellen's fiction. The sum is a very powerful tale - and an unforgettable audio experience. René Auberjonois, the reader, will have a familiar voice to many listeners since he played Odo on Star Trek: Deep Space Nine. His performance here is excellent, using different voices for each character and particularly able to inject emotion into Rush's thoughts - fear, anger, frustration, and confusion. For a straight reading - no music, no voice effects - this is perfect. Cover art is a little hard to decipher but is adequate. To top it all off, Mind Slash Matter was, until recently, only available only as an audiobook. Such an amazing story and straight to audio!  Morevi: The Chronicles Of Rafe and AskanaBy Lisa Lee and Tee Morris; Read by Tee Morris 22 MP3 Files - Approx. 16 Hours [ABRIDGED] Publisher: TeeMorris.com / Podiobooks.com Published: 2005 Themes: / Fantasy / Sailing / Magic / Court Intrigue / Alternate Worlds / Across a mysterious rift in the space-time continuum exists a world called Naruihm. In this world is a realm called Morevi, a landlocked kingdom ruled by Askana Moldarin, crowned "First Queen" following a swift and bloody rise to the Throne of a Thousand Suns. Yet hidden traitors are already at work to destroy everything that she has won. Enter Rafe Rafton, privateer captain of the Defiant. Arrogant. Overconfident. Dangerous and cunning enough to pillage the Queen's own ships and survive. As a man, he is the embodiment of everything she has fought against, and the perfect instrument in a last desperate bid to save her kingdom. With the sum agreed upon, Rafe and Askana embark on an epic adventure spanning the kingdoms of Naruihm and King Henry VIII's England. Two souls, drawn together in the battle for a kingdom. On January 21st 2005 Tee Morris started podcasting the fantasy novel Morevi: The Chronicles Of Rafe and Askana which he previously co-authored as a published paperbook. Given away free as a promotion of the sequel Morevi was one of the very first podcast novels serialized and is the very first to be completed (22 MP3 files made up of a prologue, twenty chapters and an epilogue). The final installment was completed on schedule and posted June 17th 2005 timed to coincide with the gala premier of the paperbook sequel Legacy of Morevi at Westercon 58 in Calgary, Alberta, Canada on July 1st - 4th 2005. Morevi is a richly imagined whirlwind adventure which plays out like a cross between an Advanced Dungeons & Dragons campaign in the Oriental Adventures world and James Clavell's historical novel Shogun. Swashbuckling action takes the main and heart-rending romance builds slowly culminating right at the end. Exotic spices pepper the scenes like the a complex and subtle poison, labyrinthine court intrigue and black magic thrown in to enrich the flavour all the more. But though it might sound it Morevi: The Chronicles Of Rafe and Askana isn't a traditional fantasy novel, it is daring-do adventure set in a world that would fit well on a shelf next to Eric Flint's "1632verse" alternate history series. High fantasy purists hearing this may have some difficulty with the occasional clichéd line of dialogue, anachronistic phrasing or they may be tempted to reject the novel out of hand because it balances both an historical setting and an alternate universe. This would be a mistake. Lisa Lee and Tee Morris' words flow easily and I was never confused as to what was going on or as to who was speaking. My only real regret is that this is an abridged version of the novel. What we miss can of course be found in the print version, and I know that many listeners to the podcast couldn't wait for the serialization to finish before snapping up the paperbook, but I would have preferred a complete unabridged reading. Tee Morris reads the book himself, and though he has no previous audiobook narration under his belt his professional acting background explains why he does such a good job. Morris does accents, voice changes and has edited the production himself. The editing is particularly interesting too as Morris has cut the reading in such a way as to talk over himself - when the characters talk over each other. The use of punctuating music, voice effects and the occasional sound effect fully illustrates the recording. I'm not sure that all the sound effects were necessary, I'm happy enough with straight readings, but it certainly didn't hurt the podcasts. As it is I plan on burning a CD-R MP3 for my own use as I'm sure I will want to listen to it again! Click here to find all the files. Highly recommended! *Also, Tee Morris has recorded the prologue for the sequel, Legacy Of Morevi and that's available now HERE.  Most of My Friends Are Two-Thirds WaterBy Kelly Link; Read by Alex Wilson FREE MP3 Download - Click here for link to file at www.spokenalex.org - 27 minutes, 20 seconds [UNABRIDGED] Publisher: http://www.spokenalex.org/ Published: 2005 Themes: / Science Fiction / Alien Invasion / New York / Metafiction / Writing / Jak calls me with the first line of a story. Most of my friends are two-thirds water, he says, and I say that this doesn't surprise me. He says, no, that this is the first line. There's a Philip K. Dick novel, I tell him, that has a first line like that, but not exactly and I can't remember the name of the novel. I am listening to him while I clean out my father's refrigerator. The name of the Philip K. Dick novel is Confessions of a Crap Artist, I tell Jak. What novel, he says. Another FREE tale from author Kelly Link's short story collection Stranger Things Happen. Link is a Nebula, World Fantasy, and James Tiptree Jr. Award-winning author. Her urbane speculative fiction always compares well to Nalo Hopkinson and Walter Mosley - but Link takes that post-modern mentality, rotates it 90 degrees, and adds more of a sense of play. I'm ambivalent about metafiction, which this most certainly is. Sometimes it works wonderfully, but it's harder with short stories, as they tend to be fairly crowded with concepts already. Most of My Friends Are Two-Thirds Water comes away decently. Narrator Alexander Wilson reads well, but since the narrative voice is that of a female this is not the perfect match of voice to story. Still, how can I complain when the reading is letter perfect and the price is 100% FREE! Downloadable here.  Night On Mispec MoorBy Larry Niven, Read by Warren James ARCHIVED ONLINE - Click here to visit Hour 25 and listen 27 Minutes [UNABRIDGED] Publisher: Hour25Online.com Published: 2001 Themes: / Horror / Science Fiction / War / "Now I know that most of you quite rightly associate Larry's writings with hard SF, not horror. But that doesn't mean he can't write a cracking good horror yarn when he sets his mind to it. But being one of the premiere writers of hard SF; when he writes horror it's with his own unique twist. In Night on Mispec Moor Larry tells a tale about a man trapped in a place where the fog lies thick and close to the ground and where the dead really return to life. And though this story is most certainly horror, it is also hard SF. Way cool and highly memorable." -Warren James, Hour 25 For the 2001 Halloween broadcast of Hour 25, Warren James, the show's host, with the kind permission of author Larry Niven, read the short story "Night On Mispec Moor". This excellent tale was first published in Vertex Magazine's August 1974 issue. Thankfully, internet archiving allows us to still listen to this gem of a story! And though Warren James is not a professional audiobook narrator, his reading is a good! One minor issue though - as with any Hour 25 broadcast the volume has to be turned way up and there is some digitization to the sound. James also includes a short introduction to the story, and its well worth hearing. So if your in the mood for a really spooky hard SF horror story check it out.  The Night Of The TriffidsBy Simon Clark; Read by Stephen Pacey 10 Cassettes – 12 Hours 30 Minutes [UNABRIDGED] Publisher: Chivers Audio Published: 2002 ISBN: 0754007669 Themes: / Science Fiction / Disaster / Society / I was twelve years old when I discovered John Wyndham's awe-inspiring The Day of the Triffids. For me, standing between the world of childhood and the mysterious new world of adulthood, it was a revelation [it] wasn't merely a good story; it was such a powerful transforming experience that the hero's struggle for survival has stayed with me ever since.” -Author Simon Clark Chock full of adventure, action, politics, revolution, and romance, The Night Of The Triffids is horror author Simon Clark’s sequel to the venerable 1951 John Wyndham novel The Day Of The Triffids. Wyndam’s story was about a confluence of two natural disasters – the appearance of some strange green lights in the sky that blinded anyone who looked at them and the subsequent rampage of a carnivorous walking plant called a Triffid – which was previously only a curiosity. The narrator of that tale was Bill Masen, a man who by pure chance managed to avoid becoming blinded like 99% of humanity. At the end of The Day Of The Triffids, the hero, Bill Masen and his wife and four-year-old son David leave the British mainland to join a new colony on the Isle of Wight. In a way that story was a kind of retelling of The War Of The Worlds, excepting that the aliens weren’t from Mars. That novel was a powerful disaster tale heavily influenced by the cold war era in which it was set. Simon Clark’s sequel takes place twenty-five years. It is told by David Masen, Bill Masen's now grown-up son, who is an aviator in the fledgling Isle of Wight Airforce. The Masen family, along with a handful of other British survivors, have started rebuilding society on that Island off the south of Britain. But when a new disaster strikes humanity in its weakened state may not survive. There are very few genuine science fiction elements in this book, the closest being the soft science fiction idea of adopting new values for new situations. As an example, the few remaining people have decided to take a crash effort to increase the population – and in so doing have created something called “Mother Houses”. These are convent-like homes where fertile women give birth and infertile women raise babies – all in an effort to maximize the birth rate. I’m not sure if Clark knew it or not but frighteningly, the Nazis’, had something similar - the "Lebensborn," which were mother houses, set up by Heinrich Himmler to care for unmarried pregnant women whose “racial” characteristics (blond hair, blue eyes) fit the Nazis' Aryan ideal. “Racially pure” SS members were encouraged to visit often and sire many young children for the Fuhrer. Horrific as such a baby factory sounds in The Night Of The Triffids this is but one of the ‘necessary evils’ that society is experimenting with. The good news is that it all manages to replicate much of the feel of The Day Of The Triffids, but where Clark really stumbles is with the plotting. The opening scene and the ensuing couple of chapters are very interesting, and made me wonder where it all was going. But that mystery was dropped until a throw away explanation in the final chapter. And as the Brits say that ‘just isn’t cricket’. The whole book has a stumbling along bumbling along plot that doesn’t allow you to guess where it might be going – perhaps this was in part due to what I would assume was to be its target audience – preteens and young teens – heck it may have even been a stylistic choice. I don’t know. What I do know is that what success Night Of The Triffids does have is due in no small part to the first person perspective. English narrator Stephen Pacey does good work with the compassionate everyman David Masen, his other voices including variously accented Americans are good too, though they were fairly easy to tell that it was a ‘put-on’ accents. If you’re not expecting it to surpass much less equal the original The Night Of The Triffids will be acceptable entertainment.  The Nine Billion Names Of GodBy Carter Scholz; Read by Carter Scholz RealAudio Download LINK 13 Minutes 40 Seconds [UNABRIDGED] Publisher: The Agony Column Published: 2003 Themes: / Science Fiction / Metafiction / Plagarism / Rick Kleffel's "Agony Column"(http://trashotron.com/agony/) is the source for this unabridged reading of author Carter Scholz dadistic tale of a science fiction publishing. Sholz's "The Nine Billion Names of God" is a truly odd experimental meta-science-fiction short story about an author named "Carter Sholz" who has submitted a word for word copy of Arthur C. Clarke's famous short story to the editor of Novus Science Fiction Magazine in hopes of publication. This story - of that story - recounts the epistolary letters between the unbelieving editor, who of course rejects the story, and the obtuse author who insists that that although his story may be identical in every way to Clarke's, it is, in fact, distinct. Subsequent revisions and resubmissions of the exact same story - letter unchanged - by Scholz makes for an amusing jape. Though to laugh it off as all merely a joke would be to ignore the quasi-profound ending - which itself parallels Clarke's eponymous tale. By the way, it is not nearly as confusing as it sounds. Carter Scholz, though not a professional narrator, reads his story with aptitude. One must wonder however given his predilection for embellishment who exactly is reading the story....?  Nine Princes in AmberBy Roger Zelazny; Read by the author 4 Cassettes - 6 Hours [UNABRIDGED] Publisher: Sunset Productions Published: 1998 ISBN: 759433069046 Themes: / Fantasy / Magic / Parallel Worlds / Immortality / At the beginning of this book, Corwin, an immortal prince of Amber, wakes up in a hospital bed without his memory. He slowly figures things out - who he is, where he is, and most interesting, who's on his side and who isn't. As he goes through this process, so does the listener, discovering the world through Corwin's eyes. But Corwin is not just human. He's a member of the royal family of Amber, which is the only true world there is. All other worlds in the universe, including the one in which you and I sit, are but shadows of Amber. One gets to Amber only if one remembers exactly what Amber looks like, and if one has the power to subtly change the environment until it matches the one true world. The royal family of Amber is dysfunctional, to say the least. Corwin has many brothers, among them Eric, Random, Bleys, and Caine. They all want the throne, and some are willing to kill for it. As Corwin becomes more aware, he too faces that decision - how far is he willing to go to gain the throne himself? Roger Zelazny narrates this unabridged novel. He has a deep voice that I've heard compared to Bogart's - takes a little getting used to, but the result is personal and satisfying. The novel is wonderful - vintage Zelazny. I was delighted when I first found this (and the other four Amber novels) on unabridged audio. It was published by Sunset Productions in both unabridged and abridged formats. The abridged version is "enhanced" with sound effects, and features changes to Zelazny's voice to indicate that the narrator is in a library or underwater, etc... that version is an example of an audiobook that has been overwhelmed with sound effects at the cost of the material. I much prefer this unabridged version, not only because it's unabridged, but also because it is Zelazny's reading without distortion. Americana Publishing now owns the rights to the Sunset Productions, and has re-released the Amber novels, unfortunately only in the abridged format.  Noreascon: The 29th World Science Fiction Convention Awards BanquetProduced by William Desmond; Various Speakers Two 33 1/3 RPM LPs - Approximately 90 minutes [UNABRIDGED EXCERPTS] Publisher: Nesfa Inc. Published: 1973 - Out Of Print Themes: / Science Fiction / Awards / Fandom / Hugo Awards / A set of two long-playing records of the Awards Banquet at the 1971 World Science Fiction Convention in Boston. The Toastmaster for the function was Robert Silverberg. In addition to the speeches by Guest of Honor Clifford D. Simak and Fan Guest of Honor Harry Warner, Jr., there is a eulogy for John Campbell given by Lester del Rey. Other speeches were given by the TAFF delegate (Mario Bosnyak) and the Bob Shaw Fan Fund winner (Bob Shaw). Awards were presented for First Fandom (received by Philinda Hammond for late father, John W. Campbell) and the P.A.T. Terry Award for Humour in SF. The Hugo Awards were presented by Isaac Asimov. I had to find a working record player to play this set, something more difficult than I expected, but it was worth the wait. Recorded in real time, this is a collection of excerpts from the awards banquet, so there are some slow spots, a little dead air, but the energy and sheer voyeurism more than makes up for this. After all, listening to these LPs is for a science fiction fan what the Oscars are to a movie fan. Toastmaster Robert Silverberg, who just this year (2004) has been named a "grand master," sprinkles his 33 year old speeches with jokes, about Nixon, marijuana and other topical to 1971 themes - Silverberg also "roasts" many of his colleagues to his own and to the audience's obvious delight. But Silverberg isn't the only speaker. A somber and lamenting Lester Del Rey eulogized John W. Campbell and presented the first Fandom Award. Bob Shaw, specially imported to Boston just for the occasion made a brief speech full of warmth and humour and delightful Irish accent was a real treat! And Clifford D. Simak gave what sounded like a prepared speech - with some unfortunately insecure dentures. Simak's unadulterated benevolence shone through - in his late 60's by the time of this recording, he was the most eloquent speaker among all the honourees that night. Simak suggested in his speech that perhaps the "golden age", wasn't quite so golden as we all seem to remember and that the current 'dry spell' isn't perhaps quite so dry. He extolled the virtues of the "new wave" and suggests that science fiction is stronger than it ever was, and that the expansion into the softer sciences of economics, ethics, sociology, etc. is actually a good thing. Simak's conviction and good will brought genuine tears to my eyes and I wasn't the only one moved. Simak's speech was interrupted by spontaneous applause. After he'd concluded his speech he was again subject to a rousing and sustained round of applause and Silverberg said as Simak took his seat "He's a good man, a pretty good writer too, we have a lot of good writers here tonight but he's a good man". We'll miss you Cliff. On Side 4 the serious handing out the "silver spaceships" began in earnest with Isaac Asimov as the dispenser. Asimov had even more fun with the microphone than did Silverberg, giving us a raunchy limerick and several references to himself as the worlds greatest science fiction author! Larry Niven makes a brief vocalization too, after having been handed his Hugo for best novel (Ringworld), Niven said "I promised my wife I'd quit smoking right after this convention". Thankfully Larry is still with us more than a third of a century later and no doubt we have his wife to thank for that. Sound quality with this 1973 production is only fair, vinyl/needle friction combined with numerous microphone bumps, pops and hisses are only a minor annoyance, most speakers are easily heard, the audience laughs at all the jokes and everyone seems to be having a great time. The line drawing cover art is rudimentary and is taken from the program to the convention (click on the picture to see the expanded fold out cover), the inside of the 2 disc set is illustrated with black and white photos from Noreascon 1971. With only 300 of these record sets ever printed this is a mighty rare collectible, I'll cherish mine until they invent that time machine these SF authors are always promising - then I can visit the convention myself!  No Truce With KingsBy Poul Anderson; Read by Tom Teti 4 Cassettes - 4 Hours 40 minutes [UNABRIDGED] Publisher: Dercum Press Audio [ActiveBooks #ABS02] Published: September 1987 - OUT OF PRINT ISBN: 1556562675 Themes: Science Fiction / Exploration / Sea Voyage / Civil War / Military / Galactic Civilization / Telepathy / DERCUM ACTIVE BOOKS Dercum's Active Books are a contemporary approach to classic literature. This collection, when complete, will number over sixteen volumes and will be one of the most comprehensive anthologies of science fiction and fantasy stories ever produced. Book Notes are and exclusive feature of all Dercum Fantasy Listening Cassettes. At key points in our stories, musical accents are added for your listening pleasure. Though it doesn't state it in the title, this audiobook actually contains two tales by Poul Anderson, the 1961 Hugo winning novelette "The Longest Voyage" and the 1964 Hugo winning novella "No Truce With Kings". "The Longest Voyage" follows a junior officer on board the ship of a latter day Magellan. But this global circumnavigation is on a faraway planet, populated by humans who have lost their ancient technologies. As their society has rebuilt itself it builds new caravels that can take them farther and farther afield. But the new civilizations they discover on a distant shore hold a secret to both their past and their future. "No Truce with Kings" is set in a post-apocalyptic United States, a feudal future made up of small nations constantly at war with each other. As the battles and intrigues unfold, hidden societies and shadowy organizations begin to show that their wars do not go unnoticed. "The Longest Voyage" was enjoyable, it reminded me of Robert J. Sawyer's Farseer, minus the talking dinosaurs. "No Truce With Kings" was well conceived, a cross between Mad Max and Jeremiah, but the execution was less than I had hoped for. Still and all, I enjoyed both stories and it was a very good listen. This audiobook is a curious mix of excellence and shoddiness. The stories are certainly very worthy of adaptation, the reader Tom Teti is decent if not spectacular, providing only a minimal performance. But the packaging is just plain bad, missing digits in the ISBN, the reader's name would be unknown except that the packaging has come unglued and revealed it beneath one of the two cassette holders (a place where no one would ever possibly see it!). They also ignored a title, no mention of the inclusion of "The Longest Voyage" appears except on the cassettes themselves and in small font on the back of the package. The jacket design is almost non-existent giving us only some generic clipart. In addition, the genre is labeled fantasy when both stories are actually science fiction. On the other hand the recording and the sound production is truly excellent! Including as always with Dercum Active Book titles the haunting Dercum Audio music, which starts to play before the story and which re-appears when a story ends or when a tape flip is coming up. It is a truly excellent theme music for science fiction or fantasy audio production and one which I am always pleased to hear. But the best part, the very best part of this audiobook is the added introduction which is so very appropriate and so well written, introducing the stories and the author, really enhancing the experience. Overall I'm very glad to have finally found a copy of this out of print and obscure audiobook, but I can't say its perfect, I have to wonder if some of the reasons for the fall of Dercum Audio have anything to do with their lack of follow through? To get such a great property, to execute the recording so well, to produce it with such forethought and then to package it in an unattractive and poorly designed package... its a real tale of what might have been.  On The Road With Ellison, Volume 1Live performance by Harlan Ellison 1 CD - 60 minutes Publisher: Deep Shag Records Published: 2001 (reissue from 1983) UPC: 809879000322 Themes : / Non-fiction / Writing / Politics / Publishing / On the Road with Ellison, Volume 1 is a collection of live lecture/performances by Harlan Ellison in 1981, 1982, and 1983 in front of three different university corwds. When he talks of mailing a dead gopher to an editor (er... comptroller) he's hilarious, and when he reads an essay he wrote ("An Edge in My Voice: Installment #54") he rattles our collective cage, making us look at a man who threatened to blow up the Washington Monument in a whole new way. From the very first track, where he warns audience members to leave if words offend them, Ellison is abrasive yet totally engaging. Or perhaps he's totally engaging because he's so abrasive. Either way, the tracks are thoroughly enjoyable, and the album is worth grabbing. And yes, there's a Volume 2, also available from Deep Shag.  On Venus, Have We Got A Rabbi!by William Tenn; read by William Tenn 56 minutes - [UNABRIDGED] Publisher: WNYC Radio ["Spinning On Air" with host David Garland]. Published: Nov. 22nd 2002 [LISTEN TO THE ARCHIVED SHOW IN REALAUDIO at WNYC] Themes: Science Fiction / Satire / Humor / Jews / Religion / Venus / "Milchik, the TV repairman, speaks for all Jews on Venus and in the Universe." William Tenn (aka Philip Klass), gets the royal treatment he so well deserves on David Garland's WNYC radio show. Remarkably well prepared, Garland teases out some delightful and informative anecdotes and stories from Tenn, it makes for a riveting interview. Garland has also seen fit to gift us with a delectable reading of one of Tenn's stories read by the author himself! William Tenn's stories always have the same effect on me, as the story progresses a smile grows wider and wider across my face. On Venus, We Have A Rabbi! is laugh out loud funny. Perhaps knowledge of Jewish history would be helpful, I don't know, but I enjoyed the heck out of it. And thankfully unlike another WNYC reading, this novelette is free of music, Tenn's hilarious reading of his own story is almost perfect. He stumbles only once over one word, but otherwise he reads his tale like a professional narrator. I sure hope Garland keeps up the great programming. Radio like this makes me wish I lived in New York.  Philip K. Dick Recorded Telephone InterviewsConducted by John Boonstra 2 CDs - Approx. 111 Minutes [UNABRIDGED EXCERPTS] Published: 1991 Themes: / Non-Fiction / Science Fiction / Interview / These discs combine telephone interviews conducted 3/11/81 and 6/28/81. Portions appeared in The Hartford Advocate and The Twilight Zone Magazine. I've interviewed dozens of interesting people in the years since, but no conversation has been quite so exhilarating. It was a privilege to have even this brief contact with PKD..." -- John Boonstra This is a set of 2 CD-Rs with printer paper labels and a photocopy of a handwritten insert written by the interviewer John Boonstra. The packaging and media is straight out of the Staples catalogue. But the content... oh the content... It's the ultimate! Disc 1 is one long uninterrupted audio track. It starts with a ringing telephone, answered by a "Hello?" And if you've heard his voice anywhere else you instantly know it is Philip K. Dick. Boonstra conducted by telephone these two interviews. Boonstra was better prepared than we have any right to expect - he was familiar with the vast majority of his subject's writing and anxious to engage someone who he clearly admired greatly. Dick himself is full of life, overflowing with funny anecdotes, eager to talk and expound and is a true delight to hear in such an unfiltered setting. Admittedly the sound quality isn't great. A constant tape hiss mars both interviews, but the voices are both loud and clear, and in stereo. Dick's voice comes out of the left speaker and Boonstra's out of the right. They talk for nearly two hours over the course of the two interviews and I was riveted the entire time. Unfortunately the last portion of the first interview is completely cut off and the first portion of the second interview is entirely missing. Boonstra prompts Dick now and again with well researched questions and Dick never shies away, giving us the inside dope on many aspects of his professional and private lives as well as explaining the research that went into many of his later books including, The Cosmic Puppets, The Man In the High Castle, Martian Time-Slip, Do Androids Dream of Electric Sheep?, The Galactic Pot-Healer, Confessions Of A Crap Artist, VALIS, The Divine Invasion, The Transmigration Of Timothy Archer and others. If you like Philip K. Dick's novels you'll love these interviews! I just wish there were more of them. Unfortunately Dick died less than a year after the second interview was recorded. I got two CD set from Zack Wood: click here to check out his site and tell him SFFAUDIO sent you!  The Pocket And The PendantBy Mark Jeffrey; Read by Mark Jeffrey 13 MP3 Files - 10 Hours 25 Minutes [UNABRIDGED] Publisher: markjeffrey.typepad.com / Podiobooks.com Published: 2005 Themes: / Science Fiction / Young Adult / Physcics / Immortality / Time Travel / Aliens / Time / Ancient Astronauts / "On April 8th at exactly 3:38 in the afternoon the world STOPPED." It is one of the fundamental constants of the universe - every second thrift store one enters will contain a lonely shelf somewhere in the back with a battered paperback copy of Chariots Of The Gods? by Eric von Däniken on it. That is a terrible, terrible book. I encourage you - only partially in jest - to burn down any store that has one. Chariots Of The Gods is a massive failure in every way but one, it'll help me tell you about a certain 1970s pop culture concept - the "ancient astronauts" theory. This is a speculative/delusional hypothesis that posits that extraterrestrial aliens are responsible for the ancient civilizations of Earth. Basically it argues that ancient people with their distinctive lack of heavy diesel powered machinery, could not possibly have constructed things like the Pyramid of The Sun at Teotihuacán and so the relics of archeological wonders throughout the world must have been constructed by aliens with a 'higher' technology. It is of course a ridiculous notion, wholly unsubstantiated by any evidence that wasn't manufactured by fraudsters. That said, it can occasionally makes for a cool basis for fiction. Mark Jeffrey's The Pocket And The Pendant uses the concept of ancient astronauts to very good effect. This is the story of Max Quick a very odd little boy and his companions, other children who've found themselves trapped living in a frozen instant of time. Has this time "pocket" has been caused by the strange aircraft in the skies above the USA? What about the almost magical books that everyone who isn't frozen seem to be after? Only the aptly named "Mr. E." knows the answer. Weaving together a carefully researched history with an intriguing and well executed scenario Mark Jeffrey has put together an engaging and satisfying adventure that while aimed at a younger audience never talks down to it. Basically Jeffrey does for science fiction what Harry Potter does for fantasy - I'd say he does it better by layering in facts and mythology from many sources. He takes the whacked out theories of Zecharia Sitchin and asks "what if they were true?", mixes it up with action like The Matrix, the premise of the Doctor Who "Key To Time" arc and with a couple dutiful nod to the 1959 and 1985 The Twilight Zones. Jeffrey is very inventive with solving the problems he's created. But there was one thing that bothered me about the story, if Max and his companions are trapped in time how can they see? Let me explain, this is basically the same nitpick I had with H.G. Wells' The Invisible Man, without light hitting a retina you can't see. If time is stopped then the light has stopped (in The Invisible Man the title character's retinas are transparent!). I'm nitpicky. Jeffrey reads the novel himself, doing accents, adults children boys girls and aliens. The sound quality is very good and well leveled, but there is one caveat, a constant musical score underlies the reading (almost always keyed to characters and events in the tale). In this case it is fairly benign, and certainly allows an atmosphere of emotion to build in the story - but not having heard the tale without music I'm not sure if it wouldn't have been better just as a clean reading. SFFaudio COMMENT: This is the second "Podiobook" we've reviewed on SFFaudio, and the quality is WAY, WAY UP THERE, not just in terms of podcast novels, but in terms of novels on audio. Combine this fact with the price, which is just a request for a donation if you enjoyed the experience, and you're literally crazy by not listening to them. The worst that can happen is you listen, enjoy the heck out of it and then feel guilty for a few years because you were to cheap to throw a few $$$ towards the producers. Go ahead now, give yourself a gift, subscribe to Morevi: The Chronicles Of Rafe And Askana and The Pocket And the Pendant you'll marvel at your own generosity.  Posing As People: Three Stories, Three PlaysBy Orson Scott Card, Scott Brick, Emily Janice Card, and Aaron Johnson Performed by 3 FULL CASTS and Various Readers Limited Edition Hardcover with 4 CDs - 4.5 Hours [UNABRIDGED] Publisher: Subterranean Press Published: 2005 ISBN: 1596060158 Themes: / Science Fiction / Love / Time Travel / Psychology / Aliens / Artificial Intelligence / "Clap Hands and Sing" shows us a lonely -- but rich and powerful -- old man who has only one wish before he dies: To go back in time and take an opportunity for love that he once let slip by. But what will it do to the young girl who used to love him? "Lifeloop" pretends to be reality TV twenty-four hours a day. In fact, they're really actors. But when your character is you, without any break, how exactly do you have a "real" life? And how can a fellow actor tell you that he loves you, when that's what the script also calls for him to say? "Sepulchre of Songs" is about a heartbreakingly lovely girl who lost her arms and legs many years ago, and now yearns to be free, not just of the rest home where she lives, but of her body. So is the alien being who wants to trade places with her real or the product of her own imagination? And can her therapist's growing love for her keep her from fleeing -- either into space or the dark recesses of her own mind? Three Orson Scott Card short science fiction stories and three one-act adaptations of the same comprise the bulk of this limited edition (only 750 were published) hardcover book and audio CD set. Posing As People: Three Stories, Three Plays was released in the wake of the 2004 premiere of the stage play of the same name. Everything found on the four Compact Discs can be found in the paper book - minus the actual aural performances. The paper book also includes a foreword by Card, an introduction to the play "Clap Hands And Sing" by author Scott Brick, an afterword to play "Life Loop" by author Aaron Johnston, an afterword to the play "A Sephulcre of Songs" by author Emily Janice Card, and three afterwords, one for each of the original short stories, by Orson Scott Card. The CDs of course are the heart of our real interest here at SFFAUDIO. On the CDs, first come the three plays, all multi-actor performances with sound effects - basically exactly what you would have experienced were you sitting in the theater in Los Angeles with your eyes closed. Following the three plays are the original three short stories as read by one individual reader each. I think the plays all fail to deliver as audio drama. This is not due to any adaptational problems of the play's adaptors, rather I think it was a mistake not to make the plays video DVDs. Each play was specifically adapted for the stage - and not constructed to work on their own as audio dramas. For instance - there is very little sense of place in the audio of the plays - but there is a great sense of place in the audiobooks that the plays are based on. By simply recording the audio they've cut off that sense of space. Thus I think they don't work on their own as audio dramas. On the other hand, if you saw the original plays in Los Angeles these might adequately allow you to revisit the performances. All three adaptations, or what I experienced of them, are very well performed and the sound effects are used to good effect but the true power of the stories doesn't materialize without the visual component. Contrarywise, the readings of the original short stories all work perfectly. The original text is very evocative visually, and provide a emotional richness lacking in the soundtrack to the three plays. That said, some work better than others. "Lifeloop" is the best of the three plays as it the most talky of the dramatizations. Of the unabridge short story readings "A Sephulcre Of Songs" works best, narrator Robert Forster reads with a poignant sadness that is truly heart-rending. The only drawback is there is a slight hiss in this particular recording. The Plays: "Clap Hands And Sing" By Scott Brick, based on the Short story by Orson Scott Card; Directed by Orson Scott Card Lawyer 1 -- Eric Artell Lawyer 2 -- Sara Ellis Sportscaster -- Lara Schwartzberg Lucy Host -- Sara Ellis Ronco Pitchperson -- Victoria Von Roth News Anchor -- Kelly Lohman Charlie -- Stefan Rudnicki Jock -- Scott Brick Rachel Carpenter -- Emily Janice Card Mrs. Carpenter -- Victoria Von Roth "Lifeloop" By Aaron Johnston, based on the Short story by Orson Scott Card; Directed by Orson Scott Card Aaron Handully -- Lara Schwartzberg Felice -- Kelly Lohman Hamilton -- Eric Artell Truiff -- Victoria Von Roth Technician -- Scott Brick "A Sepulchre Of Songs" By Emily Janice Card, based on the Short story by Orson Scott Card; Directed by Orson Scott Card Therapist -- Kirby Heyborne April -- Kelly Lohman Elaine -- Emily Janice Card Doug -- Eric Artell Wallace -- Stefan Rudnicki Becky -- Lara Schwartzberg The Stories: "Clap Hands And Sing" By Orson Scott Card; Read by Scott Brick "Lifeloop" By Orson Scott Card; Read by Emily Janice Card "A Sepulchre Of Songs" By Orson Scott Card; Read by Robert Forster  The RavenBy Edgar Allan Poe, Read by Bill Mills MP3 file – 19 min. [UNABRIDGED] Publisher: REB Audio books Published: 2005 Themes: / Horror / Poetry / Mourning / Depression "Once upon a midnight dreary, While I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore…” -- A.E. Poe, The Raven That’s how the poem begins, drawing a pall of melancholy over us with its first syllables. This audio book, however, takes a little more time getting there. As if reflecting the distance from this mood we might be starting, the first tones are of bouncy pop music as the company and title are introduced. Then comes Bill Mills’ voice, warm, and rich as hickory smoke, leading us down into darkness with a brief, stylish bio of the author. When the first line finally arrives, I have to admit, I cringe for just a second. The slow, broken delivery—scattering audible periods where the text shows, at most, commas—has just a whiff of Shatner-reading-Lucy-in-Sky-with-Diamonds over-interpretation. But that passes in an instant, and I find myself discovering new wonders in nearly every spoken line of a poem I’ve read probably a hundred times. I have a tendency to dismiss rhymed poetry as lightweight, as my brain usually prefers humming the tune to learning the meaning behind the words, but Mills’ reading is a perfect foil for that. He treads a careful path between chanting the regular meter and disregarding it entirely, cleverly emphasizing the story the words tell while still respecting their poetry. What he presents is a tale of a man just tumbling off the edge of hope into a free fall of depression, a man who speaks the name of his lost love into the darkness outside his soul only to have the darkness reply with morbid hopelessness. The one thing marring this production is the background track. Behind the serious lead vocals vamps a cartoon ghoul-band of horror excess: Howling wind, howling wolves, crackling thunder, soaring choirs, and crashing orchestras. It isn’t destructive, but it is ridiculous. That said, this is still an excellent recording. I highly recommend following Mr. Mills down this twilit path, no matter how many times you think you’ve seen it before.  The Reel StuffEdited by Brian Thomsen and Martin H. Greenberg Read by Various 6 Cassettes - 9 Hours [UNABRIDGED] ISBN: 0886465745 Publisher: dhAudio Published: 2000 [OUT OF PRINT] Themes: / Science Fiction / Horror / Computers / Memory / Aliens / Urban Legend / Space Travel / Time Travel / The Reel Stuff is a collection of stories that have been adapted into films. They are all great stories, and this collection has the added attraction of comparing these stories to the films. dhAudio really did a fabulous job with this one. The stories: Johnny Mnemonic by William Gibson, read by Christopher Graybill FILM: Johnny Mnemonic (1995) Johnny Mnemonic was published in 1981, a few years before Gibson's Hugo and Nebula-award winning Neuromancer hit the scene, illuminating the whole Cyberpunk sub-genre. This story is a clear view of that sub-genre as it has all the elements; human/computer interfaces, plenty of violence, and quick-witted characters. In this story, the title character holds a piece of data in his brain that is wanted by some powerful folks who are willing to do plenty to get it. Christopher Graybill does a great job with it. Amanda and the Alien by Robert Silverberg, read by Colleen Delany FILM: Amanda and the Alien (1995 - TV) This tale, by the great Robert Silverberg, is humourous and sexy. The main character is a ditzy teenage girl named Amanda who takes an alien who can morph into anyone it eats under her wing. Definitely a B-movie kind of story, but purposefully so. Colleen Delany performs well, capturing the Amanda character perfectly. Mimic by Donald A. Wollheim, read by Terence Aselford FILM: Mimic (1997) Mimic is a very short tale that reads almost like a documentary about the peculiar ways in which animals hide from other animals. This is then extrapolated in a very spooky way to humans. Terence Aselford didn't have a heck of a lot to work with here, but he kept it interesting. The Forbidden by Clive Barker, read by Vanessa Maroney FILM: Candyman (1992) Clive Barker drums up some modern mythology here as a female professor explores urban legend among the lower class in London. The story is effective and chilling in the hands of Vanessa Maroney, who navigates Barker's weirdness as if it were really happening. We Can Remember It For You Wholesale by Philip K. Dick, read by Terence Aselford FILM: Total Recall (1990) Terence Aselford gets another chance in this collection, reading this reality-bender by Philip K. Dick. The main character wants to go to Mars in the worst way, but can't afford it. The solution? Take a virtual vacation! Have memories implanted so you can "have gone" to Mars. But here, things get complicated when the implantee's supressed memories surface during the procedure. Dick again manages to leave me wondering what the heck is really real - where exactly is the immovable bedrock? Nothing is sacred in Philip K. Dick's hands. Nightflyers by George R.R. Martin, read by Christopher Graybill FILM: Nightflyers (1987) Martin here spins a science fiction horror story. Think Psycho meets Lost in Space and maybe you'll have a feel... a group of people ride on a ship that is controlled by a mystery man who never leaves the cockpit. Christopher Graybill again is impressive in his reading. Air Raid John Varley, read by Nannette Savard FILM: Millenium (1989) Nannette Savard reads a very strange, very affecting story about Earth's future. In it, humans have evolved just a bit, but the Earth's biosphere has been destroyed, its people diseased. Varley's descriptions are vivid and graphic - these people are in a bad way. To keep the species going, they go back in time to retrieve healthy airline passengers, mid-flight, since history shows they are on the verge of fiery death. These passengers become humanity's hope. Varley is a very affecting writer, and through the main character we experience much. Savard does a great job conveying this to the listener. Sandkings by George R.R. Martin, read by Richard Rohan FILM: The Outer Limits: Sandkings (1995) Simon Kress wants a pet, but something interesting... something out of the ordinary. He finds what he's looking for when he purchases a group or creatures called sandkings which live in a large terrarium with plenty of sand lining the bottom. They build castles and fight battles. They even worship. And they are endlessly fascinating. Well, they were. Perhaps a little prodding from Kress will end the monotony... This one is my favorite of this excellent collection. Sandkings is original and fascinating, both as a character study of a man with too much comfort and as an exploration of an alien animal species.  Scary Stories with Alan MaitlandBy Various; Performed By Alan Maitland 1 Cassette - 1 Hour [UNABRIDGED] Publisher: CBC Radio Published: 2002 ISBN: 0660187825 Themes: / Horror / Classics / Family / Short Stories / Alan Maitland is a veteran Canadian Broadcasting Corporation broadcaster, who reads seven classic horror stories and poems here. The cassette makes for quality family listening, and Maitland reads with energy and enjoyment. My favorite of the group is The Tell-Tale Heart by Edgar Allan Poe. It's true that I've read it several times and have heard it performed a couple of other times, but still - I enjoy it every time, and did again here. The heart beats below the floorboards, and Maitland helps us feel it. The Highwayman by Alfred Noyes is a classic poem. I know it best from Loreena McKennitt's musical version, and it was interesting to hear the poem read aloud. Other stories and poems included on the 1 hour cassette: Goblins Who Stole a Sexton by Charles Dickens, The Cremation of Sam McGee by Robert W. Service, The Witches' Convention and Reunion of the Night Creatures by Rose Robert, and An Occurrence at Owl Creek Bridge by Ambrose Bierce. The whole recording had a sort of Ray Bradbury feel to it, but that could be because I identify Bradbury so strongly with Halloween. This audio would be a worthwhile and appropriate purchase for family listening.  Sci-Fi Private EyeEdited by Isaac Asimov and Martin Greenberg; Read by Bill Fantini and Nelson Runger 4 cassettes - 6 hours [UNABRIDGED] Publisher: Dercum Audio Date Published: August 1997 - Out of Print ISBN: 155656273X Themes: Science Fiction / Mystery / Utopia / Dystpoia / Sherlock Holmes / Mars / Berzerker / Time Travel / Aritificial Intelligence / Covert Warfare / Decades ago, SF grandmaster Isaac Asimov noted the similarity between detective "whodunit" stories and science fiction "puzzle" stories. Avoiding some of the obvious pitfalls, he began to write stories that contain elements of both of these popular genres. Later as an anthologist, Asimov teamed up with Martin H. Greenberg to collect the best of this subgenre. Sci-Fi Private Eye was the happy result. Though obviously not recorded under perfect conditions, you can literally hear the pages turning, I was flabbergasted by the love and care that went into the recording of this audiobook. It starts off with a haunting original musical score, then, instead of simply reading the first story, as is typical with nearly every audiobook, it introduces the anthology with a brief but well composed essay on the subject of mystery science fiction! The packaging is not as good, while in a sturdy enough case, the original cover art falls into a category I call "computer designed abstract boring". Even worse, they spelled Asimov's name wrong. The cassettes themselves also lack important details (what story starts where and ends where). The stories though are so good that I've got to summarize and review them individually: Stories Included: Introduction written and read by Isaac Asimov "Getting Across" by Robert Silverberg "The Martian Crown Jewels" by Poul Anderson "Of The Metal Murderer" by Fred Saberhagen "Mouthpiece" by Edward Wellen "War Game" by Philip K. Dick Robert Silverberg's "Getting Across" is a terrific SF short story told in the first person. It was originally published in the anthology entitled Future City (1973). A future society is in danger. To house the engorged human race, the Earth is entirely covered by one large metropolis. But it isn't one big city so much as it is a million city-states abutting one another. Each district has its own government, its own customs and industries, and it's own way of life. Contact between districts is restricted and often dangerous to those who attempt it. All districts rely on a master computer program for the smooth operation of these automated communities. So when Ganfield's master computer program is stolen, things start to deteriorate quickly. Garbage starts piling up uncollected, food stops being delivered, the climate control system stops working, and the deactivated robotic police force cannot prevent the cannibalism that is only weeks away. The man whose "month-wife" stole the program is sent to find her and bring it back. His task is nearly impossible because even if he can get out of his district getting across will only be the first hurdle. Typical of Silverberg's great work in the 1970s. Poul Anderson's "The Martian Crown Jewels" was first published in A Treasury of Great Science Fiction, Vol. 1 (1959). The Martian Crown Jewels have been stolen! The theft threatens to destroy diplomatic relations between Mars and Earth. Inspector Gregg, of the Earth police force stationed on Mars, is stumped. Who can solve the baffling locked spaceship mystery and avert a galactic catastrophe of cataclysmic proportions? None other than Mars' greatest consulting detective, Syaloch, a seven-foot feathered Martian who lives at 221B "Street of Those who Prepare Nourishment in Ovens." Most entertaining. Edward Wellen's "Mouthpiece" first saw print in the pages of Fantasy & Science Fiction Magazine's February 1974's issue. Most of the stories I've read by Edward Wellen tend to be focused on the workings of the human mind, and this one is no exception. This one fictionalizes a fascinating historical curiosity regarding the final hours of "Dutch" Schultz and takes it just that bit farther - into artificial intelligence - leaving us pondering the nature of personality, memory and thought. It's also a great little mystery to boot! Fred Saberhagen's "The Adventure Of The Metal Murderer" was first published in Omni Magazine's January 1980 issue, and is another in Saberhagen's long running series of Berzerker short stories. It's a time travel story that starts in the distant future and then goes back to 19th century London, England. A clever tale that will remind you of Michael Moorcock's "Behold The Man". Philip K. Dick's "War Game" was first published in Galaxy Science Fiction Magazine's December 1959 issue. Earth's traditional enemy, Ganymede, is at it again. They are trying to subvert and soften up the good people of Earth by selling potentially dangerous toys and games as a prelude to invasion. One toy appears to assemble itself over time into a nuclear weapon, another convinces the user that the virtual reality he or she is in is actual reality, and a third is a harmless variation on the board game Monopoly. But the market demand for the inventive Ganymedian games is pressuring the Earth customs to clear the toys for stocking in time for Christmas. If they follow the rules only one will get through to the store shelves. Typically Dickian and thus very entertaining.  Science Fiction: The Literature of the Technological ImaginationBy Eric Rabkin; Read by Eric Rabkin 8 cassettes - 4 hours (8 half-hour lectures) [UNABRIDGED] Publisher: The Teaching Company Published: 1999 Themes: / Non-Fiction / Science Fiction / Pulp / Hard SF / Cyberpunk / Utopia / Dystopia / This one is a little different than our usual fiction reviews. Science Fiction: The Literature of the Technological Imagination is a non-fiction series of lectures about the origins, history, and influence of science fiction. Think of it as Science Fiction 101 and you'll get the idea. As a course it fulfills the promise of its title, breaking down the origins and the meanings within in science fiction literature. Professor Rabkin is a talented lecturer. Though obviously scripted, his naturalistic lectures are thoroughly engaging. The lectures explore the history of science fiction back to its origins in Plato's Republic, then steadily marches all the way to William Gibson's Neuromancer. These lectures offer genuinely interesting insight, I learned something interesting in each and every lecture! Rabkin discusses the first science fiction novel, Frankenstein by Mary Shelley, examines the pulp phenomena of the late nineteenth and early twentieth centuries, and gives examples of what makes hard SF "hard". He looks at the social, technological, and literary forces that influenced the genre's authors, and in doing so tells an entertaining story - the story of science fiction! In short, it's a fascinating listen. I just wish that Rabkin would offer Science Fiction 201 next semester! Each half hour lecture could have easily been expanded into 2 hours. The lectures are titled: Lecture 1: Mary Shelley’s Frankenstein and the Emergence of Science Fiction Lecture 2: Jules Verne and the Popular Passion for Science Lecture 3: H.G. Wells and Science Fiction Parables of Social Criticism Lecture 4: Pulp Culture, World War II, and the Ascendancy of American Science Fiction Lecture 5: And the Winner Is...Robert A. Heinlein Lecture 6: Ray Bradbury, Ursula K. LeGuin, and the Expansion of Science Fiction Lecture 7: Stanley Kubrick, Arthur C. Clarke, and the Modern Science Fiction Film Lecture 8: New Wave, Cyberpunk, and Our Science Fiction World  Soldier of the LegionBy Marshall S. Thomas, performed by a full cast MP3 Download – [AUDIO DRAMA] Publisher: Timberwolf Press Published: 2002 Themes: / Science fiction / Military / Space opera / Aliens / War "Dat Spitz fight lak hell," said Perrault… "An' dat Buck fight lak two hells," was Francois's answer. -- Jack London’s Call of the Wild War is hell. Ever since Sherman put it so precisely, the rest of us have been forced to merely tip our hats and let the matter rest. Then along comes Marshall S. Thomas’s Soldier of the Legion which can’t help but pick at this scab. But even if comparing war to hell weren’t a holey sock at the beginning of the book, it would be by the end of it. Every time the slightest skirmish breaks out (which is roughly every other chapter), out trots the tired old dog of hell (Cerberus, a holdover from when the Greeks ran the place) to do his duty. The opening hellish battle is a perfect encapsulation of the kind of mindless action and equally mindless discussion the rest of the audio play offers, proceeding from lurid descriptions of made-up, inexhaustible weapons to the effects of those weapons on the human bodies of the irredeemably evil bad guys (the Systies). Blood splatters, it sprays, it explodes, it flows, it gushes. Sometimes gore does, too, but mostly it’s blood, blood, blood. Then nearly naked women appear, and the hero tries to contain his drool and his bullets as an embarrassingly unconvincing argument breaks out among the blond-haired, blue-eyed heroes. The rest of the book is exactly the same, with each breakout of violence a laughable attempt to supersede the hell of the previous engagement. The troops fly to another planet, kill dinosaur-like aliens in a deep cave (double hell), save and kill primitive peoples, return to a settled world to “spy” ineptly and engage in a covert operation that plays out as stealthily as a frontal assault (hell squared), and then return to a primitive planet to battle an even worse enemy than they first thought (hell convolved with hell). But it is all just a repetition of the first chapter. In between battles, there will be awkward, pointless conversations; breasts naked and otherwise that the hero will fall in “love” with; love scenes that consist of people telling each other how much they love each other and will die and/or kill for each other; and sexless sex scenes that dither about without titillation or consummation. All acted with a style reminiscent of that seen in movies where people get paid more for how they look without clothing than for how they emote. It’s uncomfortable enough to make you actually look forward to the empty-headed shooting. Add to this an unthinking first-person narrator called “Thinker” and the attempted multiple use of the adverb “scarily” without ironic intent, and you have a brackish, gritty brew. The story ends, after its single interesting set-piece, with our heroes literally hanging from a cliff over (you guessed it) hell, but I would rather be tasered than be forced to listen to the sequel. This book is like a live grenade: If it comes at you, get the hell out of the way! This book is available at Timberwolf Press on Audio CD and MP3-CD, or from Audible.com as a download.  The Statement Of Randolph CarterBy H.P. Lovecraft; Read by Bill Mills 1 MP3 File - Approx. 26 Minutes [UNABRIDGED] Publisher: Renaissance E Books / REB Audio Published: 2005 Themes: / Fantasy / Horror / "Carter! for the love of God, put back the slab and get out of this if you can! Quick!--leave everything else and make for the outside--it's your only chance! Do as I say, and don't ask me to explain!" An excellent introductory mini-biography of Lovecraft precedes the reading of this infamous short story of lurking horror. Written in 1919 and first published in 1920 The Statement Of Randolph Carter is one of the best ways to step into the terrible beauty of the Lovecraftian mythos. Told as a statement in monologue by the title character - Carter recalls to the gentlemen assembled around his hospital bed the singular incident that brought him there - an event so horrific it would likely blast the mind of the sanest man should it be witnessed first hand. Following the clues they found in the text of an ancient book from India two men discover a nameless horror entombed in the Earth. Bill Mills' reading is truly eerie. There is a constant musical background during the reading - it doesn't too badly hurt the production but I myself would have preferred a music-free reading. The Statement Of Randolph Carter is available now as a high quality MP3 through Fictionwise.com just in time for Halloween!  Tales With a TwistBy Jerald Fine; Read by Jerald Fine 2 CD's - 2 Hours [UNABRIDGED] Publisher: Tales with a Twist Published: 2004 Themes: / Fantasy / Horror / Short Stories / Alamo / The Mob / Nature / Aging / Ghosts / This audiobook by Jerald Fine delivers what it promises: five tales in the tradition of The Twilight Zone. The tales: "Twilight of Youth": A man who loathes old people gets his. "The Hit": A cautionary tale for any future employee of organized crime. "The Wave": The world's greatest surfer tries a tidal wave. "Return to the Alamo": Could modern paratroopers make a difference at the Alamo? "Fog Encounter": A headless phantom stalks a community. The stories capture the feel of the old Twilight Zone series, and each tale, as the title promises, ends with a twist. The audio is narrated by the author, who has a great dramatic voice. That voice in combination with some of the underlying music creates a few points that are TOO dramatic, but overall the balance is very good. There are places in the book where Fine is joined by a female voice, and I was heartened to see that the he saids/she saids were removed, and the actors were allowed to act where appropriate. The result is a very good audiobook by Jerald Fine. Tales with a Twist is five stories with a classic feel read with good tone and energy. This book can be purchase on the author's site at: www.taleswithatwist.com. A note on packaging: I do not have in my hands the final package - the author informs me that the final package will include "a completed cover with barcodes in a double jewel box case."  Technical ErrorBy Arthur C. Clarke; Read by David Zinn 37 Minutes - [ | |